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Objet D'art
In art history, the French term Objet d’art describes an ornamental work of art, and the term Objets d’art describes a range of works of art, usually small and three-dimensional, made of high-quality materials, and a finely-rendered finish that emphasises the aesthetics of the artefact. Artists create and produce ''objets d’art'' in the fields of the decorative arts and metalwork, porcelain and vitreous enamel; figurines, plaquettes, and engraved gems; ivory carvings and semi-precious hardstone carvings; tapestries, antiques, and antiquities; and books with fine bookbinding. The National Maritime Museum, Greenwich, London, describe their accumulated artworks as a: "collection of ''objets d’art'' hichcomprises over 800 objects. These are mostly small, decorative art items that fall outside the scope of the Museum’s ceramic, plate, textiles and glass collections." The artwork collection also includes metal curtain ties, a lacquered ''papier-maché'' tray, tobacco boxes, ci ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
House Of Fabergé - Gatchina Palace Egg - Walters 44500 - Open View B
A house is a single-unit residential building. It may range in complexity from a rudimentary hut to a complex structure of wood, masonry, concrete or other material, outfitted with plumbing, electrical, and heating, ventilation, and air conditioning systems.Schoenauer, Norbert (2000). ''6,000 Years of Housing'' (rev. ed.) (New York: W.W. Norton & Company). Houses use a range of different roofing systems to keep precipitation such as rain from getting into the dwelling space. Houses may have doors or locks to secure the dwelling space and protect its inhabitants and contents from burglars or other trespassers. Most conventional modern houses in Western cultures will contain one or more bedrooms and bathrooms, a kitchen or cooking area, and a living room. A house may have a separate dining room, or the eating area may be integrated into another room. Some large houses in North America have a recreation room. In traditional agriculture-oriented societies, domestic animals such ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Découpage
''Decoupage'' or ''découpage'' (; ) is the art of decorating an object by gluing colored paper cutouts onto it in combination with special paint effects, gold leaf, and other decorative elements. Commonly, an object like a small box or an item of furniture is covered by cutouts from magazines or from purpose-manufactured papers. Each layer is sealed with varnishes (often multiple coats) until the "stuck on" appearance disappears and the result looks like painting or inlay work. The traditional technique used 30 to 40 layers of varnish which were then sanded to a polished finish. Three dimensional ''decoupage'' (sometimes also referred to simply as decoupage) is the art of creating a three-dimensional (3D) image by cutting out elements of varying sizes from a series of identical images and layering them on top of each other, usually with adhesive foam spacers between each layer to give the image more depth. Pyramid decoupage (also called pyramage) is a process similar to 3 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fabergé Egg
A Fabergé egg (russian: link=no, яйцо Фаберже́, translit=yaytso Faberzhe) is a jewelled egg created by the jewellery firm House of Fabergé, in Saint Petersburg, Russia. As many as 69 were created, of which 57 survive today. Virtually all were manufactured under the supervision of Peter Carl Fabergé between 1885 and 1917. The most famous are his 52 "Imperial" eggs, 46 of which survive, made for the Russian Tsars Alexander III and Nicholas II as Easter gifts for their wives and mothers. Fabergé eggs are worth millions of dollars and have become symbols of opulence. History The House of Fabergé was founded by Gustav Fabergé in 1842 in St. Petersburg, Russia. The Fabergé egg was a later addition to the product line by his son, Peter Carl Fabergé. Prior to 1885, Tsar Alexander III gave his wife Empress Maria Feodorovna jeweled Easter eggs. For Easter in 1883, before his coronation, Alexander III and Maria Feodorovna were given eggs, one of which contained ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cameo (carving)
Cameo () is a method of carving an object such as an engraved gem, item of jewellery or vessel. It nearly always features a raised (positive) relief image; contrast with intaglio, which has a negative image. Originally, and still in discussing historical work, cameo only referred to works where the relief image was of a contrasting colour to the background; this was achieved by carefully carving a piece of material with a flat plane where two contrasting colours met, removing all the first colour except for the image to leave a contrasting background. A variation of a carved cameo is a cameo incrustation (or sulphide). An artist, usually an engraver, carves a small portrait, then makes a cast from the carving, from which a ceramic type cameo is produced. This is then encased in a glass object, often a paperweight. These are very difficult to make but were popular from the late 18th century through the end of the 19th century. Originating in Bohemia, the finest examples were ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Portland Vase
The Portland Vase is a Roman cameo glass vase, which is dated to between AD 1 and AD 25, though low BC dates have some scholarly support. It is the best known piece of Roman cameo glass and has served as an inspiration to many glass and porcelain makers from about the beginning of the 18th century onwards. It is first recorded in Rome in 1600–1601, and since 1810 has been in the British Museum in London. It was bought by the museum in 1945 (GR 1945,0927.1) and is normally on display in Room 70. The vase measures about high and . It is made of violet-blue glass, and surrounded with a single continuous white glass cameo making two distinct scenes, depicting seven human figures, plus a large snake, and two bearded and horned heads below the handles, marking the break between the scenes. The bottom of the vase was a cameo glass disc, also in blue and white, showing a head, presumed to be of Paris or Priam on the basis of the Phrygian cap it wears. This roundel clearly does not b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roman Glass
