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Monochrome Painting
Monochromatic painting has played a significant role in Modernism, modern and Contemporary art, contemporary Western world, Western visual art, originating with the early 20th-century European avant-gardes. Artists have explored the non-representational potential of a single color, investigating shifts in Lightness, value, diversity of Texture (visual arts), texture, and Formalism (art), formal nuances as a means of emotional expression, visual investigation into the inherent properties of painting, as well as a starting point for Conceptual art, conceptual works. Ranging from geometric abstraction in a variety of mediums to non-representational Action painting, gestural painting, monochromatic works continue to be an important influence in contemporary art. Origins Monochrome painting was initiated at the first Incoherents exhibition in Paris in 1882, with a black painting by the poet Paul Bilhaud entitled ''Combat de Nègres pendant la nuit'' ("Battle of negroes during the nigh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
White On White (Malevich, 1918)
''Suprematist Composition: White on White'' (1918) is an abstract oil-on-canvas painting by Kazimir Malevich. It is one of the more well-known examples of the Russian Suprematism movement, painted the year after the October Revolution. Part of a series of "white on white" works begun by Malevich in 1916, the work depicts a white square, portrayed off-centre and at an angle on a ground which is also a white square of a slightly warmer tone. The work measures . Malevich dispenses with most of the characteristics of representational art, with no sense of colour, depth, or volume, leaving a simple monochrome geometrical shape, not precisely symmetrical, with imprecisely defined boundaries. Although the artwork is stripped of most detail, brush strokes are evident in this painting and the artist tried to make it look as if the tilted square is coming out of the canvas. Malevich intended the painting to evoke a feeling of floating, with the colour white symbolising infinity, and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alphonse Allais
Alphonse Allais (20 October 1854 in Honfleur – 28 October 1905 in Paris) was a French writer, journalist and humorist. He was also the editor of the '' Chat Noir,'' a satirical magazine. Life From 1879, Alphonse Allais attended the ″Hydropathic Society″ of Émile Goudeau, from which the school of fumism grew. Evidence (and the crowning glory) of Alphonse Allais's first literary successes was the January 1880 issue of the newspaper ″Hydropat″ entirely dedicated to him, with a caricature on the entire cover.'' Yuri Khanon:'' «Dada before Dada», Chapter«..Fumists..»(in Russian) It depicted a blond pharmacist, Alphonse Allais. Already in the first year of Fumism, Paul Vivien wrote in his “leading” article: Work He is the author of many collections of whimsical writings. A poet as much as a humorist, he cultivated the verse form known as holorhyme (all verses are homophonous, where entire lines are pronounced the same). For example: Par les bois du djinn o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
De Stijl
De Stijl (, ; 'The Style') was a Dutch art movement founded in 1917 by a group of artists and architects based in Leiden (Theo van Doesburg, Jacobus Oud, J.J.P. Oud), Voorburg (Vilmos Huszár, Jan Wils) and Laren, North Holland, Laren (Piet Mondrian, Bart van der Leck). ''De Stijl'' was also the name of a journalpublished by the Dutch painter, designer, writer, poet and critic Theo van Doesburgthat propagated the group's theories. Along with van Doesburg, the group's principal members were the painters Piet Mondrian, Vilmos Huszár, Bart van der Leck, the architects Jacobus Oud, J.J.P. Oud, Jan Wils, Gerrit Rietveld, Robert van 't Hoff, the sculptor and painter Georges Vantongerloo, and the poet and writer Antony Kok. The art theory that formed the basis for the group's work was originally known as in Dutch; it was later translated to Neoplasticism in English. This theory was subsequently extended to encompass the principles of Elementarism. Principles and influences Mon ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piet Mondrian
Pieter Cornelis Mondriaan (; 7 March 1872 – 1 February 1944), known after 1911 as Piet Mondrian (, , ), was a Dutch Painting, painter and Theory of art, art theoretician who is regarded as one of the greatest artists of the 20th century. He was one of the pioneers of 20th-century abstract art, as he changed his artistic direction from figurative painting to an increasingly abstract style, until he reached a point where his artistic vocabulary was reduced to simple geometric elements. Mondrian's art was highly utopian and was concerned with a search for universal values and aesthetics. He proclaimed in 1914: "Art is higher than reality and has no direct relation to reality. To approach the Spirituality, spiritual in art, one will make as little use as possible of reality, because reality is opposed to the spiritual. We find ourselves in the presence of an abstract art. Art should be above reality, otherwise it would have no value for man." He was a contributor to the ''De Stij ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kazimir Malevich
Kazimir Severinovich Malevich (Запись о рождении в метрической книге римско-католического костёла св. Александра в Киеве, 1879 год // ЦГИАК Украины, ф. 1268, оп. 1, д. 26, л. 13об—14. – 15 May 1935) was a Russian avant-garde artist and art theorist, whose pioneering work and writing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bauhaus
