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History Of The Tango
Tango, a distinctive tango dance and the corresponding musical style of tango music, began in the working-class port neighborhoods of Buenos Aires (Argentina) and Montevideo (Uruguay); spanning both sides of the Rio de la Plata. Etymology There are numbers of theories about the origin of the word "tango". One of the more popular in recent years has been that it came from the Niger–Congo languages of Africa. Another theory is that the word "tango", already in common use in Andalusia to describe a style of music, lent its name to a completely different style of music in Argentina and Uruguay. Origin The Tango derives from the Cuban habanera, the Argentine milonga and Uruguayan candombe, and is said to contain elements from the African community in Buenos Aires, influenced both by ancient African rhythms and the music from Europe. These African rhythms are thought to come from the candombe, which was characterized by energetic, "jerky" movements. Conversely, the milonga was a ...
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Immigrant
Immigration is the international movement of people to a destination country of which they are not usual residents or where they do not possess nationality in order to settle as permanent residents. Commuters, tourists, and other short-term stays in a destination country do not fall under the definition of immigration or migration; seasonal labour immigration is sometimes included, however. Economically, research suggests that migration can be beneficial both to the receiving and sending countries. The academic literature provides mixed findings for the relationship between immigration and crime worldwide. Research shows that country of origin matters for speed and depth of immigrant assimilation, but that there is considerable assimilation overall for both first- and second-generation immigrants. Discrimination based on nationality is legal in most countries. Extensive evidence of discrimination against foreign-born persons in criminal justice, business, the economy, ...
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Roberto Firpo
Roberto Firpo (May 10, 1884June 14, 1969) was an Argentine tango pianist, composer, and leader. Firpo was among the first innovators of the classic tango music genre. He was the establisher of the piano in the tango orchestra. Firpo was born in the Flores district of Buenos Aires, where his father owned a grocery store. Firpo left school at 15 to work with his father and then several other companies, he eventually saved 200 Pesos (around US$100, at the time) to buy his first piano. Around 1903 he began to have lessons with one of the greats of the period, Alfredo Bevilacqua. In 1907 he began composing and performing. In 1913, at the age of 29, he formed his first orchestra that played the hits "Argañaraz", "Sentimiento criollo", "De pura cepa", and "Marejada" that year. In 1914 classic tango "Alma de bohemio" materialized and presented; one of his most admired work until today. During his career Firpo played in most of the famous Buenos Aires tango venues such as the Armeno ...
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Film
A film, also known as a movie or motion picture, is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, emotions, or atmosphere through the use of moving images that are generally, since the 1930s, synchronized with sound and (less commonly) other sensory stimulations. Etymology and alternative terms The name "film" originally referred to the thin layer of photochemical emulsion on the celluloid strip that used to be the actual medium for recording and displaying motion pictures. Many other terms exist for an individual motion-picture, including "picture", "picture show", "moving picture", "photoplay", and "flick". The most common term in the United States is "movie", while in Europe, "film" is preferred. Archaic terms include "animated pictures" and "animated photography". "Flick" is, in general a slang term, first recorded in 1926. It originates in the verb flicker, owing to the flickering appearance of early films ...
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Samba (ballroom)
The international ballroom version of samba is a lively, rhythmical dance. It differs considerably from the original samba styles of Brazil; in particular, it differs from Samba de Gafieira, a partner type of Samba in that country. Technique The ballroom samba is a partner dance file:Tanzturnier 28.JPG, Ballroom dancers performing the tango. file:dance-At-Bougival.jpg, upPartner dance, ''Dance at Bougival'' by Pierre-Auguste Renoir, 1883 Partner dances are dances whose basic choreography involves coordinated dancing of t .... The ballroom samba is danced to music in or time. For dance competitions and examinations, the recommended tempo is 48-56 bars per minute. It uses several different rhythmic patterns in its figures, with cross-rhythms being a common feature. Thus, for three-step patterns, common step values (in beats) are: When danced certain rhythms from the above, the dance features a bouncing action, with body elevation occurring at the last 1/4beat of the fir ...
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Foxtrot (dance)
The foxtrot is a smooth, progressive dance characterized by long, continuous flowing movements across the dance floor. It is danced to big band (usually vocal) music. The dance is similar in its look to waltz, although the rhythm is in a time signature instead of . Developed in the 1910s, the foxtrot reached its height of popularity in the 1930s and remains practiced today. History The dance was premiered in 1914, quickly catching the eye of the husband and wife duo Vernon and Irene Castle, who gave the dance its signature grace and style. The origin of the name of the dance is unclear, although one theory is that it took its name from its popularizer, the vaudevillian Harry Fox. Two sources, Vernon Castle and dance teacher Betty Lee, credit African American dancers as the source of the foxtrot. Castle saw the dance, which "had been danced by negroes, to his personal knowledge, for fifteen years, ta certain exclusive colored club". W. C. Handy ("Father of the Blues") ...
