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Gesamtkunstwerk
A ''Gesamtkunstwerk'' (, 'total work of art', 'ideal work of art', 'universal artwork', 'synthesis of the arts', 'comprehensive artwork', or 'all-embracing art form') is a work of art that makes use of all or many art forms or strives to do so. The term is a German loanword accepted in English as a term in aesthetics. Background The term was developed by the German writer and philosopher K. F. E. Trahndorff in his 1827 essay ''Ästhetik oder Lehre von Weltanschauung und Kunst'' (or 'Aesthetics, or Doctrine of Worldview and Art'). The German opera composer Richard Wagner used the term in two 1849 essays, and the word has become particularly associated with his aesthetic ideals. It is unclear whether Wagner knew of Trahndorff's essay. In France in the 1850s, Viollet-le-Duc was a proponent of integrating major arts (architecture) and minor arts (decorative arts), ''un art total''. This led to a fierce combat with the Beaux Arts academy in Paris who refused Viollet le Duc's edu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Wagner
Wilhelm Richard Wagner ( ; ; 22 May 181313 February 1883) was a German composer, theatre director, essayist, and conductor who is chiefly known for his operas (or, as some of his mature works were later known, "music dramas"). Unlike most opera composers, Wagner wrote both the libretto and the music for each of his stage works. Initially establishing his reputation as a composer of works in the romantic vein of Carl Maria von Weber and Giacomo Meyerbeer, Wagner revolutionised opera through his concept of the ''Gesamtkunstwerk'' ("total work of art"), whereby he sought to synthesise the poetic, visual, musical and dramatic arts, with music subsidiary to drama. The drama was to be presented as a continuously sung narrative, without conventional operatic structures like Aria, arias and Recitative, recitatives. He described this vision in a List of prose works by Richard Wagner, series of essays published between 1849 and 1852. Wagner realised these ideas most fully in the first ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Das Rheingold
''Das Rheingold'' (; ''The Rhinegold''), Wagner-Werk-Verzeichnis, WWV 86A, is the first of the four epic poetry, epic music dramas that constitute Richard Wagner's Literary cycle, cycle ''Der Ring des Nibelungen'' (English: ''The Ring of the Nibelung''). It premiered as a single opera at the National Theatre (Munich), National Theatre of Munich on 22 September 1869, and received its first performance as part of the ''Ring'' cycle at the Bayreuth Festspielhaus on 13 August 1876. Wagner wrote the ''Ring'' librettos in reverse order, so that ''Das Rheingold'' was the last of the texts to be written; it was, however, the first to be set to music. The score was completed in 1854, but Wagner was unwilling to sanction its performance until the whole cycle was complete; he worked intermittently on this music until 1874. The 1869 Munich premiere of ''Das Rheingold'' was staged, against Wagner's wishes, on the orders of King Ludwig II of Bavaria, his patron. Following its 1876 Bayreuth pre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Arts
The arts or creative arts are a vast range of human practices involving creative expression, storytelling, and cultural participation. The arts encompass diverse and plural modes of thought, deeds, and existence in an extensive range of media. Both a dynamic and characteristically constant feature of human life, the arts have developed into increasingly stylized and intricate forms. This is achieved through sustained and deliberate study, training, or theorizing within a particular tradition, generations, and even between civilizations. The arts are a medium through which humans cultivate distinct social, cultural, and individual identities while transmitting values, impressions, judgments, ideas, visions, spiritual meanings, patterns of life, and experiences across time and space. The arts are divided into three main branches. Examples of visual arts include architecture, ceramic art, drawing, filmmaking, painting, photography, and sculpture. Examples of literature i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Karl Friedrich Eusebius Trahndorff
Karl Friedrich Eusebius Trahndorff (aka Carl Friedrich Eusebius Trahndorff) (18 October 1782 – 15 February 1863) was a German philosopher and theologian. Life He was born in Berlin. The son of a musician, from the age of twelve Trahndorff attended the school in Oels (now Oleśnica), where his father had been appointed chapel director by the Prinz von Brunswick-Lüneburg, Frederick August I. From 1801 he studied theology and philology in Königsberg, and on completion of his studies he began a career as a high-school teacher, mostly at the Friedrich-Wilhelm Gymnasium in Berlin but with several years in Białystok (1806–12). As a religious and philosophical writer, Trahndorff belonged to the supernaturalist camp, opposed to theological rationalism and emphasizing the indeducible, supernatural and mystical nature of religious revelation, by implication minimizing the ability of human reason to grasp the content of faith. His polemical work ''Theos, nicht Kosmos!'' attempt ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art And Revolution
"Art and Revolution" (original German title "") is a long essay by the composer Richard Wagner, originally published in 1849. It sets out some of his basic ideas about the role of art in society and the nature of opera. Background Wagner had been an enthusiast for the revolutions of 1848 and had been an active participant in the Dresden Revolution of 1849, as a consequence of which he was forced to live for many years in exile from Germany. "Art and Revolution" was one of a group of polemical articles he published in exile. His enthusiasm for such writing at this stage of his career is in part explained by his inability, in exile, to have his operas produced. But it was also an opportunity for him to express and justify his deep-seated concerns about the true nature of opera as music drama at a time when he was beginning to write his libretti for his Ring cycle, and turning his thoughts to the type of music it would require. This was quite different from the music of popular grand ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
