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Intimism (art Movement)
Intimism () was an artistic movement in the late 19th-century and early 20th-century that involved the depiction of banal yet personal domestic scenes, particularly those within domestic interiors. Intimism was most notably practiced by French painters Édouard Vuillard and Pierre Bonnard after the 1899 disbandment of Les Nabis. Edgar Degas and Felix Vallotton have also been characterized as intimists. The main interest of the intimists was their own intimate life such as portraying their family members instead of focusing on more general topics. French art critic Camille Mauclair defined Intimism as: While the movement is often associated with Impressionism, the Intimists diverged from the Impressionists in abandoning a focus on formal accuracy in depiction of light, color, and perspective in favor of emphasized texture, exaggerated palette, and merged figure and ground. The term "intimism" has since been extended to artists outside of the historical period who utilize simil ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lunch At Le Grand Lamps
Lunch is a meal typically consumed around the middle of the day, following breakfast and preceding dinner. It varies in form, size, and significance across cultures and historical periods. In some societies, lunch constitutes the main meal of the day and may consist of multiple courses, while in others it is lighter and more utilitarian in nature. The foods consumed at lunch differ widely according to local dietary customs, ranging from simple items such as sandwiches or salads to more elaborate meals involving rice, noodles, or soups. Regional and cultural practices continue to shape lunch traditions, which are further influenced by factors such as religion, geography, and economic context. Etymology According to the ''Oxford English Dictionary'' (''OED''), the etymology of ''lunch'' is uncertain. It may have evolved from ''lump'' in a similar way to ''hunch'', a derivative of ''hump'', and ''bunch'', a derivative of ''bump''. Alternatively, it may have evolved from the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Madame Vuillard Cousant (1895) By Edouard Vuillard
{{Disambiguation ...
Madame may refer to: * Madam, civility title or form of address for women, derived from the French * Madam (prostitution), a term for a woman who is engaged in the business of procuring prostitutes, usually the manager of a brothel * ''Madame'' (1961 film), a Spanish-Italian-French film * ''Madame'' (2017 film), a French comedy-drama film * Madame (singer) (born 2002), Italian singer and rapper * Madame, a puppet made famous by entertainer Wayland Flowers * Madame (clothing), an Indian clothing company Places * ÃŽle Madame, French island on the Atlantic coast * Palazzo Madama, seat of the Senate of the Italian Republic in Rome * Palazzo Madama, Turin, Italian palace See also * Madam (other) Madam is a respectful title for a woman (often "ma'am" or "madame"). Madam may also refer to:(N confirmed) * MADAM-6, a psychoactive drug * Madam (fashion), a Japanese fashion style * Madam (band), an English rock band * Madam (prostitution) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Édouard Vuillard
Jean-Édouard Vuillard (; 11 November 186821 June 1940) was a French painter, decorative artist, and printmaker. From 1891 through 1900, Vuillard was a member of the avant garde artistic group Les Nabis, creating paintings that assembled areas of pure color. His interior scenes, influenced by Japanese prints, explored the spatial effects of flattened planes of color, pattern, and form. As a decorative artist, Vuillard painted theater sets, panels for interior decoration, and designed plates and stained glass. After 1900, when the Nabis broke up, Vuillard adopted a more realistic style, approaching landscapes and interiors with greater detail and vivid colors. In the 1920s and 1930s, he painted portraits of figures in French industry and the arts in their familiar settings. Vuillard was influenced by Paul Gauguin, among other post-impressionist painters. Early life Jean-Édouard Vuillard was born on 11 November 1868 in Cuiseaux (Saône-et-Loire), where he spent his youth. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pierre Bonnard
