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Postminimalist
Postminimalism is an art term coined (as post-minimalism) by Robert Pincus-Witten in 1971Chilvers, Ian and Glaves-Smith, John, ''A Dictionary of Modern and Contemporary Art'', second edition (Oxford and New York: Oxford University Press, 2009), p. 569. . and used in various artistic fields for work which is influenced by, or attempts to develop and go beyond, the aesthetic of minimalism. The expression is used specifically in relation to music and the visual arts, but can refer to any field using minimalism as a critical reference point. In music, "postminimalism" refers to music following minimal music. Visual art In visual art, postminimalist art uses minimalism either as an aesthetic or conceptual reference point. Postminimalism is more an artistic tendency than a particular movement. Postminimalist artworks are usually everyday objects, use simple materials, and sometimes take on a "pure", formalist aesthetic. However, since postminimalism includes such a diverse and dispa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Postminimal Music
Postminimalism is an art term coined (as post-minimalism) by Robert Pincus-Witten in 1971Chilvers, Ian and Glaves-Smith, John, ''A Dictionary of Modern and Contemporary Art'', second edition (Oxford and New York: Oxford University Press, 2009), p. 569. . and used in various artistic fields for work which is influenced by, or attempts to develop and go beyond, the aesthetic of minimalism. The expression is used specifically in relation to music and the visual arts, but can refer to any field using minimalism as a critical reference point. In music, "postminimalism" refers to music following minimal music. Visual art In visual art, postminimalist art uses minimalism either as an aesthetic or conceptual reference point. Postminimalism is more an artistic tendency than a particular movement. Postminimalist artworks are usually everyday objects, use simple materials, and sometimes take on a "pure", formalist aesthetic. However, since postminimalism includes such a diverse and dispar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Postminimalism (music)
Postminimalism is an art term coined (as post-minimalism) by Robert Pincus-Witten in 1971Chilvers, Ian and Glaves-Smith, John, ''A Dictionary of Modern and Contemporary Art'', second edition (Oxford and New York: Oxford University Press, 2009), p. 569. . and used in various artistic fields for work which is influenced by, or attempts to develop and go beyond, the aesthetic of minimalism. The expression is used specifically in relation to music and the visual arts, but can refer to any field using minimalism as a critical reference point. In music, "postminimalism" refers to music following minimal music. Visual art In visual art, postminimalist art uses minimalism either as an aesthetic or conceptual reference point. Postminimalism is more an artistic tendency than a particular movement. Postminimalist artworks are usually everyday objects, use simple materials, and sometimes take on a "pure", formalist aesthetic. However, since postminimalism includes such a diverse and dispar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mamoru Fujieda
is a Japanese composer associated with the postminimalist movement of contemporary classical music. Biography He received a Ph.D. in music from the University of California, San Diego in 1988. His composition instructors have included Joji Yuasa, Morton Feldman, Gordon Mumma, and Julio Estrada. He currently serves as a professor at Kyushu University (Faculty of Design) in Fukuoka, Fukuoka, Kyūshū, Japan. His music has been recorded for the Tzadik Records Tzadik Records is a record label in New York City that specializes in avant-garde and experimental music. The label was established by composer and saxophonist John Zorn in 1995. He is the executive producer of all Tzadik releases. Tzadik is a n ... and Pinna labels. Major works *''Falling Scale No. 1 - No. 7'' (1975–82) **No. 1, 2 and 3 (piano solo) **No. 4 and 7 (2 pianos) **No. 5 (3 pianos) **No. 6 (prepared piano or piano) *''Upward Falling'' for piano (1980) *''Planetary Folklore I'' for piano (1980) *''Begin at ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eva Hesse
Eva Hesse (January 11, 1936 – May 29, 1970) was a German-born American sculptor known for her pioneering work in materials such as latex, fiberglass, and plastics. She is one of the artists who ushered in the postminimal art movement in the 1960s. Life Hesse was born into a family of observant Jews in Hamburg, Germany, on January 11, 1936. When Hesse was two years old in December 1938, her parents, hoping to flee from Nazi Germany, sent Hesse and her older sister, Helen Hesse Charash, to the Netherlands. They were aboard one of the last Kindertransport trains. After almost six months of separation, the reunited family moved to England and then, in 1939, emigrated to New York City, where they settled into Manhattan's Washington Heights, Manhattan, Washington Heights.Danto 2006, p.32.Lippard 1992, p. 6. In 1944, Hesse's parents separated; her father remarried in 1945 and her mother committed suicide in 1946. In 1961, Hesse met and married sculptor Tom Doyle (1928–2016); they di ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Process Music
Process music is music that arises from a process. It may make that process audible to the listener, or the process may be concealed. Primarily begun in the 1960s, diverse composers have employed divergent methods and styles of process. "A 'musical process' as Christensen defines it is a highly complex dynamic phenomenon involving audible structures that evolve in the course of the musical performance ... 2nd order audible developments, i.e., audible developments within audible developments". These processes may involve specific systems of choosing and arranging notes through pitch and time, often involving a long term change with a limited amount of musical material, or transformations of musical events that are already relatively complex in themselves. Steve Reich defines process music not as, "the process of composition but rather pieces of music that are, literally, processes. The distinctive thing about musical processes is that they determine all the note-to-note (sound- ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bluegrass Music
