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Palazzo Style Architecture
Palazzo style refers to an architectural style of the 19th and 20th centuries based upon the ''Palazzo, palazzi'' (palaces) built by wealthy families of the Italian Renaissance. The term refers to the general shape, proportion and a cluster of characteristics, rather than a specific design; hence it is applied to buildings spanning a period of nearly two hundred years, regardless of date, provided they are a symmetrical, corniced, basemented and with neat rows of windows. "Palazzo style" buildings of the 19th century are sometimes referred to as being of Italianate architecture, but this term is also applied to a much more ornate style, particularly of residences and public buildings. While early Palazzo style buildings followed the forms and scale of the Italian originals closely, by the late 19th century the style was more loosely adapted and applied to commercial buildings many times larger than the originals. The architects of these buildings sometimes drew their details from ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ryrie Building - Perspective Of The South And West Facades
Ryrie is a surname. Notable people with the surname include: * Alec Ryrie (born 1971), British historian of Protestant Christianity * Charles Caldwell Ryrie (1925–2016), American Christian writer and theologian * Christobelle Grierson-Ryrie (born 1992), New Zealand fashion model * Phineas Ryrie (1829–1892), Scottish tea merchant ; Scottish–Australian Ryrie family * Stewart Ryrie (colonial settler), Stewart Ryrie (1778—1852), patriarch * William Ryrie (1805—1856), Scottish-born * Stewart Ryrie, Junior (1812—1882) ** Alexander Ryrie (1827–1909), Australian politician *** Sir Granville Ryrie, (1865–1937), Australian soldier and politician ** John Cassels Ryrie (b. 1826 in Sydney – d. 1900 in Dubbo) *** John Ryrie (1886–1927), Australian rower ** David Ryrie (1829–1893), Australian politician See also * Ryrie Rock, geographical formation in Antarctica {{surname ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Palazzo Farnese
Palazzo Farnese () or Farnese Palace is one of the most important High Renaissance palaces in Rome. Owned by the Italian Republic, it was given to the French government in 1936 for a period of 99 years, and currently serves as the French embassy in Italy. First designed in 1517 for the Farnese family, the building expanded in size and conception when Alessandro Farnese became Pope Paul III in 1534, to designs by Antonio da Sangallo the Younger. Its building history involved some of the most prominent Italian architects of the 16th century, including Michelangelo, Jacopo Barozzi da Vignola and Giacomo della Porta. At the end of the 16th century, the important fresco cycle of ''The Loves of the Gods'' in the Farnese Gallery was carried out by the Bolognese painter Annibale Carracci, marking the beginning of two divergent trends in painting during the 17th century, the Roman High Baroque and Classicism. The famous Farnese sculpture collection, now in the National Archeo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rustication (architecture)
image:Palazzo medici riccardi, bugnato 01.JPG, Two different styles of rustication in the Palazzo Medici-Riccardi in Florence; smooth-faced above and rough-faced below Rustication is a range of masonry techniques used in classical architecture giving visible surfaces a finish texture that contrasts with smooth, squared-block masonry called ashlar. The visible face of each individual block is cut back around the edges to make its size and placing very clear. In addition the central part of the face of each block may be given a deliberately rough or patterned surface. Rusticated masonry is usually "dressed", or squared off neatly, on all sides of the stones except the face that will be visible when the stone is put in place. This is given wide joints that emphasize the edges of each block, by angling the edges ("channel-jointed"), or dropping them back a little. The main part of the exposed face may be worked flat and smooth or left with, or worked, to give a more or less rough or ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Munich
Munich is the capital and most populous city of Bavaria, Germany. As of 30 November 2024, its population was 1,604,384, making it the third-largest city in Germany after Berlin and Hamburg. Munich is the largest city in Germany that is not a state of its own. It ranks as the 11th-largest city in the European Union. The metropolitan area has around 3 million inhabitants, and the broader Munich Metropolitan Region is home to about 6.2 million people. It is the List of EU metropolitan regions by GDP#2021 ranking of top four German metropolitan regions, third largest metropolitan region by GDP in the European Union. Munich is located on the river Isar north of the Alps. It is the seat of the Upper Bavaria, Upper Bavarian administrative region. With 4,500 people per km2, Munich is Germany's most densely populated municipality. It is also the second-largest city in the Bavarian language, Bavarian dialect area after Vienna. The first record of Munich dates to 1158. The city ha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Palais Leuchtenberg
The Palais Leuchtenberg, (known between 1853 and 1933 as the Luitpold Palais or Prinz Luitpold Palais) built in the early 19th century for Eugène de Beauharnais, first Duke of Leuchtenberg, is the largest palace in Munich. Located on the west side of the Odeonsplatz (Odeon Square), where it forms an ensemble with the Odeon, it currently houses the Bavarian State Ministry of Finance. It was once home to the Leuchtenberg Gallery on the first floor. History Palace by Leo von Klenze Eugène de Beauharnais, the brother-in-law of the later King Ludwig I of Bavaria and the stepson of Napoleon, commissioned Leo von Klenze to build a "suburban city palace". Constructed between 1817 and 1821 at a cost of 770,000 guilders (the entire construction budget for Bavaria in 1819), it was the largest palace of the era, with more than 250 rooms including a ballroom, a theatre, a billiard room, an art gallery, and a chapel, plus a number of outbuildings extending for over down what is no ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leo Von Klenze
