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Culsans
Culsans (Culśanś) is an Etruscan deity, known from two inscriptions and a variety of iconographical material which includes coins, statuettes, and a sarcophagus. Culśanś is usually rendered as a male deity with two faces and at least two statuettes depicting him have been found in close association with city gates. These characteristics suggest that he was a protector of gateways, who could zealously watch over the gate with not one, but two pairs of eyes. Many scholars recognize the deity Janus as a Roman equivalent to Culśanś because he is also rendered as a bifrons (two-faced god) and his divine realm also includes the protection of doorways and gates. Building on this idea, some scholars have proposed that the name Culśanś may contain an etymological root meaning “door” in Etruscan, just as Janus’s name comes from the Latin word for door, ianua. An Etruscan female deity named Culśu, whose name has the same etymological root as Culśanś, is also associated wit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Etruscan Mythological Figures
This is a list of deities and legendary figures found in Etruscan mythology. The names below were taken mainly from Etruscan "picture bilinguals", which are Etruscan call-outs on art depicting mythological scenes or motifs. Several different media provide names. Variants of the names are given, reflecting differences in language in different localities and times. Many of the names are Etruscan spellings (and pronunciations) of Greek names. The themes may or may not be entirely Greek. Etruscans frequently added their own themes to Greek myths. The same may be said of native Italic names rendered into Etruscan. Some names are entirely Etruscan, which is often a topic of debate in the international forum of scholarship. Deities Deified mortals Spirits, demons, and other creatures Places Mortals See also * Etruscan mythology * List of Etruscan names for Greek heroes * ''Interpretatio graeca ''Interpretatio graeca'' (Latin, "Greek translation") or "interpretation by mea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Selvans
In Etruscan mythology and religion, Selvans is god of the woodlands and boundaries, including sacred boundaries. He is possibly cognate with Roman Silvanus. As the god of boundaries, he is known by the epithet ''tularias'' as stated by a dedication of a statue to the god. His name is 10th on the list of 16 gods on the outer rim of the Piacenza Liver (a bronze model of a sheep’s liver used as a reference or teaching tool for divination). Votive inscriptions from the liver show that he was a popular god in Etruria. Only one certain representation of Selvans has been found, alongside a statue of Culśanś. He is portrayed as a naked youth wearing a hide of a bear’s cap and high boots. This contrasts from the Roman Silvanus, who is usually shown as a bearded man. See also * Etruscan civilization *Etruscan religion Etruscan religion comprises a set of stories, beliefs, and religious practices of the Etruscan civilization, heavily influenced by the mythology of anc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Janus
In ancient Roman religion and myth, Janus ( ; la, Ianvs ) is the god of beginnings, gates, transitions, time, duality, doorways, passages, frames, and endings. He is usually depicted as having two faces. The month of January is named for Janus ('' Ianuarius''). According to ancient Roman farmers' almanacs, Juno was mistaken as the tutelary deity of the month of January; but, Juno is the tutelary deity of the month of June. Janus presided over the beginning and ending of conflict, and hence war and peace. The gates of a building in Rome named after him (not a temple, as it is often called, but an open enclosure with gates at each end) were opened in time of war, and closed to mark the arrival of peace. As a god of transitions, he had functions pertaining to birth and to journeys and exchange, and in his association with Portunus, a similar harbor and gateway god, he was concerned with travelling, trading and shipping. Janus had no flamen or specialised priest ''( sacerdos) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ianus Ianuarius
In ancient Roman religion and myth, Janus ( ; la, Ianvs ) is the god of beginnings, gates, transitions, time, duality, doorways, passages, frames, and endings. He is usually depicted as having two faces. The month of January is named for Janus (''Ianuarius''). According to ancient Roman farmers' almanacs, Juno was mistaken as the tutelary deity of the month of January; but, Juno is the tutelary deity of the month of June. Janus presided over the beginning and ending of conflict, and hence war and peace. The gates of a building in Rome named after him (not a temple, as it is often called, but an open enclosure with gates at each end) were opened in time of war, and closed to mark the arrival of peace. As a god of transitions, he had functions pertaining to birth and to journeys and exchange, and in his association with Portunus, a similar harbor and gateway god, he was concerned with travelling, trading and shipping. Janus had no flamen or specialised priest ''( sacerdos)'' a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bronze Statuette Of Culsans From Cortona
Bronze is an alloy consisting primarily of copper, commonly with about 12–12.5% tin and often with the addition of other metals (including aluminium, manganese, nickel, or zinc) and sometimes non-metals, such as phosphorus, or metalloids such as arsenic or silicon. These additions produce a range of alloys that may be harder than copper alone, or have other useful properties, such as strength, ductility, or machinability. The archaeological period in which bronze was the hardest metal in widespread use is known as the Bronze Age. The beginning of the Bronze Age in western Eurasia and India is conventionally dated to the mid-4th millennium BCE (~3500 BCE), and to the early 2nd millennium BCE in China; elsewhere it gradually spread across regions. The Bronze Age was followed by the Iron Age starting from about 1300 BCE and reaching most of Eurasia by about 500 BCE, although bronze continued to be much more widely used than it is in modern times. Because historical artworks wer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Silvanus (mythology)
