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Medium-format
Medium format has traditionally referred to a film format in photography and the related cameras and equipment that use film. Nowadays, the term applies to film and digital cameras that record images on media larger than the used in 35 mm photography (though not including 127 sizes), but smaller than (which is considered large format photography). In digital photography, medium format refers either to cameras adapted from medium-format film photography uses or to cameras making use of sensors larger than that of a 35 mm film frame. Some of the benefits of using medium-format digital cameras include higher resolution sensors, better low-light capabilities compared to a traditional 35mm DSLR, and a wider dynamic range. Characteristics Medium-format cameras made since the 1950s are generally less automated than smaller cameras made at the same time. For example, autofocus became available in consumer 35 mm cameras in 1977, but did not reach medium format until ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Medium Format
Medium format has traditionally referred to a film format in photography and the related cameras and equipment that use film. Nowadays, the term applies to film and digital cameras that record images on media larger than the used in 35 mm photography (though not including 127 sizes), but smaller than (which is considered large format photography). In digital photography, medium format refers either to cameras adapted from medium-format film photography uses or to cameras making use of sensors larger than that of a 35 mm film frame. Some of the benefits of using medium-format digital cameras include higher resolution sensors, better low-light capabilities compared to a traditional 35mm DSLR, and a wider dynamic range. Characteristics Medium-format cameras made since the 1950s are generally less automated than smaller cameras made at the same time. For example, autofocus became available in consumer 35 mm cameras in 1977, but did not reach medium format un ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mamiya 645 Super System
is a Japanese company that manufactures high-end cameras and other related photographic and optical equipment. With headquarters in Tokyo, it has two manufacturing plants and a workforce of over 200 people. The company was founded in May 1940 by camera designer Seiichi Mamiya () and financial backer Tsunejiro Sugawara. History Mamiya originally achieved fame for its professional medium-format film cameras such as the Mamiya Six and the Mamiya Press series. It later developed the industry workhorse RB67 series, the RZ67, the 645 and the twin-lens reflex Mamiya C-series, used by advanced amateur and professional photographers. Many Mamiya models over the past six decades have become collectors' items. The earliest Mamiya Six medium-format folding camera, the 35 mm Mamiya-Sekor 1000DTL, the lightweight 35 mm Mamiya NC1000, the 6×6 cm medium-format C series of interchangeable-lens twin-lens reflex (TLR) cameras, and the press cameras of the Super/Universal se ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hasselblad
Victor Hasselblad AB is a Swedish manufacturer of medium format cameras, photographic equipment and image scanners based in Gothenburg, Sweden. The company originally became known for its classic analog medium-format cameras that used a waist-level viewfinder. Perhaps the most famous use of the Hasselblad camera was during the Apollo program missions when the first humans landed on the Moon. Almost all of the still photographs taken during these missions used modified Hasselblad cameras. In 2016, Hasselblad introduced the world's first digital compact mirrorless medium-format camera, the X1D-50c, changing the portability of medium-format photography. Hasselblad produces about 10,000 cameras a year from a small three-storey building. Company history The company was established in 1841 in Gothenburg, Sweden, by Fritz Wiktor Hasselblad, as a trading company, F. W. Hasselblad and Co. The founder's son, Arvid Viktor Hasselblad, was interested in photography and started the pho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Single-lens Reflex Camera
A single-lens reflex camera (SLR) is a camera that typically uses a mirror and prism system (hence "reflex" from the mirror's reflection) that permits the photographer to view through the lens and see exactly what will be captured. With twin lens reflex and rangefinder cameras, the viewed image could be significantly different from the final image. When the shutter button is pressed on most SLRs, the mirror flips out of the light path, allowing light to pass through to the light receptor and the image to be captured. History File:Hasselblad 1600F.jpg, Medium format SLR by Hasselblad (Model 1600F), Sweden File:Zenza BRONICA S2 with ZENZANON 100mm F2.8.JPG, Medium format SLR by Bronica (Model S2), Japan. Bronica's later model—the Bronica EC—was the first medium format SLR camera to use an electrically operated focal-plane shutter File:Asahiflex600.jpg, The 1952 ( Pentax) Asahiflex, Japan's first single-lens reflex camera. File:Contaflex BW 2.JPG, The Contaflex III ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tilt–shift Photography
Tilt–shift photography is the use of camera movements that change the orientation or position of the lens with respect to the film or image sensor on cameras. Sometimes the term is used when a large depth of field is simulated with digital post-processing; the name may derive from a perspective control lens (or tilt–shift lens) normally required when the effect is produced optically. "Tilt–shift" encompasses two different types of movements: rotation of the lens plane relative to the image plane, called ''tilt'', and movement of the lens parallel to the image plane, called ''shift''. Tilt is used to control the orientation of the plane of focus (PoF), and hence the part of an image that appears sharp; it makes use of the Scheimpflug principle. Shift is used to adjust the position of the subject in the image area without moving the camera back; this is often helpful in avoiding the convergence of parallel lines, as when photographing tall buildings. History and use ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Scheimpflug Principle
