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Phase Music
Phase music is a form of music that uses phasing as a primary process music, compositional process. It is an approach to musical composition that is often associated with minimal music, as it shares similar characteristics, but some commentators prefer to treat phase music as a separate category. Phasing is a compositional technique in which the same part (a repetitive phrase) is played on two musical instruments, in steady but not identical tempo. Thus, the two instruments gradually shift out of unison, creating first a slight echo as one instrument plays a little behind the other, then a doubling effect with each note heard twice, then a complex ringing effect, and eventually coming back through doubling and echo into unison. Phasing is the rhythmic equivalent of cycling through the phase of two waveforms as in Phase shift, phasing. The tempi of the two instruments are almost identical, so that both parts are perceived as being in the same tempo: the changes only separate the p ...
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Rhythm Phasing Sixteen Parts With Harmonic Series Pitches
Rhythm (from Greek , ''rhythmos'', "any regular recurring motion, symmetry") generally means a " movement marked by the regulated succession of strong and weak elements, or of opposite or different conditions". This general meaning of regular recurrence or pattern in time can apply to a wide variety of cyclical natural phenomena having a periodicity or frequency of anything from microseconds to several seconds (as with the riff in a rock music song); to several minutes or hours, or, at the most extreme, even over many years. The Oxford English Dictionary defines rhythm as ''"The measured flow of words or phrases in verse, forming various patterns of sound as determined by the relation of long and short or stressed and unstressed syllables in a metrical foot or line; an instance of this"''. Rhythm is related to and distinguished from pulse, meter, and beats: In the performance arts, rhythm is the timing of events on a human scale; of musical sounds and silences that occur over ...
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Clapping Music
''Clapping Music'' is a minimalist music, minimalist piece written by American composer Steve Reich in 1972. It is written for two performers and is performed entirely by clapping. After a concert in Brussels during their 1972 tour of Europe, Reich and Steve Reich and Musicians, his ensemble went to a club to see a performance by two flamenco musicians on the promoter's advice. By Reich's account, the flamenco musicians were "terrible" guitarists and singers, but when they started clapping very loudly, Reich and his group, who were mainly percussionists, joined in. After the concert, Reich realized that he could use clapping as the basis for a composition which "needed no instruments beyond the human body". ''Clapping Music'' uses a variation of the phase music, phasing technique that Reich had used in earlier compositions such as ''Piano Phase''. One performer claps a basic rhythm, a variation on an African bell pattern in time, for the entirety of the piece. The other claps t ...
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Phrase (music)
In music theory, a phrase () is a unit of Meter (music), musical meter that has a complete musical sense of its own, built from figure (music), figures, motif (music), motifs, and Cell (music), cells, and combining to form Melody, melodies, period (music), periods and larger Section (music), sections. Terms such as ''sentence'' and ''verse'' have been adopted into the vocabulary of music from linguistic syntax. Though the analogy between the musical and the phrase, linguistic phrase is often made, still the term "is one of the most ambiguous in music....there is no consistency in applying these terms nor can there be...only with melodies of a very simple type, especially those of some dances, can the terms be used with some consistency." John D. White defines a phrase as "the smallest musical unit that conveys a more or less complete musical thought. Phrases vary in length and are terminated at a point of full or partial repose, which is called a ''cadence''." Edward T. Cone, ...
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Melody
A melody (), also tune, voice, or line, is a linear succession of musical tones that the listener perceives as a single entity. In its most literal sense, a melody is a combination of Pitch (music), pitch and rhythm, while more figuratively, the term can include other musical elements such as Timbre, tonal color. It is the foreground to the background accompaniment. A line or Part (music), part need not be a foreground melody. Melodies often consist of one or more musical Phrase (music), phrases or Motif (music), motifs, and are usually repeated throughout a Musical composition, composition in various forms. Melodies may also be described by their melodic motion or the pitches or the interval (music), intervals between pitches (predominantly steps and skips, conjunct or disjunct or with further restrictions), pitch range, tension (music), tension and release, continuity and coherence, cadence (music), cadence, and shape. Function and elements Johann Philipp Kirnberger arg ...
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Medieval Music
Medieval music encompasses the sacred music, sacred and secular music of Western Europe during the Middle Ages, from approximately the 6th to 15th centuries. It is the Dates of classical music eras, first and longest major era of Western classical music and is followed by the Renaissance music; the two eras comprise what musicologists generally term as early music, preceding the common practice period. Following the traditional division of the Middle Ages, medieval music can be divided into #Early medieval music (500–1000), Early (500–1000), #High medieval music (1000–1300), High (1000–1300), and #Late medieval music (1300–1400), Late (1300–1400) medieval music. Medieval music includes liturgical music used for the church, other sacred music, and secular music, secular or non-religious music. Much medieval music is purely vocal music, such as Gregorian chant. Other music used only instruments or both voices and instruments (typically with the instruments accompanime ...
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Round (music)
A round (also called a perpetual canon 'canon perpetuus'' round about or infinite canon) is a musical composition, a limited type of canon, in which multiple voices sing exactly the same melody, but with each voice beginning at different times so that different parts of the melody coincide in the different voices, but nevertheless fit harmoniously together. It is one of the easiest forms of part singing, as only one line of melody need be learned by all singers, and is part of a popular musical tradition. They were particularly favoured in glee clubs, which combined amateur singing with regular drinking. The earliest known rounds date from 12th-century Europe. One characteristic of rounds is that, "there is no fixed ending", in the sense that they may be repeated as many times as possible, although many do have "fixed" endings, often indicated by a fermata. " Row, Row, Row Your Boat" is a well-known children's round for four voices. Other well-known examples are " Frère ...
