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Dream Yoga
Dream yoga or ''milam'' (; , ''svapnadarśanayoga'')—the Yoga of the Dream State—is a suite of advanced tantric sadhana of the entwined Mantrayana lineages of Dzogchen ( Nyingmapa, Ngagpa, Mahasiddha, Kagyu and Bönpo). Dream yoga consists of tantric processes and techniques within the trance Bardos of Dream and Sleep () Six Dharmas of Naropa. In the tradition of the tantra, the dream yoga method is usually passed on by a qualified teacher to his/her students after necessary initiation. Various Tibetan lamas are unanimous that it is more of a passing of an enlightened experience rather than any textual information. The 'dream body' and the 'bardo body' have been identified with the 'vision body' (Tibetan: ''yid lus''): In the yoga of dreaming (''rmi lam, *svapna''), the yogi learns to remain aware during the states of dreaming (i.e. to lucid dream) and uses this skill to practice yoga in the dream. Bon Nyingma lineage The Nyingma lineage holds that there are 'Seven ...
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Nyingma
Nyingma (, ), also referred to as ''Ngangyur'' (, ), is the oldest of the four major schools of Tibetan Buddhism. The Nyingma school was founded by PadmasambhavaClaude Arpi, ''A Glimpse of the History of Tibet'', Dharamsala: Tibet Museum, 2013. as the first translations of Buddhist scriptures from Pali and Sanskrit into Tibetic languages, Tibetan occurred in the eighth century. The establishment of Tibetan Buddhism and the Nyingma tradition is collectively ascribed to Khenpo Shantarakshita, Guru Padmasambhava, and King Trisong Detsen, known as ''Khen Lop Chos Sum'' (The Three: Khenpo, Lopon, Chosgyal). The Nyingma tradition traces its Dzogchen lineage from the Adi-Buddha, first Buddha Samantabhadra to Garab Dorje, and its other lineages from Indian mahasiddhas such as Sri Singha and Jnanasutra. Yeshe Tsogyal recorded the teachings. Other great masters from the founding period include Vimalamitra, Vairotsana, and Buddhaguhya. The Nyingma tradition was physically founded at Samye ...
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Kham
Kham (; ) is one of the three traditional Tibet, Tibetan regions, the others being Domey also known as Amdo in the northeast, and Ü-Tsang in central Tibet. The official name of this Tibetan region/province is Dotoe (). The original residents of Kham are called Khampas (), and were governed locally by chieftains and monasteries. Kham covers a land area distributed in multiple province-level administrative divisions in present-day China, most of it in Tibet Autonomous Region and Sichuan, with smaller portions located within Qinghai and Yunnan. Densely forested with grass plains, its convergence of six valleys and four rivers supported independent Kham polities of Tibetan warrior kingdoms together with Tibetan Buddhist monastic centers.Jann Ronis"An Overview of Kham (Eastern Tibet) Historical Polities" The University of Virginia The early trading route between Central Tibet and China traveled through Kham, and Kham is said to be the inspiration for Shangri-La in James Hilton's nove ...
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Tilopa
Tilopa (Prakrit; Sanskrit: Talika or Tilopadā; 988–1069) was an Indian Buddhist tantric mahasiddha who lived along the Ganges River. He practised Anuttarayoga Tantra, a set of spiritual practices intended to accelerate the process of attaining Buddhahood. He became a holder of all the tantric lineages, possibly the only person in his day to do so. In addition to the way of insight and Mahamudra, Tilopa learned and passed on the Way of Methods (today known as the Six Dharmas of Naropa, Six Yogas of Naropa) and guru yoga. Naropa is considered his main student. Life Tilopa was born into the priestly Brahmin caste of Bengalis, Bengali origin in Eastern India. He adopted the monastery, monastic life upon receiving orders from a dakini (female buddha whose activity is to inspire practitioners) who told him to adopt a mendicant and itinerant minister, itinerant existence. From the beginning, she made it clear to Tilopa that his real parents were not the persons who had raised him bu ...
