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Perfect Fourth
A fourth is a interval (music), musical interval encompassing four staff positions in the music notation of Western culture, and a perfect fourth () is the fourth spanning five semitones (half steps, or half tones). For example, the ascending interval from C to the next F is a perfect fourth, because the note F is the fifth semitone above C, and there are four staff positions between C and F. Diminished fourth, Diminished and Tritone, augmented fourths span the same number of staff positions, but consist of a different number of semitones (four and six, respectively). The perfect fourth may be derived from the Harmonic series (music), harmonic series as the interval between the third and fourth harmonics. The term ''perfect'' identifies this interval as belonging to the group of perfect intervals, so called because they are neither major nor minor. A perfect fourth in just intonation corresponds to a pitch ratio of 4:3, or about 498 cent (music), cents (), while in equal temperam ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Perfect Fourth On C
Perfect commonly refers to: * Perfection; completeness, and excellence * Perfect (grammar), a grammatical category in some languages Perfect may also refer to: Film and television * ''Perfect'' (1985 film), a romantic drama * ''Perfect'' (2018 film), a science fiction thriller * "Perfect" (''Doctors''), a 2004 television episode Literature * ''Perfect'' (Friend novel), a 2004 novel by Natasha Friend * ''Perfect'' (Hopkins novel), a young adult novel by Ellen Hopkins * ''Perfect'' (Joyce novel), a 2013 novel by Rachel Joyce * ''Perfect'' (Shepard novel), a Pretty Little Liars novel by Sara Shepard * ''Perfect'', a young adult science fiction novel by Dyan Sheldon Music * Perfect interval, in music theory * Perfect Records, a record label Artists * Perfect (musician) (born 1980), reggae singer * Perfect (Polish band) * Perfect (American band), an American alternative rock group Albums * ''Perfect'' (Intwine album) (2004) * ''Perfect'' (Half Japanese album) (201 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Extended Chords
In music, extended chords are certain chords (built from thirds) or triads with notes ''extended'', or added, beyond the seventh. Ninth, eleventh, and thirteenth chords are extended chords. The thirteenth is the farthest extension diatonically possible as, by that point, all seven tonal degrees are represented within the chord (the next extension, the fifteenth, is the same as the root of the chord). In practice however, extended chords do not typically use all the chord members; when it is not altered, the fifth is often omitted, as are notes between the seventh and the highest note (i.e., the ninth is often omitted in an eleventh chord; the ninth and eleventh are usually omitted in a thirteenth chord), unless they are altered to give a special texture. Chords extended beyond the seventh are rarely seen in the Baroque era, and are used more frequently in the Classical era. The Romantic era saw greatly increased use of extended harmony. Extended harmony prior to the 20th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Parncutt
Richard Parncutt (born 24 October 1957 in Melbourne) is an Australian-born academic. He has been professor of systematic musicology at Karl Franzens University Graz in Austria since 1998. Education Parncutt studied music and physics at the University of Melbourne, and physics at the University of New England, Australia. In 1987 he was awarded a PhD from the University of New England. He was a guest researcher under Ernst Terhardt (Munich), Johan Sundberg (Stockholm), Annabel Cohen (Halifax, Canada), Al Bregman (Montreal), Helga de la Motte-Haber (Berlin) and John Sloboda (Keele, England). From 1996 to 1998 he held a position as a lecturer in psychology at Keele University, UK. Research Parncutt's research addresses the perception of musical structure (pitch, consonance, harmony, tonality, tension, rhythm, metre, accent), the psychology of music performance (especially piano performance), and the psychological origins of tonality. Pitch and harmony The psychoacoustic mo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Common Practice Period
In Western classical music, the common practice period (CPP) was the period of about 250 years during which the tonal system was regarded as the only basis for composition. It began when composers' use of the tonal system had clearly superseded earlier systems, and ended when some composers began using significantly modified versions of the tonal system, and began developing other systems as well. Most features of common practice (the accepted concepts of composition during this time) persisted from the mid-Baroque period through the Classical and Romantic periods, roughly from 1650 to 1900. There was much stylistic evolution during these centuries, with patterns and conventions flourishing and then declining, such as the sonata form. The most prominent unifying feature throughout the period is a harmonic language to which music theorists can today apply Roman numeral chord analysis; however, the "common" in common practice does not directly refer to any type of harmony, rat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Consonance And Dissonance
In music, consonance and dissonance are categorizations of simultaneous or successive sounds. Within the Western tradition, some listeners associate consonance with sweetness, pleasantness, and acceptability, and dissonance with harshness, unpleasantness, or unacceptability, although there is broad acknowledgement that this depends also on familiarity and musical expertise. The terms form a structural dichotomy in which they define each other by mutual exclusion: a consonance is what is not dissonant, and a dissonance is what is not consonant. However, a finer consideration shows that the distinction forms a gradation, from the most consonant to the most dissonant. In casual discourse, as German composer and music theorist Paul Hindemith stressed, : "The two concepts have never been completely explained, and for a thousand years the definitions have varied". The term ''sonance'' has been proposed to encompass or refer indistinctly to the terms ''consonance'' and ''dissonance''. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Octave
