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Bergerette
A bergerette, or shepherdess' air, is a form of early rustic French song. The bergerette, developed by Burgundian composers, is a virelai with only one stanza. It is one of the "fixed forms" of early French song and related to the rondeau. Examples include Josquin's ''Bergerette savoyene'' included in Petrucci's '' Odhecaton'' (1501).''Harmonice musices odhecaton A'' printer Ottaviano Petrucci, ed Helen Hewitt Helen Margaret Hewitt (May 2, 1900 – March 19, 1977) was an American musicologist and music educator, who received a Guggenheim Fellowship to study sacred music in Paris in 1947. She was best known for her scholarly editions of sixteenth-centur ..., Isabel Pope - 1978 "The Odhecaton and Brux 1 show complete bergerette music, ie, musical sections, a and p. Brux 1 also gives words of ... There seems little reason to doubt that the original form of the composition was the 'long' form, or, bergerette." References {{Authority control Renaissance music ...
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French Language
French ( or ) is a Romance languages, Romance language of the Indo-European languages, Indo-European family. It descended from the Vulgar Latin of the Roman Empire, as did all Romance languages. French evolved from Gallo-Romance, the Latin spoken in Gaul, and more specifically in Northern Gaul. Its closest relatives are the other langues d'oïl—languages historically spoken in northern France and in southern Belgium, which French (Francien) largely supplanted. French was also substratum, influenced by native Celtic languages of Northern Roman Gaul like Gallia Belgica and by the (Germanic languages, Germanic) Frankish language of the post-Roman Franks, Frankish invaders. Today, owing to France's French colonial empire, past overseas expansion, there are numerous French-based creole languages, most notably Haitian Creole language, Haitian Creole. A French-speaking person or nation may be referred to as Francophone in both English and French. French is an official language in ...
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Virelai
A ''virelai'' is a form of medieval French verse used often in poetry and music. It is one of the three ''formes fixes'' (the others were the ballade Ballad is a form of narrative poetry, often put to music, or a type of sentimental love song in modern popular music. Ballad or Ballade may also refer to: Music Genres and forms * Ballade (classical music), a musical setting of a literary ballad ... and the Rondeau (forme fixe), rondeau) and was one of the most common verse forms set to music in Europe from the late thirteenth to the fifteenth centuries. One of the most famous composers of virelai is Guillaume de Machaut (c. 1300–1377), who also wrote his own verse; 33 separate compositions in the form survive by him. Other composers of virelai include Jehan de Lescurel, Jehannot de l'Escurel, one of the earliest (d. 1304), and Guillaume Dufay (c. 1400–1474), one of the latest. By the mid-15th century, the form had become largely divorced from music, and numerous e ...
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Harold Gleason
Harold Gleason (1892–1980) was an American organist, teacher, lecturer, and scholar. He is best known as the author of ''Method of Organ Playing,'' published in numerous editions made by him and later by his wife, concert organist Catharine Crozier.Catharine Crozier, 89, Organist Who Christened Two Instruments
, ''The New York Times'' September 29, 2003 Accessed June 3, 2019


Biography

Gleason was born in , on April 26, 1892, and studied organ in California with the English organist
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Rondeau (forme Fixe)
A ''rondeau'' (; plural: ''rondeaux'') is a form of medieval and Renaissance French poetry, as well as the corresponding musical chanson form. Together with the ballade and the virelai it was considered one of the three '' formes fixes'', and one of the verse forms in France most commonly set to music between the late 13th and the 15th centuries. It is structured around a fixed pattern of repetition of material involving a refrain. The rondeau is believed to have originated in dance songs involving alternating singing of the refrain elements by a group and of the other lines by a soloist. The term "Rondeau" is today used both in a wider sense, covering several older variants of the form – which are sometimes distinguished as the triolet and rondel – and in a narrower sense referring to a 15-line variant which developed from these forms in the 15th and 16th centuries. The rondeau is unrelated with the much later instrumental dance form that shares the same name in French baroq ...
