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Axial Cut
An axial cut is a type of jump cut, where the camera suddenly moves closer to or further away from its subject, along an invisible line drawn straight between the camera and the subject. While a plain jump cut typically involves a temporal discontinuity (an apparent jump in time), an axial cut is a way of maintaining the illusion of continuity. Axial cuts are used rarely in contemporary cinema, but were fairly common in the cinema of the 1910s and 1920s. An axial cut can be made with the use of a zoom lens, or physically moving the camera with a crane or camera dolly. The intervening footage (as the camera moves or zooms) is then removed while editing the film. Since footage is discarded, this technique works better for static shots. If action is involved, several takes will be required to get the necessary footage. Alternatively, a multiple-camera setup can be used, with the cameras showing the subject at different sizes. The footage from both cameras is then edited together to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jump Cut
A jump cut is a cut in film editing in which a single continuous sequential shot of a subject is broken into two parts, with a piece of footage being removed in order to render the effect of jumping forward in time. Camera positions of the subject in the remaining pieces of footage of the sequence should vary only slightly in order to achieve the effect. It is a manipulation of temporal space using the duration of a single shot, and fracturing the duration to move the audience ahead. This kind of cut abruptly communicates the passing of time as opposed to the more seamless dissolve heavily used in films predating Jean-Luc Godard's '' Breathless'', which made extensive use of jump cuts and popularized the technique during the 1960s. For this reason, jump cuts are considered a violation of classical continuity editing, which aims to give the appearance of continuous time and space in the story-world by de-emphasizing editing, but are sometimes nonetheless used for creative purposes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John McTiernan
John Campbell McTiernan Jr. (born January 8, 1951) is an American filmmaker. He is best known for his action films, especially ''Predator'' (1987), '' Die Hard'' (1988), and ''The Hunt for Red October'' (1990). His later well-known films include the action-comedy-fantasy film ''Last Action Hero'' (1993), the action film sequel '' Die Hard with a Vengeance'' (1995), the heist-film remake '' The Thomas Crown Affair'' (1999), and '' The 13th Warrior'' (1999). His last completed feature film was the mystery-thriller ''Basic'', released in 2003. He pleaded guilty to perjury and lying to an FBI investigator in regard to his hiring of the private investigator Anthony Pellicano in late 2000 to illegally wiretap the phone calls of two people, one of whom was Charles Roven, a co-producer of his action film remake '' Rollerball'' (2002). He was incarcerated in federal prison from April 2013 to February 2014. During his imprisonment, he filed for bankruptcy amidst foreclosure proceedin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cinematography
Cinematography (from ancient Greek κίνημα, ''kìnema'' "movement" and γράφειν, ''gràphein'' "to write") is the art of motion picture (and more recently, electronic video camera) photography. Cinematographers use a lens to focus reflected light from objects into a real image that is transferred to some image sensor or light-sensitive material inside a movie camera. These exposures are created sequentially and preserved for later processing and viewing as a motion picture. Capturing images with an electronic image sensor produces an electrical charge for each pixel in the image, which is electronically processed and stored in a video file for subsequent processing or display. Images captured with photographic emulsion result in a series of invisible latent images on the film stock, which are chemically " developed" into a visible image. The images on the film stock are projected for viewing the same motion picture. Cinematography finds uses in many field ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peter Bogdanovich
Peter Bogdanovich (July 30, 1939 – January 6, 2022) was an American director, writer, actor, producer, critic, and film historian. One of the " New Hollywood" directors, Bogdanovich started as a film journalist until he was hired to work on Roger Corman's '' The Wild Angels'' (1966). After that film's success, he directed his own film '' Targets'' (1968), which received critical acclaim. He gained widespread recognition and further acclaim for his coming-of-age drama ''The Last Picture Show'' (1971). The film received eight Academy Award nominations, including for the Best Picture, with Bogdanovich receiving nominations for Best Director and Best Adapted Screenplay, and Ben Johnson and Cloris Leachman winning Oscars for their supporting roles. Following ''The Last Picture Show'', he directed the screwball comedy '' What's Up, Doc?'' (1972), a major box office success, and another critical and commercial success, '' Paper Moon'' (1973), which earned him a Golden Globe Awa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brian De Palma
Brian Russell De Palma (born September 11, 1940) is an American film director and screenwriter. With a career spanning over 50 years, he is best known for his work in the suspense, crime and psychological thriller genres. De Palma was a leading member of the New Hollywood generation of film directors.Murray, Noel & Tobias, Scott (March 10, 2011)"Brian De Palma , Film , Primer" '' The A.V. Club''. Retrieved February 3, 2012. His direction often makes use of quotations from other films or cinematic styles, and bears the influence of filmmakers such as Alfred Hitchcock and Jean-Luc Godard. His films have been criticized for their violence and sexual content but have also been championed by American critics such as Roger Ebert and Pauline Kael. His films include mainstream box office hits such as '' Carrie'' (1976), '' Dressed to Kill'' (1980), '' Scarface'' (1983), '' The Untouchables'' (1987), and '' Mission: Impossible'' (1996), as well as cult favorites such as '' Sisters ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
James Whale
