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Idyllic
An idyll (, ; from Greek , ''eidullion'', "short poem"; occasionally spelt ''idyl'' in American English) is a short poem, descriptive of rustic life, written in the style of Theocritus' short pastoral poems, the ''Idylls'' (Εἰδύλλια). Unlike Homer, Theocritus did not engage in heroes and warfare. His idylls are limited to a small intimate world, and describe scenes from everyday life. Later imitators include the Roman poets Virgil and Catullus, Italian poets Torquato Tasso, Sannazaro and Leopardi, the English poet Alfred, Lord Tennyson ('' Idylls of the King''), and Nietzsche's ''Idylls from Messina''. Goethe called his poem '' Hermann and Dorothea''—which Schiller considered the very climax in Goethe's production—an idyll. Terminology The term is used in music to refer generally to a work evocative of pastoral or rural life such as Edward MacDowell's ''Forest Idylls'', and more specifically to a kind of French courtly entertainment (''divertissement'') of the bar ...
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Arcadia (utopia)
Arcadia ( gr, Αρκαδία) refers to a vision of pastoralism and harmony with nature. The term is derived from the Greek province of the same name which dates to antiquity; the province's mountainous topography and sparse population of pastoralists later caused the word ''Arcadia'' to develop into a poetic byword for an idyllic vision of unspoiled wilderness. Arcadia is a poetic term associated with bountiful natural splendor and harmony. The 'Garden' is often inhabited by shepherds. The concept also figures in Renaissance mythology. Although commonly thought of as being in line with Utopian ideals, Arcadia differs from that tradition in that it is more often specifically regarded as unattainable. Furthermore, it is seen as a lost, Edenic form of life, contrasting to the progressive nature of Utopian desires. The inhabitants were often regarded as having continued to live after the manner of the Golden Age, without the pride and avarice that corrupted other regions. It ...
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Et In Arcadia Ego
''Et in Arcadia ego'' (also known as ''Les bergers d'Arcadie'' or ''The Arcadian Shepherds'') is a 1637–38 painting by Nicolas Poussin (1594–1665), the leading painter of the classical French Baroque style. It depicts a pastoral scene with idealized shepherds from classical antiquity, and a woman, possibly a shepherdess, gathered around an austere tomb that includes this inscription. It is held in the Louvre. Poussin painted two versions of the subject under the same title. His earlier version, painted in 1627, is held at Chatsworth House. An earlier treatment of the theme was painted by Guercino circa 1618–1622, also titled '' Et in Arcadia ego''. Inspiration A tomb with a memorial inscription (to Daphnis) amid the idyllic settings of Arcadia is first described in Virgil's ''Eclogues'' V 42 ff. Virgil took the idealized Sicilian rustics included in the ''Idylls'' of Theocritus and set them in the primitive Greek region of Arcadia (see Eclogues VII and X). The idea was ...
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Leopardi
Count Giacomo Taldegardo Francesco di Sales Saverio Pietro Leopardi (, ; 29 June 1798 – 14 June 1837) was an Italian philosopher, poet, essayist, and philologist. He is considered the greatest Italian poet of the nineteenth century and one of the most important figures in the literature of the world, as well as one of the principals of literary romanticism; his constant reflection on existence and on the human condition—of sensuous and materialist inspiration—has also earned him a reputation as a deep philosopher. He is widely seen as one of the most radical and challenging thinkers of the 19th century but routinely compared by Italian critics to his older contemporary Alessandro Manzoni despite expressing "diametrically opposite positions." Although he lived in a secluded town in the conservative Papal States, he came into contact with the main ideas of the Enlightenment, and, through his own literary evolution, created a remarkable and renowned poetic work, related to t ...
