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Kotsuzumi
The or ''tsuzumi'' is a hand drum of Japanese origin. It consists of a wooden body shaped like an hourglass, and it is taut, with two drum heads with cords that can be squeezed or released to increase or decrease the tension of the heads respectively. This mechanism allows the player to raise or lower the pitch of the drum while playing, not unlike the African talking drum and the Indian Dhadd. There are two basic techniques when playing a tsuzumi; holding the cords slack and hitting the drumhead on the very center, or squeezing the cords and hitting the drumhead closer to where it meets the wooden body. The former produces softer ''pon'' and ''pu'' sounds, whereas the latter produces higher-pitched ''ta'' and ''chi'' sounds. Because the practice of hitting a drumhead on the very center may result in hindering the sound by causing vibration radiating on two opposite sides of the drumhead to cancel out with each other, the tsuzumi is tuned with tiny leather patches applied on th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
:Category:Japanese Words And Phrases ...
{{Commons Words and phrases by language Words Words Words A word is a basic element of language that carries an objective or practical meaning, can be used on its own, and is uninterruptible. Despite the fact that language speakers often have an intuitive grasp of what a word is, there is no conse ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
ōtsuzumi
The , also known as the , is an hourglass-shaped Japanese drum. It is a larger version of the tsuzumi, or kotsuzumi and is used in traditional Japanese theater and folk music. Its appearance is slightly different from that of the tsuzumi, and the sound produced is vastly different from any of the four sounds the kotsuzumi produces. Whereas the kotsuzumi is smaller and has a more ornate drum head, the ōkawa is larger, and its head takes on a more plain, leathery appearance. The sound is also higher and sharper in pitch, resembling more of a dry, almost metallic "crack" than the tsuzumi's softer "pon" sound. The hourglass structure is slightly bigger, and has a prominent protruding "knob" at the middle, unlike that of the kotsuzumi, which has a smoothened-out middle section. The heads of the drum are taut very tightly, leaving no room for further tension, and acoustic, adjustments. The ōkawa is played on the left thigh of the player, possibly due to its larger, heavy size, whereas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kanazawa Station
is a major railway station in Kanazawa, Ishikawa, Japan, operated by West Japan Railway Company (JR West), the private railway operator Hokuriku Railroad, and the third-sector operator IR Ishikawa Railway. Beneath a square in front of the JR station is Hokutetsu-Kanazawa Station, the terminal of the Hokuriku Railroad Asanogawa Line. Lines *West Japan Railway Company (JR West): **Hokuriku Shinkansen **Hokuriku Main Line **Nanao Line (This line formally starts from Tsubata Station, but all the trains run straight into Kanazawa Station) *Hokuriku Railroad (Hokutetsu): ** Asanogawa Line (Hokutetsu-Kanazawa Station) * IR Ishikawa Railway ** IR Ishikawa Railway Line Station layout JR platforms JR Kanazawa Station is elevated above street level, featuring three island platforms with one cut-out platform (for Track 4) on the Up (Toyama) side of the middle island platform, serving seven tracks in total. A large roof covers the station building, in order to prevent train stoppages ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Min'yō
, ''Nihon min'yō'', Japanese ''min'yō'' or Japanese folk music is a genre of traditional Japanese music. Characteristics Styles Many ''min'yō'' are connected to forms of work or to specific trades and were originally sung between work or for specific jobs. Other ''min'yō'' function simply as entertainment, as dance accompaniment, or as a components of religious rituals. ''Min'yō'' are also distinct depending on the area of Japan, with each area boasting its own favorite songs and styles. The songs found in the far northern island of Hokkaidō and sung by the Ainu people are usually excluded from the category of min'yō. In the far south, (especially Okinawa) distinct genres of min'yō, differing in scale structure, language and textual forms, have developed as well. Instruments Most Japanese folk songs related to work were originally sung unaccompanied, either solo, or by groups (heterophonically). Some songs exhibit the same sort of "call and response" chant ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kabuki
is a classical form of Japanese dance- drama. Kabuki theatre is known for its heavily-stylised performances, the often-glamorous costumes worn by performers, and for the elaborate make-up worn by some of its performers. Kabuki is thought to have originated in the very early Edo period, when founder Izumo no Okuni formed a female dance troupe who performed dances and light sketches in Kyoto. The art form later developed into its present all-male theatrical form after women were banned from performing in kabuki theatre in 1629. Kabuki developed throughout the late 17th century and reached its zenith in the mid-18th century. In 2005, kabuki theatre was proclaimed by UNESCO as an intangible heritage possessing outstanding universal value. In 2008, it was inscribed in the UNESCO Representative List of the Intangible Cultural Heritage of Humanity. Etymology The individual kanji that make up the word ''kabuki'' can be read as , , and . ''Kabuki'' is therefore sometimes t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Muromachi Period
The is a division of Japanese history running from approximately 1336 to 1573. The period marks the governance of the Muromachi or Ashikaga shogunate (''Muromachi bakufu'' or ''Ashikaga bakufu''), which was officially established in 1338 by the first Muromachi ''shōgun'', Ashikaga Takauji, two years after the brief Kenmu Restoration (1333–1336) of imperial rule was brought to a close. The period ended in 1573 when the 15th and last shogun of this line, Ashikaga Yoshiaki, was driven out of the capital in Kyoto by Oda Nobunaga. From a cultural perspective, the period can be divided into the Kitayama and Higashiyama cultures (later 15th – early 16th centuries). The early years from 1336 to 1392 of the Muromachi period are known as the '' Nanboku-chō'' or Northern and Southern Court period. This period is marked by the continued resistance of the supporters of Emperor Go-Daigo, the emperor behind the Kenmu Restoration. The Sengoku period or Warring States period, which b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edo Period