Roman glass objects have been recovered across the Roman Empire in domestic, industrial and funerary contexts. Glass was used primarily for the production of vessels, although mosaic tiles and window glass were also produced. Roman glass production developed from Hellenistic technical traditions, initially concentrating on the production of intensely coloured cast glass vessels. However, during the 1st century AD the industry underwent rapid technical growth that saw the introduction of glass blowing and the dominance of colourless or 'aqua' glasses. Production of raw glass was undertaken in geographically separate locations to the working of glass into finished vessels,Fleming, S. J., 1999. ''Roman Glass; reflections on cultural change''. Philadelphia, University of Pennsylvania Museum of Archaeology and Anthropology.Stern, E. M., 1999. Roman Glassblowing in a Cultural Context. ''American Journal of Archaeology'' 103/3, 441–484. and by the end of the 1st century AD large scale m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cage Cup
A cage cup, also ''vas diatretum'', plural ''diatreta'', or "reticulated cup" is a type of luxury late Roman glass vessel, found from roughly the 4th century, and "the pinnacle of Roman achievements in glass-making". ''Diatreta'' consist of an inner beaker and an outer cage or shell of decoration that stands out from the body of the cup, to which it is attached by short stems or shanks. About fifty cups or, more often, fragments have survived, and there are only a few in near-complete condition. Most have a cage with circular geometrical patterns, often with an "inscription", or phrase in letters above the reticulated area as well. Some have a flange, or zone of projecting open-cut moulding, above the lower patterns and below the lettering (only illustrated here by the Cologne cup in the gallery). Even rarer are examples with scenes with figures, of which the Lycurgus Cup in the British Museum is the only complete example to survive, though there are other fragments. In thi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lycurgus Cup
The Lycurgus Cup is a 4th-century Roman glass cage cup made of a dichroic glass, which shows a different colour depending on whether or not light is passing through it: red when lit from behind and green when lit from in front. It is the only complete Roman glass object made from this type of glass, and the one exhibiting the most impressive change in colour; it has been described as "the most spectacular glass of the period, fittingly decorated, which we know to have existed". The cup is also a very rare example of a complete Roman cage-cup, or ''diatretum'', where the glass has been painstakingly cut and ground back to leave only a decorative "cage" at the original surface-level. Many parts of the cage have been completely undercut. Most cage-cups have a cage with a geometric abstract design, but here there is a composition with figures, showing the mythical King Lycurgus, who (depending on the version) tried to kill Ambrosia, a follower of the god Dionysus (Bacchus to the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mughal Emperors
The Mughal emperors ( fa, , Pādishāhān) were the supreme heads of state of the Mughal Empire on the Indian subcontinent, mainly corresponding to the modern countries of India, Pakistan, Afghanistan and Bangladesh. The Mughal rulers styled themselves as " padishah", a title usually translated from Persian as "emperor". They began to rule parts of India from 1526, and by 1707 ruled most of the sub-continent. After that they declined rapidly, but nominally ruled territories until the Indian Rebellion of 1857. The Mughals were a branch of the Timurid dynasty of Turco-Mongol origin from Central Asia. Their founder Babur, a Timurid prince from the Fergana Valley (modern-day Uzbekistan), was a direct descendant of Timur (generally known in western nations as Tamerlane) and also affiliated with Genghis Khan through Timur's marriage to a Genghisid princess. Many of the later Mughal emperors had significant Indian Rajput and Persian ancestry through marriage alliances as emp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
House Of Valois-Burgundy
The House of Valois-Burgundy (french: Maison de Valois-Bourgogne, nl, Huis van Valois-Bourgondië), or the Younger House of Burgundy, was a noble French family deriving from the royal House of Valois. It is distinct from the Capetian House of Burgundy, descendants of King Robert II of France, though both houses stem from the Capetian dynasty. They ruled the Duchy of Burgundy from 1363 to 1482 and later came to rule vast lands including Artois, Flanders, Luxembourg, Hainault, the county palatine of Burgundy (Franche-Comté), and other lands through marriage, forming what is now known as the Burgundian State. The term "Valois Dukes of Burgundy" is employed to refer to the dynasty which began after King John II of France granted the French Duchy of Burgundy to his youngest son, Philip the Bold in 1363. During the Hundred Years' War, the dukes rivalled with their royal cousins uniting a great number of French and Imperial fiefs under their rule. However, their plans to establish an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Conspicuous Consumption
In sociology and in economics, the term conspicuous consumption describes and explains the consumer practice of buying and using goods of a higher quality, price, or in greater quantity than practical. In 1899, the sociologist Thorstein Veblen coined the term ''conspicuous consumption'' to explain the spending of money on and the acquiring of luxury commodities (goods and services) specifically as a public display of economic power—the income and the accumulated wealth—of the buyer. To the conspicuous consumer, the public display of discretionary income is an economic means of either attaining or of maintaining a given social status. The development of Veblen's sociology of conspicuous consumption also identified and described other economic behaviours such as invidious consumption, which is the ostentatious consumption of goods, an action meant to provoke the envy of other people; and conspicuous compassion, the ostentatious use of charity meant to enhance the reputati ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
WLA Vanda Netsuke 4
WLA may refer to: *Airwaves Airlink (ICAO: WLA), a Zambian airline *Harley-Davidson WLA, a motorcycle produced during World War 2 *Washington Library Association *Weak-Link Approach, a molecular assembly methodology *West Los Angeles, Los Angeles, California, a region within the Westside of Los Angeles County, a much larger area often referred to by the same name *Western Lacrosse Association, a Senior A box lacrosse league in British Columbia, Canada *White Ladies Aston, a village and civil parish in Worcestershire, England *Winnebago Lutheran Academy, a Lutheran high school in Fond du Lac, Wisconsin *Wisconsin Library Association *Wyoming Library Association *Women's Land Army, the name for several groups of women recruited in wartime to work in agriculture * Workload Automation, an Information Technology tool used to automate IT and business processes. *World Literature Assignment 1 and 2 in IB Group 1 subjects in the IB Diploma Programme The International Baccalaureate Diplom ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
