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Lutherie
A luthier ( ; AmE also ) is a craftsperson who builds or repairs string instruments that have a neck and a sound box. The word "luthier" is originally French and comes from the French word for lute. The term was originally used for makers of lutes, but it came to be used already in French for makers of most bowed and plucked stringed instruments such as members of the violin family (including violas, cellos, and double basses) and guitars. Luthiers, however, do not make harps or pianos; these require different skills and construction methods because their strings are secured to a frame. The craft of luthiers, lutherie (rarely called "luthiery", but this often refers to stringed instruments other than those in the violin family), is commonly divided into the two main categories of makers of stringed instruments that are plucked or strummed and makers of stringed instruments that are bowed. Since bowed instruments require a bow, the second category includes a subtype k ...
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Luthier Robert Benedetto In 1976
A luthier ( ; AmE also ) is a craftsperson who builds or repairs string instruments that have a neck and a sound box. The word "luthier" is originally French language, French and comes from the French word for lute. The term was originally used for makers of lutes, but it came to be used already in French for makers of most Bow (music), bowed and Plucked string instrument, plucked stringed instruments such as members of the violin family (including violas, cellos, and double basses) and guitar, guitars. Luthiers, however, do not make harps or pianos; these require different skills and construction methods because their strings are secured to a frame. The craft of luthiers, lutherie (rarely called "luthiery", but this often refers to stringed instruments other than those in the violin family), is commonly divided into the two main categories of makers of stringed instruments that are plucked or strummed and Violin making and maintenance, makers of stringed instruments that are ...
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Violin Making And Maintenance
Making an instrument of the violin family, also called lutherie, may be done in different ways, many of which have changed very little in nearly 500 years since the first violins were made. Some violins, called "bench-made" instruments, are made by a single individual, either a master maker or an advanced amateur, working alone. Several people may participate in the making of a "shop-made" instrument, working under the supervision of a master. This was the preferred method of old violin makers who always put their names on violins crafted by their apprentices. Various levels of "trade violin" exist, often mass-produced by workers who each focus on a small part of the overall job, with or without the aid of machinery. "Setting up" a violin is generally considered to be a separate activity, and may be done many times over the lengthy service life of the instrument. Setup includes fitting and trimming tuning pegs, surfacing the fingerboard, carving the soundpost and bridge, adjust ...
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Lute
A lute ( or ) is any plucked string instrument with a neck and a deep round back enclosing a hollow cavity, usually with a sound hole or opening in the body. It may be either fretted or unfretted. More specifically, the term "lute" can refer to an instrument from the family of European lutes. The term also refers generally to any string instrument having the strings running in a plane parallel to the sound table (in the Hornbostel–Sachs system). The strings are attached to pegs or posts at the end of the neck, which have some type of turning mechanism to enable the player to tighten the tension on the string or loosen the tension before playing (which respectively raise or lower the pitch of a string), so that each string is tuned to a specific pitch (or note). The lute is plucked or strummed with one hand while the other hand "frets" (presses down) the strings on the neck's fingerboard. By pressing the strings on different places of the fingerboard, the player can shor ...
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Cremona
Cremona (, also ; ; lmo, label= Cremunés, Cremùna; egl, Carmona) is a city and ''comune'' in northern Italy, situated in Lombardy, on the left bank of the Po river in the middle of the ''Pianura Padana'' ( Po Valley). It is the capital of the province of Cremona and the seat of the local city and province governments. The city of Cremona is especially noted for its musical history and traditions, including some of the earliest and most renowned luthiers, such as Giuseppe Guarneri, Antonio Stradivari, Francesco Rugeri, Vincenzo Rugeri, and several members of the Amati family. History Ancient Celtic origin Cremona is first mentioned in history as a settlement of the Cenomani, a Gallic ( Celtic) tribe that arrived in the Po valley around 400 BC. However, the name Cremona most likely dates back to earlier settlers and puzzled the ancients, who gave many fanciful interpretations. Roman military outpost In 218 BC the Romans established on that spot their first military o ...
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Tieffenbrucker
Tieffenbrucker is a large multigenerational family of luthiers, originally from Bavaria, active in Venice and Padua, Italy from the beginning of the 16th century till around 1630. Several of their 16th- and 17th-century lutes are on display at the Lobkowicz Palace in Prague. See also * Gasparo Duiffopruggar Gasparo Duiffopruggar (1514 – ) was an instrument maker. His originally German family name was also spelled Tieffenbrucker, Tiefenbrugger, Tiefenbrucker, Teufenbrugger, Tuiffenbrugger, Deuffenbrugger, Dieffopruchar, Dieffoprughar, Duyfautbrocard ... References *Lundberg, Robert (2002). "Historical Lute Construction" * "THE TIEFFENBRUCKER FAMILY and its collaborators" pp. 262 - 343, book "Viol and Lute Makers of Venice 1490 -1630" by Stefano Pio, Venice 2012, Ed. Venice research. www.veniceresearch.com Italian luthiers German luthiers Families of German ancestry Italian families {{Germany-music-bio-stub ...
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John D'Angelico
John D'Angelico (1905 in Little Italy, Manhattan – September 1, 1964 in Manhattan) was a luthier from New York City, noted for his handmade archtop guitars and mandolins. He founded the D'Angelico Guitars company, where other notable luthiers like Jimmy D'Aquisto served as apprentices. Luthiery John D’Angelico was born in 1905 in New York to an Italian-American family, and was apprenticed in 1914 to his great-uncle, Raphael Ciani, who made violins, mandolins, and flat top guitars. This apprenticeship would become the basis for construction principles he later incorporated into his archtop guitars. After Ciani died D'Angelico took over the management of the business, but he didn't like having to supervise the 15 employees. As a result, he left and founded in 1932 D'Angelico Guitars at 40 Kenmare Street in Manhattan's Little Italy. Here he began making guitars initially based on the 16 inch Gibson L-5 and subsequently working on his own designs. Instrument designs and outp ...
