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Mosaics Of Delos
The mosaics of Delos are a significant body of ancient Greek mosaic art. Most of the surviving mosaics from Delos, Greece, an island in the Cyclades, date to the last half of the 2nd century BC and early 1st century BC, during the Hellenistic period and beginning of the Roman period of Greece. Hellenistic mosaics were no longer produced after roughly 69 BC, due to warfare with the Kingdom of Pontus and subsequently abrupt decline of the island's population and position as a major trading center. Among Hellenistic Greek archaeological sites, Delos contains one of the highest concentrations of surviving mosaic artworks. Approximately half of all surviving tessellated Greek mosaics from the Hellenistic period come from Delos. The paved walkways of Delos range from simple pebble or chip-pavement constructions to elaborate mosaic floors composed of tesserae. Most motifs contain simple geometric patterns, while only a handful utilize the '' opus tessellatum'' and ''opus verm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hellenistic Art
Hellenistic art is the art of the Hellenistic period generally taken to begin with the death of Alexander the Great in 323 BC and end with the conquest of the Greek world by the Romans, a process well underway by 146 BCE, when the Greek mainland was taken, and essentially ending in 30 BCE with the conquest of Ptolemaic Egypt following the Battle of Actium. A number of the best-known works of Greek sculpture belong to this period, including ''Laocoön and His Sons'', ''Venus de Milo'', and the ''Winged Victory of Samothrace''. It follows the period of Classical Greek art, while the succeeding Greco-Roman art was very largely a continuation of Hellenistic trends. The term ''Hellenistic'' refers to the expansion of Greek influence and dissemination of its ideas following the death of Alexander – the "Hellenizing" of the world, with Koine Greek as a common language. The term is a modern invention; the Hellenistic World not only included a huge area covering the whole of the Aege ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tessellation
A tessellation or tiling is the covering of a surface, often a plane, using one or more geometric shapes, called ''tiles'', with no overlaps and no gaps. In mathematics, tessellation can be generalized to higher dimensions and a variety of geometries. A periodic tiling has a repeating pattern. Some special kinds include ''regular tilings'' with regular polygonal tiles all of the same shape, and ''semiregular tilings'' with regular tiles of more than one shape and with every corner identically arranged. The patterns formed by periodic tilings can be categorized into 17 wallpaper groups. A tiling that lacks a repeating pattern is called "non-periodic". An ''aperiodic tiling'' uses a small set of tile shapes that cannot form a repeating pattern. A ''tessellation of space'', also known as a space filling or honeycomb, can be defined in the geometry of higher dimensions. A real physical tessellation is a tiling made of materials such as cemented ceramic squares or hexagons. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Punic
The Punic people, or western Phoenicians, were a Semitic people in the Western Mediterranean who migrated from Tyre, Phoenicia to North Africa during the Early Iron Age. In modern scholarship, the term ''Punic'' – the Latin equivalent of the Greek-derived term ''Phoenician'' – is exclusively used to refer to Phoenicians in the western Mediterranean, following the line of the Greek East and Latin West. The largest Punic settlement was Ancient Carthage (essentially modern Tunis), but there were 300 other settlements along the North African coast from Leptis Magna in modern Libya to Mogador in southern Morocco, as well as western Sicily, southern Sardinia, the southern and western coasts of the Iberian Peninsula, Malta, and Ibiza. Their language, Punic, was a dialect of Phoenician, one of the Northwest Semitic languages originating in the Levant. Literary sources report two moments of Tyrian settlements in the west, the first in the 12th century BCE (the cities Utica, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peristyle
In ancient Greek and Roman architecture, a peristyle (; from Greek ) is a continuous porch formed by a row of columns surrounding the perimeter of a building or a courtyard. Tetrastoön ( grc, τετράστῳον or τετράστοον, lit=four arcades, label=none) is a rarely used archaic term for this feature. The peristyle in a Greek temple is a peristasis (). In the Christian ecclesiastical architecture that developed from the Roman basilica, a courtyard peristyle and its garden came to be known as a cloister. Etymology The Greek word περίστυλον ''perístylon'' is composed of περί ''peri'', "around" or "surrounded", and στῦλος ''stylos'', "column" or "pillar", together meaning "surrounded by columns/pillars". It was Latinised into synonyms ''peristylum'' and ''peristylium''. In Roman architecture In rural settings, a wealthy Roman could surround a villa with terraced gardens; within the city, Romans created their gardens inside the ''domus''. The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Floor Plan
In architecture and building engineering, a floor plan is a technical drawing to scale, showing a view from above, of the relationships between rooms, spaces, traffic patterns, and other physical features at one level of a structure. Dimensions are usually drawn between the walls to specify room sizes and wall lengths. Floor plans may also include details of fixtures like sinks, water heaters, furnaces, etc. Floor plans may include notes for construction to specify finishes, construction methods, or symbols for electrical items. It is also called a ''plan'' which is a measured plane typically projected at the floor height of , as opposed to an ''elevation'' which is a measured plane projected from the side of a building, along its height, or a section or '' cross section'' where a building is cut along an axis to reveal the interior structure. Overview Similar to a map, the orientation of the view is downward from above, but unlike a conventional map, a plan is drawn at a p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oikos
The ancient Greek word ''oikos'' (ancient Greek: , plural: ; English prefix: eco- for ecology and economics) refers to three related but distinct concepts: the family, the family's property, and the house. Its meaning shifts even within texts. The ''oikos'' was the basic unit of society in most Greek city-states. In normal Attic usage the ''oikos'', in the context of families, referred to a line of descent from father to son from generation to generation. Alternatively, as Aristotle used it in his ''Politics'', the term was sometimes used to refer to everybody living in a given house. Thus, the head of the ''oikos'', along with his immediate family and his slaves, would all be encompassed. Large ''oikoi'' also had farms that were usually tended by the slaves, which were also the basic agricultural unit of the ancient Greek economy. Layout Traditional interpretations of the layout of the ''oikos'' in Classical Athens have divided into men's and women's spaces, with an area know ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ancient Greek Architecture
