Gandharva
A ''gandharva'' () is a member of a class of celestial beings in Indian religions, such as Hinduism, Buddhism, and Jainism, whose males are divine performers such as musicians and singers, and the females are divine dancers. In Hinduism, they are regarded to be the celestial demigods who serve as the musicians of the devas. It is also a term for skilled singers in Indian classical music. In Buddhism, this term also refers to a being in the intermediate state (between death and rebirth). In Hinduism In Hinduism, the gandharvas () are a class of minor deities who serve as divine musicians in Hindu mythology. The term gandharva is present in Vedic sources (including in the Rigveda) as a singular deity. According to Oberlies, "In mandala I, IX and X the gandharva is presented as a celestial being (dwelling near the Sun / in the heavenly waters) which watches over the Soma (apparently) for the benefit of the gods and the sacrificers." The gandharva also "receives the Soma from the ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   [Amazon] |
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Tumbara
Tumburu () is the foremost among the gandharvas, the celestial musicians of Hindu mythology. Accounts depict him performing in the courts of the deities Kubera and Indra, and as singing the praises of Vishnu. He is said to lead the gandharvas in their singing. Legend Origin Tumburu is described as the son of Sage Kashyapa, and his wife, Pradha. Along with the other three gandharva sons of Kashyapa, Bahu, Haha, and Huhu, he is renowned for his sweet and pleasant speech. Tumburu is often described as the best among the gandharvas in his musical talent. A "mighty singer and musician", he sings in presence of the devas. Besides Narada and Gopa, he is also regarded as the king of songs. Rivalry with Narada The ''Bhagavata Purana'' considers Narada to be the teacher of Tumburu. The scripture mentions that Tumburu accompanied him on a visit to the court of Yudhishthira. Narada and Tumburu are said to sing the glories of Vishnu. The ''Adbhuta Ramayana'' mentions that Tumburu w ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   [Amazon] |
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Chitrasena (Mahabharata)
Chitrasena () is a prominent Gandharva king in Hindu mythology. He is primarily featured in the ''Mahabharata'', known for his mastery of music and dance. He is closely associated with the courts of the gods Indra and Kubera and plays a significant role in instructing music to the hero Arjuna during his visit to Indra's abode. Chitrasena is also noted for his martial prowess, confronting and defeating the entire Kaurava army during the Pandavas’ exile. Chitrasena's mythology is further expanded in Puranic literature. In the ''Mahabharata'' According to '' Sabha Parva'', Chitrasena holds a prominent position in the assemblies of Indra, the king of the gods, where he plays music for entertainment. Chitrasena is also described as a member of Kubera’s court. During ''Rajasuya yajna'', Chitrasena occupied a seat in the court of King Yudhishthira, along with twenty-seven other Gandharvas and several Apsaras. According to ''Vana Parva'', during the Pandavas’ 13 year long exile ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   [Amazon] |
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Svarga
Svarga (, ), also known as Swarga, Indraloka and Svargaloka, is the celestial abode of the devas in Hinduism. Svarga is one of the seven higher lokas ( esoteric planes) in Hindu cosmology. Svarga is often translated as heaven, though it is regarded to be dissimilar to the concept of the Abrahamic Heaven. Description Svarga is a set of celestial worlds located on and above Mount Meru, where those who had led righteous lives by adhering to the scriptures delight in pleasures, before their next birth on earth. It is described to have been built by the deity Tvashtar, the Vedic architect of the devas. The king of the devas, Indra, is the ruler of Svarga, ruling it with his consort, Indrani. His palace in the abode is called Vaijayanta. This palace holds the famous hall, Sudharma, unrivalled among all the princely courts. The capital of Svarga is Amaravati, and its entrance is guarded by the legendary elephant, Airavata. Svarga is described to be the home of Kamadhenu, the c ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   [Amazon] |
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Gandharva Marriage
A Gandharva marriage (Sanskrit: गान्धर्व विवाह, ''gāndharva vivāha'', IPA: ənd̪ʱərvə vɪvaːhə is one of the eight classical types of Hindu marriage. This ancient tradition from the Indian subcontinent was based on consensual acceptance between two people, with no rituals, witnesses or family participation. The marriage of Dushyanta and Shakuntala is a historically celebrated example of this class of marriage. Etymology In Hinduism and Buddhism, '' Gandharvas'' are male nature spirits and the masculine counterparts of the Apsaras. They are passionate lovers of women and arouse erotic and romantic passion in women. History The Smritis of Hinduism recognize eight types of marriage, one of them being Gandharva marriage. The other seven are: ''Brahma'', ''Daiva'', ''Arya'', ''Prajapatya'', ''Asura'', ''Raksasa'' and ''Paisacha''.The Illustrated Encyclopedia of Hinduism: A-M, James G. Lochtefeld (2001), , Page 427Hindu Saṁskāras: Socio-relig ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   [Amazon] |
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Apsaras
Apsaras (, , Khmer: អប្សរា are a class of celestial beings in Hindu and Buddhist culture. They were originally a type of female spirit of the clouds and waters, but, later play the role of a "nymph" or "fairy". They figure prominently in the sculptures, dance, literature and paintings of many South Asian and Southeast Asian cultures. The apsaras are described to be beautiful, youthful and elegant, and are said to be able to change their shape at will; making anyone fall for their beauty. There are two types of apsaras—''laukika'' (worldly) and ''daivika'' (divine). They are great in the art of dancing, and often wives of the gandharvas, the court musicians of Indra. The apsaras reside in the palaces of the gods and entertain them by dancing to the music made by the Gandharvas. The 26 apsaras of Indra's court are each said to symbolise a different facet of the performing arts, drawing comparisons to the Muses of ancient Greece. They are also renowned for ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   [Amazon] |