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Archtop Guitar
An archtop guitar is a hollow electric or semi-acoustic guitar with a full body and a distinctive arched top, whose sound is particularly popular with jazz, blues, and rockabilly players. Typically, an archtop guitar has: * Six strings * An arched top and back, not a flat top and back * A hollow body * Moveable adjustable bridge * F-holes similar to members of the violin family * Rear mounted tailpiece, stoptail bridge, or Bigsby vibrato tailpiece * 14th-fret neck join History The archtop guitar is often credited to Orville Gibson, whose innovative designs led to the formation of the Gibson Mandolin-Guitar Mfg. Co, Ltd in 1902. His 1898 patent for a mandolin, which was also applicable to guitars according to the specifications, was intended to enhance "power and quality of tone." Among the features of this instrument were a violin-style arched top and back, each carved from a single piece of wood, and thicker in the middle than at the sides; sides carved to shape from a s ...
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Orville Gibson
Orville H. Gibson (May 1856 – August 19, 1918) was a luthier who founded the Gibson Guitar Company in Kalamazoo, Michigan in 1902, makers of guitars, mandolins and other instruments. His earliest known instrument was a 10-string mandolin-guitar, which bears the date 1894. Gibson's mandolins were "unlike any previous flatback instrument," according to music historian Paul Sparks. His company's manufacturing standards were very high, and his instruments heavily marketed. Early life Orville H. Gibson was born in 1856 and on a farm near Chateaugay, Franklin County, New York. He was the youngest of five children to an English father John W. Gibson and American mother Amy Nichols Gibson from Peru, New York. Mandolin style Gibson began in 1894 in his home workshop in Kalamazoo, Michigan, and patented his idea for mandolins in 1898. With no formal training, Gibson created an entirely new style of mandolin and guitar that followed violin design, with its curved top and bottom carved ...
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Christian Frederick Martin
Christian Frederick Martin Sr. (german: Christian Friedrich Martin I.; January 31, 1796 – February 16, 1873) was a German-born American luthier who specialized in guitars and the founder of C. F. Martin & Company. He made the first guitar in the United States in the 1830s. Early life and career Born in Markneukirchen in the Electorate of Saxony to a family of cabinet makers, Martin became an apprentice of the guitar maker Johann Georg Stauffer of Vienna, Austria. Martin also became a foreman at Stauffer's workshop. Martin was the second of five children and was more commonly known as Friedrich, given the German custom of using the second given name. In Martin's case, four of the children's first given names are a derivation of Christian (Christiane, Christian, Christian and Christiana). As a result of a dispute between the Cabinet Makers Guild, of which Martin was a member, and the Violin Makers Guild, Martin moved to the United States in 1833. The move occurred less than a ...
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Classical Guitar
The classical guitar (also known as the nylon-string guitar or Spanish guitar) is a member of the guitar family used in classical music and other styles. An acoustic wooden string instrument with strings made of gut or nylon, it is a precursor of the modern acoustic and electric guitars, both of which use metal strings. Classical guitars derive from the Spanish vihuela and gittern of the fifteenth and sixteenth century. Those instruments evolved into the seventeenth and eighteenth-century baroque guitar—and by the mid-nineteenth century, early forms of the modern classical guitar. For a right-handed player, the traditional classical guitar has twelve frets clear of the body and is properly held up by the left leg, so that the hand that plucks or strums the strings does so near the back of the sound hole (this is called the classical position). However, the right-hand may move closer to the fretboard to achieve different tonal qualities. The player typically holds the left ...
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Antonio Torres Jurado
Antonio de Torres Jurado (13 June 1817 – 19 November 1892) was a Spanish guitarist and luthier, and "the most important Spanish guitar maker of the 19th century." It is with his designs that the first recognisably modern classical guitars are to be seen. Most acoustic guitars in use today are derivatives of his designs. Biography Antonio de Torres was the son of Juan Torres, a local tax collector, and Maria Jurado. As was common, when he was 12 he started an apprenticeship as a carpenter. In 1833, a dynastic war broke out, and soon after Torres was conscripted into the army. Through his father's machinations, young Antonio was dismissed as medically unfit for service. As only single men and widowers without children were subject to conscription, in 1835 his family pushed Torres into a hastily arranged marriage to Juana María López, the 13-year-old daughter of a shopkeeper. Children soon followed: a daughter in 1836, another in 1839, and a third in 1842, who died a few months ...
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Georg Staufer
Johann Georg Stauffer (also Johann Georg Staufer; born January 26, 1778 in Vienna; died 24 January 1853) was an Austrian luthier and the most important Viennese luthier of his time. Life Stauffer was born in the Viennese suburb of Weißgerber, the son of Mathias Stauffer, a labourer from Weyregg am Attersee. He studied under the luthier Franz Geissenhof. In June 1800 he took the Vienna oath of citizenship and in May 1802 he married Josepha Fischer in the Schottenkirche, Vienna. He took over the workshop of Ignaz Christian Bartl. Initially he built instruments modeled after the Italian guitar masters Giovanni Battista Fabricatore and Gaetano Vinaccia, he then developed several variants, typical of his own guitar style (see section ''Instruments''). In 1813/14, he applied for the vacant position of Court Luthier ("Hofgeigenmacher") but Johann Martin Stoss was preferred. From 1830-1836 Stauffer was also active as a music publisher. He devoted more time to his inventions, which is ...
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