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Excursus
An excursus (from Latin ''excurrere'', 'to run out of') is a short episode or anecdote in a work of literature. Often excursuses have nothing to do with the matter being discussed by the work, and are used to lighten the atmosphere in a tragic story, a similar function to that of satyr plays in Greek theatre. Sometimes they are used to provide backstory to the matter being discussed at hand, as in Pseudo-Apollodorus' ''Bibliotheke''. In the Middle Ages, the excursus is a favourite rhetorical device to allow the narrator to comment or to suspend the action for reflection. Furthermore, an excursus is often applied to a piece of academic writing to provide digressive information, which does not contribute directly to the line of argument but can still be linked with the overall topic of the text. Etymologies as excursuses Sometimes detailed or fanciful etymologies are used as excursuses. This was used as early as the 5th Century BC by the poet Pindar Pindar (; grc-gre, Πίν ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Etymology
Etymology ()The New Oxford Dictionary of English (1998) – p. 633 "Etymology /ˌɛtɪˈmɒlədʒi/ the study of the class in words and the way their meanings have changed throughout time". is the study of the history of the Phonological change, form of words and, by extension, the origin and evolution of their semantic meaning across time. It is a subfield of historical linguistics, and draws upon comparative semantics, Morphology_(linguistics), morphology, semiotics, and phonetics. For languages with a long recorded history, written history, etymologists make use of texts, and texts about the language, to gather knowledge about how words were used during earlier periods, how they developed in Semantics, meaning and Phonological change, form, or when and how they Loanword, entered the language. Etymologists also apply the methods of comparative linguistics to reconstruct information about forms that are too old for any direct information to be available. By analyzing related ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Latin Language
Latin (, or , ) is a classical language belonging to the Italic branch of the Indo-European languages. Latin was originally a dialect spoken in the lower Tiber area (then known as Latium) around present-day Rome, but through the power of the Roman Republic it became the dominant language in the Italian region and subsequently throughout the Roman Empire. Even after the fall of Western Rome, Latin remained the common language of international communication, science, scholarship and academia in Europe until well into the 18th century, when other regional vernaculars (including its own descendants, the Romance languages) supplanted it in common academic and political usage, and it eventually became a dead language in the modern linguistic definition. Latin is a highly inflected language, with three distinct genders (masculine, feminine, and neuter), six or seven noun cases (nominative, accusative, genitive, dative, ablative, and vocative), five declensions, four verb ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Satyr Play
The satyr play is a form of Attic theatre performance related to both comedy and tragedy. It preserves theatrical elements of dialogue, actors speaking verse, a chorus that dances and sings, masks and costumes. Its relationship to tragedy is strong; satyr plays were written by tragedians, and satyr plays were performed in the Dionysian festival following the performance of a group of three tragedies. The satyr play’s mythological-heroic stories and the style of language are similar to that of the tragedies. Its connection with comedy is also significant – it has similar plots, titles, themes, characters, and happy endings. The remarkable feature of the satyr play is the chorus of satyrs, with their costumes that focus on the phallus, and with their language, which uses wordplay, sexual innuendos, references to breasts, farting, erections, and other references that do not occur in tragedy. As Mark Griffith points out, the satyr play was "not merely a deeply traditional Dionys ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Backstory
A backstory, background story, back-story, or background is a set of events invented for a plot, presented as preceding and leading up to that plot. It is a literary device of a narrative history all chronologically earlier than the narrative of primary interest. In acting, it is the history of the character before the drama begins, and is created during the actor's preparation. It is the history of characters and other elements that underlie the situation existing at the main narrative's start. Even a purely historical work selectively reveals backstory to the audience. Usage As a literary device, backstory is often employed to lend depth or believability to the main story. The usefulness of having a dramatic revelation was recognized by Aristotle Aristotle (; grc-gre, Ἀριστοτέλης ''Aristotélēs'', ; 384–322 BC) was a Greek philosopher and polymath during the Classical period in Ancient Greece. Taught by Plato, he was the founder of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pseudo-Apollodorus
The ''Bibliotheca'' (Ancient Greek: grc, Βιβλιοθήκη, lit=Library, translit=Bibliothēkē, label=none), also known as the ''Bibliotheca'' of Pseudo-Apollodorus, is a compendium of Greek myths and heroic legends, arranged in three books, generally dated to the first or second century AD. The author was traditionally thought to be Apollodorus of Athens, but that attribution is now regarded as false, and so " Pseudo-" was added to Apollodorus. The ''Bibliotheca'' has been called "the most valuable mythographical work that has come down from ancient times." An epigram recorded by the important intellectual Patriarch Photius I of Constantinople expressed its purpose:Victim of its own suggestions, the epigraph, ironically, does not survive in the manuscripts. For the classic examples of epitomes and encyclopedias substituting in Christian hands for the literature of Classical Antiquity itself, see Isidore of Seville's ''Etymologiae'' and Martianus Capella. It has the fol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pindar
Pindar (; grc-gre, Πίνδαρος , ; la, Pindarus; ) was an Ancient Greek lyric poet from Thebes. Of the canonical nine lyric poets of ancient Greece, his work is the best preserved. Quintilian wrote, "Of the nine lyric poets, Pindar is by far the greatest, in virtue of his inspired magnificence, the beauty of his thoughts and figures, the rich exuberance of his language and matter, and his rolling flood of eloquence, characteristics which, as Horace rightly held, make him inimitable." His poems can also, however, seem difficult and even peculiar. The Athenian comic playwright Eupolis once remarked that they "are already reduced to silence by the disinclination of the multitude for elegant learning". Some scholars in the modern age also found his poetry perplexing, at least until the 1896 discovery of some poems by his rival Bacchylides; comparisons of their work showed that many of Pindar's idiosyncrasies are typical of archaic genres rather than of only the poet hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Golden Legend
The ''Golden Legend'' (Latin: ''Legenda aurea'' or ''Legenda sanctorum'') is a collection of hagiographies by Jacobus de Voragine that was widely read in late medieval Europe. More than a thousand manuscripts of the text have survived.Hilary Maddocks, "Pictures for aristocrats: the manuscripts of the ''Légende dorée''", in Margaret M. Manion, Bernard James Muir, eds. ''Medieval texts and images: studies of manuscripts from the Middle Ages'' 1991:2; a study of the systemization of the Latin manuscripts of the ''Legenda aurea'' is B. Fleith, "Le classement des quelque 1000 manuscrits de la Legenda aurea latine en vue de l'éstablissement d'une histoire de la tradition" in Brenda Dunn-Lardeau, ed. ''Legenda Aurea: sept siècles de diffusion", 1986:19-24 It was likely compiled around the years 1259–1266, although the text was added to over the centuries. Initially entitled ''Legenda sanctorum'' (''Readings of the Saints''), it gained its popularity under the title by which ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacobus De Voragine
Jacobus de Voragine (c. 123013/16 July 1298) was an Italian chronicler and archbishop of Genoa. He was the author, or more accurately the compiler, of the '' Golden Legend'', a collection of the legendary lives of the greater saints of the medieval church that was one of the most popular religious works of the Middle Ages. Biography Jacobus was born either in Varazze or in Genoa, where a family originally from Varazze and bearing that name is attested at the time. He entered the Dominican order in 1244, and became the prior at Como, Bologna and Asti in succession. Besides preaching with success in many parts of Italy, he also taught in the schools of his own fraternity. He was provincial of Lombardy from 1267 till 1286, when he was removed at the meeting of the order in Paris. He also represented his own province at the councils of Lucca (1288) and Ferrara (1290). On the last occasion he was one of the four delegates charged with signifying Pope Nicholas IV's desire for the d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
