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Latin Lover (stereotype)
Latin lover is a stereotypical stock character, part of the Hollywood star system. It appeared for the first time in Hollywood in the 1920s and, for the most part, lost popularity during World War II. In time, the type evolved, developing various local variants and gradually incorporating attributes other than the originally defining physical characteristics. Characteristics The Latin lover was the first male acting type in the history of filmmaking whose behavior and destiny are set through his love relations with a woman, hence 'lover' though, as the type was depicted in the beginning, the term 'seducer' would be more suitable. Major characteristics describing the type include: * appearance; he is always handsome or, for the reigning standard of the period, different or atypically looking. * behavior; the way he conquers women, using focused, sharp glare, and certain mannerism characterized by outbursts of passion, dancing, etc. * type of roles; he is usually a romantic, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rudolph Valentino
Rodolfo Alfonso Raffaello Pierre Filiberto Guglielmi di Valentina d'Antonguolla (May 6, 1895 – August 23, 1926), known professionally as Rudolph Valentino and nicknamed The Latin Lover, was an Italian actor based in the United States who starred in several well-known silent films including '' The Four Horsemen of the Apocalypse,'' '' The Sheik,'' '' Blood and Sand,'' ''The Eagle'', and ''The Son of the Sheik.'' Valentino was a sex symbol of the 1920s, known in Hollywood as the "Latin Lover" (a title invented for him by Hollywood moguls), the "Great Lover", or simply Valentino. His early death at the age of 31 caused mass hysteria among his fans, further cementing his place in early cinematic history as a cultural film icon. Early life Childhood and emigration Valentino was born in Castellaneta, Apulia, and named Rodolfo Pietro Filiberto Raffaello Guglielmi di Valentina d'Antonguella. Birth name: Rodolfo Pietro Filiberto Raffaello Guglielmi. His father, Giovanni Antonio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Femme Fatale
A ''femme fatale'' ( or ; ), sometimes called a maneater or vamp, is a stock character of a mysterious, beautiful, and seductive woman whose charms ensnare her lovers, often leading them into compromising, deadly traps. She is an archetype of literature and art. Her ability to enchant, entice and hypnotize her victim with a spell was in the earliest stories seen as verging on supernatural; hence, the femme fatale today is still often described as having a power akin to an enchantress, seductress, witch, having power over men. Femmes fatales are typically villainous, or at least morally ambiguous, and always associated with a sense of mystification, and unease.Mary Ann Doane, ''Femme Fatales'' (1991) pp. 1–2 The term originates from the French phrase '' femme fatale'', which means 'deadly woman' or 'lethal woman'. A femme fatale tries to achieve her hidden purpose by using feminine wiles such as beauty, charm, or sexual allure. In many cases, her attitude towards sexuality i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Erich Von Stroheim
Erich Oswald Hans Carl Maria von Stroheim (born Erich Oswald Stroheim; September 22, 1885 – May 12, 1957) was an Austrian-American director, actor and producer, most noted as a film star and avant-garde, visionary director of the silent era. His 1924 film '' Greed'' (an adaptation of Frank Norris's 1899 novel ''McTeague'') is considered one of the finest and most important films ever made. After clashes with Hollywood studio bosses over budget and workers' rights problems, Stroheim found it difficult to find work as a director and subsequently became a well-respected character actor, particularly in French cinema. For his early innovations as a director, Stroheim is still celebrated as one of the first of the auteur directors.Obituary '' Variety'', May 15, 1957, page 75. He helped introduce more sophisticated plots and noirish sexual and psychological undercurrents into cinema. He died of prostate cancer in France in 1957, at the age of 71. Beloved by Parisian neo- Surrealists ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mitteleuropa
