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Nōkan
The is a high pitched, Japanese transverse bamboo flute, or . It is commonly used in traditional Imperial Noh and Kabuki theatre. The nohkan flute was created by Kan'ami and his son Zeami in the 15th century, during the time when the two were transforming the Noh theatre forms Dengaku and Sarugaku. Construction The nohkan or ''fue' '' ("flute") is made of split and tapered strips of smoked bamboo (''susudake'') or burned bamboo (''yakidake''), glued together to form a tapering conical bore. The smoking carbonizes the bamboo and preserves it. The split strips of bamboo are reversed to place the hard bamboo surface on the inside for improved acoustics. Some modern versions of nohkan use an interior coating of tempera paint for this. The strips are then glued together, bound with thin strips of twisted cherry bark (''kabamaki'') and lacquered to make the conical tube. The result is a keyless tube of 39.1 cm with an average bore width of 1.7 cm and there are 7 fing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
:Category:Japanese Words And Phrases ...
{{Commons Words and phrases by language Words Words Words A word is a basic element of language that carries meaning, can be used on its own, and is uninterruptible. Despite the fact that language speakers often have an intuitive grasp of what a word is, there is no consensus among linguists on its ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tempera Paint
Tempera (), also known as egg tempera, is a permanent, fast-drying painting medium consisting of pigments mixed with a water-soluble binder medium, usually glutinous material such as egg yolk. ''Tempera'' also refers to the paintings done in this medium. Tempera paintings are very long-lasting, and examples from the first century AD still exist. Egg tempera was a primary method of painting until after 1500 when it was superseded by oil painting. A paint consisting of pigment and binder commonly used in the United States as poster paint is also often referred to as "tempera paint", although the binders in this paint are different from traditional tempera paint. Etymology The term ''tempera'' is derived from the Italian ''dipingere a tempera'' ("paint in distemper"), from the Late Latin ''distemperare'' ("mix thoroughly"). History Tempera painting has been found on early Egyptian sarcophagus decorations. Many of the Fayum mummy portraits use tempera, sometimes in combination wi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Japanese Musical Instruments
Traditional Japanese musical instruments, known as in Japanese, are musical instruments used in the traditional folk music of Japan. They comprise a range of string, wind, and percussion instruments. Percussion instruments *; also spelled – clapper made from wooden slats connected by a rope or cord * – Hand cymbals * – wooden or bamboo clappers * – pellet drum, used as a children's toy * – small, ornately decorated hourglass-shaped drum * – hand-held bell tree with three tiers of pellet bells * – small drum used in * – small flat gong * – a pair of sticks which are beaten together slowly and rhythmically * (also called ) – clapper made from a pair of flat wooden sticks * – woodblock carved in the shape of a fish, struck with a wooden stick; often used in Buddhist chanting * – hand drum * or () – singing bowls used by Buddhist monks in religious practice or rituals * – hourglass-shaped double-headed drum; struck only on one side * – clapper made f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bamboo Musical Instruments
Bamboos natural hollow form makes it an obvious choice for many musical instruments. In South and South East Asia, traditional uses of bamboo the instrument include various types of woodwind instruments, such as flutes, and devices like xylophones and organs, which require resonating sections. In some traditional instruments bamboo is the primary material, while others combine bamboo with other materials such as wood and leather. Overview Bamboo has been used to create a variety of instruments including flutes, mouth organs, saxophones, trumpets, drums and xylophones. Flutes :''See Bamboo flutes'' There are numerous types of bamboo flutes made all over the world, such as the ''dizi'', ''xiao'', ''shakuhachi'', '' palendag'' and '' jinghu''. In the Indian subcontinent, it is a very popular and highly respected musical instrument, available even to the poorest and the choice of many highly venerated maestros of classical music. It is known and revered above all as the divine f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shakuhachi
A is a Japanese longitudinal, end-blown flute that is made of bamboo. The bamboo end-blown flute now known as the was developed in Japan in the 16th century and is called the .Kotobank, Fuke shakuhachi. The Asahi ShimbunKotobank, Shakuhachi. The Asahi Shimbun A bamboo flute known as the or was derived from the Chinese Xiao (flute), xiao in the Nara period and died out in the 10th century. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shinobue
The ''shinobue'' (kanji: 篠笛; also called ''takebue'' (kanji: 竹笛) in the context of Japanese traditional arts) is a Japanese transverse flute or fue that has a high-pitched sound. Usage It is found in hayashi and nagauta ensembles, and plays important roles in noh and kabuki theatre music. It is heard in Shinto , also called Shintoism, is a religion originating in Japan. Classified as an East Asian religions, East Asian religion by Religious studies, scholars of religion, it is often regarded by its practitioners as Japan's indigenous religion and as ... music such as '' kagura-den'' and in traditional Japanese folk songs. Variations There are three styles: ''uta'' (song), ''hayashi'' (festival), and ''doremi''. The uta is tuned to a Japanese variant of the shi'er lü scale, while the temperament of the hayashi vary across regions. The doremi is tuned to the western scale; hence the name. See also * Ryuteki * Bamboo musical instruments External li ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Embouchure
