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Proscenium
A proscenium ( grc-gre, προσκήνιον, ) is the metaphorical vertical plane of space in a theatre, usually surrounded on the top and sides by a physical proscenium arch (whether or not truly "arched") and on the bottom by the stage floor itself, which serves as the frame into which the audience observes from a more or less unified angle the events taking place upon the stage during a theatrical performance. The concept of the fourth wall of the theatre stage space that faces the audience is essentially the same. It can be considered as a social construct which divides the actors and their stage-world from the audience which has come to witness it. But since the curtain usually comes down just behind the proscenium arch, it has a physical reality when the curtain is down, hiding the stage from view. The same plane also includes the drop, in traditional theatres of modern times, from the stage level to the "stalls" level of the audience, which was the original meaning of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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Stage (theatre)
In theatre and performing arts, the stage (sometimes referred to as the deck in stagecraft) is a designated space for the performance of productions. The stage serves as a space for actors or performers and a focal point (the screen in cinema theaters) for the audience. As an architectural feature, the stage may consist of a platform (often raised) or series of platforms. In some cases, these may be temporary or adjustable but in theaters and other buildings devoted to such productions, the stage is often a permanent feature. There are several types of stages that vary as to the usage and the relation of the audience to them. The most common form found in the West is the proscenium stage. In this type, the audience is located on one side of the stage with the remaining sides hidden and used by the performers and technicians. Thrust stages may be similar to proscenium stages but with a platform or performance area that extends into the audience space so that the audienc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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Flyspace
A fly system, or theatrical rigging system, is a system of rope lines, blocks (pulleys), counterweights and related devices within a theater that enables a stage crew to fly (hoist) quickly, quietly and safely components such as curtains, lights, scenery, stage effects and, sometimes, people. Systems are typically designed to fly components between clear view of the audience and out of view, into the large opening, known as the fly loft, above the stage. Fly systems are often used in conjunction with other theatre systems, such as scenery wagons, stage lifts and stage turntables, to physically manipulate the mise en scène. Theatrical rigging is most prevalent in proscenium theatres with stage houses designed specifically to handle the significant dead and live loads associated with fly systems. Building, occupational safety, and fire codes limit the types and quantity of rigging permitted in a theatre based on stage configuration. Theatrical rigging standards are deve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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Fourth Wall
The fourth wall is a performance convention in which an invisible, imaginary wall separates actors from the audience. While the audience can see through this ''wall'', the convention assumes the actors act as if they cannot. From the 16th century onward, the rise of illusionism in staging practices, which culminated in the realism and naturalism of the theatre of the 19th century, led to the development of the fourth wall concept. The metaphor suggests a relationship to the mise-en-scène behind a proscenium arch. When a scene is set indoors and three of the walls of its room are presented onstage, in what is known as a box set, the fourth of them would run along the line (technically called the proscenium) dividing the room from the auditorium. The ''fourth wall'', though, is a theatrical convention, rather than of set design. The actors ignore the audience, focus their attention exclusively on the dramatic world, and remain absorbed in its fiction, in a state that th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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Theatre In The Round
A theatre in the round, arena theatre or central staging is a space for theatre in which the audience surrounds the stage. Theatre-in-the-round was common in ancient theatre, particularly that of Greece and Rome, but was not widely explored again until the latter half of the 20th century. The Glenn Hughes Penthouse Theatre in Seattle, Washington was the first theatre-in-the-round venue built in the United States. It first opened on May 19, 1940 with a production of ''Spring Dance'', a comedy by playwright Philip Barry. The 160-seat theatre is located on the campus of the University of Washington in Seattle and is on the National Register of Historic Places. In 1947, Margo Jones established America's first professional theatre-in-the-round company when she opened her Theater '47 in Dallas. The stage design as developed by Margo Jones was used by directors in later years for such well-known shows as the Tony Award-winning musical '' Fun Home'', the original stage production ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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Teatro Farnese
Teatro Farnese is a Renaissance theatre in the Palazzo della Pilotta, Parma, Italy. It was built in 1618 by Giovanni Battista Aleotti. The idea of creating this grand theater came from the Duke of Parma and Piacenza Ranuccio I Farnese. The theatre was almost destroyed by an Allied air raid during World War II (1944). It was rebuilt and reopened in 1962. It is, along with the Teatro all'antica in Sabbioneta and the Teatro Olimpico in Vicenza, one of only three Renaissance theaters still in existence. Some claim this as the first permanent proscenium A proscenium ( grc-gre, προσκήνιον, ) is the metaphorical vertical plane of space in a theatre, usually surrounded on the top and sides by a physical proscenium arch (whether or not truly "arched") and on the bottom by the stage floor ... theatre (that is, a theatre in which the audience views the action through a single frame, which is known as the "proscenium arch").Kuritz, p. 167 References Notes Cited sour ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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Baroque
