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Purism (arts)
Purism, referring to the arts, was a movement that took place between 1918 and 1925 that influenced French painting and architecture. Purism was led by Amédée Ozenfant and Charles Edouard Jeanneret (Le Corbusier). Ozenfant and Le Corbusier formulated an aesthetic doctrine born from a criticism of Cubism and called it Purism: where objects are represented as elementary forms devoid of detail. The main concepts were presented in their short essay ''Après le Cubisme'' (After Cubism) published in 1918. Post World War I Le Corbusier and Ozenfant were the creators of Purism. Fernand Léger was a principal associate. Purism was an attempt to restore regularity in a war-torn France post World War I. Unlike what they saw as 'decorative' fragmentation of objects in Cubism, Purism proposed a style of painting where elements were represented as robust simplified forms with minimal detail, while embracing technology and the machine. Purism culminated in Le Corbusier's ''Pavillon de l'E ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Le Corbusier (Charles Edouard Jeanneret), 1922, Nature Morte Verticale (Vertical Still Life), Oil On Canvas, 146
Charles-Édouard Jeanneret (6 October 188727 August 1965), known as Le Corbusier ( , ; ), was a Swiss-French architectural designer, painter, urban planner and writer, who was one of the pioneers of what is now regarded as modern architecture. He was born in Switzerland to French speaking Swiss parents, and acquired French nationality by naturalization on 19 September 1930. His career spanned five decades, in which he designed buildings in Europe, Japan, India, as well as North and South America. He considered that "the roots of modern architecture are to be found in Viollet-le-Duc." Dedicated to providing better living conditions for the residents of crowded cities, Le Corbusier was influential in urban planning, and was a founding member of the (CIAM). Le Corbusier prepared the master plan for the city of Chandigarh in India, and contributed specific designs for several buildings there, especially the government buildings. On 17 July 2016, seventeen projects by Le Corbusie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Orphism (art)
Orphism or Orphic Cubism, a term coined by the French poet Guillaume Apollinaire in 1912, was an offshoot of Cubism that focused on pure abstraction and bright colors, influenced by Fauvism, the theoretical writings of Paul Signac, Charles Henry and the dye chemist Michel Eugène Chevreul. This movement, perceived as key in the transition from Cubism to Abstract art, was pioneered by František Kupka, Robert Delaunay and Sonia Delaunay, who relaunched the use of color during the monochromatic phase of Cubism. The meaning of the term Orphism was elusive when it first appeared and remains to some extent vague. History The Orphists were rooted in Cubism but tended towards a pure lyrical abstraction. They saw art as the unification of sensation and color. More concerned with sensation, they began with recognizable subjects, depicted with abstract structures. Orphism aimed to vacate recognizable subject matter by concentrating exclusively on ''form'' and ''color''. The movement ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Abstract Art
Abstract art uses visual language of shape, form, color and line to create a Composition (visual arts), composition which may exist with a degree of independence from visual references in the world. ''Abstract art'', ''non-figurative art'', ''non-objective art'', and ''non-representational art'' are all closely related terms. They have similar, but perhaps not identical, meanings. Western art had been, from the Renaissance up to the middle of the 19th century, underpinned by the logic of Perspective (graphical), perspective and an attempt to reproduce an illusion of visible reality. By the end of the 19th century many artists felt a need to create a new kind of art which would encompass the fundamental changes taking place in technology, science and philosophy. The sources from which individual artists drew their theoretical arguments were diverse, and reflected the social and intellectual preoccupations in all areas of Western culture at that time. Abstraction indicates a departu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art Movements
An art movement is a tendency or style in art with a specific art philosophy or goal, followed by a group of artists during a specific period of time, (usually a few months, years or decades) or, at least, with the heyday of the movement defined within a number of years. Art movements were especially important in modern art, when each consecutive movement was considered a new avant-garde movement. Western art had been, from the Renaissance up to the middle of the 19th century, underpinned by the logic of Perspective (graphical), perspective and an attempt to reproduce an illusion of visible reality (figurative art). By the end of the 19th century many artists felt a need to create a new Style (visual arts), style which would encompass the fundamental changes taking place in technology, science and philosophy (abstract art). Concept According to theories associated with modernism and also the concept of Postmodern art, postmodernism, ''art movements'' are especially important dur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Modern Art