Embouchure () or lipping is the use of the lips, facial muscles, tongue, and teeth in playing a wind instrument. This includes shaping the lips to the mouthpiece (woodwind), mouthpiece of a woodwind or brass instrument. The word is of French language, French origin and is related to the root ', 'mouth'. Proper embouchure allows instrumentalists to play their instrument at its full range with a full, clear tone and without strain or damage to their muscles. Brass embouchure While performing on a brass instrument, the sound is produced by the player buzzing their lips into a mouthpiece. Pitches are changed in part through altering the amount of muscular contraction in the lip formation. The performer's use of the air, tightening of cheek and jaw muscles, as well as tongue manipulation can affect how the embouchure works. Maintaining an effective embouchure is an essential skill for any brass instrumentalist, but its personal and particular characteristics mean that different pedag ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Venturi Effect
The Venturi effect is the reduction in fluid pressure that results when a moving fluid speeds up as it flows from one section of a pipe to a smaller section. The Venturi effect is named after its discoverer, the Italian physicist Giovanni Battista Venturi, and was first published in 1797. The effect has various engineering applications, as the reduction in pressure inside the constriction can be used both for measuring the fluid flow and for moving other fluids (e.g. in a vacuum ejector). Background In inviscid fluid dynamics, an incompressible fluid's velocity must ''increase'' as it passes through a constriction in accord with the principle of mass continuity, while its static pressure must ''decrease'' in accord with the principle of conservation of mechanical energy (Bernoulli's principle) or according to the Euler equations. Thus, any gain in kinetic energy a fluid may attain by its increased velocity through a constriction is balanced by a drop in pressure because ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sarugaku
was a form of theatre popular in Japan during the 11th to 14th centuries. One of its predecessors was a , a form of entertainment reminiscent of the modern-day circus, consisting mostly of acrobatics, juggling, and pantomime, sometimes combined with drum dancing. Sarugaku came from China to Japan in the 8th century and there mingled with indigenous traditions, particularly the harvest celebrations of dengaku. In the 11th century, the form began to favor comic sketches while other elements faded away. By the late 12th century, the term "sarugaku" had come to include comic dialogues based on word play ( toben), improvised comic party dances ('' ranbu''), short plays involving several actors, and musical arrangements based on courtesan traditions. During the 13th century, there was increased standardization of words, gestures, musical arrangements, and program combinations; as well as the adoption of the guild (''za'') system to which all present-day Noh schools can be traced. ''Ky ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nohkan
The is a high pitched, Japanese transverse bamboo flute, or . It is commonly used in traditional Imperial Noh and Kabuki theatre. The nohkan flute was created by Kan'ami and his son Zeami in the 15th century, during the time when the two were transforming the Noh theatre forms Dengaku and Sarugaku. Construction The nohkan or ''fue' '' ("flute") is made of split and tapered strips of smoked bamboo (''susudake'') or burned bamboo (''yakidake''), glued together to form a tapering conical bore. The smoking carbonizes the bamboo and preserves it. The split strips of bamboo are reversed to place the hard bamboo surface on the inside for improved acoustics. Some modern versions of nohkan use an interior coating of tempera paint for this. The strips are then glued together, bound with thin strips of twisted cherry bark (''kabamaki'') and lacquered to make the conical tube. The result is a keyless tube of 39.1 cm with an average bore width of 1.7 cm and there are 7 fing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dengaku
were rustic Japanese celebrations that can be classified into two types: that developed as a musical accompaniment to rice planting observances, and the dances that developed in conjunction with . The celebrated for rice planting was performed by villagers either at the New Year or during the planting season in early summer. It was only in the 14th century that these dances were brought to the cities and incorporated into Noh theater, notably by the playwright and actor Kan'ami. The instrument of is the , a wooden percussive instrument clapper, though there are other instruments that can be used. In the , there is a detailed description of the rice-planting . After being brought to the aristocrats, flourished till the end of the Heian period (794–1185) and became the main performing art of the Kamakura period (1185–1333), as well as part of the performing arts of the Muromachi period (1336–1573). By the end of the Muromachi period, had been eclipsed by . Today it ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