In music, an octave (: eighth) or perfect octave (sometimes called the diapason) is an interval between two notes, one having twice the frequency of vibration of the other. The octave relationship is a natural phenomenon that has been referred to as the "basic miracle of music", the use of which is "common in most musical systems". The interval between the first and second harmonics of the harmonic series is an octave. In Western music notation, notes separated by an octave (or multiple octaves) have the same name and are of the same pitch class. To emphasize that it is one of the perfect intervals (including unison, perfect fourth, and perfect fifth), the octave is designated P8. Other interval qualities are also possible, though rare. The octave above or below an indicated note is sometimes abbreviated ''8a'' or ''8va'' (), ''8va bassa'' (, sometimes also ''8vb''), or simply ''8'' for the octave in the direction indicated by placing this mark above or below the staff. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Unison
Unison (stylised as UNISON) is a Great Britain, British trade union. Along with Unite the Union, Unite, Unison is one of the two largest trade unions in the United Kingdom, with over 1.2 million members who work predominantly in public services, including local government, education, health and outsourcing, outsourced services. The union was formed in 1993 when three public sector trade unions, the National Association of Local Government Officers, National and Local Government Officers Association (NALGO), the National Union of Public Employees (NUPE) and the Confederation of Health Service Employees (COHSE) merged. UNISON's current general secretary is Christina McAnea, who replaced Dave Prentis in 2021. Members and organisation Members of UNISON are typically from industries within the public sector and generally cover both full-time and part-time support and administrative staff. The majority of people joining UNISON are workers within sectors such as local government, e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
O Come All Ye Faithful
"O Come, All Ye Faithful", also known as "", is a Christmas carol that has been attributed to various authors, including John Francis Wade (1711–1786), John Reading (1645–1692), King John IV of Portugal (1604–1656), and anonymous Cistercian monks. The earliest printed version is in a book published by Wade. A manuscript by Wade, dating to 1751, is held by Stonyhurst College in Lancashire. The original four verses of the hymn were extended to a total of eight, and these have been translated into many languages. In 1841, the English Catholic priest Frederick Oakeley translated the hymn into English as "O Come All Ye Faithful", which became widespread in English-speaking countries. History Text The original text of the hymn has been from time to time attributed to various groups and individuals, including St. Bonaventure in the 13th century or King John IV of Portugal in the 17th, though it was more commonly believed that the text was written by Cistercian monks ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
El Cóndor Pasa (song)
"El Cóndor Pasa" (, Spanish for "The Condor Passes") is an orchestral musical piece from the zarzuela ''El Cóndor Pasa'' by the Peruvian composer Daniel Alomía Robles, written in 1913 and based on traditional Andean music, specifically folk music from Peru. Since then, it has been estimated that, around the world, more than 4,000 versions of the melody have been produced, along with 300 sets of lyrics. In 2004, Peru declared this song to be a part of its national cultural heritage. This song is now considered the second national anthem of Peru. The song was further popularised by a 1970 cover by Simon & Garfunkel, with English lyrics by Paul Simon, on their '' Bridge over Troubled Water'' album. Their version is called "El Cóndor Pasa (If I Could)". Original zarzuela version In 1913, Peruvian songwriter Daniel Alomía Robles composed "El Cóndor Pasa", and the song was first performed publicly at the Teatro Mazzi in Lima. The song was originally a musical piece in the Pe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hark! The Herald Angels Sing
"Hark! The Herald Angels Sing" is an English Christmas carol that first appeared in 1739 in the collection ''Hymns and Sacred Poems''. The carol, based on , tells of an angelic chorus singing praises to God. As it is known in the modern era, it features lyrical contributions from Charles Wesley and George Whitefield, two of the founding ministers of Methodism, with music adapted from "Vaterland, in deinen Gauen" of Felix Mendelssohn's cantata ''Festgesang'' (''Gutenberg Cantata''). Wesley had written the original version as "Hymn for Christmas-Day" with the opening couplet "wikt:hark, Hark! how all the wikt:welkin, Welkin (heaven) rings / Glory to the King of Kings". Whitefield changed that to today's familiar lyric: "Hark! The Herald Angels sing, / 'Glory to the new-born King. In 1840—a hundred years after the publication of ''Hymns and Sacred Poems''—Mendelssohn composed a cantata to commemorate Johannes Gutenberg's invention of movable type, and it is music from this canta ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christmas Carol
A Christmas carol is a Carol (music), carol on the theme of Christmas, traditionally sung at Christmas itself or during the surrounding Christmas and holiday season. The term noel has sometimes been used, especially for carols of French origin. Christmas carols may be regarded as a subset of the broader category of Christmas music. History The first known Christmas hymns may be traced to 4th-century Rome. Latin hymns such as Veni redemptor gentium, written by Ambrose, Archbishop of Milan, were austere statements of the theological doctrine of the Incarnation in opposition to Arianism. Corde natus ex Parentis (''Of the Father's Heart Begotten, Of the Father's heart begotten'') by the Spanish poet Prudentius (d. 413) is still sung in some churches today. In the 9th and 10th centuries, the Christmas sequence (or prose) was introduced in Northern European monasteries, developing under Bernard of Clairvaux into a Sequence (liturgy), sequence of rhymed stanzas. In the 12th cent ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
State Anthem Of The Soviet Union
The State Anthem of the Union of Soviet Socialist Republics was the national anthem of the Soviet Union and the regional anthem of the Russian Soviet Federative Socialist Republic from 1944 to 1991, replacing "The Internationale". Its original lyrics were written by Sergey Mikhalkov (1913–2009) in collaboration with El-Registan (1899–1945), and its music was composed by Alexander Vasilyevich Alexandrov, Alexander Alexandrov (1883–1946). For a two-decade interval following de-Stalinization, the anthem was performed without lyrics. The second set of lyrics, also written by Mikhalkov and in which Stalin's name was omitted, was adopted in 1977. A decade after the dissolution of the Soviet Union, the same melody was used for the Soviet Union's successor state, as the State Anthem of the Russian Federation. History Origins The anthem's music was originally composed by Alexander Vasilyevich Alexandrov, Alexander Alexandrov in 1938 for the Hymn of the Bolshevik Party. Its openi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