Bluegrass music is a genre of American roots music that developed in the 1940s in the Appalachian region of the United States. The genre derives its name from the band Bill Monroe and the Blue Grass Boys. Like mainstream country music, it largely developed out of old-time string music, though in contrast, bluegrass is traditionally played exclusively on acoustic instruments and also has roots in traditional English, Scottish, and Irish ballads and dance tunes as well as in blues and jazz. Bluegrass was further developed by musicians who played with Monroe, including 5-string banjo player Earl Scruggs and guitarist Lester Flatt. Monroe characterized the genre as: " Scottish bagpipes and ole-time fiddlin'. It's a part of Methodist, Holiness and Baptist traditions. It's blues and jazz, and it has a high lonesome sound." Bluegrass features acoustic stringed instruments and emphasizes the off-beat. Notes are anticipated, in contrast to laid back blues where notes are behin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hebrew Cantillation
Hebrew cantillation is the manner of chanting ritual readings from the Hebrew Bible in synagogue services. The chants are written and notated in accordance with the special signs or marks printed in the Masoretic Text of the Bible, to complement the letters and vowel points. These marks are known in English as 'accents' (diacritics), 'notes' or trope symbols, and in Hebrew as () or just (). Some of these signs were also sometimes used in medieval manuscripts of the Mishnah. The musical motifs associated with the signs are known in Hebrew as or (not to be confused with Hasidic nigun) and in Yiddish as (): the word ''trope'' is sometimes used in Jewish English with the same meaning. There are multiple traditions of cantillation. Within each tradition, there are multiple tropes, typically for different books of the Bible and often for different occasions. For example, different chants may be used for Torah readings on Rosh Hashana and Yom Kippur than for the same tex ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Totalism (music)
Totalism is a style of art music that arose in the 1980s and 1990s as a response to minimalism. It paralleled postminimalism but involved a younger generation of creators, born in the 1950s. This term, invented by writer and composer Kyle Gann, has not been adopted by contemporary musicology and generally still refers only to Gann’s use of it in his writings. Early 1980s In the early 1980s, many young composers began writing music within the static confines of minimalism, but using greater rhythmic complexity, often with two or more simultaneous tempos (or implied tempos) audible at once. The style acquired a name around 1990, when it became evident to composers working in New York City that a number of them, including John Luther Adams, Glenn Branca, Rhys Chatham, Kyle Gann, Michael Gordon, Arthur Jarvinen, Bernadette Speach, Ben Neill, Larry Polansky, Mikel Rouse, Evan Ziporyn, were employing similar types of global tempo structures in their music. Others include Eve Begla ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Holy Minimalism
Holy minimalism, mystic minimalism, spiritual minimalism, or sacred minimalism are terms, sometimes pejorative, used to describe the musical works of a number of late-twentieth-century composers of Western classical music. The compositions are distinguished by a minimalist compositional aesthetic and a distinctly religious or mystical subject focus. Origins With the growing popularity of minimalist music in the 1960s and 1970s, which often broke sharply with prevailing musical aesthetics of serialism and aleatoric music, many composers, building on the work of such minimalists as Terry Riley, Philip Glass and Steve Reich, began to work with more traditional notions of simple melody and harmony in a radically simplified framework. This transition was seen variously as an aspect of musical post-modernism or as neo-romanticism, that is a return to the lyricism of the nineteenth century. Popularity In the 1970s and continuing in the 1980s and 1990s, several composers, many of whom had ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lyrical Abstraction
Lyrical abstraction is either of two related but distinct trends in Post-war Modernist painting: ''European Abstraction Lyrique'' born in Paris, the French art critic Jean José Marchand being credited with coining its name in 1947, considered as a component of Tachisme when the name of this movement was coined in 1951 by Pierre Guéguen and Charles Estienne the author of ''L'Art à Paris 1945–1966'', and ''American Lyrical Abstraction'' a movement described by Larry Aldrich (the founder of the Aldrich Contemporary Art Museum, Ridgefield Connecticut) in 1969.Aldrich, Larry. Young Lyrical Painters, Art in America, v.57, n6, November–December 1969, pp.104–113. A second definition is the usage as a descriptive term. It is a descriptive term characterizing a type of abstract painting related to Abstract Expressionism; in use since the 1940s. Many well known abstract expressionist painters such as Arshile Gorky seen in context have been characterized as doing a type of painti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Pincus-Witten
Robert Pincus-Witten (April 5, 1935 – January 28, 2018) was an American art critic, curator and art historian. Biography Born in New York City, Pincus-Witten earned his undergraduate degree at The Cooper Union, in New York City in 1956. He wrote his master's degree (1962) and Ph.D. (1968) both at the University of Chicago. His dissertation, on Joséphin Péladan and the Salon de la Rose + Croix was written under Joshua Taylor and John Rewald. Pincus-Witten joined the City University of New York in 1964. In 1970 he was promoted to professor at CUNY. Pincus-Witten retired from CUNY in 1990. In 1966 he began writing criticism for Artforum magazine as its senior editor. He became associate editor of Artforum in 1976. An initial book on minimalism and the era following it was issued in 1977. His collected art criticism was published as Eye to Eye: Twenty Years of Art Criticism, in 1984. His treatise on post-modern art, Postminimalism into Maximalism: American Art 1966-1986, appeare ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Neo-expressionism
Neo-expressionism is a style of late modernist or early-postmodern painting and sculpture that emerged in the late 1970s. Neo-expressionists were sometimes called ''Transavantgarde'', '' Junge Wilde'' or ''Neue Wilden'' ('The new wild ones'; 'New Fauves' would better meet the meaning of the term). It is characterized by intense subjectivity and rough handling of materials. Neo-expressionism developed as a reaction against conceptual art and minimal art of the 1970s. Neo-expressionists returned to portraying recognizable objects, such as the human body (although sometimes in an abstract manner), in a rough and violently emotional way, often using vivid colors. It was overtly inspired by German Expressionist painters, such as Emil Nolde, Max Beckmann, George Grosz, Ernst Ludwig Kirchner, James Ensor and Edvard Munch. It is also related to American Lyrical Abstraction painting of the 1960s and 1970s, The Hairy Who movement in Chicago, the Bay Area Figurative School of the 19 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
