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Flûte D'amour
The flûte d'amour ( it, flauto d'amore, german: Liebesflöte, translates as: Love Flute) is an uncommon member of the Western concert flute family, pitched in A, A, or B and is intermediate in size between the modern C concert flute and the alto flute in G. It is sometimes thought of as the mezzo-soprano member of the flute family. It is also sometimes called a tenor flute. It is longer than the concert flute and plays either a major second, minor third, or major third below the standard C flute. A number of these instruments have survived. Apart from their length, they do not differ in any way from the concert flute; the bore diameter and embouchure are identical. "When Verdi composed the opera ''Aida'' for performance in Cairo in 1871, he conceived the 'Sacred Egyptian Dance,' the finale of Act I, as being played by a group of three ''flûtes ď amour'', and three such flutes were especially constructed in Milan. ... In present-day performances of this opera, the music for th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wind Instrument
A wind instrument is a musical instrument that contains some type of resonator (usually a tube) in which a column of air is set into vibration by the player blowing into (or over) a mouthpiece set at or near the end of the resonator. The pitch of the vibration is determined by the length of the tube and by manual modifications of the effective length of the vibrating column of air. In the case of some wind instruments, sound is produced by blowing through a reed; others require buzzing into a metal mouthpiece, while yet others require the player to blow into a hole at an edge, which splits the air column and creates the sound. Methods for obtaining different notes * Using different air columns for different tones, such as in the pan flute. These instruments can play several notes at once. * Changing the length of the vibrating air column by changing the length of the tube through engaging valves ''(see rotary valve, piston valve)'' which route the air through additional tub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Subcontrabass Flute
The subcontrabass flute (also double contra-alto flute) is one of the largest instruments in the flute family, with tubing measuring over long. The instrument is made either in the key of G, pitched a fourth below the contrabass flute in C and two octaves below the alto flute in G, or in F, pitched a fifth below the contrabass flute. The subcontrabass flute is rarely used outside of flute ensembles. It is sometimes called the "gentle giant" of the flute family because of its gentle sound. At present, the subcontrabass flute is an instrument that must be custom ordered. It may be made out of PVC or metal. This instrument's unique sound quality, dark tone, and at times sluggish articulation doesn't make this the best for a solo instrument due to the fact that it is very big and requires much air from the body. A workable range of two and a half octaves the instrument has some projection issues, though the Hogenhuis models designed from PVC can make a fine, vibrant and raucous ton ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stanley Sadie
Stanley John Sadie (; 30 October 1930 – 21 March 2005) was an influential and prolific British musicologist, music critic, and editor. He was editor of the sixth edition of the '' Grove Dictionary of Music and Musicians'' (1980), which was published as the first edition of ''The New Grove Dictionary of Music and Musicians''. Along with Thurston Dart, Nigel Fortune and Oliver Neighbour he was one of Britain's leading musicologists of the post-World War II generation. Career Born in Wembley, Sadie was educated at St Paul's School, London, and studied music privately for three years with Bernard Stevens. At Gonville and Caius College, Cambridge he read music under Thurston Dart. Sadie earned Bachelor of Arts and Bachelor of Music degrees in 1953, a Master of Arts degree in 1957, and a PhD in 1958. His doctoral dissertation was on mid-eighteenth-century British chamber music. After Cambridge, he taught at Trinity College of Music, London (1957–1965). Sadie then turned t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Howard Mayer Brown
Howard Mayer Brown (April 13, 1930 – February 20, 1993) was an American musicologist. Brown obtained his BA from Harvard in 1951 and his Ph.D. in 1959, studying under Walter Piston and Otto Gombosi among others. He conducted and performed on flute often as a graduate student. He taught at Wellesley College, 1958–60, and then at the University of Chicago from 1960, where he became chair of the music department in 1970. In 1972 he became professor at King's College in London, but returned to Chicago in 1974. Brown was editor of ''Renaissance Music in Facsimile'', published 1977–1982, and was the general editor of several other monument series of musical editions. He contributed prolifically to the ''New Grove Dictionary of Music and Musicians''. He served as president of the American Musicological Society, 1978–80. Brown's scholarship covered a wide range of subjects. He published on the music of the Renaissance, especially the ''chanson'' and instrumental music ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cairo
Cairo ( ; ar, القاهرة, al-Qāhirah, ) is the capital of Egypt and its largest city, home to 10 million people. It is also part of the largest urban agglomeration in Africa, the Arab world and the Middle East: The Greater Cairo metropolitan area, with a population of 21.9 million, is the 12th-largest in the world by population. Cairo is associated with ancient Egypt, as the Giza pyramid complex and the ancient cities of Memphis and Heliopolis are located in its geographical area. Located near the Nile Delta, the city first developed as Fustat, a settlement founded after the Muslim conquest of Egypt in 640 next to an existing ancient Roman fortress, Babylon. Under the Fatimid dynasty a new city, ''al-Qāhirah'', was founded nearby in 969. It later superseded Fustat as the main urban centre during the Ayyubid and Mamluk periods (12th–16th centuries). Cairo has long been a centre of the region's political and cultural life, and is titled "the city of a thousa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aida
