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Hooker With A Heart Of Gold
The hooker with a heart of gold is a stock character involving a courtesan or prostitute who possesses virtues such as integrity, generosity and kindness. Characteristics The character type is defined by morally positive traits, which are contrasted with the character's employment as a prostitute. The narrative will often provide extenuating circumstances for the character's prostitution, and emphasize her personal decency. Sometimes, the character will be a foil for another female character who reflects negative stereotypes of uptight or frigid women. Per Nell Damon Galles, the character is "the good girl who made one too many bad decisions—losing her virginity, becoming promiscuous, and eventually entering the dark world of prostitution." The "hooker with a heart of gold" has also been described as a "modem “secular” counterpart" of the medieval sinner-saint. Historical development Prostitutes appear in ancient Greek literature as far back as the Archaic period, such as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Raja Ravi Varma, Vasanthasena (Oleographic Print)
''Raja'' (; from , IAST ') is a royal title used for South Asian monarchs. The title is equivalent to king or princely ruler in South Asia and Southeast Asia. The title has a long history in South Asia and Southeast Asia, being attested from the Rigveda, where a ' is a ruler, see for example the ', the "Battle of Ten Kings". Raja-ruled Indian states While most of the Indian salute states (those granted a gun salute by the British Crown) were ruled by a Maharaja (or variation; some promoted from an earlier Raja- or equivalent style), even exclusively from 13 guns up, a number had Rajas: ; Hereditary salutes of 11-guns : * the Raja of Pindrawal * the Raja of Morni * the Raja of Rajouri * the Raja of Ali Rajpur * the Raja of Bilaspur * the Raja of Chamba * the Raja of Faridkot * the Raja of Jhabua * the Raja of Mandi * the Raja of Manipur * the Raja of Narsinghgarh * the Raja of Pudukkottai * the Raja of Rajgarh * the Raja of Sangli * the Raja of Sailana * the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cambridge
Cambridge ( ) is a College town, university city and the county town in Cambridgeshire, England. It is located on the River Cam approximately north of London. As of the 2021 United Kingdom census, the population of Cambridge was 145,700. Cambridge became an important trading centre during the Roman and Viking ages, and there is archaeological evidence of settlement in the area as early as the Bronze Age. The first Town charter#Municipal charters, town charters were granted in the 12th century, although modern city status was not officially conferred until 1951. The city is most famous as the home of the University of Cambridge, which was founded in 1209 and consistently ranks among the best universities in the world. The buildings of the university include King's College Chapel, Cambridge, King's College Chapel, Cavendish Laboratory, and the Cambridge University Library, one of the largest legal deposit libraries in the world. The city's skyline is dominated by several Colleg ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rousseau
Jean-Jacques Rousseau (, ; 28 June 1712 – 2 July 1778) was a Genevan philosopher, writer, and composer. His political philosophy influenced the progress of the Age of Enlightenment throughout Europe, as well as aspects of the French Revolution and the development of modern political, economic, and educational thought. His '' Discourse on Inequality'' and '' The Social Contract'' are cornerstones in modern political and social thought. Rousseau's sentimental novel '' Julie, or the New Heloise'' (1761) was important to the development of preromanticism and romanticism in fiction. His ''Emile, or On Education'' (1762) is an educational treatise on the place of the individual in society. Rousseau's autobiographical writings—the posthumously published '' Confessions'' (composed in 1769), which initiated the modern autobiography, and the unfinished ''Reveries of the Solitary Walker'' (composed 1776–1778)—exemplified the late 18th-century " Age of Sensibility", and featured ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fleur De Marie, PK-P-126
