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Neorealism (art)
In art, neorealism refers to a few movements. In literature Portuguese neorealism was a Marxist literary movement that began slightly before Salazar's reign. It was mostly in line with socialist realism. In painting Neo-realism in painting was established by the ex- Camden Town Group painters Charles Ginner and Harold Gilman at the beginning of World War I. They set out to explore the spirit of their age through the shapes and colours of daily life. Their intentions were proclaimed in Ginner’s manifesto in ''New Age'' (1 January 1914), which was also used as the preface to Gilman and Ginner’s two-man exhibition of that year. It attacked the academic and warned against the ‘decorative’ aspect of imitators of Post-Impressionism. The best examples of neorealist work is that produced by these two artists; Howard Kanovitz and also Robert Bevan. For Robert Bevan he joined Cumberland Market Group in 1914. Artists * Howard Kanovitz - Vernissage, 1967 - Cologne, Museum Ludwi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Socialist Realism
Socialist realism is a style of idealized realistic art that was developed in the Soviet Union and was the official style in that country between 1932 and 1988, as well as in other socialist countries after World War II. Socialist realism is characterized by the depiction of communist values, such as the emancipation of the proletariat. Despite its name, the figures in the style are very often highly idealized, especially in sculpture, where it often leans heavily on the conventions of classical sculpture. Although related, it should not be confused with social realism, a type of art that realistically depicts subjects of social concern, or other forms of "realism" in the visual arts. Socialist realism was made with an extremely literal and obvious meaning, usually showing an idealized USSR. Socialist realism was usually devoid of complex artistic meaning or interpretation. Socialist realism was the predominant form of approved art in the Soviet Union from its development i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Toni (1935 Film)
''Toni'' is a 1935 French drama film directed by Jean Renoir and starring Charles Blavette, Celia Montalván and Édouard Delmont. The credits mention no writers other than the story writer Jacques Levert, but the script was later confirmed to be authored by Renoir and Carl Einstein. It is an early example of the casting of non-professional actors and on-location shooting - both of which would influence the Left Bank of the French New Wave movement. Examining the romantic interactions between a group of immigrants (both from abroad and other parts of France) working around a quarry and a farm in Provence, it is also generally considered a major precursor to the Italian neorealist movement, for its concerns on the working class , use of non-professional actors and on-location shooting. Although ''Toni'' is not among Renoir's most famous works, it continues to receive positive reviews from critics. Plot Looking for a job Toni goes from Italy to Southern France. A local woman n ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bicycle Thieves
''Bicycle Thieves'' ( it, Ladri di biciclette; sometimes known in the United States as ''The Bicycle Thief'') is a 1948 Italian neorealist drama film directed by Vittorio De Sica. It follows the story of a poor father searching in post- World War II Rome for his stolen bicycle, without which he will lose the job which was to be the salvation of his young family. Adapted for the screen by Cesare Zavattini from the 1946 novel by Luigi Bartolini, and starring Lamberto Maggiorani as the desperate father and Enzo Staiola as his plucky young son, ''Bicycle Thieves'' received an Academy Honorary Award (most outstanding foreign language film) in 1950, and in 1952 was deemed the greatest film of all time by '' Sight & Sound'' magazine's poll of filmmakers and critics; fifty years later another poll organized by the same magazine ranked it sixth among the greatest-ever films. In the 2012 version of the list the film ranked 33rd among critics and 10th among directors. The film was als ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Germania Anno Zero
''Germany, Year Zero'' ( it, Germania anno zero) is a 1948 film directed by Roberto Rossellini, and is the final film in Rossellini's unofficial war film trilogy, following ''Rome, Open City'' and '' Paisà''. ''Germany Year Zero'' takes place in Allied-occupied Germany, unlike the others, which take place in German-occupied Rome and during the Allied invasion of Italy, respectively. As in many neorealist films, Rossellini used mainly local, non-professional actors. He filmed on locations in Berlin and intended to convey the reality in Germany the year after its near total destruction in World War II. It contains dramatic images of bombed out Berlin and of the human struggle for survival following the destruction of Nazi Germany. When explaining his ideas about realism in an interview, he said, "realism is nothing other than the artistic form of truth." Plot Twelve-year-old Edmund Köhler lives in devastated, Allied-occupied Berlin with his ailing, bedridden father and his adu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paisà
''Paisan'' ( it, Paisà ) is a 1946 Italian neorealist war drama film directed by Roberto Rossellini. In six independent episodes, it tells of the Liberation of Italy by the Allied forces during the late stage of World War II. The film premiered at the Venice International Film Festival and received numerous national and international prizes. Plot 1st Episode During the Allied invasion of Sicily, an American patrol makes its way to a village at night. Only one of the Americans speaks Italian. Local girl Carmela, who wants to find the whereabouts of her brother and father, agrees to guide the patrol past a German minefield to the seaside. While one of the patrol, Joe, is assigned to keep an eye on Carmela in a castle ruin, the others inspect the area. Despite the language barrier, Joe starts to overcome Carmela's distance. When he is shot by a German sniper, Carmela hides him in the basement of the building. Upon the discovery that Joe has died, she takes his rifle and starts s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shoeshine (film)