Modern art includes artistic work produced during the period extending roughly from the 1860s to the 1970s, and denotes the styles and philosophies of the art produced during that era. The term is usually associated with art in which the traditions of the past have been thrown aside in a spirit of experimentation. Modern artists experimented with new ways of seeing and with fresh ideas about the nature of materials and functions of art. A tendency away from the narrative, which was characteristic of the traditional arts, toward abstraction is characteristic of much modern art. More recent artistic production is often called contemporary art or Postmodern art. Modern art begins with the post-impressionist painters like Vincent van Gogh, Paul Cézanne, Paul Gauguin, Georges Seurat and Henri de Toulouse-Lautrec. These artists were essential to modern art's development. At the beginning of the 20th century Henri Matisse and several other young artists including the Proto-Cubism, pre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
French Art Movements
French may refer to: * Something of, from, or related to France ** French language, which originated in France ** French people, a nation and ethnic group ** French cuisine, cooking traditions and practices Arts and media * The French (band), a British rock band * "French" (episode), a live-action episode of ''The Super Mario Bros. Super Show!'' * ''Française'' (film), a 2008 film * French Stewart (born 1964), American actor Other uses * French (surname), a surname (including a list of people with the name) * French (tunic), a type of military jacket or tunic * French's, an American brand of mustard condiment * French (catheter scale), a unit of measurement * French Defence, a chess opening * French kiss, a type of kiss See also * France (other) * Franch, a surname * French Revolution (other) * French River (other), several rivers and other places * Frenching (other) * Justice French (other) Justice French may refer to: * C. G. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Purism
Purism, referring to the arts, was a movement that took place between 1918 and 1925 that influenced French painting and architecture. Purism was led by Amédée Ozenfant and Charles Edouard Jeanneret (Le Corbusier). Ozenfant and Le Corbusier formulated an aesthetic doctrine born from a criticism of Cubism and called it Purism: where objects are represented as elementary forms devoid of detail. The main concepts were presented in their short essay ''Après le Cubisme'' (After Cubism) published in 1918. Post World War I Le Corbusier and Ozenfant were the creators of Purism. Fernand Léger was a principal associate. Purism was an attempt to restore regularity in a war-torn France post World War I. Unlike what they saw as 'decorative' fragmentation of objects in Cubism, Purism proposed a style of painting where elements were represented as robust simplified forms with minimal detail, while embracing technology and the machine. Purism culminated in Le Corbusier's ''Pavillon de l'E ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Raoul Albert La Roche
Raoul Albert La Roche (23 February 1889 - 15 June 1965) was a Swiss banker and art collector. He was especially interested in purism and cubism and his collections have been donated to museums in Switzerland and France. His home in Paris, ''Maison La Roche'', was designed by his friend Le Corbusier and now houses the Le Corbusier Foundation. Early life Raoul Albert La Roche was born on 23 February 1889, and grew up in Basel, Switzerland in a bourgeois family, very closely linked to the world of art. He was the second son of the banker Louis La Roche and Emilie Caroline Burckhardt. He studied at the School of Trading in Neuchâtel (Switzerland), and became an apprentice in the Bank of Basel, and worked in Berlin and London. Career In 1912, at the age of 23, La Roche moved to Paris to work for the (BSF), which became in 1917 the . He made his career there, retiring in 1954. In 1940, during the invasion of France by the German army, he left Paris and moved to Lyon, keeping his ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tubism
Tubism is a term coined by the art critic Louis Vauxcelles in 1911 in art, 1911 to describe the style of French artist Fernand Léger. Meant as derision, the term was inspired by Léger's idiosyncratic version of cubism, in which he emphasized Cylinder (geometry), cylindrical shapes. The style was developed by Léger in his paintings of 1909–1919, such as ''Nudes in the Forest'' (1909–10) and ''Soldiers Playing Cards'' (1917).Buck et al., 1982, 31 References Bibliography *Néret, Gilles (1993). ''F. Léger''. New York: BDD Illustrated Books. *Buck, Robert T., et al. (1982). ''Fernand Léger''. New York: Abbeville. Cubism {{art-movement-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
De Stijl
De Stijl (, ; 'The Style') was a Dutch art movement founded in 1917 by a group of artists and architects based in Leiden (Theo van Doesburg, Jacobus Oud, J.J.P. Oud), Voorburg (Vilmos Huszár, Jan Wils) and Laren, North Holland, Laren (Piet Mondrian, Bart van der Leck). ''De Stijl'' was also the name of a journalpublished by the Dutch painter, designer, writer, poet and critic Theo van Doesburgthat propagated the group's theories. Along with van Doesburg, the group's principal members were the painters Piet Mondrian, Vilmos Huszár, Bart van der Leck, the architects Jacobus Oud, J.J.P. Oud, Jan Wils, Gerrit Rietveld, Robert van 't Hoff, the sculptor and painter Georges Vantongerloo, and the poet and writer Antony Kok. The art theory that formed the basis for the group's work was originally known as in Dutch; it was later translated to Neoplasticism in English. This theory was subsequently extended to encompass the principles of Elementarism. Principles and influences Mon ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
