|
Bhog
Bhoga () is a Sanskrit term meaning "enjoyment; pleasure; experience". Etymologically, bhoga is derived from the root ''bhuj-'', meaning to "enjoy", "consume", or "relish". Bhoga in general usage refers to the consecrated food offering to a deity, or enjoyment of worldly pleasures. Denotatively, the meaning of the term bhoga is associated with the concepts such as "delight, enjoyment, consumption, indulgence, experience, and sensual pleasure", whereas, a connotative meaning implies to experience "pleasure without attachment." In Hindu philosophy, bhoga and yoga are viewed as the two paths leading to nirvana. The power of maya is believed to provide bhoga to an individual-subject experiencer (bhogin), so that their self attains maturity and realizes its oneness with the higher self. In the Dvaita Vedanta tradition, bhoga is "Enjoyment or unending bliss in the state of liberation." It is asserted that the self can have bhoga only while it has a body, and ceases to have it so af ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Saṃbhogakāya
''Saṃbhogakāya'' (, zh, t=報身, p=bàoshēn, Tib: ''longs spyod rdzog pa'i sku'') is the second of three aspects of a buddha. ''Sambhogakāya'' is a "subtle body of limitless form". Buddhas such as Bhaisajyaguru and Amitābha, as well as advanced bodhisattvas such as Avalokiteśvara and Manjusri can appear in an "enjoyment-body." A Buddha can appear in an "enjoyment-body" to teach bodhisattvas through visionary experiences. Those Buddhas and Bodhisattvas manifest themselves in their specific pure lands. These worlds are created for the benefits of others. In those lands it is easy to hear and practice the Dharma. A person can be reborn in such a pure land by "the transfer of some of the huge stock of 'merit' of a Land's presiding Buddha, stimulated by devout prayer." One of the places where the ''Sambhogakāya'' appears is the extra-cosmic realm or pure land called Akaniṣṭha. This realm should not be confused with the akanistha of the pure abodes, for it is a realm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maya (religion)
''Maya'' (; Devanagari: , IAST: ), literally "illusion" or "magic", has multiple meanings in Indian philosophies depending on the context. In later Vedic texts, connotes a "magic show, an illusion where things appear to be present but are not what they seem"; the principle which shows "attributeless Absolute" as having "attributes". also connotes that which "is constantly changing and thus is spiritually unreal" (in opposition to an unchanging Absolute, or Brahman), and therefore "conceals the true character of spiritual reality".Lynn Foulston and Stuart Abbott (2009), ''Hindu Goddesses: Beliefs and Practices'', Sussex Academic Press, , pp. 14-16. In the Advaita Vedanta school of Hindu philosophy, , "appearance", is "the powerful force that creates the cosmic illusion that the phenomenal world is real". In this nondualist school, at the individual level appears as the lack of knowledge () of the real Self, '' Atman-Brahman'', mistakenly identifying with the body-mind c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shvetashvatara Upanishad
The ''Shvetashvatara Upanishad'' (, ) is an ancient Sanskrit text embedded in the Yajurveda. It is listed as number 14 in the Muktika canon of 108 Upanishads. The Upanishad contains 113 mantras or verses in six chapters.Robert Hume (1921)Shvetashvatara Upanishad The Thirteen Principal Upanishads, Oxford University Press, pages 394–411 with footnotes The Upanishad is one of the 33 Upanishads from Taittiriyas, and associated with the ''Shvetashvatara'' tradition within ''Karakas sakha'' of the Yajurveda. It is a part of the "black" "krishna" Yajurveda, with the term "black" implying "the un-arranged, motley collection" of content in Yajurveda, in contrast to the "white" (well arranged) Yajurveda where Brihadaranyaka Upanishad and Isha Upanishad are embedded. The chronology of Shvetashvatara Upanishad is contested, but it is generally accepted to be a late-period Upanishadic composition.Stephen Phillips (2009), Yoga, Karma, and Rebirth: A Brief History and Philosophy, Columbia ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Deity
