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Poietic
''Esthesic'' (UK ''aesthesic'') and ''poietic'' are terms used in semiotics, the study of signs, to describe perceptive and productive levels, processes, and analyses of symbolic forms. The corresponding terms for the processes are ''esthesis'' and ''poiesis''. Like 'emic' and 'etic', both words appear to be derived from a suffix, ''-poietic'' (from "creative") meaning productive or formative and ''-esthesic'' (from αἴσθησις "sense") being receptive or perceptive, in relation to the neutral level. The neutral level is the "trace" left behind, the physical or material creation of esthesic and poietic processes. Thus, for Jean-Jacques Nattiez, Nattiez's diagram, following Jean Molino: :(ibid.) "Esthesic" also refers to the mental perception of any body part. "-poesis"/"-poetics" also refers to production. See also * Autopoietic *Poiesis In continental philosophy and semiotics, ''poiesis'' (; from ) is the process of emergence of something that did not previously ex ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Autopoietic
The term autopoiesis (), one of several current theories of life, refers to a system capable of producing and maintaining itself by creating its own parts. The term was introduced in the 1972 publication '' Autopoiesis and Cognition: The Realization of the Living'' by Chilean biologists Humberto Maturana and Francisco Varela to define the self-maintaining chemistry of living cells. The concept has since been applied to the fields of cognition, neurobiology, systems theory, architecture and sociology. Niklas Luhmann briefly introduced the concept of autopoiesis to organizational theory. Overview In their 1972 book ''Autopoiesis and Cognition'', Chilean biologists Maturana and Varela described how they invented the word autopoiesis. They explained that, They described the "space defined by an autopoietic system" as "self-contained", a space that "cannot be described by using dimensions that define another space. When we refer to our interactions with a concrete autopoietic sy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Poiesis
In continental philosophy and semiotics, ''poiesis'' (; from ) is the process of emergence of something that did not previously exist. Forms of poiesis—including autopoiesis, the process of sustenance through the emergence of sustaining parts—are considered in philosophy and semiotics to be the foundation of activity, alongside semiosis which is considered the foundation of the production of meaning. Etymology ''Poiesis'' is etymologically derived from the ancient Greek term ποιεῖν, which means "to make". It is related to the word ''poetry'', which shares the same root. The word is also used as a suffix, as in the biological term hematopoiesis Haematopoiesis (; ; also hematopoiesis in American English, sometimes h(a)emopoiesis) is the formation of blood cellular components. All cellular blood components are derived from haematopoietic stem cells. In a healthy adult human, roughly ten ... (the formation of blood cells) and erythropoiesis (the formation of red b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sign (semiotics)
In semiotics, a sign is anything that communicates a meaning that is not the sign itself to the interpreter of the sign. The meaning can be intentional, as when a word is uttered with a specific meaning, or unintentional, as when a symptom is taken as a sign of a particular medical condition. Signs can communicate through any of the senses, visual, auditory, tactile, olfactory, or taste. Two major theories describe the way signs acquire the ability to transfer information. Both theories understand the defining property of the sign as a relation between a number of elements. In semiology, the tradition of semiotics developed by Ferdinand de Saussure (1857–1913), the sign relation is dyadic, consisting only of a form of the sign (the signifier) and its meaning (the signified). Saussure saw this relation as being essentially arbitrary (the principle of semiotic arbitrariness), motivated only by social convention. Saussure's theory has been particularly influential in the st ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Neutral Level
In semiotics the neutral level of a sign is the "trace" left behind; the physical or material creation or remains of esthesic and poietic processes, levels, and analyses of symbolic forms. A part of all signs according to a tri-partitional definition, it corresponds to Saussure's "sound-image" (or "signified", thus Pierce's "representamen"). Thus, "a symbolic form...is not some 'intermediary' in a process of 'communication' that transmits the meaning intended by the author to the audience; it is instead the result of a complex ''process'' of creation (the poetic process) that has to do with the form as well as the content of the work; it is also the point of departure for a complex process of reception (the esthesic process that ''reconstructs'' a 'message.')" Molino and Nattiez's diagram: An immanent description is an analysis of the neutral level.(Nattiez 1990, p. 75). Applied Semiotics In an applied semiology the neutral level of a sign is the " trace" left behind ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean-Jacques Nattiez
Jean-Jacques Nattiez (; born December 30, 1945) is a French musicologist and ethnomusicologist active in Canada, who is seminal figure in music semiology. Professor of musicology at the Université de Montréal since 1972,. he studied semiology with Georges Mounin and Jean Molino and music semiology (doctoral) with Nicolas Ruwet. Life and career Jean-Jacques Nattiez was born on December 30, 1945, in Amiens, France. He is a noted specialist on the writings of the composer and conductor Pierre Boulez. In 1990, he was made a Member of the Order of Canada. In 2001, he was made a Knight of the National Order of Quebec. Awards *1988, Dent Medal of the Royal Musical Association *1989, Prix André-Laurendeau pour les sciences humaines from the Association canadienne française pour l'avancement des sciences *1990, Molson Prize from the Canada Council *1994, prix Léon-Gérin pour les sciences sociales du Gouvernement du Québec *1996, Fumio Koizumi Prize for Ethnomusicol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nattiez, Jean-Jacques
