|
Cello Concerto
A cello concerto (sometimes called a violoncello concerto) is a concerto for solo cello with orchestra or, very occasionally, smaller groups of instruments. These pieces have been written since the Baroque era if not earlier. However, unlike instruments such as the violin, the cello had to face harsh competition from the older, well-established viola da gamba. As a result, few important cello concertos were written before the 19th century – with the notable exceptions of those by Vivaldi, C.P.E. Bach, Haydn and Boccherini. Its full recognition as a solo instrument came during the Romantic era with the concertos of Schumann, Saint-Saëns, Lalo and Dvořák. From then on, cello concertos have become more and more frequent. Twentieth-century composers have made the cello a standard concerto instrument, along with the already-rooted piano and violin concertos; among the most notable concertos of the first half of the century are those of Elgar, Prokofiev, Barber and Hindemith. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Concerto
A concerto (; plural ''concertos'', or ''concerti'' from the Italian plural) is, from the late Baroque era, mostly understood as an instrumental composition, written for one or more soloists accompanied by an orchestra or other ensemble. The typical three- movement structure, a slow movement (e.g., lento or adagio) preceded and followed by fast movements (e.g., presto or allegro), became a standard from the early 18th century. The concerto originated as a genre of vocal music in the late 16th century: the instrumental variant appeared around a century later, when Italians such as Giuseppe Torelli and Arcangelo Corelli started to publish their concertos. A few decades later, Venetian composers, such as Antonio Vivaldi, had written hundreds of violin concertos, while also producing solo concertos for other instruments such as a cello or a woodwind instrument, and concerti grossi for a group of soloists. The first keyboard concertos, such as George Frideric Handel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
World War II
World War II or the Second World War (1 September 1939 – 2 September 1945) was a World war, global conflict between two coalitions: the Allies of World War II, Allies and the Axis powers. World War II by country, Nearly all of the world's countries participated, with many nations mobilising all resources in pursuit of total war. Tanks in World War II, Tanks and Air warfare of World War II, aircraft played major roles, enabling the strategic bombing of cities and delivery of the Atomic bombings of Hiroshima and Nagasaki, first and only nuclear weapons ever used in war. World War II is the List of wars by death toll, deadliest conflict in history, causing World War II casualties, the death of 70 to 85 million people, more than half of whom were civilians. Millions died in genocides, including the Holocaust, and by massacres, starvation, and disease. After the Allied victory, Allied-occupied Germany, Germany, Allied-occupied Austria, Austria, Occupation of Japan, Japan, a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cello Concerto No
The violoncello ( , ), commonly abbreviated as cello ( ), is a middle pitched bowed (sometimes plucked and occasionally hit) string instrument of the violin family. Its four strings are usually tuned in perfect fifths: from low to high, C2, G2, D3 and A3. The viola's four strings are each an octave higher. Music for the cello is generally written in the bass clef; the tenor clef and treble clef are used for higher-range passages. Played by a ''cellist'' or ''violoncellist'', it enjoys a large solo repertoire with and without accompaniment, as well as numerous concerti. As a solo instrument, the cello uses its whole range, from bass to soprano, and in chamber music, such as string quartets and the orchestra's string section, it often plays the bass part, where it may be reinforced an octave lower by the double basses. Figured bass music of the Baroque era typically assumes a cello, viola da gamba or bassoon as part of the basso continuo group alongside chordal instruments s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Luigi Boccherini
Ridolfo Luigi Boccherini (, also , ; 19 February 1743 – 28 May 1805) was an Italian composer and cellist of the Classical era whose music retained a courtly and '' galante'' style even while he matured somewhat apart from the major classical musical centers. He is best known for a minuet from his String Quintet in E, Op. 11, No. 5 ( G 275), and the Cello Concerto in B flat major (G 482). The latter work was long known in the heavily altered version by German cellist and prolific arranger Friedrich Grützmacher, but has recently been restored to its original version. Boccherini's output also includes several guitar quintets. The final movement of the Guitar Quintet No. 4 in D (G 448) is a fandango, a lively Spanish dance. Biography Boccherini was born into a musical family in Lucca, Italy in 1743. He was the third child of Leopoldo Boccherini, a cellist and double-bass player, and the brother of Giovanni Gastone Boccherini, a poet and dancer who wrote libretti for Ant ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Samuel Barber
Samuel Osmond Barber II (March 9, 1910 – January 23, 1981) was an American composer, pianist, conductor (music), conductor, baritone, and music educator, and one of the most celebrated composers of the mid-20th century. Principally influenced by nine years' composition studies with Rosario Scalero at the Curtis Institute and more than 25 years' study with his uncle, the composer Sidney Homer, Barber's music usually eschewed the experimental trends of Modernism (music), musical modernism in favor of traditional 19th-century harmonic language and formal structure embracing lyricism and emotional expression. However, he adopted elements of modernism after 1940 in some of his compositions, such as an increased use of dissonance and chromaticism in the ''Cello Concerto (Barber), Cello Concerto'' (1945) and ''Medea's Dance of Vengeance'' (1955); and the use of tonal ambiguity and a narrow use of serialism in his ''Piano Sonata (Barber), Piano Sonata'' (1949), ''Prayers of Kierkegaard ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carl Philipp Emanuel Bach