A deity or god is a supernatural being considered to be sacred and worthy of worship due to having authority over some aspect of the universe and/or life. The ''Oxford Dictionary of English'' defines ''deity'' as a God (male deity), god or goddess, or anything revered as divine. C. Scott Littleton defines a deity as "a being with powers greater than those of ordinary humans, but who interacts with humans, positively or negatively, in ways that carry humans to new Higher consciousness, levels of consciousness, beyond the grounded preoccupations of ordinary life". Religions can be categorized by how many deities they worship. Monotheism, Monotheistic religions accept only one deity (predominantly referred to as "God"), whereas Polytheism, polytheistic religions accept multiple deities. Henotheism, Henotheistic religions accept one God, supreme deity without denying other deities, considering them as aspects of the same divine principle. Nontheistic religions deny any supreme eter ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vātsyāyana
Vātsyāyana (Sanskrit : वात्स्यायन) was an ancient Indian philosopher, known for authoring the ''Kama Sutra''. He lived in India during the second or third century CE, probably in Pataliputra (modern day Patna in Bihar). He is not to be confused with Pakṣilasvāmin Vātsyāyana, the author of ''Nyāya Sutra Bhāshya'', the first preserved commentary on Akṣapāda Gotama, Gotama's ''Nyaya Sutras, Nyāya Sutras''. His name is sometimes erroneously confused with Mallanaga, the seer of the Asuras, to whom the origin of erotic science is attributed. Biography Hardly anything is known about Vātsyāyana from sources outside the ''Kāmasūtra'' itself. Vātsyāyana's interest in refined human, including sexual, behavior as a means of fulfilment, was recorded in his treatise ''Kama Sutra''. At the close of the ''Kama Sutra'' this is what he writes about himself: After reading and considering the works of Babhravya and other ancient authors, and thinking over t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mīmāṃsā
''Mīmāṁsā'' (Sanskrit: मीमांसा; IAST: Mīmāṃsā) is a Sanskrit word that means "reflection" or "critical investigation" and thus refers to a tradition of contemplation which reflected on the meanings of certain Vedic texts. This tradition is also known as Pūrva-Mīmāṁsā because of its focus on the earlier (''pūrva'') Vedic texts dealing with ritual actions, and similarly as Karma-Mīmāṁsā due to its focus on ritual action (''karma'').Chris Bartley (2013), "Purva Mimamsa", in ''Encyclopaedia of Asian Philosophy'' (Editor: Oliver Leaman), Routledge, 978-0415862530, pages 443–445. It is one of six Vedic "affirming" ( āstika) schools of Hindu philosophy. This particular school is known for its philosophical theories on the nature of Dharma, based on hermeneutics of the Vedas, especially the Brāḥmanas and samhitas.Oliver Leaman (2006), Shruti, in ''Encyclopaedia of Asian Philosophy'', Routledge, , page 503. The Mīmāṃsā school was foundati ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Śrāddha
Śrāddha (Sanskrit: श्राद्ध), is a ritual that some Hindus perform to pay homage to their pitṛs (dead ancestors). They believe that the ritual would provide peace to the ancestors in their afterlife. It is performed on the death anniversaries of the departed as per the Hindu Calendar. In addition it is also performed for the entire community of 'pitr' – both from paternal and maternal side – collectively during the Pitri Paksha or ''Shraaddha'' paksha ('fortnight of ancestors'), right before '' Sharad Navaratri'' in autumn. Rituals In practice, the karta (person who performs the Śrāddha): (1) Invites Brahmanas (priests) that day, invokes in them the divinity of his/her parent, worships and feeds them. (2) Performs a homa (fire ritual), appeasing Agni and Soma – the deities who transmit the offerings to the ancestors, nourish and protect them. (3) Offers pinda (type of rice balls) to the departed souls ("pinda dana", offered to the Pitṛs, the ances ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pitri
The pitris (, ) are the spirits of departed ancestors in Hinduism. Following an individual's death, the performance of the antyesti (funeral rites) is regarded to allow the deceased to enter Pitrloka, the abode of one's ancestors. The non-performance of these rituals is believed to result in the fate of wandering the earth as a restless preta. The amavasya (new moon day), as well as the occasion of Pitri Paksha during the Hindu month of Ashvin is recommended for the veneration of pitrs. Development Ancestor veneration is an ancient Indian practice. The custom of a death anniversary is still practised in India, where the deathday of one's parents involves a number of rituals and offerings, that are elaborated in the Puranas. Balls of rice (Piṇḍa) are traditionally offered on certain occasions, due to the belief that one's ancestors still need to be fed by their descendants. For the members of the priesthood class, a sacrifice dedicated to one's pitrs must be performed on a d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bhagavad Gita
