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Giuseppe De Begnis
Giuseppe de Begnis (1793-10 August 1849) was an Italian operatic bass singer. Born in Lugo di Romagna, he started his musical education when he was 7 years old, under Padre Bongiovanni, and sang soprano in the church. At age 15 he had serious problems with his voice and began studying acting under Mandini, a famous actor of the time. His father did not want Giuseppe to become a comedian and in due course the young man became a pupil of the composer Giovanni Morandi, the husband of the singer Rosa Morandi. Saintsbury 1827, p. 203 In the autumn of 1816 he married the soprano Giuseppina Ronzi de Begnis in Bologna and they were together until 1825. His countenance was seriously affected by smallpox, but he was skilled at applying make-up and on stage he gave no evidence of facial disfigurement. By 1815 he had established himself in a promising career which continued until the late 1820s in Italy, France and London and then in Northern Ireland from 1829 where he also ran an opera ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lugo, Emilia-Romagna
Lugo ( rgn, Lùgh) is a town and ''comune'' in the northern Italian region of Emilia-Romagna, in the province of Ravenna. History A settlement in where is now the city is mentioned for the first time in 782 AD, but the names Lucus appears only in 1071. In 1161 it was a fief of the Counts of Cunio, but in 1202 it returned to the Papal States. It was later a possession of the da Polenta, Pepoli, Visconti and Este; the latter maintained it until 1597, when the city was again annexed to the Papal States. In 1424 the Castle of Zagonara (now destroyed) was the seat of the homonymous battle, in which a Milanese army defeated the Florentines. When in 1797 the French revolutionary forces invaded northern Italy, Barnaba Chiaramonti (later pope as Pius VII), then still Bishop of Imola, addressed his flock to refrain from useless resistance to the overwhelming and threatening forces of the enemy. The town of Lugo refused to submit to the invaders and was delivered up to a pillage which ha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Valentino Fioravanti
Valentino Fioravanti (11 September 1764 – 16 June 1837) was a celebrated Italian composer of ''opera buffas''. Fioravanti was born in Rome. One of the best ''opera buffa'' composers between Domenico Cimarosa and Gioacchino Rossini, he was especially popular in Naples, and was the first in Italy to introduce spoken dialogue in the French manner in his works, sometimes using the Neapolitan dialect. His works included some 70 operas, the most famous being ''Le cantatrici villane'' from 1799. He died, aged 72, in Capua. His eldest son, Giuseppe Fioravanti, was a successful opera singer, and his younger son, Vincenzo Fioravanti (1799–1877), also became a celebrated opera buffa composer, writing 35 stage works. His grandsons, Valentino (1827–79) and Luigi (1829–87), had successful opera careers, both as basso buffos. Works The following appear in the extensive list of works by Fiorvanti which appear in Sadie. *''Camilla'' *''Il furbo contr'il furbo'' *''Il fabbro Par ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pietro Alessandro Guglielmi
Pietro Alessandro Guglielmi (9 December 1728 – 19 November 1804) was an Italian opera composer of the classical period. Biography Guglielmi was born into the Guglielmi family of musicians in Massa. His father, Jacopo Guglielmi, was a composer and conductor of the orchestra in the court of the Duke of Massa. Pietro received his first musical education from his father who taught him to play bassoon and the viola; eventually becoming a musician under his father at court while still a boy. Pietro's brother, Abate Domenico, was the maestro di cappella at the Massa Cathedral, and Pietro studied the organ under him. A child prodigy, Guglielmi's talent as a musician earned him the favor of the Duke of Massa who took an interest in supporting his musical development. The Duke initially paid for Guglielmi to have formal musical training with Jacopo Puccini in Massa, and afterwards paid his tuition for his education at the Conservatorio di Santa Maria di Loreto in Naples which he ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Journal De Paris
The ''Journal de Paris'' (1777–1840) was the first daily French newspaper.(7 October 2014)The first French daily: Journal de Paris History of JournalismAndrews, ElizabethBetween Auteurs and Abonnés: Reading the Journal de Paris, 1787–1789 ''Journal of the Western Society for French History'', Vol. 37 (2009) The paper was founded by Antoine-Alexis Cadet de Vaux, Jean Romilly, Olivier de Corancez, and Louis d'Ussieux, in 1777, following the model of the ''London Evening Post''. The four-page daily paper eschewed politics in favor of popular culture, the weather, and other light-hearted culture, which made it the subject of jesting in its day. Nevertheless, the model proved popular. In 1784, the paper famously published an anonymous satirical letter by Benjamin Franklin encouraging Parisians to rise earlier in the day, which has been credited (though an overreach) with promoting the concept of daylight saving time. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Gazza Ladra
''La gazza ladra'' (, ''The Thieving Magpie'') is a ''melodramma'' or opera semiseria in two acts by Gioachino Rossini, with a libretto by Giovanni Gherardini based on ''La pie voleuse'' by Théodore Baudouin d'Aubigny and Louis-Charles Caigniez. ''The Thieving Magpie'' is best known for the overture, which is musically notable for its use of snare drums. This memorable section in Rossini's overture evokes the image of the opera's main subject: a devilishly clever, thieving magpie. Rossini wrote quickly, and ''La gazza ladra'' was no exception. A 19th-century biography quotes him as saying that the conductor of the premiere performance locked him in a room at the top of La Scala the day before the premiere with orders to complete the opera's still unfinished overture. He was under the guard of four stagehands whose job it was to toss each completed page out the window to the copyist below. Performance history The first performance of ''The Thieving Magpie'' was on 31 May ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Armida (Rossini)