Carl Philipp Emanuel Bach (8 March 1714 – 14 December 1788), also formerly spelled Karl Philipp Emmanuel Bach, and commonly abbreviated C. P. E. Bach, was a German composer and musician of the Baroque and Classical period. He was the fifth child and second surviving son of Johann Sebastian Bach and Maria Barbara Bach. Bach was an influential composer working at a time of transition between his father's Baroque style and the Classical style that followed it. He was the principal representative of the ' or 'sensitive style'. The qualities of his keyboard music are forerunners of the expressiveness of Romantic music, in deliberate contrast to the statuesque forms of Baroque music. His organ sonatas mainly come from the galant style. To distinguish him from his brother Johann Christian, the "London Bach", who at this time was music master to Queen Charlotte of Great Britain,Hubeart Jr., T. L. (14 July 2006"A Tribute to Carl Philipp Emanuel Bach" Bach was known as the "Berlin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Compositions For Cello And Orchestra
A list is a set of discrete items of information collected and set forth in some format for utility, entertainment, or other purposes. A list may be memorialized in any number of ways, including existing only in the mind of the list-maker, but lists are frequently written down on paper, or maintained electronically. Lists are "most frequently a tool", and "one does not ''read'' but only ''uses'' a list: one looks up the relevant information in it, but usually does not need to deal with it as a whole".Lucie Doležalová,The Potential and Limitations of Studying Lists, in Lucie Doležalová, ed., ''The Charm of a List: From the Sumerians to Computerised Data Processing'' (2009). Purpose It has been observed that, with a few exceptions, "the scholarship on lists remains fragmented". David Wallechinsky, a co-author of ''The Book of Lists'', described the attraction of lists as being "because we live in an era of overstimulation, especially in terms of information, and lists help us ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Register (music)
A register is the range (music), range within pitch space of some music or often musical speech. It may describe a given pitch or pitch class (or set theory (music), set of them), a human voice or musical instrument (or group of them), or both, as in a melody or part (music), part. It is also often related to timbre and musical form. In musical compositions, it may be fixed or "frozen". Relation to other musical elements or parameters Register is often understood in relation to other elements of music, sometimes called parameters. Relation to pitch A "higher" register may be said to indicate a "higher" pitch. For example, violins may be said to be in a "higher" register than cellos. This is often denoted concisely using subscripted numerals in scientific pitch notation. Relation to timbre The register in which an instrument plays, or in which a part is written, affects the quality of sound, or its timbre. Relation to form Register is also used structurally in musical form, with t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Penderecki
Krzysztof Eugeniusz Penderecki (; 23 November 1933 – 29 March 2020) was a Polish composer and conductor. His best-known works include '' Threnody to the Victims of Hiroshima'', Symphony No. 3, his '' St Luke Passion'', '' Polish Requiem'', '' Anaklasis'' and '' Utrenja''. His ''oeuvre'' includes five operas, eight symphonies and other orchestral pieces, a variety of instrumental concertos, choral settings of mainly religious texts, as well as chamber and instrumental works. Born in Dębica, Penderecki studied music at Jagiellonian University and the Academy of Music in Kraków. After graduating from the academy, he became a teacher there and began his career as a composer in 1959 during the Warsaw Autumn festival. His ''Threnody to the Victims of Hiroshima'' for string orchestra and the choral work ''St. Luke Passion'' have received popular acclaim. His first opera, '' The Devils of Loudun'', was not immediately successful. In the mid-1970s, Penderecki became a professor a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dutilleux
Henri Paul Julien Dutilleux (; 22 January 1916 – 22 May 2013) was a French composer of late 20th-century classical music. Among the leading French composers of his time, his work was rooted in the Impressionism in music, Impressionistic style of Claude Debussy, Debussy and Maurice Ravel, Ravel, but in an idiosyncratic, individual style. Among his best known works are his early Sonatine for Flute and Piano, Flute Sonatine and Piano Sonata (Dutilleux), Piano Sonata; concertos for Tout un monde lointain..., cello, ''Tout un monde lointain...'' ("A whole distant world") and L'arbre des songes, violin, ''L'arbre des songes'' ("The tree of dreams"); a string quartet known as ''Ainsi la nuit'' ("Thus the night"); and two symphonies: Symphony No. 1 (Dutilleux), No. 1 (1951) and Symphony No. 2 (Dutilleux), No. 2 ''Le Double'' (1959). Works were commissioned from him by such major artists as Charles Munch (conductor), Charles Munch, George Szell, Mstislav Rostropovich, the Juillia ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Britten
Edward Benjamin Britten, Baron Britten of Aldeburgh (22 November 1913 – 4 December 1976) was an English composer, conductor, and pianist. He was a central figure of 20th-century British music, with a range of works including opera, other vocal music, orchestral and chamber pieces. His best-known works include the opera '' Peter Grimes'' (1945), the '' War Requiem'' (1962) and the orchestral showpiece '' The Young Person's Guide to the Orchestra'' (1945). Britten was born in Lowestoft, Suffolk, the son of a dentist. He showed talent from an early age. He studied at the Royal College of Music in London and privately with the composer Frank Bridge. Britten first came to public attention with the ''a cappella'' choral work '' A Boy Was Born'' in 1934. With the premiere of ''Peter Grimes'' in 1945, he leapt to international fame. Over the next 28 years, he wrote 14 more operas, establishing himself as one of the leading 20th-century composers in the genre. In addition to l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