(), meaning Middle Europe, is one of the German terms for Central Europe. The term has acquired diverse cultural, political and historical connotations. University of Warsaw, Johnson, Lonnie (1996) ''Central Europe: Enemies, Neighbors, Friends'pp.6–12 quotation: Bischof ''et al.'' (2000p.558quotation: The Prussian vision of was a pan-Germanist state-centric imperium, an idea that was later adopted in a modified form by Nazi geopoliticians.Hann, C. M. and Magocsi, Paul R. (2005) ''Galicia: A Multicultured Land''pp.178–9quotation: Eder, Klaus and Spohn, Willfried ''Collective Memory and European Identity'pp.90–1 quotation: Bischof, Günter and Pelinka, Anton and Stiefel, Dieter (2000) ''The Marshall Plan in Austria'p.552quotation: Basis The German term "Mitteleuropa" is not used or understood in the same way in all areas of Europe. The term has also been used differently over time. In Austria, Hungary, Slovenia, Croatia and northern Italy, especially in Friuli and T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Englishness
A national identity of the English as the people or ethnic group dominant in England dates to the Anglo-Saxon period. The establishing of a single English ethnic identity dates to at least AD 731, as exemplified in Bede's ''Ecclesiastical History of the English People'' and the construction of Offa's Dyke, becoming a national identity with the unification of the Kingdom of England in the ninth and tenth centuries, and changing status once again in the eleventh century after the Norman Conquest, when Englishry came to be the status of the subject indigenous population. From the eighteenth century, the terms 'English' and 'British' began to be seen as interchangeable to many of the English. While the official United Kingdom census does record ethnicity, English/Welsh/Scottish/Northern Irish/British is a single tick-box under the "White" heading for the answer to the ethnicity question asked in England and Wales (while making the distinction of white Irish). Although Englishness ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ronald Colman
Ronald Charles Colman (9 February 1891 – 19 May 1958) was an English-born actor, starting his career in theatre and silent film in his native country, then immigrating to the United States and having a successful Cinema of the United States, Hollywood film career. He was most popular during the 1920s, 1930s and 1940s. He received Oscar nominations for ''Bulldog Drummond (1929 film), Bulldog Drummond'' (1929), ''Condemned (1929 film), Condemned'' (1929) and ''Random Harvest (film), Random Harvest'' (1942). Colman starred in several classic films, including ''A Tale of Two Cities (1935 film), A Tale of Two Cities'' (1935), ''Lost Horizon (1937 film), Lost Horizon'' (1937) and ''The Prisoner of Zenda (1937 film), The Prisoner of Zenda'' (1937). He also played the starring role in the Technicolor classic ''Kismet (1944 film), Kismet'' (1944), with Marlene Dietrich, which was nominated for four Academy Awards. In 1947, he won an Academy Award for Best Actor and Golden Globe Award fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ivor Novello
Ivor Novello (born David Ivor Davies; 15 January 1893 – 6 March 1951) was a Welsh actor, dramatist, singer and composer who became one of the most popular British entertainers of the first half of the 20th century. He was born into a musical family, and his first successes were as a songwriter. His first big hit was " Keep the Home Fires Burning" (1914), which was enormously popular during the First World War. His 1917 show, '' Theodore & Co'', was a wartime hit. After the war, Novello contributed numbers to several successful musical comedies and was eventually commissioned to write the scores of complete shows. He wrote his musicals in the style of operetta and often composed his music to the libretti of Christopher Hassall. In the 1920s he turned to acting, first in British films and then on stage, with considerable success in both. He starred in two silent films directed by Alfred Hitchcock, '' The Lodger'' and '' Downhill'' (both 1927). On stage, he played the title ch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adolphe Menjou
Adolphe Jean Menjou (February 18, 1890 – October 29, 1963) was an American actor. His career spanned both silent films and talkies. He appeared in such films as Charlie Chaplin's ''A Woman of Paris'', where he played the lead role; Stanley Kubrick's ''Paths of Glory'' with Kirk Douglas; Ernst Lubitsch's '' The Marriage Circle''; '' The Sheik'' with Rudolph Valentino; ''Morocco'' with Marlene Dietrich and Gary Cooper; and '' A Star Is Born'' with Janet Gaynor and Fredric March, and was nominated for an Academy Award for '' The Front Page'' in 1931.Obituary ''Variety'', October 30, 1963, page 71. Early life Adolphe Jean Menjou was born on February 18, 1890, in Pittsburgh, Pennsylvania, to a French father, Albert Menjou (1858–1917), and a mother from Ireland, Nora (''née'' Joyce, 1869–1953). His brother, Henry Arthur Menjou (1891–1956), was a year younger. He was raised Catholic, attended the Culver Military Academy, and graduated from Cornell University wit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rod La Rocque
