Hornpipe
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Hornpipe
The hornpipe is any of several dance forms played and danced in Britain and Ireland and elsewhere from the 16th century until the present day. The earliest references to hornpipes are from England with Hugh Aston's Hornepype of 1522 and others referring to Lancashire hornpipes in 1609 and 1613. It is suggested that the hornpipe as a dance began around the 16th century on English sailing vessels. However, the dance does not seem to have become associated with sailors until after 1740 when the dancer Yates performed 'a hornpipe in the character of a Jack Tar' at Drury Lane Theatre, after which, in 1741 at Covent Garden we hear of "a hornpipe by a gentleman in the character of a sailor". Movements were those familiar to sailors of that time: "looking out to sea" with the right hand to the forehead, then the left, lurching as in heavy weather, and giving the occasional rhythmic tug to their breeches both fore and aft. Folk hornpipes The hornpipe is an Irish, Scottish and English ...
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The Sailor's Hornpipe
The Sailor's Hornpipe (also known as The College Hornpipe and Jack's the Lad) is a traditional hornpipe melody and linked dance with origins in the Royal Navy. History The tune was first printed as the "College Hornpipe" in 1797 or 1798 by J. Dale of London. However, versions of the tune are found in earlier manuscript collections – for example, a syncopated version in the William Vickers manuscript, written on Tyneside, dated 1770. The hornpipe dance imitates the life of sailors and their duties aboard ship. Due to the small space that the dance required, and no need for a partner, the dance was popular on-board ship. Samuel Pepys referred to this tune in his diary as "The Jig of the Ship" and Captain Cook, who took a piper on at least one voyage, is noted to have ordered his men to dance the hornpipe in order to keep them in good health. The dance on-ship became less common when fiddlers ceased to be included in ships' crew members. In dramatic stage productions, from around ...
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Egg Dance
An egg dance is a traditional Easter game in which eggs are laid on the ground or floor and the goal is to dance among them damaging as few as possible. The egg was a symbol of the rebirth of the earth in Pagan celebrations of spring and was adopted by early Christians as a symbol of the rebirth of man at Easter. Another form of egg dancing was a springtime game depicted in the painting of Pieter Aertsen. The goal was to roll an egg out of a bowl while keeping within a circle drawn by chalk and then flip the bowl to cover the egg. This had to be done with the feet without touching the other objects placed on the floor. An early reference to an egg dance was at the wedding of Margaret of Austria and Philibert of Savoy on Easter Monday of 1498. The event was described in an 1895 issue of '' The American Magazine'' as follows. Then the great egg dance, the special dance of the season, began. A hundred eggs were scattered over a level space covered with sand, and a young coupl ...
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James Hill (folk Musician)
James Hill (c.1811 – 1853) was a fiddler-composer and publican. Born in Dundee, his family moved to Newcastle upon Tyne and he lived there or Gateshead for the remainder of his short life. He is famous as the composer of many fine common-time hornpipes for fiddle, including ''The High Level Bridge'', ''The Beeswing'', ''The Hawk'' and ''The Omnibus''. He was sufficiently well known that many other tunes by others, such as ''Blaydon Flats'', were also mistakenly attributed to him. He was of much more than local importance. The Newcastle style of hornpipe, of which he was the best-known exponent, became the model for many later-19th-century examples. Many of his tunes, particularly ''The High Level Bridge'' and ''The Beeswing'' became well-known wherever hornpipes were played both of these were published in Ryan's Mammoth Collection, which was first published in Boston in 1884. A book, ''The Lads like Beer'' was compiled by Graham Dixon and first published in the 1990s by Walla ...
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Northumbrian Smallpipes
The Northumbrian smallpipes (also known as the Northumbrian pipes) are bellows-blown bagpipes from North East England, where they have been an important factor in the local musical culture for more than 250 years. The family of the Duke of Northumberland have had an official piper for over 250 years. The Northumbrian Pipers' Society was founded in 1928, to encourage the playing of the instrument and its music; Although there were so few players at times during the last century that some feared the tradition would die out, there are many players and makers of the instrument nowadays, and the Society has played a large role in this revival. In more recent times the Mayor of Gateshead and the Lord Mayor of Newcastle have both established a tradition of appointing official Northumbrian pipers. In a survey of the bagpipes in the Pitt Rivers Museum, Oxford University, the organologist Anthony Baines wrote: "It is perhaps the most civilized of the bagpipes, making no attempt to go ...
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Water Music (Handel)
The ''Water Music'' is a collection of orchestral movements, often published as three suites, composed by George Frideric Handel. It premiered on 17 July 1717, in response to King George I's request for a concert on the River Thames. Structure The ''Water Music'' opens with a French overture and includes minuets, bourrées, and hornpipes. It is divided into three suites: Suite in F major (HWV 348) # #Overture ( Largo – Allegro) # Adagio e staccato # Allegro – Andante – Allegro da capo # Passepied # Air # Minuet # Bourrée # Hornpipe # Andante # Allegro # Hornpipe Suite in D major (HWV 349) # Overture (Allegro) # Alla Hornpipe # Lentement # Bourree # Minuet Suite in G major (HWV 350) # Sarabande # Rigaudon # Menuet # Gigue There is evidence for the different arrangement found in Chrysander's Gesellschaft edition of Handel's works (in volume 47, published in 1886), where the movements from the "suites" in D and G were mingled and published as ...