:Category:German Words And Phrases
{{CatAutoTOC, numerals=no Words and phrases A word is a basic element of language that carries meaning, can be used on its own, and is uninterruptible. Despite the fact that language speakers often have an intuitive grasp of what a word is, there is no consensus among linguists on its d ... Germanic words and phrases Words and phrases by language la:Categoria:Verba Theodisca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Artwork Of The Future
"The Artwork of the Future" () is a long essay written by Richard Wagner, first published in 1849 in Leipzig, in which he sets out some of his ideals on the topics of art in general and music drama in particular. Background The essay is one of a series which Wagner produced in a period of intensive writing following his exile after the Dresden May uprising of 1849. It follows " Art and Revolution" and precedes " Jewishness in Music", developing the ideas of the one and prefiguring some of the issues of the other. Wagner wrote the whole essay over about two months in Zürich. He wrote to his friend Uhlig in November 1849, 'This will be the last of my literary works'. On this, as on many other matters in his life, Wagner was to change his mind. The essay is dedicated to the philosopher Ludwig Feuerbach, whose works (perhaps particularly ''Principles of the Philosophy of the Future''), inspired some of its ideas. In September and October 1849, Wagner had read both Feuerbach's '' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Novalis
Georg Philipp Friedrich Freiherr von Hardenberg (2 May 1772 – 25 March 1801), pen name Novalis (; ), was a German nobility, German aristocrat and polymath, who was a poet, novelist, philosopher and Mysticism, mystic. He is regarded as an influential figure of Jena Romanticism. Novalis was born into a minor aristocratic family in Electoral Saxony. He was the second of eleven children; his early household observed a strict Pietism, Pietist faith. He studied law at the University of Jena, the University of Leipzig, and the University of Wittenberg. While at Jena, he published his first poem and befriended the playwright and fellow poet Friedrich Schiller. In Leipzig, he then met Friedrich Schlegel, becoming lifelong friends. Novalis completed his law degree in 1794 at the age of 22. He then worked as a legal assistant in Bad Tennstedt, Tennstedt immediately after graduating. There, he met Sophie von Kühn. The following year Novalis and Sophie became secretly engaged. Sophie bec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Undine (Hoffmann)
''Undine'' is an opera, with spoken dialogue, in three acts by the German composer and author E. T. A. Hoffmann. The libretto, by Friedrich de la Motte Fouqué, is based on his own story ''Undine''. It received its premiere at the Königliches Schauspielhaus in Berlin on 3 August 1816. ''Undine'' was Hoffmann's greatest operatic success and a major influence on the development of German Romantic opera. Carl Maria von Weber's enthusiastic review of the opera admired it as "an art work complete in itself, in which partial contributions of the related and collaborating arts blend together, disappear, and, in disappearing, somehow form a new world". It was revived by the Wuppertal Opera in 1970. There is a 1960 recording (including the spoken dialogue) by the Choir and Symphony Orchestra of the Bavarian Radio, conductor: Jan Koetsier, Undine: Rita Streich, Hulbrand von Ringstetten: Raimund Grumbach, Berthalda: Melitta Muszely, Kuhleborn: Karl-Christian Kohn, Ein alter Fischer: ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grand Opera
Grand opera is a genre of 19th-century opera generally in four or five acts, characterized by large-scale casts and Orchestra, orchestras. The original productions consisted of spectacular design and stage effects with plots normally based on or around dramatic historic events. The term is particularly applied (sometimes specifically used in its French-language equivalent grand opéra, ) to certain productions of the Paris Opéra from the late 1820s to around 1860; 'grand opéra' has sometimes been used to denote the Paris Opéra itself. The term 'grand opera' is also used in a broader application in respect of contemporary or later works of similar monumental proportions from France, Germany, Italy, and other countries. It may also be used colloquially in an imprecise sense to refer to 'serious opera without spoken dialogue'. Origins Paris at the turn of the 19th century drew in many composers, both French and foreign, especially those of opera. Several Italians working durin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aeschylus
Aeschylus (, ; ; /524 – /455 BC) was an ancient Greece, ancient Greek Greek tragedy, tragedian often described as the father of tragedy. Academic knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays. According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them. Formerly, characters interacted only with the Greek chorus, chorus.The remnant of a commemorative inscription, dated to the 3rd century BC, lists four, possibly eight, dramatic poets (probably including Choerilus, Phrynichus, and Pratinas) who had won Dionysia#Known winners of the City Dionysia, tragic victories at the Dionysia before Aeschylus had. Thespis was traditionally regarded the inventor of tragedy. According to another tradition, tragedy was established in Athens in the late 530s BC, but that may simply reflect an absence of records. Major innovations in dramatic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