Pierre Bonnard (; 3 October 186723 January 1947) was a French painter, illustrator and printmaker, known especially for the stylized decorative qualities of his paintings and his bold use of color. A founding member of the Post-Impressionist group of avant-garde painters Les Nabis, his early work was strongly influenced by the work of Paul Gauguin, as well as the prints of Hokusai and other Japanese artists. Bonnard was a leading figure in the transition from Impressionism to Modernism. He painted landscapes, urban scenes, portraits and intimate domestic scenes, where the backgrounds, colors and painting style usually took precedence over the subject. Early life and education Pierre Bonnard was born in Fontenay-aux-Roses, Hauts-de-Seine on 3 October 1867. His mother, Élisabeth Mertzdorff, was from Alsace. His father, Eugène Bonnard, was from the Dauphiné, and was a senior official in the French Ministry of War. He had a brother, Charles, and a sister, Andrée, who in 1890 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Les Nabis
The Nabis (, ) were a group of young French artists active in Paris from 1888 until 1900, who played a large part in the transition from Impressionism and academic art to abstract art, symbolism and the other early movements of modernism. The members included Pierre Bonnard, Maurice Denis, Paul Ranson, Édouard Vuillard, Ker-Xavier Roussel, Félix Vallotton, Paul Sérusier and Auguste Cazalis. Most were students at the Académie Julian in Paris in the late 1880s. The artists shared a common admiration for Paul Gauguin and Paul Cézanne and a determination to renew the art of painting, but varied greatly in their individual styles. They believed that a work of art was not a depiction of nature, but a synthesis of metaphors and symbols created by the artist. In 1900, the artists held their final exhibition and went their separate ways.Bétard, Daphne, ''La révolution Nabie'', in ''Les Nabis et le décor'', Beaux-Arts Éditions, pp. 8-21 Etymology The Nabis took their name ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edgar Degas
Edgar Degas (, ; born Hilaire-Germain-Edgar De Gas, ; 19 July 183427 September 1917) was a French Impressionist artist famous for his pastel drawings and oil paintings. Degas also produced bronze sculptures, prints, and drawings. Degas is especially identified with the subject of dance; more than half of his works depict dancers. Although Degas is regarded as one of the founders of Impressionism, he rejected the term, preferring to be called a realist,Gordon and Forge 1988, p. 31 and did not paint outdoors as many Impressionists did. Degas was a superb draftsman, and particularly masterly in depicting movement, as can be seen in his rendition of dancers and bathing female nudes. In addition to ballet dancers and bathing women, Degas painted racehorses and racing jockeys, as well as portraits. His portraits are notable for their psychological complexity and their portrayal of human isolation. At the beginning of his career, Degas wanted to be a history painter, a callin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Félix Vallotton
Félix Édouard Vallotton (; December 28, 1865December 29, 1925) was a Swiss and French painter and printmaker associated with the group of artists known as '. He was an important figure in the development of the modern woodcut. He painted portraits, landscapes, nudes, still lifes, and other subjects in an unemotional, realistic style. His earliest paintings were influenced by Hans Holbein the Younger, Holbein and Ingres. He developed a simpler style during his association with Les Nabis during the 1890s, and produced woodcuts which brought him international recognition. Characterized by broad masses of black and white with minimal detail, they include street scenes, bathers, portraits, and a series of ten interiors titled ''Intimités (Intimacies)'' that portray charged domestic encounters between men and women. He produced few prints after 1901, and concentrated instead on painting. His later paintings include highly finished portraits and nudes, and landscapes painted from memo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Camille Mauclair
Séverin Faust (December 29, 1872, Paris – April 23, 1945), better known by his pseudonym Camille Mauclair (), was a French poet, novelist, biographer, travel writer, and art critic. Background Mauclair was a great admirer of Stéphane Mallarmé, to whom he dedicated several works, and of Maurice Maeterlinck. He was initially a poet and novelist. His poetry attracted some attention and was set to music by Ernest Bloch, Gustave Charpentier, and Ernest Chausson and Nadia Boulanger. His best-known novel is ''Le Soleil des morts'' (1898), a ''roman à clef'' containing fictionalized portraits of leading avant-garde writers, artists, and musicians of the 1890s, which has been recognized as an important historical document of the ''fin de siècle''. He also wrote several non-fiction books about music including ''Schumann'' (1906), ''The Religion of Music'' (1909), ''The History of European Music from 1850–1914'' (1914) and ''The Heroes of the Orchestra'' (1921) which contributed grea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Impressionism