The or is the period between 1603 and 1867 in the history of Japan, when Japan was under the rule of the Tokugawa shogunate and the country's 300 regional '' daimyo''. Emerging from the chaos of the Sengoku period, the Edo period was characterized by economic growth, strict social order, isolationist foreign policies, a stable population, perpetual peace, and popular enjoyment of arts and culture. The period derives its name from Edo (now Tokyo), where on March 24, 1603, the shogunate was officially established by Tokugawa Ieyasu. The period came to an end with the Meiji Restoration and the Boshin War, which restored imperial rule to Japan. Consolidation of the shogunate The Edo period or Tokugawa period is the period between 1603 and 1867 in the history of Japan, when Japan was under the rule of the Tokugawa shogunate and the country's regional '' daimyo''. A revolution took place from the time of the Kamakura shogunate, which existed with the Tennō's court, t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vermillion
Vermilion (sometimes vermillion) is a color, color family, and pigment most often made, since antiquity until the 19th century, from the powdered mineral cinnabar (a form of mercury sulfide, which is toxic) and its corresponding color. It is very often synonymous with red orange, which often takes a modern form just 11% brighter (at full brightness). Etymology and orthography The word vermilion came from the Old French word ''vermeillon'', which was derived from ''vermeil'', from the Latin ''vermiculus'', the diminutive of the Latin word ''vermis'', or worm. The name originated because it had a similar color to the natural red dye made from an insect, '' Kermes vermilio'', which was widely used in Europe. The first recorded use of "vermilion" as a color name in English was in 1289. The term cinnabar was used interchangeably with vermilion until the 17th century, when vermilion became the more common name. Now the term "cinnabar" is used in mineralogy and crystallography for t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hemp
Hemp, or industrial hemp, is a botanical class of '' Cannabis sativa'' cultivars grown specifically for industrial or medicinal use. It can be used to make a wide range of products. Along with bamboo, hemp is among the fastest growing plants on Earth. It was also one of the first plants to be spun into usable fiber 50,000 years ago. It can be refined into a variety of commercial items, including paper, rope, textiles, clothing, biodegradable plastics, paint, insulation, biofuel, food, and animal feed. Although chemotype I cannabis and hemp (types II, III, IV, V) are both ''Cannabis sativa'' and contain the psychoactive component tetrahydrocannabinol (THC), they represent distinct cultivar groups, typically with unique phytochemical compositions and uses. Hemp typically has lower concentrations of total THC and may have higher concentrations of cannabidiol (CBD), which potentially mitigates the psychoactive effects of THC. The legality of hemp varies widely among coun ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maki-e
is a Japanese lacquer decoration technique in which pictures, patterns, and letters are drawn with lacquer on the surface of lacquerware, and then metal powder such as gold or silver is sprinkled and fixed on the surface of the lacquerware. The origin of the term ''maki-e'' is a compound word of ''maki'' meaning "sprinkling" and ''e'' meaning "picture" or "design". The term can also be used to refer to lacquerware made with this decorative technique. The term first appeared in the Heian period.Maki-e. This technique is the most used technique in Japanese lacquer decoration. The is often combined with other techniques such as in which a nacreous layer of shellfish is embedded or pasted in lacquer, in which metal or ivory is embedded in lacquer, and in which gold leaf or gold powder is embe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Urushi
''Toxicodendron vernicifluum'' (formerly ''Rhus verniciflua''), also known by the common name Chinese lacquer tree, is an Asian tree species of genus ''Toxicodendron'' native to China and the Indian subcontinent, and cultivated in regions of China, Japan and Korea. Other common names include ''Japanese lacquer tree'', ''Japanese sumac'', and ''varnish tree''. The trees are cultivated and tapped for their toxic sap, which is used as a highly durable lacquer to make Chinese, Japanese, and Korean lacquerware. The trees grow up to 20 metres tall with large leaves, each containing from 7 to 19 leaflets (most often 11–13). The sap contains the allergenic compound urushiol, which gets its name from this species' Japanese name urushi (); "urushi" is also used in English as a collective term for all kinds of Asian lacquerware made from the sap of this and related Asian tree species, as opposed to European "lacquer" or Japanning made from other materials. Urushiol is also the oil foun ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tsuzumi
The or ''tsuzumi'' is a hand drum of Japanese origin. It consists of a wooden body shaped like an hourglass, and it is taut, with two drum heads with cords that can be squeezed or released to increase or decrease the tension of the heads respectively. This mechanism allows the player to raise or lower the pitch of the drum while playing, not unlike the African talking drum and the Indian Dhadd. There are two basic techniques when playing a tsuzumi; holding the cords slack and hitting the drumhead on the very center, or squeezing the cords and hitting the drumhead closer to where it meets the wooden body. The former produces softer ''pon'' and ''pu'' sounds, whereas the latter produces higher-pitched ''ta'' and ''chi'' sounds. Because the practice of hitting a drumhead on the very center may result in hindering the sound by causing vibration radiating on two opposite sides of the drumhead to cancel out with each other, the tsuzumi is tuned with tiny leather patches applied on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
