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Knielauf
''Knielauf'' () is a term of art referring to a characteristic visual motif found in the art of Ancient Greece and the Etruscans of the Archaic Period, in which a person is portrayed as running or speeding forth with one knee nearly touching the ground. It is particularly common in depictions of Gorgons The Gorgons ( ; ), in Greek mythology, are three monstrous sisters, Stheno, Euryale, and Medusa, said to be the daughters of Phorcys and Ceto. They lived near their sisters the Graeae, and were able to turn anyone who looked at them to stone .... The word is borrowed from German (''Knie'' meaning "knee", and ''Lauf'' meaning "run"). References * * Further reading * {{AncientGreece-stub Archaic Greek art Etruscan art Running ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gorgons
The Gorgons ( ; ), in Greek mythology, are three monstrous sisters, Stheno, Euryale, and Medusa, said to be the daughters of Phorcys and Ceto. They lived near their sisters the Graeae, and were able to turn anyone who looked at them to stone. Euryale and Stheno were immortal, but Medusa was not and was slain by the hero Perseus. Gorgons were dread monsters with terrifying eyes. A Gorgon head was displayed on Athena's aegis, giving it the power both to protect her from any weapon, and instill great fear in any enemy. Gorgon blood was said to have both the power to heal and harm. Representations of full-bodied Gorgons and the Gorgon face, called a gorgoneion (pl. gorgoneia), were popular subjects in Ancient Greek, Etruscan and Roman iconography. While Archaic Gorgons and gorgoneia are universally depicted as hideously ugly, over time they came to be portrayed as beautiful young women. Etymology The name 'Gorgon' is associated with the Ancient Greek adjective (), which, of a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Centre Close Up Of The West Pediment From The Temple Of Artemis In Corfu
Center or centre may refer to: Mathematics *Center (geometry), the middle of an object * Center (algebra), used in various contexts ** Center (group theory) ** Center (ring theory) * Graph center, the set of all vertices of minimum eccentricity * Central tendency, measures of the central tendency (center) in a set of data Places United States * Centre, Alabama * Center, Colorado * Center, Georgia * Center, Indiana * Center, Warrick County, Indiana * Center, Kentucky * Center, Missouri * Center, Nebraska * Center, North Dakota * Centre County, Pennsylvania * Center, Portland, Oregon * Center, Texas * Center, Washington * Center, Outagamie County, Wisconsin * Center, Rock County, Wisconsin **Center (community), Wisconsin *Center Township (other) *Centre Township (other) *Centre Avenue (other) *Center Hill (other) Other countries * Centre region, Hainaut, Belgium * Centre Region, Burkina Faso * Centre Region (Cameroon) * Centre-Val de Lo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tityos Painter - Dog-headed Daimon - Herakles And Nessos - Roma MNEVG 84444 - 02
Tityos or Tityus (Ancient Greece, Ancient Greek: Τιτυός) was a Giant (mythology), giant from Greek mythology. Family Tityos was the son of the mortal princess Elara (mythology), Elara and the god Zeus. He had a daughter named Europa (Greek myth), Europa who coupled with Poseidon and gave birth to Euphemus, one of the Argonauts. Mythology Zeus hid Elara from his wife, Hera, by placing her deep beneath the earth. Tityos grew so large that he split his mother's womb, and he was carried to term by Gaia (mythology), Gaia, the Earth. Once grown, Tityos attempted to rape Leto at the behest of Hera. He was slain by Leto's protective children Artemis and Apollo. In some accounts, Tityus was instead slain by the thunderbolt of his father Zeus.Gaius Julius Hyginus, Hyginus, ''Fabulae'' 55 As punishment, he was stretched out in Tartarus and tortured by two vultures who fed on his liver, which liver regeneration, grew back every night. This punishment is comparable to that of the Tit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Motif (visual Arts)
In art and iconography, a motif () is an element of an image. Motifs can occur both in figurative and narrative art, and in ornament and geometrical art. A motif may be repeated in a pattern or design, often many times, or may just occur once in a work. A motif may be an element in the iconography of a particular subject or type of subject that is seen in other works, or may form the main subject, as the Master of Animals motif in ancient art typically does. The related motif of confronted animals is often seen alone, but may also be repeated, for example in Byzantine silk and in other ancient textiles. Where the main subject of an artistic work - such as a painting - is a specific person, group, or moment in a narrative, that should be referred to as the "subject" of the work, not a motif, though the same thing may be a "motif" when part of another subject, or part of a work of decorative art - such as a painting on a vase. Ornament (art), Ornamental or decorative art ca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ancient Greece
