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Architectural Photography
Architectural photography is the sub genre of the photography discipline where the primary emphasis is made to capturing photographs of buildings and similar architectural structures that are both aesthetically pleasing and accurate in terms of representations of their subjects. Architectural photographers are usually skilled in the use of specialized techniques and cameras for producing such specialized photography. History The first permanent photograph, ''View from the Window at Le Gras'' by Nicéphore Niépce, was also the first architectural photograph as it was a view of buildings. Similarly, photographs taken by early photographer William Henry Fox Talbot were of architecture, including his photograph of a Latticed window in Lacock Abbey taken in 1835. Throughout the history of photography, architectural structures including buildings have been highly valued photographic subjects, mirroring society's appreciation for architecture and its cultural significance. By the 1 ...
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Photography
Photography is the art, application, and practice of creating durable images by recording light, either electronically by means of an image sensor, or chemically by means of a light-sensitive material such as photographic film. It is employed in many fields of science, manufacturing (e.g., photolithography), and business, as well as its more direct uses for art, film and video production, recreational purposes, hobby, and mass communication. Typically, a lens is used to focus the light reflected or emitted from objects into a real image on the light-sensitive surface inside a camera during a timed exposure. With an electronic image sensor, this produces an electrical charge at each pixel, which is electronically processed and stored in a digital image file for subsequent display or processing. The result with photographic emulsion is an invisible latent image, which is later chemically "developed" into a visible image, either negative or positive, depending on the ...
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Digital Single-lens Reflex Camera
A digital single-lens reflex camera (digital SLR or DSLR) is a digital camera that combines the optics and the mechanisms of a single-lens reflex camera with a digital imaging sensor. The reflex design scheme is the primary difference between a DSLR and other digital cameras. In the reflex design, light travels through the lens and then to a mirror that alternates to send the image to either a prism, which shows the image in the viewfinder, or the image sensor when the shutter release button is pressed. The viewfinder of a DSLR presents an image that will not differ substantially from what is captured by the camera's sensor as it presents it as a direct optical view through the main camera lens, rather than showing an image through a separate secondary lens. DSLRs largely replaced film-based SLRs during the 2000s. Major camera manufacturers began to transition their product lines away from DSLR cameras to mirrorless interchangeable-lens cameras (MILC) beginning in the 2010 ...
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Perspective Control
Perspective control is a procedure for composing or editing photographs to better conform with the commonly accepted distortions in constructed perspective. The control would: * make all lines that are vertical in reality vertical in the image. This includes columns, vertical edges of walls and lampposts. This is a commonly accepted distortion in constructed perspective; perspective is based on the notion that more distant objects are represented as smaller on the page; however, even though the top of the cathedral tower is in reality further from the viewer than base of the tower (due to the vertical distance), constructed perspective considers only the horizontal distance and considers the top and bottom to be the same distance away; * make all parallel lines (such as four horizontal edges of a cubic room) cross in one point. Perspective distortion occurs in photographs when the film plane is not parallel to lines that are required to be parallel in the photo. A common case is ...
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Perspective Control Lens
Perspective may refer to: Vision and mathematics * Perspectivity, the formation of an image in a picture plane of a scene viewed from a fixed point, and its modeling in geometry ** Perspective (graphical), representing the effects of visual perspective in graphic arts ** Aerial perspective, the effect the atmosphere has on the appearance of an object as it is viewed from a distance ** Perspective distortion (photography), the way that viewing a picture from the wrong position gives a perceived distortion ** Perspective (geometry), a relation between geometric figures ** Vue d'optique or perspective view, a genre of etching popular during the second half of the 18th century and into the 19th. Entertainment * ''Perspective'' (P-Model album), 1982 * ''Perspective'' (America album), 1984 * ''Perspective'' (Jason Becker album), 1996 * ''Perspective'' (Lawson album), 2016 * ''Perspective'', a 2010 album by Prague * Perspective (EP), an EP by Tesseract * ''Perspectives'' (album), th ...
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American Society Of Media Photographers
The American Society of Media Photographers, abbreviated ASMP, is a professional association of imaging professionals, including photojournalists, architectural, underwater, food/culinary and advertising photographers as well as video/film makers and other specialists. Its members are primarily those who create images for publications, though many cross over into wedding and portrait photography. ASMP advocates for photographers' legal rights, supports information-sharing among members, and provides business and technical information. Much of the material is freely available to the public. For instance, it offers a web tutorial on registering copyrights, and on model releases and property releases. It also helps users of images find qualified photographers for project assignments ("Find a Photographer") and helps photographers find qualified assistants ("Find an Assistant.") The ASMP has more than 4,000 members in over 30 countries. History In the fall of 1944, some two dozen N ...