The Bhagavad Gita (; ), often referred to as the Gita (), is a Hindu texts, Hindu scripture, dated to the second or first century BCE, which forms part of the Hindu epic, epic poem Mahabharata. The Gita is a synthesis of various strands of Indian religious thought, including the Vedic concept of ''dharma'' (duty, rightful action); samkhya-based ''yoga'' and ''jnana'' (knowledge); and ''bhakti'' (devotion). Among the Hindu denominations, Hindu traditions, the text holds a unique pan-Hindu influence as the most prominent sacred text and is a central text in Vedanta and the Vaishnava, Vaishnava Hindu tradition. While traditionally attributed to the sage Veda Vyasa, the Gita is historiographically regarded as a composite work by multiple authors. Incorporating teachings from the Upanishads and the samkhya Yoga (philosophy), yoga philosophy, the Gita is set in a narrative framework of dialogue between the pandava prince Arjuna and his charioteer guide Krishna, an avatar of Vishnu, a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yoga Sutras Of Patanjali
The ''Yoga Sutras of Patañjali'' (IAST: Patañjali yoga-sūtra) is a compilation "from a variety of sources" of Sanskrit sutras (aphorisms) on the practice of yoga – 195 sutras (according to Vyasa, Vyāsa and Krishnamacharya) and 196 sutras (according to others, including BKS Iyengar). The ''Yoga Sutras'' were compiled in India in the early centuries CE by the sage Patanjali, who collected and organized knowledge about yoga from Samkhya, Buddhism, and older Yoga traditions, and possibly another compiler who may have added the fourth chapter. He may also be the author of the ''Yogabhashya'', a commentary on the ''Yoga Sutras'', traditionally attributed to the legendary Vedic sage Vyasa, but possibly forming a joint work of Patanjali called the ''Pātañjalayogaśāstra''. The ''Yoga Sutras'' draw from three distinct traditions from the 2nd century BCE to the 1st century CE, namely Samkhya, Buddhism traditions, and "various older ascetic and religious strands of speculatio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shloka
Shloka or śloka ( , from the root , Macdonell, Arthur A., ''A Sanskrit Grammar for Students'', Appendix II, p. 232 (Oxford University Press, 3rd edition, 1927).) in a broader sense, according to Monier-Williams's dictionary, is "any verse or stanza; a proverb, saying"; but in particular it refers to the 32- syllable verse, derived from the Vedic '' anuṣṭubh'' metre, used in the '' Bhagavad Gita'' and many other works of classical Sanskrit literature. In its usual form it consists of four '' pādas'' or quarter-verses, of eight syllables each, or (according to an alternative analysis) of two half-verses of 16 syllables each. The metre is similar to the Vedic '' anuṣṭubh'' metre, but with stricter rules. The ''śloka'' is the basis for Indian epic poetry, and may be considered the Indian verse form ''par excellence'', occurring as it does far more frequently than any other metre in classical Sanskrit poetry. The ''śloka'' is the verse-form generally used in the '' Maha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Asanas
An asana (Sanskrit: आसन, IAST: āsana) is a body posture, used in both medieval hatha yoga and modern yoga. The term is derived from the Sanskrit word for 'seat'. While many of the oldest mentioned asanas are indeed seated postures for meditation, asanas may be standing, seated, arm-balances, twists, inversions, forward bends, backbends, or reclining in prone or supine positions. The asanas have been given a variety of English names by competing schools of yoga. The traditional number of asanas is the symbolic 84, but different texts identify different selections, sometimes listing their names without describing them. Some names have been given to different asanas over the centuries, and some asanas have been known by a variety of names, making tracing and the assignment of dates difficult. For example, the name Muktasana is now given to a variant of Siddhasana with one foot in front of the other, but has also been used for Siddhasana and other cross-legged meditation ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
