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Oud
The oud ( ; , ) is a Middle Eastern short-neck lute-type, pear-shaped, fretless stringed instrument (a chordophone in the Hornbostel–Sachs classification of instruments), usually with 11 strings grouped in six courses, but some models have five or seven courses, with 10 or 13 strings respectively. The oud is similar to other types of lute, and to Western lutes which developed out of the Medieval Islamic oud. Similar instruments have been used in the Middle East, some predating Islam, such as the barbat from Persia. Different versions of the oud are used in Arabia, Turkey, and other Middle Eastern and Balkan regions. The oud, as a fundamental difference with the western lute, has no frets and a smaller neck. It is the direct successor of the Persian barbat lute. The oldest surviving oud is thought to be in Brussels, at the Museum of Musical Instruments. An early description of the "modern" oud was given by 11th-century musician, singer and author Al-Hasan Ibn al-Haytha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lute
A lute ( or ) is any plucked string instrument with a neck (music), neck and a deep round back enclosing a hollow cavity, usually with a sound hole or opening in the body. It may be either fretted or unfretted. More specifically, the term "lute" commonly refers to an instrument from the Family (musical instruments), family of History of lute-family instruments, European lutes which were themselves influenced by India, Indian short-necked lutes in Gandhara which became the predecessor of the Islamic music, Islamic, the Sino-Japanese and the Early music, European lute families. The term also refers generally to any necked string instrument having the strings running in a plane parallel to the Sound board (music), sound table (in the Hornbostel–Sachs system). The strings are attached to pegs or posts at the end of the neck, which have some type of turning mechanism to enable the player to tighten the tension on the string or loosen the tension before playing (which respectively ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Barbat (lute)
The ''barbat'' () or ''barbud'' is a lute of Greater Iran, Greater Iranian or Persian origin, and widespread across Central Asia, especially since the Sassanid Empire. Barbat is characterized as carved from a single piece of wood, including the Neck (music), neck and a wooden Sound board (music), sound board. Possibly a skin-topped instrument for part of its history, it is ancestral to the wood-topped oud and biwa and the skin-topped Yemen, Yemeni qanbus. Although the original barbat disappeared, modern Iranian Luthier, luthiers have invented a new instrument, inspired by the Barbat. The modern re-created instrument (Iranian peoples, Iranian Barbat) resembles the oud, although differences include a smaller body, longer Neck (music), neck, a slightly raised fingerboard, and a sound that is distinct from that of the oud. History The ''barbat'' probably originated in Central Asia. The earliest image of the ''barbat'' dates back to the 1st century BC from ancient northern Bactria. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cobza
The ''cobza'' is a multi-stringed instrument of the lute family of folk origin popular in the Romanian, Moldovan and contemporary Hungarian folk music. It is considered the oldest accompaniment instrument in the region comprising Romania and Moldova. Its usage in Hungary started following the Táncház movement of the late 20th century. It is distinct from the Ukrainian Kobza, an instrument of different construction and origin. Overview The Romanian Cobza is metal-strung (although modern nylon-strung models exist, mostly in Hungary), and has a very short neck without frets (although a newer fretted hybrid cobza can be found in the Republic of Moldova), with a bent-back pegbox. In the past, gut strings were used, sometimes mixed with metal ones. The back is ribbed. It is usually double or triple strung, and often has a characteristic flat end clasp. The Cobza is played with a plectrum (traditionally, a goose feather) in elaborate and florid melodic passagework, and has ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lavta
The lavta is a plucked string music instrument from Istanbul. Description The Politiko Laouto has a small body made of many ribs made using carvel bending technique. Its appearance is somewhat like a small (Turkish) oud - the strings are made from gut like an oud but it has only 7 strings in 4 courses and is tuned D AA dd aa, it is also sometimes tuned to Turkish Bolahenk tuning C G D A. The adjustable frets are made from tied bits of gut on the fingerboard, at the microtonal intervals of the makam system. This is more closely related to instruments like tanbur than to the fretless oud and the 12-frets of the octave laouto. The bridge usually has peacock-shaped ends. The fingerboard is flush with the soundboard, is often unvarnished, and has a carved and inlaid rosette. The politiko laouto have a pegbox like the oud (angling down), The tuning pegs are shaped like those of the violin, with 3 on the right side and 4 on the left side of the open tuning head. History Know ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cümbüş
The ''cümbüş'' (; ) is a Turkish stringed instrument of relatively modern origin. It was developed in 1930 by Zeynel Abidin Cümbüş as an oud-like instrument that could be heard as part of a larger ensemble. The cümbüş is shaped like an American banjo, with a spun-aluminum resonator bowl and skin soundboard. Although originally configured as an oud, the instrument has been converted to other instruments by attaching a different set of neck and strings. The standard cümbüş is fretless, but guitar, mandolin and ukulele versions have fretboards. The neck is adjustable, allowing the musician to change the angle of the neck to its strings by turning a screw. One model is made with a wooden resonator bowl, with the effect of a less tinny, softer sound.Zeynel Abidin Cümbüş manufacturers, ''Cumbus Extra' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Plectrum
A plectrum is a small flat tool used for plucking or strumming of a stringed instrument. For hand-held instruments such as guitars and mandolins, the plectrum is often called a pick and is held as a separate tool in the player's hand. In harpsichords, the plectra are attached to the jack mechanism. Plectra wielded by hand Guitars and similar instruments A plectrum for electric guitars, acoustic guitars, bass guitars and mandolins is typically a thin piece of plastic or other material most commonly shaped like a pointed teardrop or triangle, though the size, gauge, shape and width may vary considerably. Banjo and guitar players may wear a metal or plastic thumb pick mounted on a ring, and bluegrass banjo players often wear metal or plastic fingerpicks on their fingertips. Many guitarists use fingerpicks as well. Guitar picks are made of a variety of materials, including celluloid, metal, and rarely other exotic materials such as turtle shell, but today delrin (a synthetic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pipa