Silvanus (; meaning "of the woods" in Latin) was a Roman tutelary deity of woods and uncultivated lands. As protector of the forest (''sylvestris deus''), he especially presided over plantations and delighted in trees growing wild.Tibullus II.5.27, 30.Lucan. '' Pharsalia'' III.402.Pliny the Elder. '' Naturalis historia'' XII.2. He is also described as a god watching over the fields and husbandmen, protecting in particular the boundaries of fields.Horace. '' Epodes'' II.21-22. The similarly named Etruscan deity Selvans may be a borrowing of Silvanus, or not even related in origin.Peter F. Dorcey, ''The Cult of Silvanus: A Study in Roman Folk Religion'' (Brill, 1992), pp. 10–1online noting earlier efforts to press an Etruscan etymology on Silvanus. Silvanus is described as the divinity protecting the flocks of cattle, warding off wolves, and promoting their fertility.Virgil. ''Aeneid'' VIII.600-1.Cato the Elder. ''De Re Rustica'' 83 Dolabella, a rural engineer of whom only a fe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Archaic Greece
Archaic Greece was the period in Greek history lasting from circa 800 BC to the second Persian invasion of Greece in 480 BC, following the Greek Dark Ages and succeeded by the Classical period. In the archaic period, Greeks settled across the Mediterranean and the Black Seas, as far as Marseille in the west and Trapezus (Trebizond) in the east; and by the end of the archaic period, they were part of a trade network that spanned the entire Mediterranean. The archaic period began with a massive increase in the Greek population and of significant changes that rendered the Greek world at the end of the 8th century entirely unrecognisable from its beginning. According to Anthony Snodgrass, the archaic period was bounded by two revolutions in the Greek world. It began with a "structural revolution" that "drew the political map of the Greek world" and established the '' poleis'', the distinctively Greek city-states, and it ended with the intellectual revolution of the Classical period ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Judith Swaddling
Judith Swaddling is a British classical archaeologist and the Senior Curator of Etruscan and pre-Roman Italy in the Department of Greece and Rome at the British Museum. She is particularly known for her work on the Etruscans, and the ancient Olympic Games. Career Swaddling completed her PhD on ancient Greek statuary production. Thereafter she has focused on Etruscan studies and has spent most of her career working at the British Museum. Swaddling is an important scholar in the field of Etruscan material culture and has been responsible for organizing and collaborating on a wide variety of conferences, study days, projects, and exhibitions on the subject. Among the most prominent was the Seianti Project with John Prag. Swaddling is also well known for her work on the ancient Olympic Games. Her publication ''The Ancient Olympic Games'' is now in its 3rd edition and has been translated into multiple languages. Fellowships and memberships *Swaddling was elected a Fellow of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gigantomachy
In Greek and Roman mythology, the Giants, also called Gigantes (Greek: Γίγαντες, ''Gígantes'', Γίγας, ''Gígas''), were a race of great strength and aggression, though not necessarily of great size. They were known for the Gigantomachy (or Gigantomachia), their battle with the Olympian gods. According to Hesiod, the Giants were the offspring of Gaia (Earth), born from the blood that fell when Uranus (Sky) was castrated by his Titan son Cronus. Archaic and Classical representations show Gigantes as man-sized hoplites (heavily armed ancient Greek foot soldiers) fully human in form. Later representations (after c. 380 BC) show Gigantes with snakes for legs. In later traditions, the Giants were often confused with other opponents of the Olympians, particularly the Titans, an earlier generation of large and powerful children of Gaia and Uranus. The vanquished Giants were said to be buried under volcanoes and to be the cause of volcanic eruptions and earthquakes. Orig ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Argos, Peloponnese
Argos (; el, Άργος ; grc, label=Ancient and Katharevousa, Ἄργος ) is a city in Argolis, Peloponnese, Greece and is one of the oldest continuously inhabited cities in the world, and the oldest in Europe. It is the largest city in Argolis and a major center for the area. Since the 2011 local government reform it has been part of the municipality of Argos-Mykines, of which it is a municipal unit. The municipal unit has an area of 138.138 km2. It is from Nafplion, which was its historic harbour. A settlement of great antiquity, Argos has been continuously inhabited as at least a substantial village for the past 7,000 years. A resident of the city of Argos is known as an Argive ( , ; grc-gre, Ἀργεῖος). However, this term is also used to refer to those ancient Greeks generally who assaulted the city of Troy during the Trojan War; the term is more widely applied by the Homeric bards. Numerous ancient monuments can be found in the city today. Agricul ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Detail Of Culsans On A Sarcophagus From Tuscania
Detail(s) or The Detail(s) may refer to: Film and television * ''Details'' (film), a 2003 Swedish film * ''The Details'' (film), a 2011 American film * ''The Detail'', a Canadian television series * "The Detail" (''The Wire''), a television episode Music * ''Details'' (album), by Frou Frou, 2002 * Detail (record producer), Noel Fisher (born c. 1978), American music producer and performer * The Details, a Canadian rock band Periodicals * ''DETAIL'' (professional journal), an architecture and construction journal * ''Details'' (magazine), an American men's magazine See also * Auto detailing, a car-cleaning process * Level of detail (computer graphics), a 3D computer graphics concept * Security detail A security detail, often known as a PSD (protective services detail, personal security detachment, personal security detail) or PPD (personal protection detail), is a protective team assigned to protect the personal security of an individual or ..., a team assigned to protect ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Galerus
A ''retiarius'' (plural ''retiarii''; literally, "net-man" in Latin) was a Roman gladiator who fought with equipment styled on that of a fisherman: a weighted net (''rete'' (3rd decl.), hence the name), a three-pointed trident (''fuscina'' or ''tridens''), and a dagger ('' pugio''). The ''retiarius'' was lightly armoured, wearing an arm guard ('' manica'') and a shoulder guard (''galerus''). Typically, his clothing consisted only of a loincloth (''subligaculum'') held in place by a wide belt, or of a short tunic with light padding. He wore no head protection or footwear. The ''retiarius'' was routinely pitted against a heavily armed '' secutor''. The net-fighter made up for his lack of protective gear by using his speed and agility to avoid his opponent's attacks and waiting for the opportunity to strike. He first tried to throw his net over his rival. If this succeeded, he attacked with his trident while his adversary was entangled. Another tactic was to ensnare his enemy's we ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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