Leo von Klenze (born Franz Karl Leopold von Klenze; 29 February 1784 – 26 January 1864) was a German architect and painter. He was the court architect of Ludwig I of Bavaria. Von Klenze was a devotee of Neoclassicism and one of the most prominent representatives of Greek revival style. Biography Von Klenze studied architecture and public building finance under Friedrich Gilly in Berlin, and worked as an apprentice to Charles Percier and Pierre François Léonard Fontaine in Paris. Between 1808 and 1813, he was a court architect of Jérôme Bonaparte, King of Westphalia. He later moved to Bavaria and began work as court architect of Ludwig I in 1816. Ludwig I's passion for Hellenism shaped the architectural style of von Klenze. He built many neoclassical buildings in Munich, including the Ruhmeshalle and Monopteros temple. He designed the layout of Königsplatz, a neoclassical square in Munich. Near Regensburg, he built the Walhalla temple, named after Val ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Renaissance Revival
Renaissance Revival architecture (sometimes referred to as "Neo-Renaissance") is a group of 19th-century architectural revival styles which were neither Greek Revival nor Gothic Revival but which instead drew inspiration from a wide range of classicizing Italian modes. Under the broad designation Renaissance architecture 19th-century architects and critics went beyond the architectural style which began in Florence and Central Italy in the early 15th century as an expression of Renaissance humanism; they also included styles that can be identified as Mannerist or Baroque. Self-applied style designations were rife in the mid- and later 19th century: "Neo-Renaissance" might be applied by contemporaries to structures that others called "Italianate", or when many French Baroque features are present ( Second Empire). The divergent forms of Renaissance architecture in different parts of Europe, particularly in France and Italy, has added to the difficulty of defining and recognizi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Venice
Venice ( ; ; , formerly ) is a city in northeastern Italy and the capital of the Veneto Regions of Italy, region. It is built on a group of 118 islands that are separated by expanses of open water and by canals; portions of the city are linked by 438 bridges. The islands are in the shallow Venetian Lagoon, an enclosed bay lying between the mouths of the Po River, Po and the Piave River, Piave rivers (more exactly between the Brenta (river), Brenta and the Sile (river), Sile). As of 2025, 249,466 people resided in greater Venice or the Comune of Venice, of whom about 51,000 live in the historical island city of Venice (''centro storico'') and the rest on the mainland (''terraferma''). Together with the cities of Padua, Italy, Padua and Treviso, Italy, Treviso, Venice is included in the Padua-Treviso-Venice Metropolitan Area (PATREVE), which is considered a statistical metropolitan area, with a total population of 2.6 million. The name is derived from the ancient Adr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grand Canal (Venice)
The Grand Canal ( , locally and informally ; , locally usually ) is the largest Channel (geography), channel in Venice, Italy, forming one of the major water-traffic corridors in the city. One end of the canal leads into the Venetian Lagoon, lagoon near the Venezia Santa Lucia railway station, Santa Lucia railway station and the other end leads into the basin at San Marco; in between, it makes a large reverse-S shape through the central districts (''Sestiere (Venice), sestieri'') of Venice. It is long, and wide, with an average depth of . Description The banks of the Grand Canal are lined with more than 170 buildings, most of which date from the 13th to the 18th century, and demonstrate the welfare and art created by the Republic of Venice. The Venetian nobility, noble Venetian families faced huge expenses to show off their richness in suitable palazzos; this contest reveals the citizens’ pride and the deep bond with the lagoon. Amongst the many are the Palazzi Barbaro, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacopo Sansovino
Jacopo d'Antonio Sansovino (2 July 1486 – 27 November 1570) was an Italian Renaissance sculptor and architect, best known for his works around the Piazza San Marco in Venice. These are crucial works in the history of Venetian Renaissance architecture. Andrea Palladio, in the Preface to his ''Quattro Libri'' was of the opinion that Sansovino's Biblioteca Marciana was the best building erected since Antiquity. Giorgio Vasari uniquely printed his '' Vita'' of Sansovino separately. Biography Sansovino was born in Florence, Italy, and apprenticed with Andrea Sansovino, whose name he subsequently adopted, changing his name from Jacopo Tatti. In Rome, while living in the palace of the late Cardinal Domenico della Rovere, Sansovino made a wax model of the Deposition of Christ for Perugino to use. Around 1510, Sansovino was invited by Bramante, along with three other sculptors to make wax copies of the Laocoön. Raphael judged Sansovino's copy as the best. Sansovino returned to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mauro Codussi
Mauro Codussi (1440–1504) was an Italian architect of the early-Renaissance, active mostly in Venice. The name is also rendered as ''Coducci''. He was one of the first to bring the classical style of the early renaissance to Venice to replace the prevalent Gothic style. Born near Bergamo about 1440, he is first recorded in Venice in 1469, where he was working on the church of San Michele in Isola on the island between Venice and Murano, where Venice now has its cemetery. Little is known of his early experience and training. Other works include San Zaccaria di Venezia, San Zaccaria, San Giovanni Crisostomo di Venezia, San Giovanni Crisostomo and Santa Maria Formosa, and the residences Ca' Vendramin Calergi and Palazzo Zorzi Galeoni. The St Mark's Clocktower (Torre dell'Orologio), built in the Piazza San Marco in Venice between 1496 and 1499, is also attributed to him.Howard pp.146-7 References *Frederick Hartt, Hartt, Frederick, ''History of Italian Renaissance Art'', (2nd edn. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
