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Early Music Revival
An early music revival is a renewed interest in music from ancient history or prehistory. The general discussion of how to perform music from ancient or earlier times did not become an important subject of interest until the 19th century, when Europeans began looking to ancient culture generally, and musicians began to discover the musical riches from earlier centuries. The idea of performing early music more "authentically", with a sense of incorporating historically informed performance, was more completely established in the 20th century, creating a modern early music revival that continues today. Study and performance of ancient music before the 19th century In England, Johann Pepusch developed an " Academy of Ancient Music" in the 1720s to study music by Palestrina, Tomás Luis de Victoria, William Byrd, Thomas Morley, and other composers at least a century old. In Vienna, Baron Gottfried van Swieten presented house concerts of ancient music in the late 1700s, where Moz ...
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Early Music
Early music generally comprises Medieval music (500–1400) and Renaissance music (1400–1600), but can also include Baroque music (1600–1750) or Ancient music (before 500 AD). Originating in Europe, early music is a broad Dates of classical music eras, musical era for the beginning of Classical music, Western classical music. Terminology Interpretations of historical scope of "early music" vary. The original Academy of Ancient Music formed in 1726 defined "Ancient" music as works written by composers who lived before the end of the 16th century. Johannes Brahms and his contemporaries would have understood Early music to range from the High Renaissance and Baroque, while some scholars consider that Early music should include the music of ancient Greece or Music of ancient Rome, Rome before 500 AD (a period that is generally covered by the term Ancient music). Music critic Michael Kennedy (music critic), Michael Kennedy excludes Baroque, defining Early music as "musical composi ...
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Medieval Music
Medieval music encompasses the sacred music, sacred and secular music of Western Europe during the Middle Ages, from approximately the 6th to 15th centuries. It is the Dates of classical music eras, first and longest major era of Western classical music and is followed by the Renaissance music; the two eras comprise what musicologists generally term as early music, preceding the common practice period. Following the traditional division of the Middle Ages, medieval music can be divided into #Early medieval music (500–1000), Early (500–1000), #High medieval music (1000–1300), High (1000–1300), and #Late medieval music (1300–1400), Late (1300–1400) medieval music. Medieval music includes liturgical music used for the church, other sacred music, and secular music, secular or non-religious music. Much medieval music is purely vocal music, such as Gregorian chant. Other music used only instruments or both voices and instruments (typically with the instruments accompanime ...
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Lute Songs
The term lute song is given to a music style from the late 16th century to early 17th century, late Renaissance to early Baroque, that was predominantly in England and France. Lute songs were generally in strophic form or verse repeating with a homophonic texture. The composition was written for a solo voice with an accompaniment, usually the lute. It was not uncommon for other forms of accompaniments such as bass viol or other string instruments, and could also be written for more voices. The composition could be performed either solo or with a small group of instruments. The basic style of lute songs is light and serious, with poetic lyrics that usually followed word-setting to composed music. In England, the songs tended to range from extended contrapuntal compositions to short harmonized tunes. The text could be written by the composer or most often borrowed from a poem, set in verse form. These songs were composed for professional and amateur performers, which had variations ...
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Max Meili
Max Meili, a Swiss tenor, was born 11 December 1899 in Winterthur and died 17 March 1970 in Zürich, Switzerland. He first trained as a painter then turned to singing, leading to lessons with Felix von Kraus. Meili was mainly a concert singer, concentrating on music from the time of Bach and before, then just beginning to experience a revival of public interest; he was recognized as a specialist in medieval vocal music. His appearances at the Salzburg Festival in 1936 and 1937 were as a recitalist. Curiously, one of Meili's rare appearances in opera involved music at an extreme remove from his usual repertory; in May 1931 he participated in the premiere of Alois Hába's opera '' Die Mutter'' at the Gärtnerplatztheater in Munich, Germany. Ten years later, on 15 January 1941, Meili sang ''Addio terra, addio cielo'' from Monteverdi's ''L'Orfeo'' at the funeral service of James Joyce at Zürich's Fluntern Cemetery. Meili's recordings from the 78 RPM era included Renaissa ...
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Paul Sacher
Paul Sacher (28 April 190626 May 1999) was a Swiss conductor, patron and billionaire businessman. At the time of his death Sacher was majority shareholder of pharmaceutical company Hoffmann-La Roche and was considered the third richest person in the world with an estimated net worth of US$13 billion. He founded and conducted the Basler Kammerorchester (1926–1987). He commissioned notable works of composers of the 20th century and premiered them with the chamber orchestra. While better known for his interest in new music, he was also devoted to music of baroque and classical eras; he founded the Schola Cantorum Basiliensis, institute for early music, in 1933. Biography Sacher studied under Felix Weingartner, among others. In 1926 he founded the chamber orchestra Basler Kammerorchester, which specialized in both modern (twentieth-century) and pre-classical (mid-eighteenth-century) repertory. In 1928 he founded the Basel Chamber Choir. Both the orchestra and choir gave their l ...
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Switzerland
Switzerland, officially the Swiss Confederation, is a landlocked country located in west-central Europe. It is bordered by Italy to the south, France to the west, Germany to the north, and Austria and Liechtenstein to the east. Switzerland is geographically divided among the Swiss Plateau, the Swiss Alps, Alps and the Jura Mountains, Jura; the Alps occupy the greater part of the territory, whereas most of the country's Demographics of Switzerland, 9 million people are concentrated on the plateau, which hosts List of cities in Switzerland, its largest cities and economic centres, including Zurich, Geneva, and Lausanne. Switzerland is a federal republic composed of Cantons of Switzerland, 26 cantons, with federal authorities based in Bern. It has four main linguistic and cultural regions: German, French, Italian and Romansh language, Romansh. Although most Swiss are German-speaking, national identity is fairly cohesive, being rooted in a common historical background, shared ...