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Pastoral
A pastoral lifestyle is that of shepherds herding livestock around open areas of land according to seasons and the changing availability of water and pasture. It lends its name to a genre of literature, art, and music (pastorale) that depicts such life in an idealized manner, typically for urban audiences. A ''pastoral'' is a work of this genre, also known as bucolic, from the Greek , from , meaning a cowherd. Literature Pastoral literature in general Pastoral is a mode of literature in which the author employs various techniques to place the complex life into a simple one. Paul Alpers distinguishes pastoral as a mode rather than a genre, and he bases this distinction on the recurring attitude of power; that is to say that pastoral literature holds a humble perspective toward nature. Thus, pastoral as a mode occurs in many types of literature (poetry, drama, etc.) as well as genres (most notably the pastoral elegy). Terry Gifford, a prominent literary theorist, defin ...
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Pastoral
A pastoral lifestyle is that of shepherds herding livestock around open areas of land according to seasons and the changing availability of water and pasture. It lends its name to a genre of literature, art, and music (pastorale) that depicts such life in an idealized manner, typically for urban audiences. A ''pastoral'' is a work of this genre, also known as bucolic, from the Greek , from , meaning a cowherd. Literature Pastoral literature in general Pastoral is a mode of literature in which the author employs various techniques to place the complex life into a simple one. Paul Alpers distinguishes pastoral as a mode rather than a genre, and he bases this distinction on the recurring attitude of power; that is to say that pastoral literature holds a humble perspective toward nature. Thus, pastoral as a mode occurs in many types of literature (poetry, drama, etc.) as well as genres (most notably the pastoral elegy). Terry Gifford, a prominent literary theorist, defin ...
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Sannazaro
Jacopo Sannazaro (; 28 July 1458 – 6 August 1530) was an Italian poet, Renaissance humanism, humanist and epigrammist from Kingdom of Naples, Naples. He wrote easily in Latin language, Latin, in Italian and in Neapolitan language, Neapolitan, but is best remembered for his humanist classic ''Arcadia (poem), Arcadia'', a masterwork that illustrated the possibilities of poetical prose in Italian, and instituted the theme of Arcadia (utopia), Arcadia, representing an idyllic land, in European literature. Sannazaro's elegant style was the inspiration for much courtly literature of the 16th century, including Sir Philip Sidney's ''Arcadia''. Biography He was born in 1458 at Naples of a noble family of the Lomellina, that claimed to derive its name from a seat in Lombard territory, at San Nazaro near Pavia. His father died ''ca'' 1462, during the boyhood of Jacopo, who was brought up at Nocera Inferiore and at San Cipriano Piacentino (hosted at the home of Family Sabato, located in ...
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Greek Language
Greek ( el, label= Modern Greek, Ελληνικά, Elliniká, ; grc, Ἑλληνική, Hellēnikḗ) is an independent branch of the Indo-European family of languages, native to Greece, Cyprus, southern Italy ( Calabria and Salento), southern Albania, and other regions of the Balkans, the Black Sea coast, Asia Minor, and the Eastern Mediterranean. It has the longest documented history of any Indo-European language, spanning at least 3,400 years of written records. Its writing system is the Greek alphabet, which has been used for approximately 2,800 years; previously, Greek was recorded in writing systems such as Linear B and the Cypriot syllabary. The alphabet arose from the Phoenician script and was in turn the basis of the Latin, Cyrillic, Armenian, Coptic, Gothic, and many other writing systems. The Greek language holds a very important place in the history of the Western world. Beginning with the epics of Homer, ancient Greek literature includes many works ...
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Antoinette Deshoulières
Antoinette is a given name, that is a diminutive feminine form of Antoine and Antonia (from Latin ''Antonius''). People with the name include: Nobles * Antoinette de Maignelais, Baroness of Villequier by marriage (1434–1474), mistress of Charles VII of France and later of Francis II, Duke of Brittany * Antoinette de Bourbon (1493–1583) * Princess Antoinette of Brunswick-Wolfenbüttel (1696–1762) * Princess Antoinette of Saxe-Coburg-Saalfeld (1779–1824) * Antoinette de Mérode (1828–1864), Princess of Monaco * Princess Antoinette of Saxe-Altenburg (1838–1908) * Princess Antoinette, Baroness of Massy (1920–2011) Artists and entertainers * Antoinette de Beaucaire (1840–1865), Occitan language poet * Antoinette Beumer (born 1962), Dutch film director * Antoinette Bower (born 1932), German-born British actress * Antoinette Cellier (1913–1981), English actress * Antoinette du Ligier de la Garde Deshoulières (1638–1694), French poet * Antoinette Halloran, Aust ...
