|
Jintishi
Regulated verse – also known as Jintishi () – is a development within Classical Chinese poetry of the ''shi'' main formal type. Regulated verse is one of the most important of all Classical Chinese poetry types. Although often regarded as a Tang Dynasty innovation, the origin of regulated verse within the Classical Chinese poetic tradition is associated with Shen Yue (441–513), based on his "four tones and eight defects" (四聲八病) theory regarding tonality.Watson, 110–112 There are three types of regulated verse: the eight-lined '' lüshi'', the four-lined ''jueju'', and the linked couplets of indeterminate length '' pailu''. All regulated verse forms are rhymed on the even lines, with one rhyme being used throughout the poem. Also, and definitionally, the tonal profile of the poem is controlled (that is, "regulated"). Furthermore, semantic and tonal parallelism is generally required of certain interior couplets. During the Tang Dynasty, the "Shen-Song" team of Shen Quanq ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jueju
''Jueju'' (), or Chinese quatrain, is a type of ''regulated verse, jintishi'' ("modern form poetry") that grew popular among Chinese poets in the Tang Dynasty (618–907), although traceable to earlier origins. ''Jueju'' poems are always quatrains; or, more specifically, a matched pair of couplets, with each line consisting of five or seven syllables. The five-syllable form is called ''wujue'' () and the seven-syllable form ''qijue'' (). History The origins of the ''jueju'' style are uncertain. Hans Fränkel, Fränkel states that it arose from the ''yue fu, yuefu'' form in the fifth or sixth century. This pentasyllabic song form, dominant in the Six Dynasties period, may have carried over into ''shi'' composition and thus created a hybrid of the ''yuefu'' quatrain and ''shi'' quatrain. Indeed, many Tang dynasty ''wujue'' poems were inspired by these ''yuefu'' songs. In the seventh century the jueju developed into its modern form, as one of the three "modern" verse forms, or ' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Classical Chinese Poetry Forms
Classical Chinese poetry forms are poetry forms or modes which typify the traditional Chinese poems written in Literary Chinese or Classical Chinese. Classical Chinese poetry has various characteristic forms, some attested to as early as the publication of the ''Classic of Poetry'', dating from a traditionally, and roughly, estimated time of around 10th–7th century BCE. The term "forms" refers to various formal and technical aspects applied to poems: this includes such poetic characteristics as meter (such as, line length and number of lines), rhythm (for example, presence of caesuras, end-stopping, and tone contour), and other considerations such as vocabulary and style. These forms and modes are generally, but not invariably, independent of the Classical Chinese poetry genres. Many or most of these were developed by the time of the Tang Dynasty, and the use and development of Classical Chinese poetry and genres actively continued up until the May Fourth Movement, and still ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Classical Chinese Poetry
Classical Chinese poetry is traditional Chinese poetry written in Classical Chinese and typified by certain traditional forms, or modes; traditional genres; and connections with particular historical periods, such as the poetry of the Tang dynasty. The existence of classical Chinese poetry is documented at least as early as the publication of the ''Classic of Poetry'' (''Shijing''). Various combinations of forms and genres have developed over the ages. Many or most of these poetic forms were developed by the end of the Tang dynasty, in 907 CE. The use and development of Classical Chinese poetry actively continued up until the May Fourth Movement, in 1919, and is still developed even today. Poetry created during this period of more-or-less continuous development displays a great deal of diversity – categorized by both major historical periods and by dynastic periods (the traditional Chinese historical method). Another key aspect of Classical Chinese poetry is its intense in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tang Dynasty
The Tang dynasty (, ; zh, t= ), or Tang Empire, was an imperial dynasty of China that ruled from 618 to 907 AD, with an interregnum between 690 and 705. It was preceded by the Sui dynasty and followed by the Five Dynasties and Ten Kingdoms period. Historians generally regard the Tang as a high point in Chinese civilization, and a golden age of cosmopolitan culture. Tang territory, acquired through the military campaigns of its early rulers, rivaled that of the Han dynasty. The Lǐ family () founded the dynasty, seizing power during the decline and collapse of the Sui Empire and inaugurating a period of progress and stability in the first half of the dynasty's rule. The dynasty was formally interrupted during 690–705 when Empress Wu Zetian seized the throne, proclaiming the Wu Zhou dynasty and becoming the only legitimate Chinese empress regnant. The devastating An Lushan Rebellion (755–763) shook the nation and led to the decline of central authority in the dynasty' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Song Zhiwen
Song Zhiwen (c. 660–712), also known by his courtesy name of Yanqing, was a Chinese poet of the early Tang dynasty, although technically his poetic career was largely within the anomalous dynastic interregnum of Wu Zetian. Together with Shen Quanqi, Song Zhiwen is considered to have the "credit for the final perfection" of the "new style" poetry of regulated verse (''jintishi'')Davis, ix which was one of the most critical poetic developments of the early Tang poets, and much followed as a style which inspired future generations of poets. He was ordered to commit suicide after Xuanzong came to the throne, ostensibly because of unwise involvement in the politics of the imperial succession. Poetry Song Zhiwen was particularly known for his five-character-regular-verse, or '' wujue'', one of which is included in the famous poetry anthology ''Three Hundred Tang Poems''. As an outstanding court poet in Early Tang dynasty, Song Zhiwen's poems are famous for his regulated verse ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gushi (poetry)