Fleur or plural Fleurs is French for flower. It may refer to: * Fleur (given name) * "Fleur" (short story), a short story by Louise Erdrich *"Fleur" peut être une plante Music * Flëur, a Ukrainian music band * ''Fleurs'' (Franco Battiato album), 1999 * ''Fleurs'' (Former Ghosts album), 2009 *''Fleurs 2'', a 2008 album by Franco Battiato *''Fleurs 3'', a 2002 album by Franco Battiato *''Les Fleur(s)'', a song by Minnie Riperton from the album Come to My Garden, 1970 *''Les Fleurs'', a 1983 album by Ramsey Lewis Ramsey Emmanuel Lewis Jr. (May 27, 1935 – September 12, 2022) was an American jazz pianist, composer, and radio personality. Lewis recorded over 80 albums and received five gold records and three Grammy Awards in his career. His album '' The ... See also * Fleur-de-lis (other) * Lafleur (other) * Flower (other) * {{disambiguation ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Routledge
Routledge () is a British multinational publisher. It was founded in 1836 by George Routledge, and specialises in providing academic books, journals and online resources in the fields of the humanities, behavioural science, education, law, and social science. The company publishes approximately 1,800 journals and 5,000 new books each year and their backlist encompasses over 70,000 titles. Routledge is claimed to be the largest global academic publisher within humanities and social sciences. In 1998, Routledge became a subdivision and imprint of its former rival, Taylor & Francis Group (T&F), as a result of a £90-million acquisition deal from Cinven, a venture capital group which had purchased it two years previously for £25 million. Following the merger of Informa and T&F in 2004, Routledge became a publishing unit and major imprint within the Informa "academic publishing" division. Routledge is headquartered in the main T&F office in Milton Park, Abingdon, Oxfords ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vasantasena
Vasantasena (Fifth century BC) was a courtesan of Ujjayini according to ancient Indian literature, who earned fame and prosperity due to her finesse in various art forms such as singing, dancing, poetry, and courting as well as for her beauty. She is the lady protagonist of the Sanskrit play Mṛichchhakatika (The Little Clay Cart) written by Śūdraka. Character in the Play In the play, Vasantasena is depicted as a strong character. She is not a conventional heroine waiting for a hero to come woo her. According to the play, Vasantasena falls in love with Chārudatta, a young Brahmin who loses all his wealth due to his philanthropic and altruistic nature and is seriously impoverished. The wealthy courtesan lives a life of utmost luxury but falls in love with Chārudatta for his extremely noble nature. Despite being happily married and having a son, Chārudatta also falls in love with Vasantasena for her beauty, her refined personality, and her noble nature. In the play, she i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nagarvadhu
Nagarvadhu or Nagar Vadhu (Devanagari: नगरवधू) ("bride of the city") was a tradition followed in some parts of ancient India. Women competed to win the title of a Nagarvadhu, and there was no taboo against the practice. The most beautiful woman, and most talented in various dance forms, was chosen as the Nagarvadhu. A Nagarvadhu was respected, and she was a courtesan; people could watch her dance and sing. A Nagarvadhu's price for a single night's dance was very high, and she was only within the reach of the very rich – the king, the princes, and the lords. Famous Nagarvadhus *Amrapali, state courtesan and Buddhist disciple, described in ''Vaishali Ki Nagarvadhu'' by Acharya Chatursen *Vasantasena, a character in the classic Sanskrit story of '' Mricchakatika'', written in the 2nd century BC by Śūdraka * Madhavi, a character in the classic Tamil story of '' Silappatikaram'', written in tamil by Ilango Adigal See also *Devadasi *Deuki * Ca trù, a similar pro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mṛcchakatika
''Mṛcchakatika'' ( sa, Mṛcchakaṭikam मृच्छकटिकम्), also spelled ''Mṛcchakaṭikā'', ''Mrchchhakatika'', ''Mricchakatika'', or ''Mrichchhakatika'' (''The Little Clay Cart'') is a ten-act Sanskrit drama attributed to Śūdraka, an ancient playwright who is possibly from the 5th century CE, and who is identified by the prologue as a Kshatriya king as well as a devotee of Shiva who lived for above 110 years. The play is set in the ancient city of Ujjayini during the reign of the King Pālaka, near the end of the Pradyota dynasty that made up the first quarter of the fifth century BCE. The central story is that of a noble but impoverished young Brahmin, sa, Cārudatta, who falls in love with a wealthy courtesan or nagarvadhu, sa, Vasantasenā. Despite their mutual affection, however, the couple's lives and love are threatened when a vulgar courtier, Samsthānaka, also known as Shakara, begins to aggressively pursue Vasantasenā. Life with romance ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Śudraka
