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Baroque Orchestra
A Baroque orchestra is an ensemble for mixed instruments that existed during the Baroque era of Western Classical music, commonly identified as 1600–1750. Baroque orchestras are typically much smaller, in terms of the number of performers, than their Romantic-era counterparts. Baroque orchestras originated in France where Jean-Baptiste Lully added the newly re-designed hautbois (oboe) and transverse flutes to his orchestra, Les Vingt-quatre Violons du Roi ("The Twenty-Four Violins of the King"). As well as violins and woodwinds, baroque orchestras often contained basso continuo instruments such as the theorbo, the lute, the harpsichord and the pipe organ. In the Baroque period, the size of an orchestra was not standardised. There were large differences in size, instrumentation and playing styles—and therefore in orchestral soundscapes and palettes—between the various European regions. The 'Baroque orchestra' ranged from smaller orchestras (or ensembles) with one player ...
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Baroque Music
Baroque music ( or ) refers to the period or dominant style of Western classical music composed from about 1600 to 1750. The Baroque style followed the Renaissance period, and was followed in turn by the Classical period after a short transition, the galant style. The Baroque period is divided into three major phases: early, middle, and late. Overlapping in time, they are conventionally dated from 1580 to 1650, from 1630 to 1700, and from 1680 to 1750. Baroque music forms a major portion of the "classical music" canon, and is now widely studied, performed, and listened to. The term "baroque" comes from the Portuguese word ''barroco'', meaning " misshapen pearl". The works of George Frideric Handel and Johann Sebastian Bach are considered the pinnacle of the Baroque period. Other key composers of the Baroque era include Claudio Monteverdi, Domenico Scarlatti, Alessandro Scarlatti, Antonio Vivaldi, Henry Purcell, Georg Philipp Telemann, Jean-Baptiste Lully, Jean-Philippe Rame ...
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American Bach Soloists
The American Bach Soloists (ABS) is an American baroque orchestra based in the San Francisco Bay Area. The orchestra was founded in Belvedere, California in 1989. Performers share music from Johann Sebastian Bach and his contemporaries during the Classical era, including Handel, Vivaldi, and Mozart, with modern audiences. History Since 1998, ABS has performed Handel's ''Messiah'' at Grace Cathedral during the Christmas season. In February 2020, ABS released a compilation album featuring Bach's cantatas and other early music pieces. American Bach Soloists Academy In 2010, ABS began hosting the American Bach Soloists Academy, an annual two-week summer training program at the San Francisco Conservatory of Music. Each year, more than 50 advanced students of early music convene for coaching, rehearsals, and classes. Following the academy, musicians publicly perform baroque selections as a part of the ABS Festival. Music director The American Bach Soloists are led by artistic ...
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Concerto Italiano
Concerto Italiano is an Italian early music ensemble well known for their interpretations of Monteverdi and Vivaldi, among others. The historically informed performance ensemble was formed by the harpsichordist Rinaldo Alessandrini, and made its Rome debut with Francesco Cavalli's ''La Calisto'' in 1984. Since then, Concerto Italiano has recorded Monteverdi madrigals, which have won numerous awards, including the Gramophone Award three times. Other major international awards garnered by this ensemble include ''Preis der deutschen Schallplattenkritik'', '' Prix de la Nouivelle Académie du disque'', '' Premio internationale del disco Antonio Vivaldi'' (Cini Foundation), and the '' Prix de l'Académie Charles Cros''. Concerto Italiano is under exclusive contract with OPUS 111, which is now under the umbrella of the large French label, Naïve. Most recently, with conjunction with the National University Library in Turin, Concerto Italiano has been recording all the operas and c ...