''Gushi'' (), is one of the main poetry forms defined in Classical Chinese poetry, literally meaning "old (or ancient) poetry" or "old (or ancient) style poetry": ''gushi'' is a technical term for certain historically exemplary poems, together with later poetry composed in this formal style. Poetic form The normal formal style is for uniform line lengths of 5 or 7 syllables (or characters), with lines in syntactically paired couplets. Parallelism emphasizing thesis or antithesis is frequently found but is not an obligatory feature. Rhymes generally occur at the ends of couplets, the actual rhyme sound sometimes changing through the course of the poem. Caesura usually occurs as a major feature before the last 3 syllables in any line, with the 7 syllable lines also often having a minor caesura in between the first two pairs of syllables. The final 3 syllables in a line are often varied syntactically by whether the first and second of these are more closely linked by the syntax o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shi (poetry)
''Shi'' and ''shih''Based on the Wade-Giles system formerly used by Taiwan and English-speaking countries. are romanizations of the character /, the Chinese word for all poetry generally and across all languages. In Western analysis of the styles of Chinese poetry, ''shi'' is also used as a term of art for a specific poetic tradition, modeled after the Old Chinese works collected in the Confucian ''Classic of Poetry''. This anthology included both aristocratic poems (the "Hymns" and "Eulogies") and more rustic works believed to have derived from Huaxia folk songs (the " Odes"). They are composed in ancient Chinese, mostly in four-character lines. In such analysis, "''shi''" poetry is contrasted with other forms such as the Chu-derived "'' cí''" and the Han-era "'' fu''".Watson, Burton. ''Chinese Lyricism: Shih Poetry from the Second to the Twelfth Century''. Columbia Univ. Press (New York), 1971. .Frankel, Hans. ''The Flowering Plum and the Palace Lady''. Yale Univ. Press ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sui Dynasty
The Sui dynasty (, ) was a short-lived imperial dynasty of China that lasted from 581 to 618. The Sui unified the Northern and Southern dynasties, thus ending the long period of division following the fall of the Western Jin dynasty, and laying the foundations for the much longer lasting Tang dynasty. Founded by Emperor Wen of Sui, the Sui dynasty capital was Chang'an (which was renamed Daxing, modern Xi'an, Shaanxi) from 581–605 and later Luoyang (605–18). Emperors Wen and his successor Yang undertook various centralized reforms, most notably the equal-field system, intended to reduce economic inequality and improve agricultural productivity; the institution of the Five Departments and Six Board (五省六曹 or 五省六部) system, which is a predecessor of Three Departments and Six Ministries system; and the standardization and re-unification of the coinage. They also spread and encouraged Buddhism throughout the empire. By the middle of the dynasty, the new ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Caesura
300px, An example of a caesura in modern western music notation A caesura (, . caesuras or caesurae; Latin for " cutting"), also written cæsura and cesura, is a metrical pause or break in a verse where one phrase ends and another phrase begins. It may be expressed by a comma (,), a tick (✓), or two lines, either slashed (//) or upright (, , ). In time value, this break may vary between the slightest perception of silence all the way up to a full pause. Poetry In classical Greek and Latin poetry a caesura is the juncture where one word ends and the following word begins within a foot. In contrast, a word juncture at the end of a foot is called a diaeresis. Some caesurae are expected and represent a point of articulation between two phrases or clauses. All other caesurae are only potentially places of articulation. The opposite of an obligatory caesura is a bridge where word juncture is not permitted. In modern European poetry, a caesura is defined as a natural phrase en ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Parallelism (grammar)
In grammar, parallelism, also known as parallel structure or parallel construction, is a balance within one or more sentences of similar phrases or clauses that have the same grammatical structure. The application of parallelism affects readability and may make texts easier to process. Parallelism may be accompanied by other figures of speech such as antithesis, anaphora, asyndeton, climax, epistrophe, and symploce. Examples Compare the following examples: All of the above examples are grammatically correct, even if they lack parallelism: "cooking", "jogging", and "to read" are all grammatically valid conclusions to "She likes", for instance. The first nonparallel example has a mix of gerunds and infinitives. To make it parallel, the sentence can be rewritten with all gerunds or all infinitives. The second example pairs a gerund with a regular noun. Parallelism can be achieved by converting both terms to gerunds or to infinitives. The final phrase of the third example does not ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mandarin Chinese
Mandarin (; ) is a group of Chinese (Sinitic) dialects that are natively spoken across most of northern and southwestern China. The group includes the Beijing dialect, the basis of the phonology of Standard Chinese, the official language of China. Because Mandarin originated in North China and most Mandarin dialects are found in the north, the group is sometimes referred to as Northern Chinese (). Many varieties of Mandarin, such as those of the Southwest (including Sichuanese) and the Lower Yangtze, are not mutually intelligible with the standard language (or are only partially intelligible). Nevertheless, Mandarin as a group is often placed first in lists of languages by number of native speakers (with nearly one billion). Mandarin is by far the largest of the seven or ten Chinese dialect groups; it is spoken by 70 percent of all Chinese speakers over a large geographical area that stretches from Yunnan in the southwest to Xinjiang in the northwest and Heilongji ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Four Tones (Middle Chinese)
The four tones of Chinese poetry and dialectology () are four traditional tone classes of Chinese words. They play an important role in Chinese poetry and in comparative studies of tonal development in the modern varieties of Chinese, both in traditional Chinese and in Western linguistics. They correspond to the phonology of Middle Chinese, and are named ''even'' or ''level'' ( ''píng''), ''rising'' ( ''shǎng''), ''departing'' or ''going'' ( ''qù''), and ''entering'' or '' checked'' ( ''rù''). (The last three are collectively referred to as ''oblique'' (''zè''), an important concept in poetic tone patterns.) They were reconstructed as mid (˧ or 33), mid rising (˧˥ or 35), high falling (˥˩ or 51), and mid (˧ or 33) with a final stop consonant respectively. Due to historic splits and mergers, none of the modern varieties of Chinese have the exact four tones of Middle Chinese, but they are noted in rhyming dictionaries. Background According to the usual modern analys ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
