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Couesnophone
The couesnophone, also known as the goofus or queenophone, is a Free-reed aerophone, free-reed musical instrument in a saxophone shape, patented by French instrument manufacturer Couesnon in 1924. Its Reed (music), reeds vibrate when the desired keys are activated and the player blows through a tube. "Best described as a mouth-blown accordion,"Rosenkrantz, Timme (2012). ''Harlem Jazz Adventures: A European Baron's Memoir, 1934-1969'', p.52. Scarecrow. . "it sounded like a cross between a harmonica and an accordion." Construction Couesnon was awarded patent no. 569294 for an instrument that was described as a (). Unlike the saxophone, the couesnophone is a polyphonic instrument with a set of single reeds, one for each of the notes produced, similar to a melodica. The keys are set in a Keyboard (instrument), keyboard with a layout similar to that of the early Hohner melodicas, in parallel rows corresponding to the white and black piano key, keys of a piano. Its rubber Mouthpiece ...
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Adrian Rollini
Adrian Francis Rollini (June 28, 1903 – May 15, 1956) was an Americans, American jazz instrumentalist, multi-instrumentalist who primarily played the bass saxophone, piano, and vibraphone. He is also known for playing novelty instruments such as the couesnophone (or goofus*), a free-reed instrument, free-reed instrument resembling a saxophone, and the hot fountain pen, a sort of keyless miniature clarinet. As a leader, his major recordings included "You've Got Everything" (1933), "Savage Serenade" (1933) and "Got The Jitters" (1934) "A Thousand Good Nights" (1934) on Vocalion, "Davenport Blues", "Nothing But Notes", "Tap Room Swing", "Jitters", "Riverboat Shuffle" (1934) on Decca Records, Decca, and "Small Fry" (1938) on Columbia Records, Columbia. Early life Adrian Rollini was born in New York City on June 28 1903. Some sources will date 1904, but his brother Arthur Rollini, as well as Social Security Administration records, cite the earlier year. Of French and Swiss extract ...
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Goofus Couesnophone (rotated)
Goofus may refer to: *Couesnophone, saxophone-like musical instrument also known as ''Goofus'' * "Goofus" (song), 1930 song later recorded by The Carpenters *Goofus, character in ''Goofus and Gallant'' American comic strip *Goofus glass, type of early 20th-century glass *Goofus bird The Goofus bird is a mythical, backwards-flying bird, originating in lumberjack folklore in North America. It is also known variously as the ''Filla-ma-loo bird'' or the ''Flu-fly bird''. The Goofus Bird flies backwards, as it does not care whe ...
, mythical American backward-flying bird {{disambiguation ...
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Jazz
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana, in the late 19th and early 20th centuries. Its roots are in blues, ragtime, European harmony, African rhythmic rituals, spirituals, hymns, marches, vaudeville song, and dance music. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation. As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. However, jazz did not begin as a single musical tradition in New Orleans or elsewhere. In the 1930s, arranged dance-oriented swing big bands, ...
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Saxophones
The saxophone (often referred to colloquially as the sax) is a type of Single-reed instrument, single-reed woodwind instrument with a conical body, usually made of brass. As with all single-reed instruments, sound is produced when a reed (mouthpiece), reed on a Mouthpiece (woodwind), mouthpiece vibrates to produce a sound wave inside the instrument's body. The Pitch (music), pitch is controlled by opening and closing holes in the body to change the effective length of the tube. The holes are closed by leather pads attached to keys operated by the player. Saxophones are made in various sizes and are almost always treated as transposing instruments. A person who plays the saxophone is called a ''saxophonist'' or ''saxist''. The saxophone is used in a wide range of musical styles including classical music (such as concert bands, chamber music, List of concert works for saxophone, solo repertoire, and occasionally orchestras), military bands, marching bands, jazz (such as big bands an ...
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Free Reed Aerophones
Free may refer to: Concept * Freedom, the ability to act or change without constraint or restriction * Emancipate, attaining civil and political rights or equality * Free (''gratis''), free of charge * Gratis versus libre, the difference between the two common meanings of the adjective "free". Computing * Free (programming), a function that releases dynamically allocated memory for reuse * Free software, software usable and distributable with few restrictions and no payment *, an emoji in the Enclosed Alphanumeric Supplement block. Mathematics * Free object ** Free abelian group ** Free algebra ** Free group ** Free module ** Free semigroup * Free variable People * Free (surname) * Free (rapper) (born 1968), or Free Marie, American rapper and media personality * Free, a pseudonym for the activist and writer Abbie Hoffman * Free (active 2003–), American musician in the band FreeSol Arts and media Film and television * ''Free'' (film), a 2001 American dramed ...
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Don Redman
Donald Matthew Redman (July 29, 1900 – November 30, 1964) was an American jazz musician, arranger, bandleader, and composer. Biography Redman was born in Piedmont, Mineral County, West Virginia, United States. His father was a music teacher, his mother was a singer. Beginning by playing the trumpet at the age of three, Redman joined his first band at the age of six and by the age of 12 was proficient on all wind instruments ranging from trumpet to oboe as well as piano. He studied at Storer College in Harper's Ferry and at the Boston Conservatory, then joined Billy Page's Broadway Syncopaters in New York City. He was the uncle of saxophonist Dewey Redman, and thus great-uncle of saxophonist Joshua Redman and trumpeter Carlos Redman. Career In 1923, Redman joined the Fletcher Henderson orchestra, mostly playing clarinet and saxophones. He began writing arrangements, and Redman did much to formulate the sound that was to become swing. A trademark of Redman's arrangement ...