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Vajradhara
Vajradhara (; ; ; ; ; ) is the ultimate primordial Buddha, or Adi-Buddha, according to the Sakya, Gelug and Kagyu schools of Tibetan Buddhism. It is also a name of Indra, because "Vajra" means diamond, as well as the thunderbolt, or anything hard more generally. In the evolution of Indian Buddhism, Buddha Vajradhara gradually displaced Samantabhadra, who is the 'Primordial Buddha' in the Nyingma, or 'Ancient School.' However, the two are metaphysically equivalent. Achieving the 'state of Vajradhara' is synonymous with complete realisation. According to the Kagyu lineage, Buddhā Vajradhara is the primordial Buddha, the Dharmakaya Buddha. He is depicted as dark blue in color, expressing the quintessence of buddhahood itself and representing the essence of the historical Buddha's realization of enlightenment. As such, Buddha Vajradhara is thought to be the supreme essence of all (male) Buddhas; It is the Tantric form of Sakyamuni which is called Vajradhara. Tantras are tex ...
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Mahasiddha Ghantapa (the 'Celibate Bell-Ringer') From Situ Panchen's Set Of The Eight Great Tantric Adepts, 18th Century Tibetan Thangka
Mahasiddha (Sanskrit: ''mahāsiddha'' "great adept; ) is a term for someone who embodies and cultivates the "siddhi of perfection". A siddha is an individual who, through the practice of sādhanā, attains the realization of siddhis, psychic and spiritual abilities and powers. Mahasiddhas were practitioners of yoga and tantra, or ''tantrika''s. Their historical influence throughout the Indian subcontinent and the Himalayas was vast and they reached mythic proportions as codified in their songs of realization and hagiographies, or namtars, many of which have been preserved in the Tibetan Buddhist canon. The Mahasiddhas are identified as founders of Vajrayana traditions and lineages such as Dzogchen and Mahamudra, as well as among Bön, Nāth, and Tamil siddhars, with the same Mahasiddha sometimes serving simultaneously as a founding figure for different traditions. Robert Thurman explains the symbiotic relationship between Tantric Buddhist communities and the Buddhist universit ...
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Simulacrum
A simulacrum (: simulacra or simulacrums, from Latin ''wikt:simulacrum#Latin, simulacrum'', meaning "likeness, semblance") is a representation or imitation of a person or thing. The word was first recorded in the English language in the late 16th century, used to describe a representation, such as a statue or a painting, especially of a deity, god. By the late 19th century, it had gathered a secondary association of inferiority: an image without the substance or qualities of the original. Literary critic Fredric Jameson offers photorealism as an example of artistic simulacrum, in which a painting is created by copying a photograph that is itself a copy of the real thing.Massumi, Brian"Realer than Real: The Simulacrum According to Deleuze and Guattari." retrieved 2 May 2007 Other art forms that play with simulacra include trompe-l'œil, Pop Art, pop art, Italian neorealism, and French New Wave. Original philosophy Simulacra have long been of interest to philosophers. In his ''So ...
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Yidam
A ''yidam'' or ''iṣṭadevatā'' is a meditational deity that serves as a focus for meditation and spiritual practice, said to be manifestations of Buddhahood or enlightened mind. Yidams are an integral part of Vajrayana, including Tibetan Buddhism, Chinese Esoteric Buddhism and Shingon, which emphasize the use of esoteric practices and rituals to attain enlightenment more swiftly. The yidam is one of the three roots of the inner refuge formula and is also the key element of deity yoga. Yidam is sometimes translated by the term "tutelary deity". A yidam is considered to be a manifestation of enlightened qualities and a means to connect with specific aspects of the enlightened mind. The yidam is visualized during meditation in intricate detail, with the aim of internalizing its qualities and attributes. This practice is intended to facilitate the practitioner's transformation and realization of their own innate enlightened nature. It is believed to help purify the mind, ...
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Thoughtform
''Thought-Forms: A Record of Clairvoyant Investigation'' is a theosophical book compiled by Theosophical Society members A. Besant and C. W. Leadbeater. It was originally published in 1905 in London. From the standpoint of Theosophy, it tells opinions regarding the visualization of thoughts, experiences, emotions and music. Drawings of the "thought-forms" were performed by John Varley Jr. (grandson of the painter John Varley), Prince, and McFarlane. From history of compilation This book has become the result of the joint work of the authors, which began in 1895, when they had started an investigation of "the subtle matter of the universe." They were interested in the work of the human mind as this work "extrudes into the external world" the thought-forms. In September 1896, Besant reported in ''Lucifer'' that "two clairvoyant Theosophists" (whose names were not disclosed in the journal, although some members of the Society knew about them) had started "observing the substa ...
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