Ancient Greek architecture came from the Greek-speaking people (''Hellenic'' people) whose culture flourished on the Greek mainland, the Peloponnese, the Aegean Islands, and in colonies in Anatolia and Italy for a period from about 900 BC until the 1st century AD, with the earliest remaining architectural works dating from around 600 BC. Ancient Greek architecture is best known from its temples, many of which are found throughout the region, with the Parthenon regarded, now as in ancient times, as the prime example. Most remains are very incomplete ruins, but a number survive substantially intact, mostly outside modern Greece. The second important type of building that survives all over the Hellenic world is the open-air theatre, with the earliest dating from around 525–480 BC. Other architectural forms that are still in evidence are the processional gateway (''propylon''), the public square (''agora'') surrounded by storied colonnade (''stoa''), the town council building ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Greek Temple
Greek temples ( grc, ναός, naós, dwelling, semantically distinct from Latin , "temple") were structures built to house deity statues within Greek sanctuaries in ancient Greek religion. The temple interiors did not serve as meeting places, since the sacrifices and rituals dedicated to the respective ouranic (a god or goddess that does not reside on the Earth) deity took place outside them, within the wider precinct of the sanctuary, which might be large. Temples were frequently used to store votive offerings. They are the most important and most widespread building type in Greek architecture. In the Hellenistic kingdoms of Southwest Asia and of North Africa, buildings erected to fulfill the functions of a temple often continued to follow the local traditions. Even where a Greek influence is visible, such structures are not normally considered as Greek temples. This applies, for example, to the Graeco-Parthian and Bactrian temples, or to the Ptolemaic examples, which follow ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opus Vermiculatum
''Opus vermiculatum'' is a method of laying mosaic tesserae to emphasise an outline around a subject. This can be of one or more rows and may also provide background contrast, e.g. as a shadow, sometimes with '' opus tessellatum''. The outline created is often light and offset by a dark background for greater contrast. The name ''opus vermiculatum'' literally means "worm-like work", and has been described as one of the most demanding and elaborate forms of mosaic work. Usually ''opus vermiculatum'' is meant to put emphasis on the main design and foreground details of a work, using a smooth and flowing halo-effect. Sometimes it was used only around the head of a figure. The tesserae used were often square but can be variously shaped.Strong, Donald (June 1, 1992). ''Roman Art: The Yale University Press Pelican History of Art''. Yale University Press. . p. 56 History ''Opus vermiculatum'' originated in Greece, later than other mosaic methods. The earliest known example is the S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opus Tessellatum
''Opus tessellatum'' is the Latin name for the normal technique of Greek and Roman mosaic, made from tesserae that are larger than about 4 mm. It is distinguished from the finer ''opus vermiculatum'' which used tiny ''tesserae'', typically cubes of 4 millimetres or less, and was produced in workshops in relatively small panels which were transported to the site glued to some temporary support. ''Opus tessellatum'' was used for larger areas and laid down at the final site. The two techniques were often combined, with small panels of ''opus vermiculatum'' called ''emblemata'' at the centre of a larger design in ''opus tessellatum''. The tiny ''tesserae'' of ''opus vermiculatum'' allowed very fine detail, and an approach to the illusionism of painting. There was a distinct native Italian style of ''opus tessellatum'' using only black on a white background, which was no doubt cheaper than fully coloured work. ''Opus tessellatum'' is usually used for backgrounds consisting of horizo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Geometric Pattern
A pattern is a regularity in the world, in human-made design, or in abstract ideas. As such, the elements of a pattern repeat in a predictable manner. A geometric pattern is a kind of pattern formed of geometric shapes and typically repeated like a wallpaper design. Any of the senses may directly observe patterns. Conversely, abstract patterns in science, mathematics, or language may be observable only by analysis. Direct observation in practice means seeing visual patterns, which are widespread in nature and in art. Visual patterns in nature are often chaotic, rarely exactly repeating, and often involve fractals. Natural patterns include spirals, meanders, waves, foams, tilings, cracks, and those created by symmetries of rotation and reflection. Patterns have an underlying mathematical structure; indeed, mathematics can be seen as the search for regularities, and the output of any function is a mathematical pattern. Similarly in the sciences, theories explain and predict r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Motif (visual Arts)
In art and iconography, a motif () is an element of an image. The term can be used both of figurative and narrative art, and ornament and geometrical art. A motif may be repeated in a pattern or design, often many times, or may just occur once in a work. A motif may be an element in the iconography of a particular subject or type of subject that is seen in other works, or may form the main subject, as the Master of Animals motif in ancient art typically does. The related motif of confronted animals is often seen alone, but may also be repeated, for example in Byzantine silk and other ancient textiles. Where the main subject of an artistic work such as a painting is a specific person, group, or moment in a narrative, that should be referred to as the "subject" of the work, not a motif, though the same thing may be a "motif" when part of another subject, or part of a work of decorative art such as a painting on a vase. Ornamental or decorative art can usually be analysed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
