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Blastbeat
A blast beat is a type of drum beat that originated in hardcore punk and grindcore, and is often associated with certain styles of extreme metal, namely black metal and death metal,Adam MacGregor, ''PCP Torpedo'' by Agoraphobic Nosebleed review, ''Dusted'', 11 June 2006 Access date: 2 October 2008. "There is one uniformly present attribute in all examples of 'grindcore', that being the so-called 'blast-beat.'" and occasionally in metalcore. In Adam MacGregor's definition, "the blast-beat generally comprises a repeated, sixteenth-note figure played at a very fast tempo, and divided uniformly among the bass drum, snare, and ride, crash, or hi-hat cymbal." Blast beats have been described by ''PopMatters'' contributor Whitney Strub as, "maniacal percussive explosions, less about rhythm per se than sheer sonic violence". Napalm Death is said to have coined the term,Strub, Whitney"Behind the Key Club: An Interview with Mark 'Barney' Greenway of Napalm Death" ''PopMatters'', ...
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Black Metal
Black metal is an extreme subgenre of heavy metal music. Common traits include fast tempos, a shrieking vocal style, heavily distorted guitars played with tremolo picking, raw (lo-fi) recording, unconventional song structures, and an emphasis on atmosphere. Artists often appear in corpse paint and adopt pseudonyms. During the 1980s, several thrash metal and death metal bands formed a prototype for black metal. This "first wave" included bands such as Venom, Bathory, Mercyful Fate, Hellhammer and Celtic Frost. A second wave arose in the early 1990s, spearheaded by Norwegian bands such as Mayhem, Darkthrone, Burzum, Immortal, Emperor, Satyricon and Gorgoroth. The early Norwegian black metal scene developed the style of their forebears into a distinct genre. Norwegian-inspired black metal scenes emerged throughout Europe and North America, although some other scenes developed their own styles independently. Some prominent Swedish bands spawned during this second wav ...
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Extreme Metal
Extreme metal is a loosely defined umbrella term for a number of related heavy metal music subgenres that have developed since the early 1980s. It has been defined as a "cluster of metal subgenres characterized by sonic, verbal, and visual transgression". The term usually refers to a more abrasive, harsher, underground, non-commercialized style associated with the speed metal, thrash metal, black metal, death metal, and doom metal genres.K. Kahn-Harris, ''Extreme Metal: Music and Culture on the Edge'' (Berg Publishers, 2007), , p. 31. Hardcore punk has been considered an integral part of the development of extreme metal, in the case of song structure and speed, in every case other than doom metal. Definitions Extreme metal acts set themselves apart from traditional heavy metal acts, such as Iron Maiden, Judas Priest and Motörhead, by incorporating more abrasive musical characteristics such as higher tempos, increased aggression and a harsher extremity. In the majority of ...
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Blast Beat Drum Pattern
Blast or The Blast may refer to: *Explosion, a rapid increase in volume and release of energy in an extreme manner *Detonation, an exothermic front accelerating through a medium that eventually drives a shock front Film * ''Blast'' (1997 film), starring Andrew Divoff * ''Blast'' (2000 film), starring Liesel Matthews * ''Blast'' (2004 film), an action comedy film * ''Blast!'' (1972 film) or ''The Final Comedown'', an American drama * ''BLAST!'' (2008 film), a documentary about the BLAST telescope * ''A Blast'', a 2014 film directed by Syllas Tzoumerkas Magazines * ''Blast'' (magazine), a 1914–15 literary magazine of the Vorticist movement * ''Blast'' (U.S. magazine), a 1933–34 American short-story magazine * ''The Blast'' (magazine), a 1916–17 American anarchist periodical Music * Blast (American band), a hardcore punk band * Blast (Russian band), an indie band * ''Blast'' (album), by Holly Johnson, 1989 * ''The Blast'' (album), by Yuvan Shankar Raja, 1999 * "The ...