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Collegium Marianum
Collegium Marianum is a Prague-based Czech early music orchestra founded in 1997 by the flautist Jana Semerádová. She graduated from the Prague Conservatory and the Philosophical faculty of Charles University, where she studied theory and performance practice of early music. She completed her studies at the Royal Conservatory of The Hague in the class of Wilbert Hazelzet. In the years 2008-2011, she taught the baroque transverse flute and leads master classes. Semerádová is also programme director of the concert cycle Baroque Soirées and the annual ''Letní slavnosti staré hudby'' (Summer Festivities of Early Music).''Czech Music'' Music Information Center of the Czech Music Foundation-2006 Page 189 "The CD is further proof of the rising standard of Czech orchestras performing early music on historical instruments or replicas. All the members of the Collegium Marianum ensemble have an excellent training and enthusiasm, their commitment to individual study, self-discipline and ...
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Collegium 1704
Collegium 1704 is a Czech early music orchestra and choir founded in 2005 by the Czech conductor, harpsichordist, and horn player Václav Luks. The Collegium Vocale 1704 is the affiliated vocal ensemble. Since 2007, the ensemble has been making regular guest appearances at festivals and concert halls all over Europe: the Salzburger Festspiele (2015, 2016, 2018), the Berliner Philharmonie, London’s Wigmore Hall, Vienna’s Theater an der Wien and Konzerthaus, the Lucerne Festival, BOZAR (Palais des Beaux-Arts) in Brussels, the Chopin Festival in Warsaw, Wratislavia Cantans, and the Elbphilharmonie, and it is an ensemble-in-residence at the festival Oude Muziek in Utrecht and at the Leipzig Bachfest. In 2008, Music Bridge Prague — Dresden began, bringing together the two cities’ wealth of cultural traditions. In 2012 Collegium 1704 started a concert series at the Rudolfinum in Prague. Since autumn 2015, the two cycles have been merged into a single concert season that continue ...
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La Chapelle Rhénane
La Chapelle Rhénane is a French baroque musical ensemble conducted by Benoît Haller, also a soloist in the ensemble. History Founded in 2001 by tenor Benoît Haller, La Chapelle Rhénane is a musical ensemble of lyrical and instrumental soloists. The team is dedicated to the repertoire of great European vocal works. Its ambition is, through concerts and recordings, to reveal in these works the emotion, humanity and modernity that can seduce a wide contemporary audience. Just like the great European courts during the Baroque period who recruited their musicians across the continent – and to a lesser extent like the composers who never ceased to travel to complete their training and gain new experiences - la Chapelle Rhénane benefits from the central location of Strasbourg, attracting musicians from all over Europe. Since its start in 2003, the activity of la Chapelle Rhénane has been intimately linked to the work of Heinrich Schütz. It is through this composer that the ense ...
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Bourbon Baroque
Bourbon Baroque is a period instrument ensemble from Louisville, Kentucky. It specialises in historical informed performance of the music of the 17th and 18th centuries. History Bourbon Baroque was founded by harpsichordist John Austin Clark and baroque violinist Nicolas Fortin in the summer of 2007 in Louisville, Kentucky. Since 2017, the ensemble is led by Clark and violinist Alice Culin-Ellison. Overview The ensemble varies in size based on the program and produces performances ranging from chamber music concerts to full opera productions. The 2010 production of George Frideric Handel's opera ''Alcina'' has been recorded for TV and aired first on April 12, 2011. Bourbon Baroque has been performing Handel's ''Messiah'' in the holiday season every year since 2013. Bourbon Baroque performs regularly throughout the year in a variety of venues, often collaborating with performing arts organizations such as Squallis Puppeteers (Louisville, KY) and Empire City Men's Chorus ...
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Boston Baroque
Boston Baroque is the oldest period instrument orchestra in North America. It was founded in 1973 by the American harpsichordist and conductor, Martin Pearlman, to present concerts of the Baroque and Classical repertoire on period instruments, drawing on the insights of the historical performance movement. The Boston Baroque professional chamber chorus was established as an integral part of the ensemble in 1981. With Pearlman as its music director, the ensemble presents an annual subscription concert series in Greater Boston, Massachusetts; has performed on tour in Carnegie Hall, Chicago's Shubert Theatre, Los Angeles's Disney Hall, at the Ravinia and Tanglewood festivals, and has toured internationally. The orchestra, originally named "Banchetto Musicale", was renamed Boston Baroque in 1992, when Telarc Records, in its first commitment to a period-instrument orchestra, signed the ensemble to produce a series of recordings of major Baroque and Classical repertoire for intern ...
