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Left-hand Muting
Left-hand muting is a performance technique for stringed instruments, where string vibration is damped by the fingering hand. (Left-handed players use the right hand.) First variant A string is played with the right hand, while the left hand presses the string against the neck. Lifting the left hand stops or suppresses the resonating string. Strumming barre chords or other chords in which there are no open strings, left-hand muting may punctuate the rhythm, so that instead of the continuous ringing sound of the strumming, short silences are introduced. Left-hand muting is used to produce chops (chords that are released the instant after picking). Chops are sharp and percussive. Second variant A non-vibrating string is pressed partly with the left hand — not to the neck — then struck, plucked or bowed with the other hand. A struck string sound includes a muffled click; a bowed string, a scratchy noise. The string may be touched with the tip of one or more fingers, or with one ...
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Damping
Damping is an influence within or upon an oscillatory system that has the effect of reducing or preventing its oscillation. In physical systems, damping is produced by processes that dissipate the energy stored in the oscillation. Examples include viscous drag (a liquid's viscosity can hinder an oscillatory system, causing it to slow down; see viscous damping) in mechanical systems, resistance in electronic oscillators, and absorption and scattering of light in optical oscillators. Damping not based on energy loss can be important in other oscillating systems such as those that occur in biological systems and bikes (ex. Suspension (mechanics)). Not to be confused with friction, which is a dissipative force acting on a system. Friction can cause or be a factor of damping. The damping ratio is a dimensionless measure describing how oscillations in a system decay after a disturbance. Many systems exhibit oscillatory behavior when they are disturbed from their position of s ...
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Barre Chord
In music, a barre chord (also spelled bar chord) is a type of chord on a guitar or other stringed instrument played by using one finger to press down multiple strings across a single fret of the fingerboard (like a bar pressing down the strings). Players often use this chording technique to play a chord that is not restricted by the tones of the guitar's open strings. For instance, if a guitar is tuned to regular concert pitch, with the open strings being E, A, D, G, B, E (from low to high), open chords must be based on one or more of these notes. To play an F chord the guitarist may barre strings so that the chord root is F. Most barre chords are "moveable" chords, as the player can move the whole chord shape up and down the neck. Commonly used in both popular and classical music, barre chords are frequently used in combination with "open" chords, where the guitar's open (unfretted) strings construct the chord. Playing a chord with the barre technique slightly affects to ...
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Percussive
A percussion instrument is a musical instrument that is sounded by being struck or scraped by a beater including attached or enclosed beaters or rattles struck, scraped or rubbed by hand or struck against another similar instrument. Excluding zoomusicological instruments and the human voice, the percussion family is believed to include the oldest musical instruments.''The Oxford Companion to Music'', 10th edition, p.775, In spite of being a very common term to designate instruments, and to relate them to their players, the percussionists, percussion is not a systematic classificatory category of instruments, as described by the scientific field of organology. It is shown below that percussion instruments may belong to the organological classes of ideophone, membranophone, aerophone and cordophone. The percussion section of an orchestra most commonly contains instruments such as the timpani, snare drum, bass drum, tambourine, belonging to the membranophones, and cy ...
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Palm Mute
The palm mute is a playing technique for guitar and bass guitar, executed by placing the side of the picking hand below the little finger across the strings to be plucked, very close to the bridge, and then plucking the strings while the damping is in effect. This produces a muted sound. The name is a slight misnomer, as the muting is performed by the side of the hand, not the palm. Palm muting is a standard technique used in classical guitar performance (under the name of pizzicato, as it creates a sound similar to that of a bowed string instrument when finger picked, despite a very different construction from that of a guitar) and by electric guitarists who play with a pick. Palm muting is so widely used as to be idiomatic in heavy metal, and particularly in thrash, speed and death metal, but it is often found in any style of music that features electric guitars with distortion in the signal's preamplification stage. It is responsible for the characteristic "chugging" an ...
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