''Aida'' (or ''Aïda'', ) is an opera in four acts by Giuseppe Verdi to an Italian libretto by Antonio Ghislanzoni. Set in the Old Kingdom of Egypt, it was commissioned by Cairo's Khedivial Opera House and had its première there on 24 December 1871, in a performance conducted by Giovanni Bottesini. Today the work holds a central place in the operatic canon, receiving performances every year around the world; at New York's Metropolitan Opera alone, ''Aida'' has been sung more than 1,100 times since 1886. Ghislanzoni's scheme follows a scenario often attributed to the French Egyptologist Auguste Mariette, but Verdi biographer Mary Jane Phillips-Matz argues that the source is actually Temistocle Solera. Elements of the opera's genesis and sources Isma'il Pasha, Khedive of Egypt, commissioned Verdi to write an opera to celebrate the opening of the Suez Canal, but Verdi declined. However, Auguste Mariette, a French Egyptologist, proposed to Khedive Pasha a plot for a celebrat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giuseppe Verdi
Giuseppe Fortunino Francesco Verdi (; 9 or 10 October 1813 – 27 January 1901) was an Italian composer best known for his operas. He was born near Busseto to a provincial family of moderate means, receiving a musical education with the help of a local patron. Verdi came to dominate the Italian opera scene after the era of Gioachino Rossini, Gaetano Donizetti, and Vincenzo Bellini, whose works significantly influenced him. In his early operas, Verdi demonstrated a sympathy with the Risorgimento movement which sought the unification of Italy. He also participated briefly as an elected politician. The chorus "Va, pensiero" from his early opera ''Nabucco'' (1842), and similar choruses in later operas, were much in the spirit of the unification movement, and the composer himself became esteemed as a representative of these ideals. An intensely private person, Verdi did not seek to ingratiate himself with popular movements. As he became professionally successful, he was able to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alto Flute
The alto flute is an instrument in the Western concert flute family, the second-highest member below the standard C flute after the uncommon flûte d'amour. It is the third most common member of its family after the standard C flute and the piccolo. It is characterized by its rich, mellow tone in the lower portion of its range. Unlike the flute and piccolo, it is a transposing instrument in G (a perfect fourth below written C), although it uses the same fingerings as the C flute. The bore of the alto flute is considerably larger in diameter and longer than a C flute and requires more breath from the player. This gives it a greater dynamic presence in the bottom octave and a half of its range. It was the favourite flute variety of Theobald Boehm, who perfected its design, and is pitched in the key of G (sounding a perfect fourth lower than written). Its range is from G3 (the G below middle C) to G6 (4 ledger lines above the treble clef staff) plus an altissimo registe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Concert Flute
The Western concert flute is a family of transverse (side-blown) woodwind instruments made of metal or wood. It is the most common variant of the flute. A musician who plays the flute is called a flautist (in British English), flutist (in American English), or simply a flute player. This type of flute is used in many ensembles, including concert bands, military bands, marching bands, orchestras, flute ensembles, and occasionally jazz bands and big bands. Other flutes in this family include the piccolo, the alto flute, and the bass flute. A large repertory of works has been composed for flute. Predecessors The flute is one of the oldest and most widely used wind instruments. The precursors of the modern concert flute were keyless wooden transverse flutes similar to modern fifes. These were later modified to include between one and eight keys for chromatic notes. "Six-finger" D is the most common pitch for keyless wooden transverse flutes, which continue to be used ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Members Of The Western Concert Flute Family
The western concert flute family has a wide range of instruments. Piccolo The piccolo is the highest-pitched member of the flute family, with a range an octave above that of the concert flute. It is usually the highest-pitched instrument within orchestras and bands. The piccolo has a stereotype for being difficult to play in tune; its small size makes it difficult to construct an evenly tuned scale. Treble flute The treble flute is pitched in the key of G, a fifth above the concert flute. The instrument is rare today, only occasionally found in flute choirs or private collections. Soprano flute This distinctive sounding instrument is rarely found at present. A few American publications for flute choir currently include a part for an E (soprano) flute, an instrument pitched a minor third higher than the standard C flute. In these publications, an alternative part is provided either for the C flute or for the piccolo. Concert flute The standard concert flute, also called C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hyperbass Flute
The hyperbass flute is conceptually the largest and lowest-pitched instrument in the flute family, although it is extremely rare. It first appeared at the turn of the 21st century, and only two are known to exist. With tubing reaching over in length, it is pitched in C, four octaves below the concert flute (three octaves below the bass, two below the contrabass, and one octave below the double contrabass). Its lowest note is C0, one octave below the lowest C on a standard piano, which at 16 hertz is considered at or below the threshold of human hearing. The first playable example was built by Florentine craftsman Francesco Romei for Italian flautist Roberto Fabbriciani, inventor and first performer of the instrument. He called it the hyperbass flute ( it, flauto iperbasso). This first instrument was made from PVC and wood, with wide tone holes made from standard tee fittings, but without keys; these are covered with the palms of the hands. Low flute specialist Peter Sheridan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Double Contrabass Flute
The double contrabass flute (also octobass flute; subcontrabass flute) is the largest and lowest pitched metal flute, with of tubing (the hyperbass flute, an octave lower, is made from PVC and wood). It is pitched in the key of C, three octaves below the regular flute (two octaves below the bass, and one octave below the contrabass).Its lowest note is C1, one octave below the cello's lowest C and the lowest C on the piano. This flute is relatively easy to play in comparison to most other large flutes. Despite the tendency of the larger sizes of flute to be softer than their higher pitched relatives, the double contrabass flute has a relatively powerful tone, although it usually benefits from amplification in ensembles. The Japanese firm of Kotato & Fukushima sell their double contrabass flutes for US$48,000. Their main use has been in large flute choir A flute ensemble is an instrumental chamber ensemble consisting of members of the flute family. Flute quartet In a more tra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