The Staatliches Bauhaus (), commonly known as the , was a German art school operational from 1919 to 1933 that combined Decorative arts, crafts and the fine arts.Oxford Dictionary of Art and Artists (Oxford: Oxford University Press, 4th edn., 2009), , pp. 64–66 The school became famous for its approach to design, which attempted to unify individual artistic vision with the principles of mass production and emphasis on form follows function, function. The Bauhaus was founded by architect Walter Gropius in Weimar. It was grounded in the idea of creating a ''Gesamtkunstwerk'' ("comprehensive artwork") in which all the arts would eventually be brought together. The Bauhaus style later became one of the most influential currents in modern design, Modern architecture, modernist architecture, and architectural education. The Bauhaus movement had a profound influence on subsequent developments in art, architecture, graphic design, interior design, industrial design, and typography. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Abstract Art
Abstract art uses visual language of shape, form, color and line to create a Composition (visual arts), composition which may exist with a degree of independence from visual references in the world. ''Abstract art'', ''non-figurative art'', ''non-objective art'', and ''non-representational art'' are all closely related terms. They have similar, but perhaps not identical, meanings. Western art had been, from the Renaissance up to the middle of the 19th century, underpinned by the logic of Perspective (graphical), perspective and an attempt to reproduce an illusion of visible reality. By the end of the 19th century many artists felt a need to create a new kind of art which would encompass the fundamental changes taking place in technology, science and philosophy. The sources from which individual artists drew their theoretical arguments were diverse, and reflected the social and intellectual preoccupations in all areas of Western culture at that time. Abstraction indicates a departu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Salon Des Indépendants
Salon may refer to: Common meanings * Beauty salon, a venue for cosmetic treatments * French term for a drawing room A drawing room is a room in a house where visitors may be entertained, and an alternative name for a living room. The name is derived from the 16th-century terms withdrawing room and withdrawing chamber, which remained in use through the 17th ce ..., an architectural space in a home * Salon (gathering), a meeting for learning or enjoyment Arts and entertainment * Salon (Paris), a prestigious annual juried art exhibition in Paris begun under Louis XIV * ''The Salon'' (TV series), a British reality television show * ''The Salon'' (film), a 2005 American dramatic comedy movie * ''The Salon'' (comics), a graphic novel written and illustrated by Nick Bertozzi Places * Salon, Aube, France, a commune * Salon, Dordogne, France, a commune * Salon, India, a town and nagar panchayat * Salon (Assembly constituency), India, a constituency for the Uttar Pradesh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cubist
Cubism is an early-20th-century avant-garde art movement which began in Paris. It revolutionized painting and the visual arts, and sparked artistic innovations in music, ballet, literature, and architecture. Cubist subjects are analyzed, broken up, and reassembled in an abstract form. Instead of depicting objects from a single perspective, the artist depicts the subject from multiple perspectives to represent the subject in a greater context. Cubism has been considered the most influential art movement of the 20th century. The term ''cubism'' is broadly associated with a variety of artworks produced in Paris (Montmartre and Montparnasse) or near Paris (Puteaux) during the 1910s and throughout the 1920s. The movement was pioneered in partnership by Pablo Picasso and Georges Braque, and joined by Jean Metzinger, Albert Gleizes, Robert Delaunay, Henri Le Fauconnier, Juan Gris, and Fernand Léger. One primary influence that led to Cubism was the representation of three-dimensional ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Succès De Scandale
''Succès de scandale'' ( French for "success from scandal") is a term for any artistic work whose success is attributed, in whole or in part, to public controversy surrounding the work. In some cases the controversy causes audiences to seek out the work for its titillating content, while in others it simply heightens public curiosity. This concept is echoed by the phrase "there is no such thing as bad publicity". ''Belle Époque'' The ''Belle Époque'' ('beautiful era') in Paris, roughly from 1871 to 1914, was notable for many ''succès de scandale''. This was also where and when the term originated. In the examples below, artists started their careers with some sort of scandal, with some connection to turn-of-the-century Paris. In other cities, provoking a scandal appeared more risky, as Oscar Wilde found out shortly after his relatively "successful" Parisian scandal ('' Salomé'' in 1894, portraying the main character as a necrophile). * '' Le déjeuner sur l'herbe'' ("Lu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean Metzinger
Jean Dominique Antony Metzinger (; 24 June 1883 – 3 November 1956) was a major 20th-century French painter, theorist, writer, critic and poet, who along with Albert Gleizes wrote the first theoretical work on Cubism. His earliest works, from 1900 to 1904, were influenced by the neo-Impressionism of Georges Seurat and Henri-Edmond Cross. Between 1904 and 1907, Metzinger worked in the Divisionist and Fauvist styles with a strong Paul Cézanne, Cézannian component, leading to some of the first Proto-Cubism, proto-Cubist works. From 1908, Metzinger experimented with the faceting of form, a style that would soon become known as Cubism. His early involvement in Cubism saw him both as an influential artist and an important theorist of the movement. The idea of moving around an object in order to see it from different view-points is treated, for the first time, in Metzinger's ''Note sur la Peinture'', published in 1910.Jean Metzinger, October–November 1910, "Note sur la peinture" Pa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