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Journal Of The American Musicological Society
The ''Journal of the American Musicological Society'' is a peer-reviewed academic journal and an official journal of the American Musicological Society. It is published by University of California Press and covers all aspects of musicology. The ''Journal of the American Musicological Society'' has been published three times a year since 1948. It was preceded by the annual ''Bulletin of the American Musicological Society'' (1936–1947) and the annual ''Papers of the American Musicological Society'' (1936–1941). Online versions of the journal and its predecessors are available at JSTOR JSTOR (; short for ''Journal Storage'') is a digital library founded in 1995 in New York City. Originally containing digitized back issues of academic journals, it now encompasses books and other primary sources as well as current issues of j ... and the University of California Press. External links * {{Official website, 1=http://www.ucpressjournals.com/journal.asp?j=jams Publications est ...
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American Musicological Society
The American Musicological Society (AMS) is a musicological organization which researches, promotes and produces publications on music. Founded in 1934, the AMS was begun by leading American musicologists of the time, and was crucial in legitimizing musicology as a scholarly discipline. At present, approximately 3000 individual members from forty nations are a part of the Society. Since 1948, the AMS has published the triannual ''Journal of the American Musicological Society''. History The American Musicological Society grew out of a small contingent of the Music Teachers National Association and, more directly, the New York Musicological Society (1930–1934). It was officially founded on 3 June 1934 by the leading American musicologists of the time, George S. Dickinson, Carl Engel, Gustave Reese, Helen Heffron Roberts, Joseph Schillinger, Charles Seeger, Harold Spivacke, Oliver Strunk, and Joseph Yasser. Its first president was Otto Kinkeldey, the first American to ...
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Josquin
Josquin Lebloitte dit des Prez ( – 27 August 1521) was a composer of High Renaissance music, who is variously described as French or Franco-Flemish. Considered one of the greatest composers of the Renaissance, he was a central figure of the Franco-Flemish School and had a profound influence on the music of 16th-century Europe. Building on the work of his predecessors Guillaume Du Fay and Johannes Ockeghem, he developed a complex style of expressive—and often imitative—movement between independent voices (polyphony) which informs much of his work. He further emphasized the relationship between text and music, and departed from the early Renaissance tendency towards lengthy melismatic lines on a single syllable, preferring to use shorter, repeated motifs between voices. Josquin was a singer, and his compositions are mainly vocal. They include masses, motets and secular chansons. Josquin's biography has been continually revised by modern scholarship, and remains h ...
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Odhecaton
The ''Harmonice Musices Odhecaton'' (One Hundred Songs of Harmonic Music, also known simply as the ''Odhecaton'') is an anthology of polyphonic secular songs published by Ottaviano Petrucci in 1501 in Venice. It is the first book of polyphonic music ever to be printed using movable type. (Printing plainchant with movable type had been possible since the 1470s.) The ''Odhecaton'' was hugely influential both in publishing in general and in dissemination of the Franco-Flemish musical style. Background Seeing the business potential for music printing, in 1498 Petrucci had obtained an exclusive 20-year license for all printing activities related to music anywhere in the Venetian Republic. Three years later, in 1501, he brought out his first anthology, 96 secular songs, mostly polyphonic French chansons, for three or four voice parts, calling it the ''Harmonice musices odhecaton''. For this work he printed two parts on the right-hand side of a page, and two parts on the left, so that f ...
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Helen Hewitt
Helen Margaret Hewitt (May 2, 1900 – March 19, 1977) was an American musicologist and music educator, who received a Guggenheim Fellowship to study sacred music in Paris in 1947. She was best known for her scholarly editions of sixteenth-century Venetian music incunabula printed by Ottaviano Petrucci. Early life and education Helen Margaret Hewitt was born in Granville, New York. She graduated from Vassar College in 1921, and from Eastman School of Music in 1925. She continued her studies in France, at the American Conservatory, where she worked with Charles-Marie Widor in organ performance, and Nadia Boulanger in harmony. She then studied at the Curtis Institute of Music in Philadelphia with Lynnwood Farnam (1928-1930) and then earned a master's degree at Union Theological Seminary in 1932, and another master's degree at Columbia University the following year. Hewitt completed doctoral studies at Harvard University in 1938. She was the first woman to earn a doctorate in musi ...
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