Jean-Jacques Nattiez (; born December 30, 1945) is a French musicologist and ethnomusicologist active in Canada, who is seminal figure in music semiology. Professor of musicology at the Université de Montréal since 1972,. he studied semiology with Georges Mounin and Jean Molino and music semiology (doctoral) with Nicolas Ruwet. Life and career Jean-Jacques Nattiez was born on December 30, 1945, in Amiens, France. He is a noted specialist on the writings of the composer and conductor Pierre Boulez. In 1990, he was made a Member of the Order of Canada. In 2001, he was made a Knight of the National Order of Quebec. Awards *1988, Dent Medal of the Royal Musical Association *1989, Prix André-Laurendeau pour les sciences humaines from the Association canadienne française pour l'avancement des sciences *1990, Molson Prize from the Canada Council *1994, prix Léon-Gérin pour les sciences sociales du Gouvernement du Québec *1996, Fumio Koizumi Prize for Ethnomusicology ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Semiotics
Semiotics ( ) is the systematic study of sign processes and the communication of meaning. In semiotics, a sign is defined as anything that communicates intentional and unintentional meaning or feelings to the sign's interpreter. Semiosis is any activity, conduct, or process that involves signs. Signs often are communicated by verbal language, but also by gestures, or by other forms of language, e.g. artistic ones (music, painting, sculpture, etc.). Contemporary semiotics is a branch of science that generally studies meaning-making (whether communicated or not) and various types of knowledge. Unlike linguistics, semiotics also studies non-linguistic sign systems. Semiotics includes the study of indication, designation, likeness, analogy, allegory, metonymy, metaphor, symbolism, signification, and communication. Semiotics is frequently seen as having important anthropological and sociological dimensions. Some semioticians regard every cultural phenomenon as being able to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Productive
Productivity is the efficiency of production of goods or services expressed by some measure. Measurements of productivity are often expressed as a ratio of an aggregate output to a single input or an aggregate input used in a production process, i.e. output per unit of input, typically over a specific period of time. The most common example is the (aggregate) labour productivity measure, one example of which is GDP per worker. There are many different definitions of productivity (including those that are not defined as ratios of output to input) and the choice among them depends on the purpose of the productivity measurement and data availability. The key source of difference between various productivity measures is also usually related (directly or indirectly) to how the outputs and the inputs are aggregated to obtain such a ratio-type measure of productivity. Productivity is a crucial factor in the production performance of firms and nations. Increasing national productivity ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Symbol
A symbol is a mark, Sign (semiotics), sign, or word that indicates, signifies, or is understood as representing an idea, physical object, object, or wikt:relationship, relationship. Symbols allow people to go beyond what is known or seen by creating linkages between otherwise different concepts and experiences. All communication is achieved through the use of symbols: for example, a red octagon is a common symbol for "Stop sign, STOP"; on maps, blue lines often represent rivers; and a red rose often symbolizes love and compassion. Numerical digit, Numerals are symbols for numbers; Letter (alphabet), letters of an alphabet may be symbols for certain phonemes; and personal names are symbols representing individuals. The academic study of symbols is called semiotics. In the arts, Artistic symbol, symbolism is the use of a abstract and concrete, concrete element to represent a more abstract idea. In cartography, an organized collection of symbols forms a map layout, legend for a ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Emic And Etic
In anthropology, folkloristics, linguistics, and the social and behavioral sciences, ''emic'' () and ''etic'' () refer to two kinds of field research done and viewpoints obtained. The ''emic'' approach is an insider's perspective, which looks at the beliefs, values, and practices of a particular culture from the perspective of the people who live within that culture. This approach aims to understand the cultural meaning and significance of a particular behavior or practice, as it is understood by the people who engage in it. The ''etic'' approach, on the other hand, is an outsider's perspective, which looks at a culture from the perspective of an outside observer or researcher. This approach tends to focus on the observable behaviors and practices of a culture, and aims to understand them in terms of their functional or evolutionary significance. The etic approach often involves the use of standardized measures and frameworks to compare different cultures and may involve t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean Molino
Jean Molino is professeur ordinaire at the University of Lausanne and a semiologist. His former students include Jean-Jacques Nattiez Jean-Jacques Nattiez (; born December 30, 1945) is a French musicologist and ethnomusicologist active in Canada, who is seminal figure in music semiology. Professor of musicology at the Université de Montréal since 1972,. he studied semio .... Bibliography *''Musical Fact and the Semiology of Music'', trans. J. A. Underwood, ''Music Analysis'' 9/2 (July 1990): 113–156. *Saavedra, Rafael“El dilema de la interpretación musical: una reflexión semiótica desde el modelo tripartito de Molino y Nattiez”en Revista música en clave, Sociedad Venezolana de Musicología, Vol. 8 – 1, Enero-Abril (2014). Year of birth missing (living people) Living people Academic staff of the University of Lausanne French semioticians French male non-fiction writers {{semiotician-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