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Barocco Sempre Giovane
Barocco sempre giovane is a professional Czech chamber orchestra. Barocco sempre giovane (Baroque forever young) was founded in 2004 by a violoncellist Josef Krečmer. It is a chamber ensemble consisting of young musicians, standing organist and harpsichordist is Pavel Svoboda, concert master is Iva Kramperová. It makes CD recordings, performs on Czech television and cooperates regularly with Czech Radio. The young performers focus primarily on the music of the European baroque and classical masters, as well as the contemporary music ( Luboš Sluka, Slavomír Hořínka, Vít Zouhar). Concert performances The concert activities of the orchestra include performances at music festivals in the Czech Republic (in 2010 it will be Prague Spring International Music Festival, and Brno International Music Festival) and abroad ( Belgium, Slovakia, Spain). Barocco sempre giovane cooperates with renowned soloists: Václav Hudeček, Michaela Fukačová, Ivan Ženatý, Ludmila Ve ...
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Atlanta Baroque Orchestra
The Atlanta Baroque Orchestra (ABO), founded in 1997 in Atlanta, Georgia, is the first and oldest professional orchestra in the Southeastern United States of America dedicated to historically informed performance, (also called "authentic performance practice") of music from the Baroque era on period instruments. The Atlanta Baroque Orchestra gave its premiere concert in January, 1998. The first director of the ABO was lute and theorbo player Lyle Nordstrom, who departed in 2003. John Hsu, noted performer on the viola da gamba and baryton, took the title of artistic advisor, becoming artistic director in July 2004; he continued through the 2008/2009 season. From 2004 through 2011, the resident director was founding member Daniel Pyle, harpsichordist and organist, instructor of music at Clayton State University, and organist and choir director at the Anglican Church of Our Saviour in Atlanta. Violinist, Baroque dancer and choreographer Julie Andrijeski became artistic director in ...
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Les Arts Florissants (ensemble)
Les Arts Florissants is a Baroque musical ensemble in residence at the Théâtre de Caen in Caen, France. The organization was founded by conductor William Christie in 1979. The ensemble derives its name from the 1685 opera '' Les Arts florissants'' by Marc-Antoine Charpentier. The organization consists of a chamber orchestra of period instruments and a small vocal ensemble. Current notable members include soprano Danielle de Niese and tenor Paul Agnew, who has served as assistant conductor since 2007. Jonathan Cohen is also on the conducting staff; Christie remains the organization's Artistic Director. Work Although not specifically a Baroque opera ensemble, it is within this field that Les Arts Florissants has achieved its greatest successes. The majority of the ensemble's performances are of period operas (both staged and in concert), many of which are available on CD on the Harmonia Mundi and Erato labels and on DVD. The group first drew international acclaim in the area ...
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Arion Baroque Orchestra
Arion Baroque Orchestra, founded in 1981, is a Canadian baroque orchestra based in Montreal, Quebec, specializing in music of the 18th century performed on period instruments. History Arion Baroque Orchestra was founded in Montreal in 1981 (first under the name of Arion Ensemble). Originally, it was a quartet whose members included flautist Claire Guimond, violinist Chantal Rémillard, harpsichordist Hank Knox, and viola da gamba player Betsy MacMillan. The ensemble's name comes from the Greek mythology: Arion is a musician from antiquity who avoided drowning by charming a dolphin with his singing. It is also the name of a cantata by André Campra that was played at the first concert of the group. Since the mid-1990s, the original quartet has expanded with the aim of developing into a baroque orchestra, and thus began to explore the repertoire from the 2nd half of the 18th century, most notably the music of Haydn and Mozart. Flautist Claire Guimond, was the sole artisti ...
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