James Whale (22 July 1889 – 29 May 1957) was an English film director, theatre director and actor, who spent the greater part of his career in Hollywood. He is best remembered for several horror films: ''Frankenstein'' (1931), '' The Old Dark House'' (1932), ''The Invisible Man'' (1933) and ''Bride of Frankenstein'' (1935), all considered classics. Whale also directed films in other genres, including the 1936 film version of the musical ''Show Boat''. Whale was born into a large family in Dudley, Worcestershire now Metropolitan Borough of Dudley. He discovered his artistic talent early on and studied art. With the outbreak of World War I he enlisted in the British Army and became an officer. He was captured by the Germans and during his time as a prisoner of war he realised he was interested in drama. Following his release at the end of the war he became an actor, set designer and director. His success directing the 1928 play ''Journey's End'' led to his move to the US ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sadao Yamanaka
was a Japanese film director and screenwriter who directed 26 films between 1932 and 1938. He was a contemporary of Yasujirō Ozu, Mikio Naruse and Kenji Mizoguchi and one of the primary figures in the development of the ''jidaigeki'', or historical film. Yamanaka died of dysentery in Manchuria after being drafted into the Imperial Japanese Army. He is the uncle of the Japanese film director Tai Kato, who wrote a book about Yamanaka, ''Eiga kantoku Yamanaka Sadao''. Only three of his films survive in nearly complete form. While long considered a master filmmaker in his native Japan, interest in Yamanaka's work redeveloped after the restoration and Japanese DVD release of the three surviving films. His most internationally discussed film, ''Humanity and Paper Balloons'' (1937), was given its first non-Japanese DVD release in the UK as a Masters of Cinema release. Career Yamanaka began his career in the Japanese film industry at the age of 20 as a writer and assistant director for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Steven Spielberg
Steven Allan Spielberg (; born December 18, 1946) is an American director, writer, and producer. A major figure of the New Hollywood era and pioneer of the modern blockbuster, he is the most commercially successful director of all time. Spielberg is the recipient of various accolades, including three Academy Awards, a Kennedy Center honor, a Cecil B. DeMille Award, and an AFI Life Achievement Award. Seven of his films been inducted into the National Film Registry by the Library of Congress. Spielberg was born in Cincinnati, Ohio, and grew up in Phoenix, Arizona. He moved to California and studied film in college. After directing several episodes for television including '' Night Gallery'' and '' Columbo'', he directed the television film '' Duel'' (1971) which gained acclaim from critics and audiences. He made his directorial film debut with '' The Sugarland Express'' (1974), and became a household name with the 1975 summer blockbuster ''Jaws''. He then directed box of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hiroshi Shimizu (director)
was a Japanese film director, who directed over 160 films during his career. Biography Early years Shimizu was born in Shizuoka Prefecture and attended Hokkaidō University, but left before graduating. He joined the Shochiku film studio in Tokyo in 1921, making his directorial debut in 1924 at the age of just 21. Career Shimizu specialised in melodramas and comedies. In his most distinguished silent films like ''Fue no Shiratama'' (1929) and ''Japanese Girls at the Harbor (film), Japanese Girls at the Harbor'' (1933), he explored a Japan poised between native and Western ideas, traditionalism and liberalism, while stylistically relying on modernist and avant-garde techniques. The majority of his silent films is nowadays considered lost. In the 1930s, Shimizu increasingly took advantage of shooting on location and with non-professional actors, and was praised at the time by film critics such as Matsuo Kishi and fellow directors as Kenji Mizoguchi. ''Mr. Thank You'' (1936), ''The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Martin Scorsese
Martin Charles Scorsese ( , ; born November 17, 1942) is an American film director, producer, screenwriter and actor. Scorsese emerged as one of the major figures of the New Hollywood era. He is the recipient of many major accolades, including an Academy Award, a Grammy Award, three Emmy Awards, four British Academy Film Awards, two Directors Guild of America Awards, an AFI Life Achievement Award and the Kennedy Center Honor in 2007. Five of his films have been inducted into the National Film Registry by the Library of Congress as "culturally, historically or aesthetically significant". Scorsese received an MA from New York University's Steinhardt School of Culture, Education, and Human Development in 1968. His directorial debut, '' Who's That Knocking at My Door'' (1967), was accepted into the Chicago Film Festival. In the 1970s and 1980s decades, Scorsese's films, much influenced by his Italian-American background and upbringing in New York City, center on m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Akira Kurosawa
was a Japanese filmmaker and painter who directed thirty films in a career spanning over five decades. He is widely regarded as one of the most important and influential filmmakers in the history of cinema. Kurosawa displayed a bold, dynamic style, strongly influenced by Western cinema yet distinct from it; he was involved with all aspects of film production. Kurosawa entered the Japanese film industry in 1936, following a brief stint as a painter. After years of working on numerous films as an assistant director and scriptwriter, he made his debut as a director during World War II with the popular action film '' Sanshiro Sugata''. After the war, the critically acclaimed '' Drunken Angel'' (1948), in which Kurosawa cast the then little-known actor Toshiro Mifune in a starring role, cemented the director's reputation as one of the most important young filmmakers in Japan. The two men would go on to collaborate on another fifteen films. ''Rashomon'' (1950), which premiered ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
David Bordwell
David Jay Bordwell (; born July 23, 1947) is an American film theorist and film historian. Since receiving his PhD from the University of Iowa in 1974, he has written more than fifteen volumes on the subject of cinema including ''Narration in the Fiction Film'' (1985), ''Ozu and the Poetics of Cinema'' (1988), ''Making Meaning'' (1989), and ''On the History of Film Style'' (1997). With his wife Kristin Thompson, Bordwell wrote the textbooks ''Film Art'' (1979) and ''Film History'' (1994). ''Film Art'', currently being published in its 12th edition, is still used as a seminal text in introductory film courses. With aesthetic philosopher Noël Carroll, Bordwell edited the anthology ''Post-Theory: Reconstructing Film Studies'' (1996), a polemic on the state of contemporary film theory. His largest work to date remains ''The Classical Hollywood Cinema: Film Style and Mode of Production to 1960'' (1985), written in collaboration with Thompson and Janet Staiger. Several of his ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