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Stormtroopers Of Death
Stormtroopers of Death (abbreviated to S.O.D.) was an American crossover thrash band formed in New York City in 1985. They are credited as being among the first bands to fuse hardcore punk with thrash metal into a style sometimes referred to as crossover thrash. The band is also known for reuniting Anthrax members Scott Ian (guitars) and Charlie Benante (drums) with their former bassist Dan Lilker. Their instrumental song "March of the SOD" from their 1985 debut album, ''Speak English or Die'', was the ''Headbangers Ball'' intro anthem for many years. Another song from the same album, "Chromatic Death", was also used during the show as a segue between ads and videos. The band was the source of some controversy due to their deliberately offensive lyrics. Scott Ian described the songs on ''Speak English Or Die'' as "ridiculous" and "just a big inside joke", adding: "Some people thought we were racist, and those people are stupid." Bassist Dan Lilker stated: "The lyrics were neve ...
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King Crimson
King Crimson are a progressive rock band formed in 1968 in London, England. The band draws inspiration from a wide variety of music, incorporating elements of classical, jazz, folk, heavy metal, gamelan, industrial, electronic, experimental music and new wave. They exerted a strong influence on the early 1970s progressive rock movement, including on contemporaries such as Yes and Genesis, and continue to inspire subsequent generations of artists across multiple genres. The band has earned a large cult following. Founded by Robert Fripp, Michael Giles, Greg Lake, Ian McDonald and lyricist Peter Sinfield, the band initially focused on a dramatic sound layered with Mellotron, McDonald's saxophone and flute, and Lake's powerful lead vocals. Their debut album, '' In the Court of the Crimson King'' (1969), remains their most commercially successful and influential release, with a potent mixture of jazz, classical and experimental music. Following the sudden simultaneous de ...
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Emerson, Lake & Palmer
Emerson, Lake & Palmer (informally known as ELP) were an English progressive rock supergroup formed in London in 1970. The band consisted of Keith Emerson (keyboards), Greg Lake (vocals, bass, guitar, producer) and Carl Palmer (drums, percussion). With nine RIAA-certified gold record albums in the US, and an estimated 48 million records sold worldwide, they are one of the most popular and commercially successful progressive rock groups of the 1970s, with a musical sound including adaptations of classical music with jazz and symphonic rock elements, dominated by Emerson's flamboyant use of the Hammond organ, Moog synthesizer, and piano (although Lake wrote several acoustic songs for the group).Lake says almost dismissively, "It used to be a thing where as a balance to the record I would write an acoustic song." Lake's ballads, the least typical aspect of ELP's music, often garnered the band their greatest airplay and widest public exposure. The band came to prominence followin ...
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Carl Palmer
Carl Frederick Kendall Palmer (born 20 March 1950) is an English drummer best known as founding member and the last surviving member of the progressive rock supergroup Emerson, Lake & Palmer. He was also a founding member of progressive rock supergroup Asia. He has toured with his own bands since 2001, including Palmer, the Carl Palmer Band, and currently, Carl Palmer's ELP Legacy. He previously was a touring drummer for The Crazy World of Arthur Brown and a founding member of Atomic Rooster. Palmer was inducted into the ''Modern Drummer'' Hall of Fame in 1989, and was awarded the Prog God Award at the 2017 Progressive Music Awards. Career Early groups, Arthur Brown, and Atomic Rooster Palmer began taking drum lessons as a young boy. He took lessons with Britain's best-known classical percussionist of the twentieth century, James Blades, which undoubtedly contributed hugely to his masterful technique, sense of composition, and fluency across the entire gamut of percussion i ...
