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Quadraplex
2-inch quadruplex videotape (also called 2″ quad video tape or quadraplex) was the first practical and commercially successful analog recording video tape format. It was developed and released for the broadcast television industry in 1956 by Ampex, an American company based in Redwood City, California. The first videotape recorder using this format was built in the same year. This format revolutionized broadcast television operations and television production, since the only recording medium available to the TV industry until then was film used for kinescopes. Since most United States West Coast network broadcast delays done by the television networks at the time were done with film kinescopes that needed time for developing, the networks wanted a more practical, cost-effective, and quicker way to time-shift television programming for later airing on the West Coast than the expense and time consumption of the processing and editing of film caused. Faced with these challenges, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
MiniDV
DV refers to a family of codecs and videotape, tape formats used for storing digital video, launched in 1995 by a consortium of camcorder, video camera manufacturers led by Sony and Panasonic. In the late 1990s and early 2000s, DV was strongly associated with the transition from analog video, analog to digital desktop video production, and also with several enduring "prosumer" camera designs such as the Sony DCR-VX1000, Sony VX-1000. DV is sometimes referred to as #Magnetic tape, MiniDV, which was the most popular tape format using a DV codec during this time. In 2003, DV was joined by a successor format called HDV, which used the same tapes but with an updated video codec; HDV cameras could typically switch between DV and HDV recording modes. In the 2010s, DV rapidly grew obsolete as cameras using memory cards and solid-state drives became the norm, recording at higher bit rate, bitrates and image resolution, resolutions that were impractical for mechanical tape formats. Additi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Television Program
Television, sometimes shortened to TV, is a telecommunication medium for transmitting moving images and sound. The term can refer to a television set, or the medium of television transmission. Television is a mass medium for advertising, entertainment, news, and sports. Television became available in crude experimental forms in the late 1920s, but only after several years of further development was the new technology marketed to consumers. After World War II, an improved form of black-and-white television broadcasting became popular in the United Kingdom and the United States, and television sets became commonplace in homes, businesses, and institutions. During the 1950s, television was the primary medium for influencing public opinion.Diggs-Brown, Barbara (2011''Strategic Public Relations: Audience Focused Practice''p. 48 In the mid-1960s, color broadcasting was introduced in the U.S. and most other developed countries. The availability of various types of archival stora ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Coercivity
Coercivity, also called the magnetic coercivity, coercive field or coercive force, is a measure of the ability of a ferromagnetic material to withstand an external magnetic field without becoming demagnetized. Coercivity is usually measured in oersted or ampere/meter units and is denoted . An analogous property in electrical engineering and materials science, electric coercivity, is the ability of a ferroelectric material to withstand an external electric field without becoming depolarized. Ferromagnetic materials with high coercivity are called magnetically ''hard'', and are used to make permanent magnets. Materials with low coercivity are said to be magnetically ''soft''. The latter are used in transformer and inductor cores, recording heads, microwave devices, and magnetic shielding. Definitions Coercivity in a ferromagnetic material is the intensity of the applied magnetic field (''H'' field) required to demagnetize that material, after the magnetization of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pilot Tone
An aircraft pilot or aviator is a person who controls the flight of an aircraft by operating its directional flight controls. Some other aircrew members, such as navigators or flight engineers, are also considered aviators, because they are involved in operating the aircraft's navigation and engine systems. Other aircrew members, such as drone operators, flight attendants, mechanics and ground crew, are not classified as aviators. In recognition of the pilots' qualifications and responsibilities, most militaries and many airlines worldwide award aviator badges to their pilots. History The first recorded use of the term ''aviator'' (''aviateur'' in French) was in 1887, as a variation of ''aviation'', from the Latin ''avis'' (meaning ''bird''), coined in 1863 by in ''Aviation Ou Navigation Aérienne'' ("Aviation or Air Navigation"). The term ''aviatrix'' (''aviatrice'' in French), now archaic, was formerly used for a female aviator. These terms were used more in the ea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Video Tape Recorder
A video tape recorder (VTR) is a tape recorder designed to record and playback video and audio material from magnetic tape. The early VTRs were open-reel devices that record on individual reels of 2-inch-wide (5.08 cm) tape. They were used in television studios, serving as a replacement for motion picture film stock and making recording for television applications cheaper and quicker. Beginning in 1963, videotape machines made instant replay during televised sporting events possible. Improved formats, in which the tape was contained inside a videocassette, were introduced around 1969; the machines which play them are called videocassette recorders. An agreement by Japanese manufacturers on a common standard recording format, which allowed cassettes recorded on one manufacturer's machine to play on another's, made a consumer market possible; and the first consumer videocassette recorder, which used the U-matic format, was introduced by Sony in 1971. History In early ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Type C Videotape