''Shoeshine'' ( it, Sciuscià , from Neapolitan pronunciation of the English) is a 1946 Italian film directed by Vittorio De Sica. Sometimes regarded as his first masterpiece, the film follows two shoeshine boys who get into trouble with the police after trying to find the money to buy a horse. Plot Two friends, Giuseppe Filippucci and Pasquale Maggi, test-ride horses. Though they are saving to purchase a horse, it is difficult for them to afford one, as they are only living off their income from shining shoes in the streets of Rome. One day Giuseppe's older brother, Attilio, visits the boys and tells them that Panza (a fence) has some work for them. Pasquale brings Giuseppe along to meet Panza, who gives them two blankets to sell. Giuseppe and Pasquale take the blankets to a fortune teller, who buys them. After the sale, Panza, Attilio, and another man burst into the fortune teller's house, posing as policemen. They accuse the fortune teller of handling stolen goods, and find ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roma, Città Aperta
''Rome, Open City'' ( it, Roma città aperta, also released as ''Open City'') is a 1945 Italian neorealist war drama film directed by Roberto Rossellini and co-written by Sergio Amidei, Celeste Negarville and Federico Fellini. Set in Rome in 1944, the film follows a diverse group of characters coping under the Nazi occupation, and centers on a Resistance fighter trying to escape the city with the help of a Catholic priest. The title refers to Rome being declared an open city after 14 August 1943. It forms the first third of Rosselini's "Neorealist Trilogy", followed by ''Paisan'' (1946) and ''Germany, Year Zero'' (1948). ''Open City'' is considered one of the most important and representative works of Italian neorealism, and an important stepping stone for Italian filmmaking as a whole. It was one of the first post-war Italian pictures to gain major acclaim and accolades internationally, winning the prestigious Palme d'Or at the 1946 Cannes Film Festival and being nominated fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Saltimbancos (1951 Film)
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Saltimbanco was a Cirque du Soleil show which ran from 1992 to 2006 in its original form. Saltimbanco may also refer to: *'' Les saltimbanques'' 1899 comic opera by Louis Ganne * Les Saltimbanques (Dumersan), an 1838 ''farce désopilante'' by Théophile Marion Dumersan *'' La famille de saltimbanques'', 1905 painting by Pablo Picasso *"The Saltimbanques," a 2001 short horror story by Terry Dowling See also *Acrobat Acrobatics () is the performance of human feats of balance, agility, and motor coordination. Acrobatic skills are used in performing arts, sporting events, and martial arts. Extensive use of acrobatic skills are most often performed in acro d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ossessione
''Ossessione'' (, English: ''Obsession'') is a 1943 Italian film based on the 1934 novel '' The Postman Always Rings Twice'' by James M. Cain. Luchino Visconti’s first feature film, it is considered by many to be the first Italian neorealist film, though there is some debate about whether such a categorization is accurate. It presents some typical elements of the calligrafismo style. Plot Gino Costa, a wandering tramp, stops at a small roadside tavern and petrol station run by Giovanna Bragana and her older husband, Giuseppe. Giovanna is disgusted by her husband, having married him only for his money, and is instantly drawn to the younger and more attractive Gino. Giovanna serves Gino a meal, but they are interrupted by Giuseppe, who throws Gino out. Giovanna claims Gino didn't pay, pocketing his money, as an excuse for him to return. Giuseppe chases after Gino, only to find that Gino has no money left, so Gino offers to fix Giuseppe’s vehicle as payment for the meal. When Giu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hungary
Hungary ( hu, Magyarország ) is a landlocked country in Central Europe. Spanning of the Pannonian Basin, Carpathian Basin, it is bordered by Slovakia to the north, Ukraine to the northeast, Romania to the east and southeast, Serbia to the south, Croatia and Slovenia to the southwest, and Austria to the west. Hungary has a population of nearly 9 million, mostly ethnic Hungarians and a significant Romani people in Hungary, Romani minority. Hungarian language, Hungarian, the Languages of Hungary, official language, is the world's most widely spoken Uralic languages, Uralic language and among the few non-Indo-European languages widely spoken in Europe. Budapest is the country's capital and List of cities and towns of Hungary, largest city; other major urban areas include Debrecen, Szeged, Miskolc, Pécs, and Győr. The territory of present-day Hungary has for centuries been a crossroads for various peoples, including Celts, Ancient Rome, Romans, Germanic peoples, Germanic trib ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
People Of The Mountains
''People of the Mountains'' (Hungarian: ''Emberek a havason'') is a 1942 Hungarian drama film directed by István Szőts and starring Alice Szellay, János Görbe, Péterke Ferency. The film is set in the Székely woodcutting community of Transylvania. The film's plot was based on a series of short stories by József Nyírő. The film was exhibited at the 1942 Venice Film Festival, where it was widely praised. The film's style has been suggested as an influence on the emerging Italian neorealism. It was not granted an exhibition certificate in Nazi Germany because Joseph Goebbels considered it "too Catholic". The film was chosen to be part of the New Budapest Twelve, a list of Hungarian films considered the best in 2000. Production The film was shot on location in Northern Transylvania, which had been ceded back to the Kingdom of Hungary by the Kingdom of Romania according to the Second Vienna Award in 1940, before Hungary and Romania entered the Second World War. Interior s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
