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Ballade (classical Music)
A ballade (; ; and ,) refers to a one- movement instrumental piece with lyrical and dramatic narrative qualities reminiscent of such a song setting, especially a piano ballade. In 19th century romantic music, a piano ballade is a genre of solo piano pieces written in a balletic narrative style, often with lyrical elements interspersed. Emerging in the Romantic era, it became a medium for composers to explore dramatic and expressive storytelling through complex, lyrical themes and virtuosic techniques. Origin The musical ballade originates in the literary tradition of medieval and early Renaissance poetry. In poetry, the '' ballade'' featured a highly structured form, typically composed of three main stanzas with a repeated refrain. This structure allowed poets to weave tales of romance, heroism, and folklore, with Guillaume de Machaut being a key figure in popularizing this poetic style. Additionally, the ballade existed as a courtly dance, marked by its elegance and associatio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ballade (forme Fixe)
The ''ballade'' (; ; not to be confused with the ballad) is a form of medieval and Renaissance French poetry as well as the corresponding musical chanson form. It was one of the three ''formes fixes'' (the other two were the Rondeau (forme fixe), rondeau and the virelai) and one of the verse forms in France most commonly set to music between the late 13th and the 15th centuries. The formes fixes were standard forms in French-texted song of the fourteenth and fifteenth centuries. The ballade is usually in three stanzas, each ending with a refrain (a repeated segment of text and music). The ballade as a Verse (poetry), verse form typically consists of three eight-line stanzas, each with a consistent metre and a particular rhyme scheme. The last line in the stanza is a refrain. The stanzas are often followed by a four-line concluding stanza (an ''envoi'') usually addressed to a prince. The rhyme scheme is therefore usually , where the capital "C" is a refrain. The many different ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johannes Brahms
Johannes Brahms (; ; 7 May 1833 – 3 April 1897) was a German composer, virtuoso pianist, and conductor of the mid-Romantic period (music), Romantic period. His music is noted for its rhythmic vitality and freer treatment of dissonance, often set within studied yet expressive contrapuntal textures. He adapted the traditional structures and techniques of a wide historical range of earlier composers. His includes four symphony, symphonies, four concertos, a Requiem, much chamber music, and hundreds of folk-song arrangements and , among other works for symphony orchestra, piano, organ, and choir. Born to a musical family in Hamburg, Brahms began composing and concertizing locally in his youth. He toured Central Europe as a pianist in his adulthood, premiering many of his own works and meeting Franz Liszt in Weimar. Brahms worked with Ede Reményi and Joseph Joachim, seeking Robert Schumann's approval through the latter. He gained both Robert and Clara Schumann's strong support ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Six Pieces For Piano, Op
6 (six) is the natural number following 5 and preceding 7. It is a composite number and the smallest perfect number. In mathematics A six-sided polygon is a hexagon, one of the three regular polygons capable of tiling the plane. A hexagon also has 6 edges as well as 6 internal and external angles. 6 is the second smallest composite number. It is also the first number that is the sum of its proper divisors, making it the smallest perfect number. It is also the only perfect number that doesn't have a digital root of 1. 6 is the first unitary perfect number, since it is the sum of its positive proper unitary divisors, without including itself. Only five such numbers are known to exist. 6 is the largest of the four all-Harshad numbers. 6 is the 2nd superior highly composite number, the 2nd colossally abundant number, the 3rd triangular number, the 4th highly composite number, a pronic number, a congruent number, a harmonic divisor number, and a semiprime. 6 is also the first ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opus Number
In music, the opus number is the "work number" that is assigned to a musical composition, or to a set of compositions, to indicate the chronological order of the composer's publication of that work. Opus numbers are used to distinguish among compositions with similar titles; the word is abbreviated as "Op." for a single work, or "Opp." when referring to more than one work. Opus numbers do not necessarily indicate chronological order of composition. For example, posthumous publications of a composer's juvenilia are often numbered after other works, even though they may be some of the composer's first completed works. To indicate the specific place of a given work within a music catalogue, the opus number is paired with a cardinal number; for example, Beethoven's Piano Sonata No. 14 in C-sharp minor (1801, nicknamed ''Moonlight Sonata'') is "Opus 27, No. 2", whose work-number identifies it as a companion piece to "Opus 27, No. 1" ( Piano Sonata No. 13 in E-flat major, 1800 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Rudolf Zumsteeg
Johann Rudolf Zumsteeg (10 January 1760 – 27 January 1802) was a German composer and conductor from the Classical period. Zumsteeg championed the operas of Mozart in Stuttgart, staging the first performances there of ''Die Zauberflöte'', ''Don Giovanni,'' and ''Così fan tutte''. He also was a prolific composer of ''Lieder'' and ballads. His ballads had a great influence on the young Franz Schubert, who imitated a number of Zumsteeg's as studies (some even in exactly the same keys) while he was a teenager. Life and early career Zumsteeg was born in Sachsenflur, Lauda-Königshofen, in a military camp to his father Rudolph Zum Steeg. He received an education at the Karlsschule Stuttgart after the death of both parents. Zumsteeg was initially admitted as a stucco worker, however his musical aptitude soon allowed him transfer to the music department.Ragogini, Ernest. ''Johann Rudolph Zumsteeg and the Kleine Balladen und Lieder''. Thesis (D.M.A.) Peabody Conservatory of Music, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carl Friedrich Zelter