The Scheimpflug principle is a description of the geometric relationship between the orientation of the plane of focus, the lens plane, and the image plane of an optical system (such as a camera) when the lens plane is not parallel to the image plane. It is applicable to the use of some camera movements on a view camera. It is also the principle used in corneal pachymetry, the mapping of corneal topography, done prior to refractive eye surgery such as LASIK, and used for early detection of keratoconus. The principle is named after Austrian army Captain Theodor Scheimpflug, who used it in devising a systematic method and apparatus for correcting perspective distortion in aerial photographs, although Captain Scheimpflug himself credits Jules Carpentier with the rule, thus making it an example of Stigler's law of eponymy. Description Normally, the lens and image (film or sensor) planes of a camera are parallel, and the plane of focus (PoF) is parallel to the lens and image ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Digital Single-lens Reflex Camera
A digital single-lens reflex camera (digital SLR or DSLR) is a digital camera that combines the optics and the mechanisms of a single-lens reflex camera with a digital imaging sensor. The reflex design scheme is the primary difference between a DSLR and other digital cameras. In the reflex design, light travels through the lens and then to a mirror that alternates to send the image to either a prism, which shows the image in the viewfinder, or the image sensor when the shutter release button is pressed. The viewfinder of a DSLR presents an image that will not differ substantially from what is captured by the camera's sensor as it presents it as a direct optical view through the main camera lens, rather than showing an image through a separate secondary lens. DSLRs largely replaced film-based SLRs during the 2000s. Major camera manufacturers began to transition their product lines away from DSLR cameras to mirrorless interchangeable-lens cameras (MILC) beginning in the 2010s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Large Format
Large format refers to any imaging format of or larger. Large format is larger than " medium format", the or size of Hasselblad, Mamiya, Rollei, Kowa, and Pentax cameras (using 120- and 220-roll film), and much larger than the frame of 35 mm format. The main advantage of a large format, film or digital, is a higher resolution at the same pixel pitch, or the same resolution with larger pixels or grains which allows each pixel to capture more light enabling exceptional low-light capture. A 4×5 inch image (12.903 mm²) has about 15 times the area, and thus 15× the total resolution, of a 35 mm frame (864 mm²). Large format cameras were some of the earliest photographic devices, and before enlargers were common, it was normal to just make 1:1 contact prints from a 4×5, 5×7, or 8×10-inch negative. Formats The most common large format is 4×5 inches (10.2x12.7 cm), which was the size used by cameras like the Graflex Speed Graphic and Cro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
70 mm Film
70 mm film (or 65 mm film) is a wide high-resolution film gauge for motion picture photography, with a negative area nearly 3.5 times as large as the standard 35 mm motion picture film format. As used in cameras, the film is wide. For projection, the original 65 mm film is printed on film. The additional 5 mm contains the four magnetic strips, holding six tracks of stereophonic sound. Although later 70 mm prints use digital sound encoding (specifically the DTS format), the vast majority of existing and surviving 70 mm prints pre-date this technology. Each frame is five perforations tall, with an aspect ratio of 2.2:1. However, the use of anamorphic Ultra Panavision 70 lenses squeezes the image into an ultra-wide 2.76:1 aspect ratio. To this day, Ultra Panavision 70 produces the widest picture size in the history of filmmaking; surpassed only by Polyvision, which was only used for 1927's Napoleon. With regard to exhibition, 70 mm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
120 Film
120 is a film format for still photography introduced by Kodak for their '' Brownie No. 2'' in 1901. It was originally intended for amateur photography but was later superseded in this role by 135 film. 120 film survives to this day as the only medium format film that is readily available to both professionals and amateur enthusiasts. Characteristics The 120 film format is a roll film which is nominally between 60.7 mm and 61.7 mm wide. Most modern films made today are roughly 61 mm (2.4 inches) wide. The film is held in an open spool originally made of wood with metal flanges, later with all-metal, and finally with all-plastic. The length of the film is nominally between and , according to the ISO 732:2000 standard. However, some films may be as short as . The film is attached to a piece of backing paper longer and slightly wider than the film. The backing paper protects the film while it is wound on the spool, with enough extra length to allow loading and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
IMAX
IMAX is a proprietary system of high-resolution cameras, film formats, film projectors, and theaters known for having very large screens with a tall aspect ratio (approximately either 1.43:1 or 1.90:1) and steep stadium seating. Graeme Ferguson, Roman Kroitor, Robert Kerr, and William C. Shaw were the co-founders of what would be named the IMAX Corporation (founded in September 1967 as Multiscreen Corporation, Limited), and they developed the first IMAX cinema projection standards in the late 1960s and early 1970s in Canada. IMAX GT is the large format as originally conceived. It uses very large screens of and, unlike most conventional film projectors, the film runs horizontally so that the image width can be greater than the width of the film stock. It is called a 70/15 format. It is used exclusively in purpose-built theaters and dome theaters, and many installations limit themselves to a projection of high quality, short documentaries. The high costs involved ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