''Armida'' is an opera in three acts by Italian composer Gioachino Rossini to an Italian libretto (''dramma per musica'') by Giovanni Schmidt, based on scenes from ''Jerusalem Delivered, Gerusalemme liberata'' by Torquato Tasso. Performance history ''Armida'' was written to be performed at the Teatro di San Carlo, Naples, on 11 November 1817 to celebrate the opening of the rebuilt opera house, which had been destroyed by fire the previous year. Isabella Colbran sang the title role, which is one of the longest and most demanding that Rossini wrote, with difficult coloratura passages of every kind during the entire opera. The most notable are to be found in "D'amore al dolce impero" during Act 2, in the duets between Armida and Rinaldo, and in parts of the Act 3 finale. The first modern staging took place at the Teatro Comunale Florence, Teatro Comunale of Florence on 26 April 1952, during the Maggio Musicale Fiorentino, with Maria Callas and Francesco Albanese in the leading role ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Teatro Rossini (Pesaro)
Teatro Rossini is the name of an opera house An opera house is a theatre building used for performances of opera. It usually includes a stage, an orchestra pit, audience seating, and backstage facilities for costumes and building sets. While some venues are constructed specifically fo ... in Pesaro, Italy that serves as a venue for the Rossini Opera Festival. Built as the ''Teatro Nuovo'' (on the site of the original 1637 ''Teatro del Sole''), it was inaugurated on 10 June 1818 with a performance of Gioacchino Rossini's '' La gazza ladra'' conducted by the composer in the town of his birth. It seats 860, with an auditorium designed in the classic horseshoe shape with four tiers of boxes plus the gallery. The theatre took its present name in the composer's honour in 1854. After a 1930 earthquake it required structural renovations. It re-opened in August 1934 with a performance of '' Guglielmo Tell''. In 1966, however, cracks in the walls and decaying woodwork led to i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Donizetti
Domenico Gaetano Maria Donizetti (29 November 1797 – 8 April 1848) was an Italian composer, best known for his almost 70 operas. Along with Gioachino Rossini and Vincenzo Bellini, he was a leading composer of the ''bel canto'' opera style during the first half of the nineteenth century and a probable influence on other composers such as Giuseppe Verdi. Donizetti was born in Bergamo in Lombardy. At an early age he was taken up by Simon Mayr who enrolled him with a full scholarship in a school which he had set up. There he received detailed musical training. Mayr was instrumental in obtaining a place for Donizetti at the Bologna Academy, where, at the age of 19, he wrote his first one-act opera, the comedy ''Il Pigmalione'', which may never have been performed during his lifetime. An offer in 1822 from Domenico Barbaja, the impresario of the Teatro di San Carlo in Naples, which followed the composer's ninth opera, led to his move to Naples and his residency there until productio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Karl Brullov 31
Karl may refer to: People * Karl (given name), including a list of people and characters with the name * Karl der Große, commonly known in English as Charlemagne * Karl Marx, German philosopher and political writer * Karl of Austria, last Austrian Emperor * Karl (footballer) (born 1993), Karl Cachoeira Della Vedova Júnior, Brazilian footballer In myth * Karl (mythology), in Norse mythology, a son of Rig and considered the progenitor of peasants (churl) * ''Karl'', giant in Icelandic myth, associated with Drangey island Vehicles * Opel Karl, a car * ST ''Karl'', Swedish tugboat requisitioned during the Second World War as ST ''Empire Henchman'' Other uses * Karl, Germany, municipality in Rhineland-Palatinate, Germany * ''Karl-Gerät'', AKA Mörser Karl, 600mm German mortar used in the Second World War * KARL project, an open source knowledge management system * Korean Amateur Radio League, a national non-profit organization for amateur radio enthusiasts in South Korea * KA ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Cenerentola
' ('' Cinderella, or Goodness Triumphant'') is an operatic ''dramma giocoso'' in two acts by Gioachino Rossini. The libretto was written by Jacopo Ferretti, based on the libretti written by Charles-Guillaume Étienne for the opera ''Cendrillon'' with music by Nicolas Isouard (first performed Paris, 1810) and by Francesco Fiorini for ' with music by Stefano Pavesi (first performed Milan, 1814). All these operas are versions of the fairy tale ''Cendrillon'' by Charles Perrault. Rossini's opera was first performed in Rome's Teatro Valle on 25 January 1817. Rossini composed ''La Cenerentola'' when he was 25 years old, following the success of ''The Barber of Seville'' the year before. ''La Cenerentola'', which he completed in a period of three weeks, is considered to have some of his finest writing for solo voice and ensembles. Rossini saved some time by reusing an overture from ''La gazzetta'' and part of an aria from ''The Barber of Seville'' and by enlisting a collaborator, Luca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dandini (character)
Dandini is a character in the opera ''La Cenerentola'' by Rossini and also in the ''Cinderella'' pantomime. He is the male servant of the Prince (the principal male character: Don Ramiro in the opera, commonly Prince Charming in the pantomime). Dandini helps the Prince to meet the principal female character (known as Angelina or Cinderella) without her knowing that he is a prince. Dandini pretends to be the prince and the real prince pretends to be his servant. In panto it is often played by a young woman, who dresses similarly to the Principal boy for the identity swap. Notable people who have played Dandini Opera *Sesto Bruscantini *Luigi Lablache * Giorgio Ronconi *Antonio Tamburini opera Pantomime *Julian Clary *Florrie Forde *Stephen Gately * Pat Kirkwood *Gertrude Lawrence (as Alexandra Dagmar) * Alice Lloyd *Mary Malcolm *Wendy Richard *Wayne Sleep *Louie Spence * Nellie Wallace *Dorothy Ward Dorothy Ward (26 April 1890 – 30 March 1987) was an English actress wh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