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Black Sabbath
Black Sabbath were an English rock music, rock band formed in Birmingham in 1968 by guitarist Tony Iommi, drummer Bill Ward (musician), Bill Ward, bassist Geezer Butler and vocalist Ozzy Osbourne. They are often cited as pioneers of heavy metal music. The band helped define the genre with releases such as ''Black Sabbath (album), Black Sabbath'' (1970), ''Paranoid (album), Paranoid'' (1970) and ''Master of Reality'' (1971). The band had multiple line-up changes following Osbourne's departure in 1979 and Iommi is the only constant member throughout their history. After previous iterations of the group – the Polka Tulk Blues Band and Earth – the band settled on the name Black Sabbath in 1969. They distinguished themselves through occult themes with horror-inspired lyrics and down-tuned guitars. Signing to Philips Records in November 1969, they released their first single, "Evil Woman (Crow song), Evil Woman", in January 1970, and their debut album, ''Black Sabbath'', was rel ...
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Bill Ward (musician)
William Thomas Ward (born 5 May 1948) is an English drummer. He was a co-founder and the original drummer for the heavy metal band Black Sabbath. Ward helped found Black Sabbath in 1969 alongside bandmates Ozzy Osbourne (lead singer), Tony Iommi (guitarist) and Geezer Butler (bass). Biography Early years and Black Sabbath Bill started to play drums as a child, listening to the big bands of the 1940s; his early major influences were Gene Krupa, Buddy Rich and Louie Bellson. Later he was influenced by drummers such as Larrie Londin, Bernard Purdie, Joe Morello, Keef Hartley, Hughie Flint, John Bonham, Ringo Starr, Jim Capaldi and Clive Bunker. In the mid-1960s Ward sang and played drums in a band called the Rest, before he and guitarist Tony Iommi played together in a band called Mythology, and upon that band's dissolution joined vocalist Ozzy Osbourne and bassist Geezer Butler, who had previously played together in a band called Rare Breed. The new band called themse ...
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Tony Williams (drummer)
Anthony Tillmon Williams (December 12, 1945 – February 23, 1997) was an American jazz drummer. Williams first gained fame as a member of Miles Davis' " Second Great Quintet", and later pioneered jazz fusion with Davis' group and his own combo, the Tony Williams Lifetime. In 1970, music critic Robert Christgau described him as "probably the best drummer in the world". Williams was inducted into the ''Modern Drummer'' Hall of Fame in 1986. Life and career Williams was born in Chicago and grew up in Boston. He is of African, Portuguese, and Chinese descent. He studied with drummer Alan Dawson at an early age, and began playing professionally at the age of 13 with saxophonist Sam Rivers. Saxophonist Jackie McLean hired Williams when he was 16. At 17 in 1963 Williams gained attention by joining Miles Davis in what was later dubbed Davis's Second Great Quintet. Williams was a vital element of the group, called by Davis in his autobiography "the center that the group's so ...
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AllMusic
AllMusic (previously known as All Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, the database was first made available on the Internet in 1994. AllMusic is owned by RhythmOne. History AllMusic was launched as ''All Music Guide'' by Michael Erlewine, a "compulsive archivist, noted astrologer, Buddhist scholar and musician". He became interested in using computers for his astrological work in the mid-1970s and founded a software company, Matrix, in 1977. In the early 1990s, as CDs replaced LPs as the dominant format for recorded music, Erlewine purchased what he thought was a CD of early recordings by Little Richard. After buying it he discovered it was a "flaccid latter-day rehash". Frustrated with the labeling, he researched using metadata to create a music guide. In 1990, in Big Rapids, Michigan, he founded ''All Music Gui ...
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Staccato
Staccato (; Italian for "detached") is a form of musical articulation. In modern notation, it signifies a note of shortened duration, separated from the note that may follow by silence. It has been described by theorists and has appeared in music since at least 1676. Notation In 20th-century music, a dot placed above or below a note indicates that it should be played staccato, and a wedge is used for the more emphatic staccatissimo. However, before 1850, dots, dashes, and wedges were all likely to have the same meaning, even though some theorists from as early as the 1750s distinguished different degrees of staccato through the use of dots and dashes, with the dash indicating a shorter, sharper note, and the dot a longer, lighter one. A number of signs came to be used in the late 19th and early 20th centuries to discriminate more subtle nuances of staccato. These signs involve various combinations of dots, vertical and horizontal dashes, vertical and horizontal wedges, and ...
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