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Infinite Canon
A round (also called a perpetual canon 'canon perpetuus'' round about or infinite canon) is a musical composition, a limited type of canon, in which multiple voices sing exactly the same melody, but with each voice beginning at different times so that different parts of the melody coincide in the different voices, but nevertheless fit harmoniously together. It is one of the easiest forms of part singing, as only one line of melody need be learned by all singers, and is part of a popular musical tradition. They were particularly favoured in glee clubs, which combined amateur singing with regular drinking. The earliest known rounds date from 12th-century Europe. One characteristic of rounds is that, "there is no fixed ending", in the sense that they may be repeated as many times as possible, although many do have "fixed" endings, often indicated by a fermata. "Row, Row, Row Your Boat" is a well-known children's round for four voices. Other well-known examples are "Frère Jacq ...
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Michael Nyman
Michael Laurence Nyman, Order of the British Empire, CBE (born 23 March 1944) is an English composer, pianist, libretto, librettist, musicologist, and filmmaker. He is known for numerous film soundtrack, scores (many written during his lengthy collaboration with the film director, filmmaker Peter Greenaway), and his multi-platinum The Piano (soundtrack), soundtrack album to Jane Campion's ''The Piano''. He has written a number of operas, including ''The Man Who Mistook His Wife for a Hat (opera), The Man Who Mistook His Wife for a Hat''; ''Letters, Riddles and Writs''; ''Noises, Sounds & Sweet Airs''; ''Facing Goya''; ''Man and Boy: Dada''; ''Love Counts''; and ''Sparkie: Cage and Beyond''. He has written six concerti, five string quartets, and many other chamber music, chamber works, many for his Michael Nyman Band. He is also a performing pianist. Nyman prefers to write opera over other forms of music. Early life and education Nyman was born in Stratford, London, to a famil ...
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Delay (audio Effect)
Delay is an audio signal processing technique that records an input signal to a storage medium and then plays it back after a period of time. When the delayed playback is electronic mixer, mixed with the live audio, it creates an echo-like effect, whereby the original audio is heard followed by the delayed audio. The delayed signal may be played back multiple times, or fed back into the recording, to create the sound of a repeating, decaying echo. Delay effects range from a subtle echo effect to a pronounced blending of previous sounds with new sounds. Delay effects can be created using tape loops, an approach developed in the 1940s and 1950s and used by artists including Elvis Presley and Buddy Holly. Analog effects units were introduced in the 1970s; digital effects pedals in 1984; and audio plug-in software in the 2000s. History The first delay effects were achieved using tape loops improvised on reel-to-reel audio tape recording systems. By shortening or lengthening the loo ...
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Tape Loop
In music, tape loops are loops of magnetic tape used to create repetitive, rhythmic musical patterns or dense layers of sound when played on a tape recorder. Originating in the 1940s with the work of Pierre Schaeffer, they were used among contemporary composers of 1950s and 1960s, such as Éliane Radigue, Steve Reich, Terry Riley, and Karlheinz Stockhausen, who used them to create phase patterns, rhythms, textures, and timbres. Popular music authors of 1960s and 1970s, particularly in psychedelic, progressive and ambient genres, used tape loops to accompany their music with innovative sound effects. In the 1980s, analog audio and tape loops with it gave way to digital audio and application of computers to generate and process sound. Description In a tape loop, a section of magnetic tape is cut and spliced end-to-end, creating a circle or loop which can be played continuously, usually on a reel-to-reel tape recorder, making the sound repeat endlessly. Simultaneous ...
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Terry Riley
Terrence Mitchell Riley (born June 24, 1935) is an American composer and performing musician best known as a pioneer of the minimalist music, minimalist school of composition. Influenced by jazz and Indian classical music, his work became notable for its innovative use of Repetition (music), repetition, tape music techniques, musical improvisation, improvisation, and delay (audio effect), delay systems. His best known works are the 1964 composition ''In C'' and the 1969 album ''A Rainbow in Curved Air'', both considered landmarks of minimalism and important influences on experimental music, rock music, rock, and contemporary electronic music. Subsequent works such as ''Shri Camel'' (1980) explored just intonation. Raised in Redding, California, Riley began studying music composition, composition and performing solo piano in the 1950s. He befriended and collaborated with composer La Monte Young, and later became involved with both the San Francisco Tape Music Center and Young's N ...
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Holland Festival Componist Steve Reich Kop, Bestanddeelnr 928-6490
Holland is a geographical regionG. Geerts & H. Heestermans, 1981, ''Groot Woordenboek der Nederlandse Taal. Deel I'', Van Dale Lexicografie, Utrecht, p 1105 and former province on the western coast of the Netherlands. From the 10th to the 16th century, Holland proper was a unified political region within the Holy Roman Empire as a county ruled by the counts of Holland. By the 17th century, the province of Holland had risen to become a maritime and economic power, dominating the other provinces of the newly independent Dutch Republic. The area of the former County of Holland roughly coincides with the two current Dutch provinces of North Holland and South Holland into which it was divided, and which together include the Netherlands' three largest cities: the capital city (Amsterdam), the home of Europe's largest port (Rotterdam), and the seat of government (The Hague). Holland has a population of 6,583,534 as of November 2019, and a population density of 1203/km2. The name ''Ho ...
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