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Hennin
The hennin ( ; possibly from Flemish meaning cock or rooster) was a headdress in the shape of a pointed hat, cone, steeple, or truncated cone worn in the Late Middle Ages by European women of the nobility. They were most common in Duchy of Burgundy, Burgundy and France in the Middle Ages, France, but also elsewhere, especially at the English courts, and in Northern Europe, Hungary and Poland. They were little seen in Italy. It is unclear what styles the word ''hennin'' described at the time, though it is recorded as being used in French areas in 1428, probably before the conical style appeared. The word does not appear in English until the 19th century. The term is therefore used by some writers on costume for other female head-dresses of the period. In Popular culture, pop culture, the hennin is often used to identify princesses and other important women in a royal court. Conical hennins These appear from about 1430 onwards, especially after the mid-century, initially only ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Escoffion
An escoffion () is a piece of female medieval headwear which was popular during the Late Middle Ages (1250–1500). It originated and was popular in European countries such as England, France and Germany, and several Balkan states. The headpiece was made out of a thick, circular roll of material like wool, felt or silk. The material was shaped, by sewing or starching, into a double-horned configuration, with each horn sometimes being up to a yard long. Over the headdress, gauze or silk was sometimes draped for weight distribution or aesthetic purposes. The escoffion style was a sub-branch of a popular style of headwear called hennin. The style of the escoffion developed over time, eventually given its own name because of its popularity and distinct features which differed from the original conical hennin. The escoffion was a type of "reticulated headdress", meaning that it was bound together by a network of golden thread or wire. The headdress itself was made out of various types ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pointed Hat
Pointed hats have been a distinctive item of headgear of a wide range of cultures throughout history. Although often suggesting an ancient Proto-Indo-Europeans, Indo-European tradition, they were also traditionally worn by women of Sápmi, Lapland, the Japanese people, Japanese, the Mi'kmaq people of Atlantic Canada, and the Huastec people, Huastecs of Veracruz and Aztec (e.g., as illustrated in the Codex Mendoza). The Kabiri of New Guinea have the ''diba'', a pointed hat glued together. History The conical hat is known to have existed as early as the Bronze Age in the Middle East, Eurasia, and Central Europe. Conical hats were recorded in ancient Egypt, especially when depicting Osiris and Pharaoh, pharaohs, who emulated Osiris' iconography. Conical hats were also recorded by many Indo-European civilizations. Golden hat, Golden hats have been recorded in burial sites in Central Europe. The Scythians of the Eurasian steppes were noted for having pointed hats, often mentioned by o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lappet
A lappet is a decorative flap, fold or hanging part of a headdress or garment. Worn in a pair, or as a singular long strip giving a symmetrical drape, lappets were a popular form of women's headwear until the early twentieth century, and are still a feature of religious garments. Examples of lappets are to be found on the papal tiara and on the nemes headdress of the kings of ancient Egypt. The same term is also used for similar-looking anatomical features on some animals. On women's headdresses Lappets were attached to some types of women's headdresses, notably the medieval hennin. They were also called cornet, although ''cornet'' sometimes referred to the hennin itself. Towards the end of the 17th century, a cap called the fontange, worn in the home, was popularised. Made of linen and given height by an internal wire frame called a ''commode'', the fontange featured much decoration, formed of linen and lace, including the key feature being lappets. The fontange, with i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cointoise
A cointoise is a pendant scarf made from a hat or helmet. Originally, the cloth was worn by Crusaders to keep their helmets cool in the heat of Palestine. Later, it was used a decoration in jousting; the same term being applied later to the veil worn by women which floated from the top of their hennin The hennin ( ; possibly from Flemish meaning cock or rooster) was a headdress in the shape of a pointed hat, cone, steeple, or truncated cone worn in the Late Middle Ages by European women of the nobility. They were most common in Duchy of Burgu ...s. It is the original of the heraldic "mantle" or wavy scrolls around a coat of arms. References Headgear {{clothing-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Margaret Of York
Margaret of York (3 May 1446 – 23 November 1503), also known as Margaret of Burgundy, was Duchess of Burgundy from 1468 to 1477 as the third wife of Charles the Bold, and after his death (1477) acted as a protector of the Burgundian State. She was a daughter of Richard, 3rd Duke of York, and of Cecily Neville, and the sister of two kings of England, Edward IV and Richard III. Born at Fotheringhay Castle, Northamptonshire, in the Kingdom of England, she died at Mechelen in the Low Countries. Early life Duchess Isabella of Burgundy, the mother of Charles the Bold, was, through her blood ties and her perception of Burgundian interests, pro-English. As a granddaughter of John of Gaunt, she was consequently sympathetic to the House of Lancaster. She believed that Burgundian trade, from which the Burgundian State drew its vast wealth, depended upon friendly relations with England. For this reason she was prepared to favour any English faction which was willing to favour Bu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Headdress
Headgear, headwear, or headdress is any element of clothing which is worn on one's head, including hats, helmets, turbans and many other types. Headgear is worn for many purposes, including protection against the elements, decoration, or for religious or cultural reasons, including social conventions. Purposes Protection or defence Headgear may be worn for protection against cold (such as the Canadian tuque), heat, rain and other precipitation, glare, sunburn, sunstroke, dust, contaminants, etc. Helmets are worn for protection in battle or against impact, for instance when riding bicycles or motor vehicles. Fashion Headgear can be an article of fashion, usually hats, caps or hoods. The formal man's black silk top hat was formerly an indispensable portion of the suit, and women's hats have, over the years, attained a fantastic number of shapes ranging from immense confections to no more than a few bits of cloth and decorations piled on top of the head. Some hats, such ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wimple
A wimple is a medieval form of female headcovering, formed of a large piece of cloth worn draped around the neck and chin, covering the top of the head; it was usually made from white linen or silk. Its use developed in early medieval Europe; in medieval Christianity it was unseemly for a married woman to show her hair. A wimple might be elaborately starched, creased and folded in prescribed ways. Later elaborate versions were supported on wire or wicker framing, such as the cornette. Italian women abandoned their head coverings in the 15th century or replaced them with transparent gauze, showing their braids. Elaborate braiding and elaborately laundered clothes demonstrated status, because such grooming was performed by others. Today a plain wimple is worn by the nuns of certain orders who retain a traditional habit. In literature The Wife of Bath and the Prioress are depicted wearing wimples in the ''Canterbury Tales'' of Geoffrey Chaucer (1400). The King James Version ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christine De Pisan
Christine de Pizan or Pisan (, ; born Cristina da Pizzano; September 1364 – ), was an Italian-born French court writer for King Charles VI of France and several French royal dukes, in both prose and poetry. Christine de Pizan served as a court writer in medieval France after the death of her husband. Christine's patrons included dukes Louis I of Orleans, Philip the Bold of Burgundy, and his son John the Fearless. Considered to be some of the earliest feminist writings, her work includes novels, poetry, and biography, and she also penned literary, historical, philosophical, political, and religious reviews and analyses. Her best known works are ''The Book of the City of Ladies'' and '' The Treasure of the City of Ladies'', both prose works written when she worked for John the Fearless of Burgundy. Her books of advice to princesses, princes, and knights remained in print until the 16th century. Life Early life and family (1364–1389) Christine de Pizan was born in 1364 in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