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Jean-Baptiste Lully
Jean-Baptiste Lully ( , , ; born Giovanni Battista Lulli, ; – 22 March 1687) was an Italian-born French composer, guitarist, violinist, and dancer who is considered a master of the French Baroque music style. Best known for his operas, he spent most of his life working in the court of Louis XIV of France and became a French subject in 1661. He was a close friend of the playwright Molière, with whom he collaborated on numerous '' comédie-ballets'', including '' L'Amour médecin'', '' George Dandin ou le Mari confondu'', '' Monsieur de Pourceaugnac'', '' Psyché'' and his best known work, '' Le Bourgeois gentilhomme''. Biography Lully was born on November 28, 1632, in Florence, Grand Duchy of Tuscany, to Lorenzo Lulli and Caterina Del Sera, a Tuscan family of millers. His general education and his musical training during his youth in Florence remain uncertain, but his adult handwriting suggests that he manipulated a quill pen with ease. He used to say that a Francis ...
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Jean Racine
Jean-Baptiste Racine ( , ) (; 22 December 163921 April 1699) was a French dramatist, one of the three great playwrights of 17th-century France, along with Molière and Corneille as well as an important literary figure in the Western tradition and world literature. Racine was primarily a tragedian, producing such "examples of neoclassical perfection" as ''Phèdre'', ''Andromaque'', and '' Athalie''. He did write one comedy, '' Les Plaideurs'', and a muted tragedy, ''Esther'' for the young. Racine's plays displayed his mastery of the dodecasyllabic (12 syllable) French alexandrine. His writing is renowned for its elegance, purity, speed, and fury, and for what American poet Robert Lowell described as a "diamond-edge", and the "glory of its hard, electric rage". Racine's dramaturgy is marked by his psychological insight, the prevailing passion of his characters, and the nakedness of both plot and stage. Biography Racine was born on 21 December 1639 in La Ferté-Milon ( Ai ...
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Henri Desmarets
Henri Desmarets (February 1661 – 7 September 1741) was a French composer of the Baroque period primarily known for his stage works, although he also composed sacred music as well as secular cantatas, songs and instrumental works. Biography Early years and first successes Henri Desmarets was born into a modest Paris household in February 1661. His mother, Madeleine ''née'' Frottier, came from a bourgeois Parisian family. His father, Hugues Desmarets was a huissier in the cavalry at the Grand Châtelet. Desmarets' childhood was marked by his father's death when he was eight years old, his mother's subsequent remarriage in 1670, and the death of his two siblings. In 1674, he entered into the service of King Louis XIV as a page and choir singer in the Chapelle Royale (Chapel Royal). According to Duron and Ferraton, he may have also previously sung as a choir boy in Saint-Germain l'Auxerrois which was the parish church of the kings of France. While in the service ...
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Très Riches Heures Du Duc De Berry
The Très Riches Heures du Duc de Berry (; en, The Very Rich Hours of the Duke of Berry) or Très Riches Heures, is the most famous and possibly the best surviving example of manuscript illumination in the late phase of the International Gothic style. It is a book of hours: a collection of prayers to be said at the canonical hours. It was created between and 1416 for the extravagant royal bibliophile and patron John, Duke of Berry, by the Limbourg brothers.Manion 1996, p. 308. When the three painters and their sponsor died in 1416, possibly victims of plague, the manuscript was left unfinished. It was further embellished in the 1440s by an anonymous painter, who many art historians believe was Barthélemy d'Eyck. In 1485–1489, it was brought to its present state by the painter Jean Colombe on behalf of the Duke of Savoy. Acquired by the Duc d'Aumale in 1856, the book is now MS 65 in the Musée Condé, Chantilly, France. Consisting of a total of 206 leaves of very f ...
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