1–inch Type C (designated Type C by SMPTE) is a professional reel-to-reel analog recording helical scan videotape format co-developed and introduced by Ampex and Sony in 1976. It became the replacement in the professional video and broadcast television industries for the then-incumbent 2–inch quadruplex videotape (2–inch Quad for short) open-reel format. Additionally, it replaced the unsuccessful type A format, also invented by Ampex, and, primarily in mainland Europe, it supplemented the type B format, invented by the Fernseh division of Bosch, but it was replaced by type C format also there. Technical detail Compared to Quad, Type C had a smaller size, comparative ease of operation, and slightly higher video quality. 1–inch Type C is capable of "trick-play" functions such as still, shuttle, and variable-speed playback, including slow motion. 2–inch quadruplex videotape machines lacked these capabilities, due to the segmented manner in which it re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Linear Video Editing
Linear video editing is a video editing post-production process of selecting, arranging and modifying images and sound in a predetermined, ordered sequence. Regardless of whether it was captured by a video camera, tapeless camcorder, or recorded in a television studio on a video tape recorder (VTR) the content must be accessed sequentially. For the most part video editing software has replaced linear editing. In the past, film editing was done in linear fashion, where film reels were literally cut into long strips divided by takes and scenes, and then glued or taped back together to create a logical sequence of film. Linear video editing is more time consuming and highly specialised and tedious work. Still, it is relevant today because of these reasons: * The method is simple and inexpensive. * Mandatory for some jobs: for example if only two sections of video clips are to be joined together in sequence it is often the quickest and easiest way. * If video editors learn linear editi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Time Code
A timecode (alternatively, time code) is a sequence of numeric codes generated at regular intervals by a timing synchronization system. Timecode is used in video production, show control and other applications which require temporal coordination or logging of recording or actions. Video and film In video production and filmmaking, SMPTE timecode is used extensively for synchronization, and for logging and identifying material in recorded media. During filmmaking or video production shoot, the camera assistant will typically log the start and end timecodes of shots, and the data generated will be sent on to the editorial department for use in referencing those shots. This shot-logging process was traditionally done by hand using pen and paper, but is now typically done using shot-logging software running on a laptop computer that is connected to the timecode generator or the camera itself. The SMPTE family of timecodes are almost universally used in film, video and audio produ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cue Tone
Cue or CUE may refer to: Event markers * Sensory cue, in perception (experimental psychology) *Cue (theatrical), the trigger for an action to be carried out at a specific time, in theatre or film *Cue (show control), the electronic rendering of the specific action(s) to be carried out at a specific time by a show control system * Voice cue, in dance, words or sounds that help match rhythmic patterns of steps with the music *Cue mark, in motion picture film to signal projectionists of reel changes *Cue, a vocal message given by a group fitness instructor to inform participants of upcoming sequences, such as a change in stretching direction Music and audio * Cue (band), a Swedish musical group * Cue tone, a message consisting of audio tones, used to prompt an action. * Cue (audio), to determine the desired initial playback point in a piece of recorded music *Cue sheet (computing), a metadata file that describes how the tracks of an audio track are laid out *Source cue, music that em ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Helical Scan
Helical scan is a method of recording high-frequency signals on magnetic tape. It is used in open-reel video tape recorders, video cassette recorders, digital audio tape recorders, and some computer tape drives. History Earl E Masterson from RCA patented the first helical scan method in 1950 after stealing it from German engineer Eduard Schüller. Eduard Schüller developed an actually working helical scan method of recording in 1953 while working at AEG. With the advent of television broadcasting in Japan in the early 1950s, they saw the need for magnetic television signal recording. Dr. Kenichi Sawazaki developed a prototype helical scan recorder in 1954. Gallery Bcn-scanner-head.jpg, Type B videotape video scanner head Vxa1-drive-nocover-nobezel-front.jpg, rotary head visible in a VXA computer tape drive Vxa1-drive-nocover-top-front.jpg, VXA tape drive, alternate view of rotary head and loading mechanism See also * Type A videotape *1 inch type B videotape *1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
576i
576i is a standard-definition digital video mode, originally used for digitizing analog television in most countries of the world where the utility frequency for electric power distribution is 50 Hz. Because of its close association with the legacy color encoding systems, it is often referred to as PAL, PAL/ SECAM or SECAM when compared to its 60 Hz (typically, see PAL-M) NTSC-colour-encoded counterpart, 480i. The ''576'' identifies a vertical resolution of 576 lines, and the ''i'' identifies it as an interlaced resolution. The field rate, which is 50 Hz, is sometimes included when identifying the video mode, i.e. 576i50; another notation, endorsed by both the International Telecommunication Union in BT.601 and SMPTE in SMPTE 259M, includes the frame rate, as in 576i/25. Operation In analogue television, the full raster uses 625 lines, with 49 lines having no image content to allow time for cathode ray tube circuits to retrace for the next frame (see Ver ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
480i
480i is the video mode used for standard-definition digital television in the Caribbean, Japan, South Korea, Taiwan, Philippines, Laos, Western Sahara, and most of the Americas (with the exception of Argentina, Paraguay, and Uruguay). The ''480'' identifies a vertical resolution of 480 lines, and the ''i'' identifies it as an interlaced resolution. The field rate, which is 60 Hz (or 59.94 Hz when used with NTSC color), is sometimes included when identifying the video mode, i.e. 480i60; another notation, endorsed by both the International Telecommunication Union in BT.601 and SMPTE in SMPTE 259M, includes the frame rate, as in 480i/30. The other common standard definition digital standard, used in the rest of the world, is 576i. It originated from the need for a standard to digitize analog TV (defined in BT.601) and is now used for digital TV broadcasts and home appliances such as game consoles and DVD disc players. Although related, it should not be confused wit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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