Roderick Ross La Rocque (November 29, 1898 – October 15, 1969) was an American actor. Biography La Rocque was born in Chicago, Illinois to Edmund La Rocque and Ann (née Rice) La Rocque. His father was of French-Canadian descent and his mother was of Irish descent. He began appearing in stock theater at the age of seven and eventually ended up at the Essanay Studios as a teenager in Chicago where he found steady work until the studios closed. He then moved to New York City and worked on the stage until he was noticed by Samuel Goldwyn who took him to Hollywood. Over the next two decades, he appeared in films and made the transition to sound films. In 1927, he married Hungarian actress Vilma Bánky in a lavish, highly publicized wedding. They were married until his death in 1969. The couple had no children. He retired from movies in 1941 and became a real estate broker. For his contribution to the film industry, La Rocque was awarded a star on the Hollywood Walk of Fame. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gilbert Roland
Luis Antonio Dámaso de Alonso (December 11, 1905 – May 15, 1994), known professionally as Gilbert Roland, was a Mexican-born American film and television actor whose career spanned seven decades from the 1920s until the 1980s. He was twice nominated for the Golden Globe Award in 1952 and 1964 and inducted into the Hollywood Walk of Fame in 1960. Early years Roland was born in Ciudad Juárez, Chihuahua, Mexico, and originally intended to become a bullfighter like his father and his paternal grandfather. When Pancho Villa took control of their town, Roland and his family fled to the United States. He lived in Texas until at age 14 he hopped on a freight train and went to Hollywood. After arriving there, he found menial jobs and slept in a Catholic church. He often lost those jobs because he spent time working as an extra in films. He chose his screen name by combining the names of his favorite actors, John Gilbert and Ruth Roland. He was often cast in the stereotypical La ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonio Moreno
Antonio Garrido Monteagudo (September 26, 1887 – February 15, 1967), better known as Antonio Moreno or Tony Moreno, was a Spanish-born American actor and film director of the silent film era and through the 1950s. Early life and silent films Born in Madrid, Spain, Moreno emigrated to New York in 1901 and settled in Massachusetts, where he completed his education. Although he claimed to have attended Williston Seminary in Easthampton, Massachusetts, the Archives of the school, now the Williston Northampton School, have no record of his having done so. He became a stage actor in regional theater productions. In 1912, he moved to Hollywood, California, where he was signed to Biograph Studios, and began his career in bit parts. His film debut was in ''Iola's Promise'' (1912). In 1914, Moreno began co-starring in a series of highly successful serials at Vitagraph opposite popular silent film actress Norma Talmadge. These appearances increased Moreno's popularity with nascent ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ricardo Cortez
Ricardo Cortez (born Jacob Kranze or Jacob Krantz; September 19, 1900 – April 28, 1977) was an American actor and film director. He was also credited as Jack Crane early in his acting career. Early years Ricardo Cortez was born Jacob Krantz in New York City to Morris and Sarah (Lefkovitz) Krantz. Along with his brother Stanley Cortez (born Stanislaus Krantz), he was raised in a Jewish family in New York City.Letter of the Department of Health, City of New York, 8 October 2000. mentioned in: Rudolf Ulrich (Hrsg.): ''Österreicher in Hollywood.'' Neuauflage, Verlag Filmarchiv Austria, Wien 2004, , p. 597 (Vienna has been incorrectly cited as his birthplace.)Cortez' obituary in ''The New York Times'' cites Vienna as his birthplace, and the book ''A Life of Barbara Stanwyck: Steel-True 1907-1940'' describes him as "Jacob Kranze, Viennese émigré". He attended DeWitt Clinton High School in New York City. Prior to entering the film business, he was an amateur boxer and wor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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