The Baroque (, ; ) is a style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished in Europe from the early 17th century until the 1750s. In the territories of the Spanish and Portuguese empires including the Iberian Peninsula it continued, together with new styles, until the first decade of the 19th century. It followed Renaissance art and Mannerism and preceded the Rococo (in the past often referred to as "late Baroque") and Neoclassical styles. It was encouraged by the Catholic Church as a means to counter the simplicity and austerity of Protestant architecture, art, and music, though Lutheran Baroque art developed in parts of Europe as well. The Baroque style used contrast, movement, exuberant detail, deep colour, grandeur, and surprise to achieve a sense of awe. The style began at the start of the 17th century in Rome, then spread rapidly to France, northern Italy, Spain, and Portugal, then to Austria, southern Germany, and Rus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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Teatro Olimpico
The Teatro Olimpico ("Olympic Theatre") is a theatre in Vicenza, northern Italy, constructed in 1580–1585. The theatre was the final design by the Italian Renaissance architect Andrea Palladio and was not completed until after his death. The ''trompe-l'œil'' onstage scenery, designed by Vincenzo Scamozzi, to give the appearance of long streets receding to a distant horizon, was installed in 1585 for the first performance held in the theatre, and is the oldest surviving stage set still in existence. The full Roman-style '' scaenae frons'' back screen across the stage is made from wood and stucco imitating marble. It was the home of the Accademia Olimpica, which was founded there in 1555. The Teatro Olimpico is, along with the Teatro all'antica in Sabbioneta and the Teatro Farnese in Parma, one of only three Renaissance theatres remaining in existence. Both these theatres were based, in large measure, on the Teatro Olimpico. It is still used several times a year. Since ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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Scaenae Frons
The scaenae frons is the elaborately decorated permanent architectural background of a Roman theatre stage. The form may have been intended to resemble the facades of imperial palaces. It could support a permanent roof or awnings. The Roman scaenae frons was also used both as the backdrop to the stage and behind as the actors' dressing room. Largely through reconstruction or restoration, there are a number of well-preserved examples. Description The scaenae frons is the elaborately decorated permanent architectural background of a Roman theatre stage. Normally there are three entrances to the stage (Palmyra has five) including a grand central entrance, known as the ''porta regia'' or "royal door". The form may have been intended to resemble the facades of imperial palaces. The scaenae frons is often two and sometimes three stories in height and was central to the theatre's visual impact for this was what was seen by a Roman audience at all times. Tiers or balconies were suppor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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Skene (theatre)
In the theatre of ancient Greece, the ''skene'' was the structure at the back of a stage. The word means 'tent' or 'hut', and it is thought that the original structure for these purposes was a tent or light building of wood and was a temporary structure. It was initially a very light structure or just cloth hanging from a rope, but over the course of time the ''skene'' underwent fundamental changes. First, it became a permanent building, whose roof could sometimes be used to make speeches, and as time passed it was raised up from the level of the orchestra, creating a , or "space in front of the ". The facade of the was behind the orchestra and provided a space for supporting stage scenery. During the Roman Period, the had become a large and complex, elaborately decorated, stone building on several levels. Actors emerged from the ''parodoi'' and could use its steps and balconies to speak from. It was also where costumes were stored and to which the '' periaktoi'' (painted ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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Thrust Stage
In theatre, a thrust stage (also known as a platform stage or open stage) is one that extends into the audience on three sides and is connected to the backstage area by its upstage end. A thrust has the benefit of greater intimacy between performers and the audience than a proscenium, while retaining the utility of a backstage area. Entrances onto a thrust are most readily made from backstage, although some theatres provide for performers to enter through the audience using vomitory entrances. A theatre in the round, exposed on all sides to the audience, is without a backstage and relies entirely on entrances in the auditorium or from under the stage. As with an arena, the audience in a thrust stage theatre may view the stage from three or more sides. Because the audience can view the performance from a variety of perspectives, it is usual for the blocking, props and scenery to receive thorough consideration to ensure that no perspective is blocked from view. A high backed c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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Greek Theatre
Ancient Greek theatre was a theatrical culture that flourished in ancient Greece from 700 BC. The city-state of Athens, which became a significant cultural, political, and religious place during this period, was its centre, where the theatre was institutionalised as part of a festival called the Dionysia, which honoured the god Dionysus. Tragedy (late 500 BC), comedy (490 BC), and the satyr play were the three dramatic genres to emerge there. Athens exported the festival to its numerous colonies. Modern Western theatre comes, in large measure, from the theatre of ancient Greece, from which it borrows technical terminology, classification into genres, and many of its themes, stock characters, and plot elements. Etymology The word grc, τραγῳδία, tragoidia, label=none, from which the word "tragedy" is derived, is a compound of two Greek words: grc, τράγος, tragos, label=none or "goat" and grc, ᾠδή, ode, label=none meaning "song", from grc, ἀείδειν ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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Ballets De Cour
''Ballet de cour'' ("court ballet") is the name given to ballets performed in the 16th and 17th centuries at courts. The court ballet was a gathering of noblemen and women, as the cast and audience were largely supplied by the ruling class. The festivities, which were descendants of festivals, processions and mummeries dating back to the Middle Ages, looked more like a modern-day parade, than what people today would identify as a ballet performance. Where early court ballet differed from its predecessors, is that it was a secular, not religious happening. It was a carefully crafted mixture of art, socializing, and politics, with its primary objective being to exalt the State. Because these celebrations occurred long before the proscenium stage had been invented, and were instead executed in large halls with audience members stacked up on three sides of the performance, early court ballet’s choreography was constructed as a series of patterns and geometric shapes that were inte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |