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Kemençe
Kemenche ( tr, kemençe) or Lyra is a name used for various types of stringed bowed musical instruments originating in the Eastern Mediterranean, particularly in Armenia, Greece, Iran, Turkey, and Azerbaijan. and regions adjacent to the Black Sea. These instruments are folk instruments, generally having three strings and played held upright with their tail on the knee of the musician. The name ''Kemenche'' derives from the Persian Kamancheh, meaning merely a "small bow". Variations The Kemençe of the Black Sea ( tr, Karadeniz kemençesi, italic=y), also known as ''Pontic kemenche'' or ''Pontic lyra'' ( el, Ποντιακή λύρα), is a box-shaped lute ( ), while the classical kemençe ( tr, Klasik kemençe, italic=y or ''Armudî kemençe'', el, Πολίτικη Λύρα) is a bowl-shaped lute ( ). Other bowed instruments have names sharing the same Persian etymology include the kamancheh (or ''Kabak kemane'' in Turkish), a spike lute ( ), and the Cappad ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Classical Kemençe
The classical ''kemenche'' ( tr, Klasik kemençe), ('pear-shaped kemenche') or ( el, πολίτικη λύρα, 'Constantinopolitan lyre') is a pear-shaped bowed instrument that derived from the medieval Greek byzantine lyre. It was mainly used by Greek immigrants from Asia Minor and in classical Ottoman music. The instrument was also used earlier for popular music, such as early "Smyrna-Style" Rebetiko and played till nowadays. It has become the main bowed instrument of Ottoman classical music since the mid 19th century. Etymology The name ''Kemençe'' derives from the Persian Kamancheh, and means merely "small bow". The name ''lyra'' derives from the name of the ancient Greek lyre and was used in medieval times, see Byzantine lyra. Playing It is played in the downright position, by resting it between both knees or on one knee when sitting. It is always played "braccio", that is, with the tuning head uppermost. The kemenche bow is called the yay ( tr, Yay) and the ' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kemenche0
Kemenche ( tr, kemençe) or Lyra is a name used for various types of stringed bowed musical instruments originating in the Eastern Mediterranean, particularly in Armenia, Greece, Iran, Turkey, and Azerbaijan. and regions adjacent to the Black Sea. These instruments are folk instruments, generally having three strings and played held upright with their tail on the knee of the musician. The name ''Kemenche'' derives from the Persian Kamancheh, meaning merely a "small bow". Variations The Kemençe of the Black Sea ( tr, Karadeniz kemençesi, italic=y), also known as ''Pontic kemenche'' or ''Pontic lyra'' ( el, Ποντιακή λύρα), is a box-shaped lute ( ), while the classical kemençe ( tr, Klasik kemençe, italic=y or ''Armudî kemençe'', el, Πολίτικη Λύρα) is a bowl-shaped lute ( ). Other bowed instruments have names sharing the same Persian etymology include the kamancheh (or ''Kabak kemane'' in Turkish), a spike lute ( ), and the Cappad ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Byzantine Lyra
The Byzantine lyra or lira ( gr, λύρα) was a medieval bowed string musical instrument in the Byzantine (Eastern Roman) Empire. In its popular form, the lyra was a pear-shaped instrument with three to five strings, held upright and played by stopping the strings from the side with fingernails. The first known depiction of the instrument is on a Byzantine ivory casket (900–1100 AD), preserved in the Bargello in Florence (''Museo Nazionale, Florence, Coll. Carrand, No.26''). Versions of the Byzantine lyra are still played throughout the former lands of the Byzantine Empire: Greece ( Politiki lyra, lit. "lyra of the City" i.e. Constantinople), Crete ( Cretan lyra), Albania, Montenegro, Serbia, Bulgaria, North Macedonia, Croatia ( Dalmatian Lijerica), Italy ( Calabrian lira) and Armenia. History The most likely origin is the pear-shaped pandura, however with the introduction of a bow. The first recorded reference to the bowed lyra was in the 9th century by the Persian geogra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kamancheh
The kamancheh (also kamānche or kamāncha) ( fa, کمانچه, az, kamança, hy, Քամանչա, ku, کەمانچە ,kemançe) is an Iranian bowed string instrument used in Persian, Azerbaijani, Armenian, Kurdish, Georgian, Turkmen, and Uzbek music with slight variations in the structure of the instrument. The kamancheh is related to the rebab which is the historical ancestor of the kamancheh and the bowed Byzantine lyra. The strings are played with a variable-tension bow. In 2017, the art of crafting and playing with Kamantcheh/Kamancha was included into the UNESCO Intangible Cultural Heritage Lists of Azerbaijan and Iran. Name and etymology The word "kamancheh" means "little bow" in Persian (''kæman'', bow, and ''-cheh'', diminutive). The Turkish word kemençe is borrowed from Persian, with the pronunciation adapted to Turkish phonology. It also denotes a bowed string instrument, but the Turkish version differs significantly in structure and sound from the Pers ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kamancheh
The kamancheh (also kamānche or kamāncha) ( fa, کمانچه, az, kamança, hy, Քամանչա, ku, کەمانچە ,kemançe) is an Iranian bowed string instrument used in Persian, Azerbaijani, Armenian, Kurdish, Georgian, Turkmen, and Uzbek music with slight variations in the structure of the instrument. The kamancheh is related to the rebab which is the historical ancestor of the kamancheh and the bowed Byzantine lyra. The strings are played with a variable-tension bow. In 2017, the art of crafting and playing with Kamantcheh/Kamancha was included into the UNESCO Intangible Cultural Heritage Lists of Azerbaijan and Iran. Name and etymology The word "kamancheh" means "little bow" in Persian (''kæman'', bow, and ''-cheh'', diminutive). The Turkish word kemençe is borrowed from Persian, with the pronunciation adapted to Turkish phonology. It also denotes a bowed string instrument, but the Turkish version differs significantly in structure and sound from the Pers ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kemençe Of The Black Sea