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Satyavati
Satyavati (, ; also spelled Satyawati) was the queen of the Kuru Kingdom in the Hindu epic ''Mahabharata''. Satyavati is married to king Shantanu of Hastinapura, and is a great-grandmother of the Pandava and Kaurava princes. She is also the mother of the seer Vyasa, author of the epic. Her story appears in the ''Mahabharata'', the ''Harivamsa,'' and the ''Devi Bhagavata Purana''. Satyavati is the daughter of a fisherman chieftain, Characters in the Mahabharata#Dashraj, Dasharaja and was brought up as a commoner on the banks of the river Yamuna. Another legend says that she is the biological daughter of the Chedi Kingdom, Chedi king Uparichara Vasu (Vasu) and a cursed ''apsara'' (celestial nymph), who was turned into a fish called Adrika. Due to the smell emanating from her body, she was known as ''Matsyagandha'' ("She who smells like fish"), and helped her father, Dasharaja, in his job as ferryman and fisherman. As a young woman, Satyavati met the wandering rishi (sage) Paras ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   [Amazon] |
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Indian Classical Music
Indian classical music is the art music, classical music of the Indian subcontinent. It is generally described using terms like ''Shastriya Sangeet'' and ''Marg Sangeet''. It has two major traditions: the North Indian classical music known as ''Hindustani classical music, Hindustani'' and the South Indian expression known as ''Carnatic classical music, Carnatic''. These traditions were not distinct until about the 15th century. During the period of Mughal Empire, Mughal rule of the Indian subcontinent, the traditions separated and evolved into distinct forms. Hindustani music emphasizes improvisation and exploration of all aspects of a raga, while Carnatic performances tend to be short composition-based. However, the two systems continue to have more common features than differences. Another unique classical music tradition from the eastern part of India is ''Odissi music'', which has evolved over the last two thousand years. The roots of the classical music of India are found ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   [Amazon] |
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016 Celestial Musician (9213070982)
Sixteen or 16 may refer to: *16 (number) *one of the years 16 BC, AD 16, 1916, 2016 Films * '' Pathinaaru'' or ''Sixteen'', a 2010 Tamil film * ''Sixteen'' (1943 film), a 1943 Argentine film directed by Carlos Hugo Christensen * ''Sixteen'' (2013 Indian film), a 2013 Hindi film * ''Sixteen'' (2013 British film), a 2013 British film by director Rob Brown Music *The Sixteen, an English choir *16 (band), a sludge metal band * Sixteen (Polish band), a Polish band Albums * ''16'' (Robin album), a 2014 album by Robin * 16 (Madhouse album), a 1987 album by Madhouse * ''Sixteen'' (album), a 1983 album by Stacy Lattisaw *''Sixteen'' , a 2005 album by Shook Ones * ''16'', a 2020 album by Wejdene Songs * "16" (Sneaky Sound System song), 2009 * "Sixteen" (Thomas Rhett song), 2017 * "Sixteen" (Ellie Goulding song), 2019 *"Six7een", by Hori7on, 2023 *"16", by Craig David from ''Following My Intuition'', 2016 *"16", by Green Day from ''39/Smooth'', 1990 *"16", by Highly Suspect from ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   [Amazon] |
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Santanu
Shantanu (, ) was the King of Kuru Kingdom with his capital at Hastinapura, in the epic ''Mahabharata''. He was a descendant of the Bhāratas, Bharata race, a forebear of the lineage of the Lunar dynasty, Chandravamsha, the father of Bhishma and the great-grandfather of the Pandavas and the Kauravas. The ruler was the youngest son of King Pratipa of Hastinapura and had been born during the latter's latter years. His eldest brother, Devapi, had leprosy, and had given up his inheritance to become a hermit. The middle son, Bahlika (Mahabharata), Bahlika, (or Vahlika) abandoned his paternal kingdom, and had started living with his maternal uncle in Balkh, subsequently inheriting his kingdom. Shantanu, thus, ascended the throne of Hastinapura. Etymology The meaning of the name can be explained by Nirukta, nirukti available in Adi Parva, through which Sri Nityānanda Miśra elaborates its meaning as "the one who amplifies sukha (happiness) for others". Monier-Williams translates ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   [Amazon] |
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Kamsa
Kamsa (, ) was the tyrant ruler of the Vrishni kingdom, with its capital at Mathura, Uttar Pradesh, Mathura. He is variously described in Hindu texts, Hindu literature as either a human or an asura; The Puranas describe him as an asura, while the Harivamsa, Harivamśa describes him as an asura reborn in the body of a man. His royal house was called Bhoja; thus, another of his names was Bhojapati. He was the cousin of Devaki, the mother of the deity Krishna; Krishna ultimately fulfilled a prophecy by slaying Kamsa. Kamsa was born to King Ugrasena and Queen Padmavati. However, out of ambition, and upon the advice of his personal confidantes, Banasura and Narakasura, Kamsa decided to overthrow his father, and install himself as the King of Mathura. Therefore, upon the guidance of another advisor, Chanura, Kamsa decided to marry Asti and Prapti, the daughters of Jarasandha, King of Magadha (Mahajanapada), Magadha. After a heavenly voice prophesied that Devaki's eighth son would ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   [Amazon] |