Impressionism was a 19th-century art movement characterized by visible brush strokes, open Composition (visual arts), composition, emphasis on accurate depiction of light in its changing qualities (often accentuating the effects of the passage of time), ordinary subject matter, unusual visual angles, and inclusion of movement as a crucial element of human perception and experience. Impressionism originated with a group of Paris-based artists whose independent exhibitions brought them to prominence during the 1870s and 1880s. The Impressionists faced harsh opposition from the conventional art community in France. The name of the style derives from the title of a Claude Monet work, ''Impression, soleil levant'' (''Impression, Sunrise''), which provoked the critic Louis Leroy to coin the term in a Satire, satirical 1874 review of the First Impressionist Exhibition published in the Parisian newspaper ''Le Charivari''. The development of Impressionism in the visual arts was soon foll ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Figure And Ground (media)
Figure and ground is a concept drawn from Gestalt psychology by media studies, media theorist Marshall McLuhan in the early 1970s. This concept underpins the meaning of his famous phrase, "The medium is the message". The concept was an approach to what was called "perceptual organization." He began to use the terms figure and ground as a way "to describe the parts of a situation" and "to help explain his ideas about media and human communication." The concept was later employed to explain how a communications technology, the medium or ''figure'', necessarily operates through its context, or ''ground''. Overview To McLuhan, "'figure' refers to something that jumps out at us, something that grabs our attention, [whereas] ‘ground’ refers to something that supports or contextualizes a situation and is usually an area of unattention." When we first experience a new image or sensation, there are certain aspects of the object that grab our attention and engage us and certain aspects tha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brian Fallon (critic)
Brian Fallon (born 1933) is one of Ireland's foremost art critics. He was born in 1933 at Cootehill, County Cavan, the second son of the poet Padraic Fallon, and was educated at St Peter’s College, Wexford, and Trinity College, Dublin. He was Chief Critic of ''The Irish Times'' for 35 years and its Literary Editor for 11 years (1977 to 1988). He has written numerous books on Irish art and frequently lectures on the subject of art. Work *''Irish Art 1830-1990'', Appletree Press. *''An Age of Innocence: Irish Culture 1930-1960'', Gill & Macmillan (1998). *"Patrick Swift and Irish Art"(1993), published in ''Patrick Swift: An Irish Painter in Portugal'', Gandon Editions, 2001. *''Imogen Stuart Imogen Stuart (née Werner; 1927 – 24 March 2024) was a German-Irish sculptor, influenced by 19th-century Expressionism and early Irish Christian art. She mainly produced wood and stone for settings for churches but also created many secular ..., Sculptor'', Four Courts Press *'' Tony ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Veronica Bolay
Veronica Bolay (8 August 1941 – 3 January 2020) was a German–Irish painter. She was a member of Aosdána, an elite Irish association of artists. Early life Bolay was born in Hamburg in 1941. Her earliest memory was of Operation Gomorrah, the allied terror bombing of Hamburg. The family fled to Mecklenburg, then returned to Hamburg after hearing rumours that Mecklenburg would fall under Soviet control. Career Bolay attended the University of Fine Arts of Hamburg in 1958–63, studying painting and costume design, as fine art was not considered a profitable career path. She then studied group therapy at Aachen University. In 1971 she moved to Ireland, and was part of a 1978 exhibition of women artists held in the Project Gallery in Dublin. She was elected to the Royal Hibernian Academy in 2002 and to Aosdána in 2006. Her work was in the field of abstract landscapes, working in oil painting, oils and pastel painting, pastels, and often depicting the West of Ireland. ''The I ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