The Kemençe of the Black Sea ( tr, Karadeniz kemençesi, el, Ποντιακή λύρα ''Pontiakí lýra'' or ''Pontic lyre'', lzz, Çilili (ჭილილი), hy, քամանի ''Qamani'') is a Greek and Turkish traditional musical instrument. It belongs to the category of stringed bowed musical instruments. It has three strings, usually tuned to perfect fourths, usually tuned B-E-A. It is the pre-eminent musical folk instrument of the Greeks of Pontus. It seems to have been invented during the Byzantine years, between the 11th and 12th Centuries. The instrument is made of different types of wood. Origin The earliest stringed instruments were mostly plucked (for example, the Greek lyre). Two-stringed, bowed instruments, played upright and strung and bowed with horsehair, may have originated in the nomadic equestrian cultures of Central Asia, in forms closely resembling the modern-day Mongolian Morin huur and the Kazakh Kobyz. Might be an instrument of Scythians. Also ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bowed Instruments
Bowed string instruments are a subcategory of string instruments that are played by a bow rubbing the strings. The bow rubbing the string causes vibration which the instrument emits as sound. Despite the numerous specialist studies devoted to the origin of the bowing the problem of the origin of the bowing is unresolved Some say that the bow was introduced to Europe from the Middle East while others say the bow was not introduced from the Middle East but the other way round and that that the bow may have had its origin from a more frequent intercourse with North Europe and Western Europe List of bowed string instruments Violin family * Pochette * Violin (violino) * Viola (altviol, bratsche) * Cello (violoncello) * Double bass (contrabasso) ;Variants on the standard members of the violin family include: * Tenor violin * Five string violin * Cello da spalla * Baroque violin * Kontra * Kit violin * Sardino * Stroh violin * Låtfiol * Hardanger fiddle * Lira da bra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bowed String Instrument
Bowed string instruments are a subcategory of string instruments that are played by a bow rubbing the strings. The bow rubbing the string causes vibration which the instrument emits as sound. Despite the numerous specialist studies devoted to the origin of the bowing the problem of the origin of the bowing is unresolved Some say that the bow was introduced to Europe from the Middle East while others say the bow was not introduced from the Middle East but the other way round and that that the bow may have had its origin from a more frequent intercourse with North Europe and Western Europe List of bowed string instruments Violin family * Pochette * Violin (violino) * Viola (altviol, bratsche) * Cello (violoncello) * Double bass (contrabasso) ;Variants on the standard members of the violin family include: * Tenor violin * Five string violin * Cello da spalla * Baroque violin * Kontra * Kit violin * Sardino * Stroh violin * Låtfiol * Hardanger fiddle * Lira da ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eastern Mediterranean
Eastern Mediterranean is a loose definition of the eastern approximate half, or third, of the Mediterranean Sea, often defined as the countries around the Levantine Sea. It typically embraces all of that sea's coastal zones, referring to communities connected with the sea and land greatly climatically influenced. It includes the southern half of Turkey's main region Anatolia, its smaller Hatay Province, the island of Cyprus, the Greek Dodecanese islands, and the countries of Egypt, Israel, Jordan, Palestine, Syria and Lebanon. Its broadest uses can embrace the Libyan Sea thus Libya; the Aegean Sea thus European Turkey (East Thrace), the mainland and islands of Greece; and a central part of the Mediterranean, the Ionian Sea, thus southern Albania in Southeast Europe reaching, west, to Italy's farthest south-eastern coasts. Jordan is climatically, and economically part of the region. Regions The eastern Mediterranean region is commonly interpreted in two ways: *The Levant ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lyres
Yoke lutes, commonly called lyres, are a class of string instruments, subfamily of lutes, indicated with the code 321.2 in the Hornbostel–Sachs classification. Description Yoke lutes are defined as instruments with one or more strings, arranged parallel to the sound board and attached to a yoke lying on the same plane as the sound table, composed of two arms and a crosspiece. Most of the instruments of the lyre family are played by plucking the strings, but some involve the use of a bow instead. The sound box can be either bowl-shaped (321.21) or box-shaped (321.22). In the first case, the resonator is often a turtle shell, while the sound board is made of leather. In the second case, usually both the body and the sound board are made of wood. Examples Examples of yoke lutes are the lyre, the ''cithara'' and the '' phorminx'' from Ancient Greece, the biblical ''kinnor'' and the African '' nyatiti''. However, there are other instruments called "lyra" or "lira" that do not ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pochette (musical Instrument)
The pochette is a small string instrument, stringed instrument of the bowed string instrument, bowed variety. It is essentially a very small Violin family, violin-like wood instrument designed to fit in a pocket, hence its common name, the "pochette" (French for ''small pocket''). Also known as a pocket fiddle it was developed to be used by dance masters in royal courts and other places of nobility, and by street musicians, from about the 15th century until around the 19th century, with it being especially popular in the 1800s. In the past the rebec was used in a similar way. A common misconception is that pochettes were intended for children. They were actually conceived for adults; their small size allowed them to be used where the larger violins were too cumbersome to carry, or too expensive to own. The instrument's body is very small, but its fingerboard is long relative to the instrument's overall size, to preserve as much of the instrument's melodic range as possible. Pochet ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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