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Basel
Basel ( ; ), also known as Basle ( ), ; ; ; . is a city in northwestern Switzerland on the river Rhine (at the transition from the High Rhine, High to the Upper Rhine). Basel is Switzerland's List of cities in Switzerland, third-most-populous city (after Zurich and Geneva), with 177,595 inhabitants within the city municipality limits. The official language of Basel is Swiss Standard German and the main spoken language is the local Basel German dialect. Basel is commonly considered to be the cultural capital of Switzerland and the city is famous for its many Museums in Basel, museums, including the Kunstmuseum Basel, Kunstmuseum, which is the first collection of art accessible to the public in the world (1661) and the largest museum of Swiss art, art in Switzerland, the Fondation Beyeler (located in Riehen), the Museum Tinguely and the Museum of Contemporary Art (Basel), Museum of Contemporary Art, which is the first public museum of contemporary art in Europe. Forty museums ...
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Schola Cantorum Basiliensis
The Schola Cantorum Basiliensis (SCB) is a music academy and research institution located in Basel, Switzerland, that focuses on early music and historically informed performance. Faculty at the school have organized performing ensembles that have made notable recordings of early music. One of the more popular of these is the 1994 album ''Chill to the Chant''. History Paul Sacher founded the school in 1933. Influential faculty included August Wenzinger (cello and viola da gamba), Ina Lohr (violin), and Max Meili (vocal music). In 1954 the Schola merged with two other Basel music schools to form the City of Basel Music Academy. Faculty Among the school's other notable faculty members, past and present, are musicians from many countries. By nationality, they include: * Australia: keyboardist and conductor Geoffrey Lancaster * Belgium: countertenor and conductor René Jacobs * England: lutenist and ensemble leader Anthony Rooley; soprano Evelyn Tubb; viola da gambist Alis ...
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Christopher Hogwood
Christopher Jarvis Haley Hogwood (10 September 194124 September 2014) was an English Conducting, conductor, harpsichordist, and Musicology, musicologist. Founder of the early music ensemble the Academy of Ancient Music, he was an authority on historically informed performance and a leading figure in the early music revival of the late 20th century. Early life and education Born in Nottingham, Hogwood went to The Skinners' School, Royal Tunbridge Wells, and then studied Music and Classics at Pembroke College, Cambridge, graduating in 1964. Contemporaries at Cambridge included David Munrow and John Turner (recorder player), John Turner. He went on to study performance and conducting under Raymond Leppard, Mary Potts and Thurston Dart, and later with Rafael Puyana and Gustav Leonhardt. He also studied in Prague with Zuzana Ruzickova for a year, under a British Council scholarship. Career In 1967, Hogwood co-founded the Early Music Consort with David Munrow. In 1973 he founded th ...
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Mary Remnant
Mary Teresa Elizabeth Remnant (13 January 1935 – 15 May 2020), was an English musician, scholar, musicologist and medievalist. She was a leading figure in the Early music revival in the United Kingdom. Background She was the only daughter of Joan Lovegrove, a music teacher, and Eustace Remnant, architect and art historian. While studying piano and violin at the Royal College of Music, she was awarded the Tagore Gold Medal. She went on to specialise in Early Music. A Graduate of the Royal Schools of Music and an Associate of the Royal College of Music in London, she completed her DPhil on Bowed instruments at St Anne's College, Oxford University. She taught piano and violin, and was for a time, demonstrator of historic early keyboard instruments in the RCM Museum. She was awarded a Winston Churchill Memorial Trust Fellowship in 1967, and was able to study in detail and bring back to life the early musical instruments portrayed in carvings and on the walls of churches along ...
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Galpin Society
The Galpin Society was formed in October 1946 to further research into the branch of musicology known as organology, that is the history, construction, development and use of musical instruments. Based in the United Kingdom, it is named after the British organologist and musical instrument collector, Canon Francis William GalpinGalpin Society. ''Grove Music Online'' (Oxford University Press; 2001) (1858–1945), who had a lifelong interest in studying, collecting, playing, making and writing about musical instruments. The membership in 1999 was around a thousand. The society's founder members were keen to form a society to promote the historical study of all kinds of musical instruments. The founding members included academics, professional and amateur performers, and private collectors, including Anthony Baines, Robert Donington, Hugh Gough, Eric Halfpenny, Edgar Hunt, Eric Marshall Johnson, Lyndesay Langwill, Reginald Morley-Pegge, F. Geoffrey Rendall and Maurice Vincent.Diana ...
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Early Music Consort
The Early Music Consort of London was a British music ensemble in the late 1960s and 1970s which specialised in historically informed performance of Medieval and Renaissance music. It was founded in 1967 by music academics Christopher Hogwood and David Munrow and produced many highly influential recordings. The group disbanded in 1976 following Munrow's suicide. History The formation of the Early Music Consort of London in the late 1960s has been credited with popularising the genre of Early music in UK and being main instigator of the British Early music revival of the late 20th century. Munrow was inspired by the ''Alte Musik'' movement that had already gained popularity in Germany, and sought to foster an interest in music of the Medieval and Renaissance eras among British audiences. Munrow collaborated with Christopher Hogwood, with whom he had studied at Pembroke College, Cambridge University in setting up a new specialist music group, initially called the Early Music Consor ...
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