The pipa, pípá, or p'i-p'a () is a traditional Chinese musical instrument belonging to the plucked category of instruments. Sometimes called the "Chinese lute", the instrument has a pear-shaped wooden body with a varying number of frets ranging from 12 to 31. Another Chinese four-string plucked lute is the liuqin, which looks like a smaller version of the pipa. The pear-shaped instrument may have existed in China as early as the Han dynasty, and although historically the term ''pipa'' was once used to refer to a variety of plucked chordophones, its usage since the Song dynasty refers exclusively to the pear-shaped instrument. The pipa is one of the most popular Chinese instruments and has been played for almost two thousand years in China. Several related instruments are derived from the pipa, including the Japanese biwa and Korean bipa in East Asia, and the Vietnamese đàn tỳ bà in Southeast Asia. The Korean instrument is the only one of the three that is no longer wi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Angélique (instrument)
The ''angélique'' (French, from Italian ''angelica'') is a plucked string instrument of the lute family of the baroque era. It combines features of the lute, the harp, and the theorbo. It shares the form of its pear-shaped body as well as its vibrating string length of 54 to 70 cm with the lute. Differing from the lute, the 16 string angelica was single-strung like a theorbo, with which it shares its extended neck with a second peg box, bearing six bass strings. Overview The angelica was tuned diatonically, like a harp: C – E – F – G – A – B – c – d – e – f – g – a – b – c' – d' – e'. That range is the same as that of the French or lesser theorbo, but the latter differs in that its tuning is reentrant: C – D – E – F – G – A – B – c – d – g – c' – e'– a – d'. The diatonic tuning limited its compass, but produced a full and clear tone by the increased use of open strings. Little surviving music for the angelica as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Archlute
The archlute (, , ) is a European plucked string instrument developed around 1600 as a compromise between the very large theorbo, the size and re-entrant tuning of which made for difficulties in the performance of solo music, and the Renaissance tenor lute, which lacked the bass range of the theorbo. Essentially a tenor lute with the theorbo's neck-extension, the archlute lacks the power in the tenor and the bass that the theorbo's large body and typically greater string length provide. Overview The main differences between the archlute and the "baroque" lute of northern Europe are that the baroque lute has 11 to 13 courses, while the archlute typically has 14, and the tuning of the first six courses of the baroque lute outlines a d-minor chord, while the archlute preserves the tuning of the Renaissance lute, with perfect fourths surrounding a third in the middle for the first six. The archlute was often used as a solo instrument for the first three-quarters of the 17th ce ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baglamas
The baglamas ( ), plural '' baglamades'') or baglamadaki (), a long necked bowl-lute, is a plucked string instrument used in Greek music; it is a smaller version of the bouzouki pitched an octave higher (nominally D-A-D), with unison pairs on the four highest strings and an octave pair on the lower D. Musically, the baglamas is most often found supporting the bouzouki in the Piraeus city style of rebetiko. The body is often hollowed out from a piece of wood (''skaftos'', construction) or else made from a gourd, but there are also baglamades with staved backs. Its small size (typically 21.5in, 55cm in total length, but only 4.5in, 12cm wide) made it particularly popular with musicians who needed an instrument transportable enough to carry around easily or small enough to shelter under a coat. During parts of the 20th century, players of the bouzouki and baglamas were persecuted by the government, and the instruments were smashed by the police. See also * Bouzouki * Pandura ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pandura
The pandura (, ''pandoura'') or pandore, an ancient Greek string instrument, belonged in the broad class of the lute and guitar instruments. Akkadian Empire, Akkadians played similar instruments from the 3rd millennium BC. Ancient Greece, Ancient Greek artwork depicts such lutes from the 3rd or 4th century BC onward. Ancient Greece The Ancient Greece, ancient Greek ''pandoura'' was a medium or long-necked lute with a small resonating chamber, used by the ancient Greeks. It commonly had three strings: such an instrument was also known as the ''trichordon'' (three-stringed) (τρίχορδον, McKinnon 1984:10). Its descendants still survive as the Kartvelian panduri, the Greek tambouras and bouzouki, the North African Kwitra, kuitra, the Eastern Mediterranean Bağlama, saz and the Balkan tamburica and remained popular also in the near east and eastern Europe, too, usually acquiring a third string in the course of time, since the fourth century BC. Renato Meucci (1996) suggests t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Biwa
The is a Japanese short-necked wooden lute traditionally used in narrative storytelling. The is a plucked string instrument that first gained popularity in China before spreading throughout East Asia, eventually reaching Japan sometime during the Nara period (710–794). Typically to in length, the instrument is constructed of a water drop–shaped body with a short neck, typically with four (though sometimes five) strings. In Japan, the is generally played with a instead of the fingers, and is often used to play . One of the 's most famous uses is for reciting The Tale of the Heike, ''The Tale of the'' , from the Kamakura period (1185–1333). In previous centuries, the predominant musicians would have been , who used the as musical accompaniment when reading scriptural texts. The 's Chinese predecessor was the (), which arrived in Japan in two forms; following its introduction to Japan, varieties of the quadrupled. Guilds supporting players, particularly the , h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