Carl Friedrich Zelter (11 December 1758 15 May 1832)Grove/Fuller-Datei:Carl-Friedrich-Zelter.jpegMaitland, 1910. The Zelter entry takes up parts of pages 593-595 of Volume V. was a German composer, conductor and teacher of music. Working in his father's bricklaying business, Zelter attained mastership in that profession, and was a musical autodidact. Zelter was born and died in Berlin. He became friendly with Johann Wolfgang von Goethe, and his works include settings of Goethe's poems. During his career, he composed about two hundred lieder, as well as cantatas, a viola concerto (performed as early as 1779) and piano music. Amongst Zelter's pupils (at different times) were Felix Mendelssohn, Fanny Mendelssohn, Giacomo Meyerbeer, Eduard Grell, Otto Nicolai, Johann Friedrich Naue, and Heinrich Dorn. Felix Mendelssohn was perhaps Zelter's favorite pupil and Zelter wrote to Goethe boasting of the 12-year old's abilities. Zelter communicated his strong love of the music of J ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Friedrich Reichardt
Johann Friedrich Reichardt (25 November 1752 – 27 June 1814) was a German composer, writer and music critic. Early life Reichardt was born in Königsberg, East Prussia, to lutenist and ''Stadtmusiker'' Johann Reichardt (1720–1780). Johann Friedrich began his musical training, in violin, keyboard, and lute, as a child. Reichard's father was a student of Timofey Belogradsky, who in turn was a student of Sylvius Leopold Weiss. When Reichardt was ten years old, his father took the choir in which he sang, the ''"Wunderknaben"'', on a concert tour in East Prussia. After being encouraged by Immanuel Kant, Reichardt later studied Jurisprudence and Philosophy in his hometown and in Leipzig from 1769 to 1771. In 1771, he escaped civil service by embarking on a Sturm-und-Drang tour as a virtuoso. He returned to Königsberg in 1774 and became the ''Kammersekretär'' (Chamber Secretary) in Ragnit. After Reichardt sent his opera ''Le feste galanti'' as a sample piece to Friedrich II, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Gottfried Herder
Johann Gottfried von Herder ( ; ; 25 August 174418 December 1803) was a Prussian philosopher, theologian, pastor, poet, and literary critic. Herder is associated with the Age of Enlightenment, ''Sturm und Drang'', and Weimar Classicism. He was a Romantic philosopher and poet who argued that true German culture was to be discovered among the common people (''das Volk''). He also stated that it was through folk songs, folk poetry, and folk dances that the true spirit of the nation (''der Volksgeist'') was popularized. He is credited with establishing or advancing a number of important disciplines: hermeneutics, linguistics, anthropology, and "a secular philosophy of history." Biography Born in Mohrungen (now Morąg, Poland) in the Kingdom of Prussia, his parents were teacher Gottfried Herder (1706–1763) and his second wife Anna Elizabeth Herder, nee Peltz (1717–1772) grew up in a poor household, educating himself from his father's Bible and songbook. In 1762, as a yout ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
German Literature
German literature () comprises those literature, literary texts written in the German language. This includes literature written in Germany, Austria, the German parts of Switzerland and Belgium, Liechtenstein, Luxembourg, South Tyrol in Italy and to a lesser extent works of the German diaspora. German literature of the modern period is mostly in Standard German, but there are some currents of literature influenced to a greater or lesser degree by German dialects, dialects (e.g. Alemannic literature, Alemannic). Medieval German literature is literature written in Germany, stretching from the Carolingian dynasty; various dates have been given for the end of the German literary Middle Ages, the Protestant Reformation, Reformation (1517) being the last possible cut-off point. The Old High German period is reckoned to run until about the mid-11th century; the most famous works are the ''Hildebrandslied'' and a heroic epic known as the ''Heliand''. Middle High German starts in the 12 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Neue Zeitschrift Für Musik
The New Journal of Music (, and abbreviated to NZM) is a music magazine, co-founded in Leipzig by Robert Schumann, his teacher and future father-in law Friedrich Wieck, Julius Knorr and his close friend Ludwig Schuncke. Its first issue appeared on 3 April 1834. History Although the first editor was Julius Knorr, most of the work on the early issues of the ''Neue Zeitschrift'' (NZM) was done by Schumann; in 1835, when a new publisher was found, Schumann's name appeared as editor. In his reviews, he praised those of the new generation of musicians who deserved acclaim, including Frédéric Chopin and Hector Berlioz. Schuncke wrote some articles under the byline "Jonathan" but died at the age of 23 in December 1834. In June 1843, Schumann's other commitments made him give up editorship of the magazine, and in 1844 Franz Brendel became owner and editor. Under his tenure, the most notable piece was Richard Wagner Wilhelm Richard Wagner ( ; ; 22 May 181313 February 18 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edward (ballad)
"Edward" is a traditional murder ballad existing in several variants, categorised by Francis James Child as Child Ballad number 13 and listed as number 200 in the Roud Folk Song Index. The ballad, which is at least 250 years old (a text of its Swedish counterpart has been dated to the mid-17th century), has been documented and recorded numerous times across the English speaking world into the twentieth century. Synopsis A mother questions her son about the blood on his "sword" (most likely a hunting knife, given the era when the story is occurring). He avoids her interrogation at first, claiming that it is his hawk or his horse (or some other kind of animal depending on the variation of the song), but finally admits that it is his brother, or his father, whom he has killed. He declares that he is leaving and will never return, and various creatures (wife, children, livestock) will have to fare without him. His mother then asks what she will get from his departure. He answers "a cu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