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Waltz
The waltz ( , meaning "to roll or revolve") is a ballroom dance, ballroom and folk dance, in triple (3/4 time, time), performed primarily in closed position. Along with the ländler and allemande, the waltz was sometimes referred to by the generic term German Dance in publications during the late 18th and early 19th centuries. History There are many references to a sliding or gliding dance, including ''volte'', that would evolve into the waltz that date from 16th-century Europe, including the representations of the Printmaking, printmaker Sebald Beham, Hans Sebald Beham. The French philosopher Michel de Montaigne wrote of a dance he saw in 1580 in Augsburg, where the dancers held each other so closely that their faces touched. Kunz Haas (of approximately the same period) wrote, "Now they are dancing the godless ''Weller'' or ''Spinner''."Nettl, Paul. "Birth of the Waltz." In ''Dance Index'' vol 5, no. 9. 1946 New York: Dance Index-Ballet Caravan, Inc. pages 208, 211 "The ...
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Bandoneon
The bandoneon () or bandonion is a type of concertina particularly popular in Argentina and Uruguay. It is a typical instrument in most tango ensembles. As with other members of the concertina family, it is held between the hands, and played by pulling and pushing air through bellows, routing it through sets of tuned metal reeds by pressing the instrument's buttons. Unlike most accordions, bandoneons always employ the same sets of reeds to produce their sound, and do not usually have the register switches common on accordions. Nevertheless, the bandoneon can be played very expressively, using various bellows pressures and other techniques. The left and right hand have different timbres due to the wooden box on the left side which gives the left hand a nasal and muted timbre, in contrast with the right hand which is usually bright and sharp. History The Bandonion, so named by the German instrument dealer Heinrich Band (1821–1860), was originally intended as an instrument ...
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Sheet Music
Sheet music is a handwritten or printed form of musical notation that uses musical symbols to indicate the pitches, rhythms, or chords of a song or instrumental musical piece. Like its analogs – printed Book, books or Pamphlet, pamphlets in English, Arabic, or other languages – the medium of sheet music typically is paper (or, in earlier centuries, papyrus or parchment). However, access to musical notation since the 1980s has included the presentation of musical notation on computer screens and the development of scorewriter Computer program, computer programs that can notate a song or piece electronically, and, in some cases, "play back" the notated music using a synthesizer or virtual instrumentation, virtual instruments. The use of the term "sheet" is intended to differentiate written or printed forms of music from sound recordings (on vinyl record, compact cassette, cassette, Compact disc, CD), radio or Television broadcasting, TV broadcasts or recorded live perfor ...
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Gramophone Records
A phonograph record (also known as a gramophone record, especially in British English) or a vinyl record (for later varieties only) is an analog signal, analog sound Recording medium, storage medium in the form of a flat disc with an inscribed, modulated spiral groove. The groove usually starts near the outside edge and ends near the center of the disc. The stored sound information is made audible by playing the record on a phonograph (or "gramophone", "turntable", or "record player"). Records have been produced in different formats with playing times ranging from a few minutes to around 30 minutes per side. For about half a century, the discs were commonly made from shellac and these records typically ran at a rotational speed of 78 rpm, giving it the nickname "78s" ("seventy-eights"). After the 1940s, "vinyl" records made from polyvinyl chloride (PVC) became standard replacing the old 78s and remain so to this day; they have since been produced in various sizes and speeds, mos ...
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Payada
The ''payada'' is a folk music tradition native to Argentina, Uruguay, southern Brazil, and south Paraguay as part of the Gaucho culture and Gaucho literature. In Chile it is called ''paya'' and performed by ''huasos''. It is a performance of improvised ten-line verse called ''décimas'' usually accompanied by guitar. The performer is called a "''payador''", albeit any guitar performer in the region is called by the same name. In performances of two or more ''payadores'' (the "''payada''"), known as ''contrapunto'', they will compete to produce the most eloquent verse, each answering questions posed by the other, often insulting. The durations of these verse duels can be exceedingly long, often many hours, and they end when one ''payador'' fails to respond immediately to his opponent. Musical styles often used in the ''payada'' are the ''cifra'', the ''huella'' and the ''Milonga (music), milonga''. History The work of Bartolomé Hidalgo (born in Montevideo in 1788) is consid ...
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