Ancient Greece () was a northeastern Mediterranean civilization, existing from the Greek Dark Ages of the 12th–9th centuries BC to the end of classical antiquity (), that comprised a loose collection of culturally and linguistically related city-states and communities. Prior to the Roman period, most of these regions were officially unified only once under the Kingdom of Macedon from 338 to 323 BC. In Western history, the era of classical antiquity was immediately followed by the Early Middle Ages and the Byzantine period. Three centuries after the decline of Mycenaean Greece during the Bronze Age collapse, Greek urban poleis began to form in the 8th century BC, ushering in the Archaic period and the colonization of the Mediterranean Basin. This was followed by the age of Classical Greece, from the Greco-Persian Wars to the death of Alexander the Great in 323 BC, and which included the Golden Age of Athens and the Peloponnesian War. The u ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Etruscan Civilization
The Etruscan civilization ( ) was an ancient civilization created by the Etruscans, a people who inhabited Etruria in List of ancient peoples of Italy, ancient Italy, with a common language and culture, and formed a federation of city-states. After adjacent lands had been conquered its territory covered, at its greatest extent, roughly what is now Tuscany, western Umbria and northern Lazio, as well as what are now the Po Valley, Emilia-Romagna, south-eastern Lombardy, southern Veneto and western Campania. A large body of literature has flourished on the origins of the Etruscans, but the consensus among modern scholars is that the Etruscans were an indigenous population. The earliest evidence of a culture that is identifiably Etruscan dates from about 900 BC. This is the period of the Iron Age Villanovan culture, considered to be the earliest phase of Etruscan civilization, which itself developed from the previous late Bronze Age Proto-Villanovan culture in the same region, p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ancient Greek Art
Ancient Greek art stands out among that of other ancient cultures for its development of naturalistic but idealized depictions of the human body, in which largely nude male figures were generally the focus of innovation. The rate of stylistic development between about 750 and 300 BC was remarkable by ancient standards, and in surviving works is best seen in Ancient Greek sculpture, sculpture. There were important innovations in painting, which have to be essentially reconstructed due to the lack of original survivals of quality, other than the distinct field of painted pottery. Greek architecture, technically very simple, established a harmonious style with numerous detailed conventions that were largely adopted by Roman architecture and are still followed in some modern buildings. It used a vocabulary of ornament (art), ornament that was shared with pottery, metalwork and other media, and had an enormous influence on Eurasian art, especially after Buddhism carried it beyond the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Archaic Greek Art
Archaic Greece was the period in Greek history lasting from to the second Persian invasion of Greece in 480 BC, following the Greek Dark Ages and succeeded by the Classical period. In the archaic period, the Greeks settled across the Mediterranean Sea and the Black Sea: by the end of the period, they were part of a trade network that spanned the entire Mediterranean. The archaic period began with a massive increase in the Greek population and of significant changes that rendered the Greek world at the end of the 8th century entirely unrecognizable from its beginning. According to Anthony Snodgrass, the archaic period was bounded by two revolutions in the Greek world. It began with a "structural revolution" that "drew the political map of the Greek world" and established the ''poleis'', the distinctively Greek city-states, and it ended with the intellectual revolution of the Classical period. The archaic period saw developments in Greek politics, economics, international relatio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Etruscan Art
Etruscan art was produced by the Etruscan civilization in central Italy between the 10th and 1st centuries BC. From around 750 BC it was heavily influenced by Greek art, which was imported by the Etruscans, but always retained distinct characteristics. Particularly strong in this tradition were figurative sculpture in terracotta (especially life-size on sarcophagi or temples), wall-painting and metalworking especially in bronze. Jewellery and engraved gems of high quality were produced. Etruscan sculpture in cast bronze was famous and widely exported, but relatively few large examples have survived (the material was too valuable, and recycled later). In contrast to terracotta and bronze, there was relatively little Etruscan sculpture in stone, despite the Etruscans controlling fine sources of marble, including Carrara marble, which seems not to have been exploited until the Romans. The great majority of survivals came from tombs, which were typically crammed with sarcophag ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