Shudraka ( IAST: ) was an Indian playwright, to whom three Sanskrit plays are attributed: '' Mrichchhakatika'' (''The Little Clay Cart''), ''Vinavasavadatta'', and a ''bhana'' (short one-act monologue), ''Padmaprabhritaka''.Bhattacharji, Sukumari ''History of Classical Sanskrit Literature'', Sangam Books, London, 1993, , p.93 According to the prologue of ''Mrichchhakatika'', he was a king; according to one theory, he may have been a third century Abhira king. According to another theory, Shudraka is a mythical figure, and the authorship of plays attributed to him is uncertain. Sources In the prologue of the play ''Mrichchhakatika'', the stage manager states that its poet was a wise king renowned as "Shudraka". He had performed Ashvamedha ritual to prove his superiority, and immolated himself at the age of 110 years, after crowning his son as the new king. The prologue describes him as a distinguished wise man, who had gained knowledge of the Rigveda, the Samaveda, mathematics ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sanskrit Drama
The term Indian classical drama refers to the tradition of dramatic literature and performance in ancient India. The roots of drama in the Indian subcontinent can be traced back to the Rigveda (1200-1500 BCE), which contains a number of hymns in the form of dialogues, or even scenes, as well as hymns that make use of other literary forms such as animal fables However, Indian drama begins its classical stage in the 3rd-4th century BCE with the composition of the Nātyaśāstra (''lit. The Science of Drama''). Indian classical drama is regarded as the highest achievement of Sanskrit literature. The Buddhist playwright, poet and philosopher Asvaghosa, who composed the '' Buddhacarita'', is considered to have been one of the first Sanskrit dramatists along with Bhāsa, who likely lived in the 2nd century BCE, and is famous for writing two of the only surviving tragedies in Sanskrit drama. Despite its name, a classical Sanskrit drama uses both Sanskrit and Prakrit languages giving ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theatre In India
Theatre of India is one of the most ancient forms of theatre and it features a detailed textual, sculptural, and dramatic effects which emerged in mid first millennium BC. Like in the areas of music and dance, the Indian theatre is also defined by the dramatic performance based on the concept of '' Nritya'', which is a Sanskrit word for drama but encompasses dramatic narrative, virtuosic dance, and music. Historically, Indian theatre has exerted influence beyond its borders, reaching ancient China and other countries in the Far East. With the Islamic conquests that began in the 10th and 11th centuries, theatre was discouraged or forbidden entirely.Brandon (1997, 72) and Richmond (1998, 516). Later, in an attempt to re-assert indigenous values and ideas, village theatre was encouraged across the subcontinent, developing in a large number of regional languages from the 15th to the 19th centuries. Modern Indian theatre developed during the period of colonial rule under the Briti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rahab
Rahab (; Arabic: راحاب, a vast space of a land) was, according to the Book of Joshua, a woman who lived in Jericho in the Promised Land and assisted the Israelites in capturing the city by hiding two men who had been sent to scout the city prior to their attack. In the New Testament, she is lauded both as an example of a saint who lived by faith, and as someone "considered righteous" for her works. The King James Version renders the name as ''Rachab'', after its literal spelling in Greek, which differs from the spelling for Rahab in James and Hebrews. Most modern versions render it as ''Rahab'' ignoring the distinction. Rahab's profession The Hebrew אשה זונה (''ishah zonah''), used to describe Rahab in Joshua 2:1, literally means "a prostitute woman". In rabbinic texts, however, she is explained as being an "innkeeper," based on the Aramaic Targum: פונדקאית. Rahab's name is presumably the shortened form of a sentence name rāḥāb-N, "the god ''N'' has ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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