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Eddie Lang
Eddie Lang (born Salvatore Massaro; October 25, 1902 – March 26, 1933) was an American musician who is credited as the father of jazz guitar. During the 1920s, he gave the guitar a prominence it previously lacked as a solo instrument, as part of a band or orchestra, and as accompaniment for vocalists. He recorded duets with guitarists Lonnie Johnson and Carl Kress and jazz violinist Joe Venuti, and played rhythm guitar in the Paul Whiteman Orchestra and was the favoured accompanist of Bing Crosby. Biography The son of an Italian-American instrument maker, Lang was born in Philadelphia, Pennsylvania, and grew up as friends with violinist Joe Venuti. He started playing the violin, his first instrument, when he was seven. He performed on violin in 1917 and became a member of a trio. In 1920, he dropped the violin for banjo and worked with Charlie Kerr, then Bert Estlow, Vic D'Ippolito, and Billy Lustig's Scranton Siren Orchestra. A few years later, he traded the banjo ...
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Joe Venuti
Giuseppe "Joe" Venuti (September 16, 1903 – August 14, 1978) was an American jazz musician and pioneer jazz violinist. Considered the father of jazz violin, he pioneered the use of string instruments in jazz along with the guitarist Eddie Lang, a friend since childhood. Through the 1920s and early 1930s, Venuti and Lang made many recordings as leader and as featured soloists. He and Lang became so well known for their 'hot' violin and guitar solos that on many commercial dance recordings they were hired to do 12- or 24-bar duos towards the end of otherwise stock dance arrangements. In 1926, Venuti and Lang started recording for the OKeh label as a duet (after a solitary duet issued on Columbia), followed by "Blue Four" combinations, which are considered milestone jazz recordings. Venuti also recorded commercial dance records for OKeh under the name "New Yorkers". He worked with Benny Goodman, Adrian Rollini, the Dorsey Brothers, Bing Crosby, Bix Beiderbecke, Jack Teagarden, ...
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Varsity Eight
Varsity may refer to: Institutions * University, an institution of higher (or tertiary) education and research which awards academic degrees in various academic disciplines * Varsity College (South Africa), a school Places *Varsity, Calgary, Alberta, Canada; a neighbourhood * Varsity Lakes, Queensland, Australia; a suburb of the Gold Coast, Queensland, Australia * The Varsity (West Lafayette, Indiana), USA; an apartment building Business *The Varsity (restaurant), a drive-in restaurant in Atlanta, Georgia, US *Varsity (pub chain), a UK pub chain Literature * ''Varsity'' (Cambridge), a student newspaper at Cambridge University * ''Varsity'' (Cape Town), a student newspaper of the University of Cape Town * ''The Varsity'' (newspaper), a student newspaper at the University of Toronto Music * Varsity (band), an indie rock band from Chicago * "Varsity" (alma mater song), the alma mater song of the University of Wisconsin-Madison * "Varsity" (fight song), a 1911 fight song of th ...
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The Little Ramblers
The California Ramblers were an American jazz group that recorded hundreds of songs for many different record labels throughout the 1920s. Four members of the band –Red Nichols, Jimmy Dorsey, Tommy Dorsey, and Adrian Rollini - went on to front big bands in later decades. The band was formed in 1921 by banjoist Ray Kitchenman. Its members were from Ohio but chose the name California Ramblers. The band was instantly successful and were one of the most prolific recording groups in the 1920s. In late 1924 the Ramblers signed a contract with Columbia Records and then, in conjunction with their manager Ed Kirkeby, agreed to waive all royalties to Columbia for the right to record for other companies under pseudonyms. They recorded for nearly every independent label in the U.S., Canada, and the UK, using over 100 unique aliases, including The Golden Gate Orchestra, Varsity Eight, Stokers of Hades, and The Goofus Washboards. References External links California Ramblers recordingsa ...
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Ed Kirkeby
Wallace Theodore "Ed" Kirkeby (October 10, 1891 – June 12, 1978) was an American bandleader, vocalist, manager, and salesman, best remembered as the manager of Fats Waller. He was one of the first recording managers at Columbia Records to record jazz and organized the California Ramblers to record it. He recorded extensively during the 1920s and early 1930s using many pseudonyms for recording including The Little Ramblers, The Goofus Five, Five Birmingham Babies, The Vagabonds, The Varsity Eight, Ted Wallace (And His Campus Boys), Ed Kirkeby Wallace, and Eddie Lloyd (and Loyd). Over the years he also managed the Pickens Sisters, was an A&R person at RCA Victor, and worked in the band booking department at NBC. As Fats Waller's manager he also acted as his archivist building a collection which is held today by the Institute of Jazz Studies. After Waller's death in 1943 Kirkeby remained active managing many other groups and musicians (including Pat Flowers) through 1977. ...
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