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Reel (dance)
The reel is a folk dance type as well as the accompanying dance tune type. Of Scottish origin, reels are also an important part of the repertoire of the fiddle traditions of the British Isles and North America. In Scottish country dancing, the reel is one of the four traditional dances, the others being the jig, the strathspey and the waltz, and is also the name of a dance figure (see below). In Irish dance, a reel is any dance danced to music in ''reel time'' (see below). In Irish stepdance, the reel is danced in soft shoes and is one of the first dances taught to students. There is also a treble reel, danced in hard shoes to reel music. History The reel is indigenous to Scotland. The earliest reference was in a trial of 1590, where the accused was reported to have "daunced this reill or short dance." However, the form may go back to the Middle Ages. The name may be cognate with or relate to an Old Norse form, with Suio-Gothic '' rulla'', meaning "to whirl." This became A ...
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Reel (dance)
The reel is a folk dance type as well as the accompanying dance tune type. Of Scottish origin, reels are also an important part of the repertoire of the fiddle traditions of the British Isles and North America. In Scottish country dancing, the reel is one of the four traditional dances, the others being the jig, the strathspey and the waltz, and is also the name of a dance figure (see below). In Irish dance, a reel is any dance danced to music in ''reel time'' (see below). In Irish stepdance, the reel is danced in soft shoes and is one of the first dances taught to students. There is also a treble reel, danced in hard shoes to reel music. History The reel is indigenous to Scotland. The earliest reference was in a trial of 1590, where the accused was reported to have "daunced this reill or short dance." However, the form may go back to the Middle Ages. The name may be cognate with or relate to an Old Norse form, with Suio-Gothic '' rulla'', meaning "to whirl." This became A ...
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Slip Jig
Slip jig () refers to both a style within Irish music, and the Irish dance to music in slip-jig time. The slip jig is in time, traditionally with accents on 5 of the 9 beats — two pairs of crotchet/ quaver (quarter note/eighth note) followed by a dotted crotchet note. The slip jig is one of the four most common Irish stepdances, the others being the reel, the jig and the hornpipe. It is danced in soft shoes. At one time only men danced it, then for several decades only women, and today slip jigs can be danced by any dancer, though at a competitive level they are almost exclusively danced by women. This dance is graceful and controlled, with heels very high, often called "the ballet of Irish dance". There are also traditional Irish '' céilí'' dances which are slip jigs, though these are much less common than reels and double jigs. Because of its timing, the slip jig is longer than the reel for the same number of bars of music. In Irish stepdance competition, the temp ...
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Baroque Dance
Baroque dance is dance of the Baroque era (roughly 1600–1750), closely linked with Baroque music, theatre, and opera. English country dance The majority of surviving choreographies from the period are English country dances, such as those in the many editions of Playford's '' The Dancing Master''. Playford only gives the floor patterns of the dances, with no indication of the steps. However, other sources of the period, such as the writings of the French dancing-masters Feuillet and Lorin, indicate that steps more complicated than simple walking were used at least some of the time. English country dance survived well beyond the Baroque era and eventually spread in various forms across Europe and its colonies, and to all levels of society. The French Noble style The great innovations in dance in the 17th century originated at the French court under Louis XIV, and it is here that we see the first clear stylistic ancestor of classical ballet. The same basic technique w ...
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Polka
Polka is a dance and genre of dance music originating in nineteenth-century Bohemia, now part of the Czech Republic. Though associated with Czech culture, polka is popular throughout Europe and the Americas. History Etymology The term ''polka'' referring to the dance is derived from the Czech word ''Polka'' meaning "Polish woman" (feminine form corresponding to ''Polák'', a Pole)."polka, n.". Oxford University Press. (accessed 11 July 2012). Czech cultural historian Čeněk Zíbrt also attributes the term to the Czech word ''půlka'' (half), referring to both the half-tempo and the half-jump step of the dance.Čeněk Zíbrt, "Jak se kdy v Čechách tancovalo: dějiny tance v Čechách, na Moravě, ve Slezsku a na Slovensku z věků nejstarších až do nové doby se zvláštním zřetelem k dějinám tance vůbec", Prague, 189(Google eBook)/ref> The word was widely introduced into the major European languages in the early 1840s. Origin and popularity The pol ...
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Warspite Cadets Dancing The Hornpipe 1928
Warspite may refer to: * Warspite, Alberta, Canada; a hamlet * Mount Warspite, mountain summit located in Peter Lougheed Provincial Park * , a British Royal Navy ship name * , a ship in the Tudor Dynasty English Navy * ''Warspite'' (schooner), a transport schooner in the Anguilla trade, see Sailing in Anguilla * ''Warspite'' (locomotive), #8 engine for the National Coal Board, s/n 3776, see List of preserved Hunslet Austerity 0-6-0ST locomotives See also * * War (other) War is a large-scale armed conflict and the term is used as a metaphor for non-military conflicts. War or WAR may also refer to: Places * War, West Virginia * War Creek, a stream in West Virginia * Warwickshire county in England, standard code ... * Spite (other) {{disambiguation ...
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Mazurka
The mazurka ( Polish: ''mazur'' Polish ball dance, one of the five Polish national dances and ''mazurek'' Polish folk dance') is a Polish musical form based on stylised folk dances in triple meter, usually at a lively tempo, with character defined mostly by the prominent mazur's "strong accents unsystematically placed on the second or third beat". The mazurka, alongside the polka dance, became popular at the ballrooms and salons of Europe in the 19th century, particularly through the notable works by Frédéric Chopin. The mazurka (in Polish ''mazur'', the same word as the mazur) and mazurek (rural dance based on the mazur) are often confused in Western literature as the same musical form. History The folk origins of the ''mazurka'' are three Polish folk dances which are: * '' mazur'', most characteristic due to its inconsistent rhythmic accents, * slow and melancholic ''kujawiak'', * fast '' oberek''. The ''mazurka'' is always found to have either a triplet, trill ...
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