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Aerial Photography
Aerial photography (or airborne imagery) is the taking of photographs from an aircraft or other airborne platforms. When taking motion pictures, it is also known as aerial videography. Platforms for aerial photography include fixed-wing aircraft, helicopters, unmanned aerial vehicles (UAVs or "drones"), balloons, blimps and dirigibles, rockets, pigeons, kites, or using action cameras while skydiving or wingsuiting. Handheld cameras may be manually operated by the photographer, while mounted cameras are usually remotely operated or triggered automatically. Aerial photography typically refers specifically to bird's-eye view images that focus on landscapes and surface objects, and should not be confused with air-to-air photography, where one or more aircraft are used as chase planes that "chase" and photograph other aircraft in flight. Elevated photography can also produce bird's-eye images closely resembling aerial photography (despite not actually being aerial shots) ...
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Twilight
Twilight is light produced by sunlight scattering in the upper atmosphere, when the Sun is below the horizon, which illuminates the lower atmosphere and the Earth's surface. The word twilight can also refer to the periods of time when this illumination occurs. The lower the Sun is beneath the horizon, the dimmer the twilight (other factors such as atmospheric conditions being equal). When the Sun reaches 18° below the horizon, the twilight's brightness is nearly zero, and evening twilight becomes nighttime. When the Sun again reaches 18° below the horizon, nighttime becomes morning twilight. Owing to its distinctive quality, primarily the absence of shadows and the appearance of objects silhouetted against the lit sky, twilight has long been popular with photographers and painters, who often refer to it as the blue hour, after the French expression ''l'heure bleue''. By analogy with evening twilight, the word ''twilight'' is also sometimes used metaphorically, to imply ...
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Available Light
In photography and cinematography, available light (also called ambient light or practical light) refers to any ''available'' source of light that is not explicitly supplied by the photographer for the purpose of taking pictures. The term usually refers to light sources in the surrounding environment that are present naturally (e.g. sunlight, moonlight, starlight, etc.) or artificial lighting that are already pre-existing (e.g. street lights, room lights, etc.). It generally excludes flashes, although arguably flash lighting provided by other photographers shooting simultaneously in the same space could be considered available light. Light sources that affect the scene and are included in the actual frame are called practical light sources, or simply practicals. Use of available light is an important factor in candid photography in order not to disturb the subjects. The use of available light may pose a challenge for a photographer. The brightness and direction of the light ...
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JM EstorilSol 008
JM may refer to: Places * Jamaica (ISO 3166-1 alpha-2 country code JM) * Jay Em, Wyoming, a community in the United States Businesses and organizations * Jack's Mannequin, a piano rock band * Jama'at al-Jihad al-Islami, an Islamic terrorist group active in Central Asia * Air Jamaica (IATA code JM) * Jaysh Muhammad, an Iraqi insurgency group * Jerónimo Martins, a Portuguese company * Johnson Matthey, a British chemicals and metals company * Joseph Magnin Co. Other uses * A shortened form of James * Fender Jazzmaster, an American guitar model * ''Juris Master'', a degree similar to the Master of Laws A Master of Laws (M.L. or LL.M.; Latin: ' or ') is an advanced postgraduate academic degree, pursued by those either holding an undergraduate academic law degree, a professional law degree, or an undergraduate degree in a related subject. In mos ... * Just Muslim, a religious denomination {{disambiguation ...
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Wide-angle Lens
In photography and cinematography, a wide-angle lens refers to a lens whose focal length is substantially smaller than the focal length of a normal lens for a given film plane. This type of lens allows more of the scene to be included in the photograph, which is useful in architectural, interior and landscape photography where the photographer may not be able to move farther from the scene to photograph it. Another use is where the photographer wishes to emphasise the difference in size or distance between objects in the foreground and the background; nearby objects appear very large and objects at a moderate distance appear small and far away. This exaggeration of relative size can be used to make foreground objects more prominent and striking, while capturing expansive backgrounds. A wide angle lens is also one that projects a substantially larger image circle than would be typical for a standard design lens of the same focal length. This large image circle enables either ...
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Depth Of Field
The depth of field (DOF) is the distance between the nearest and the furthest objects that are in acceptably sharp focus in an image captured with a camera. Factors affecting depth of field For cameras that can only focus on one object distance at a time, depth of field is the distance between the nearest and the farthest objects that are in acceptably sharp focus. "Acceptably sharp focus" is defined using a property called the " circle of confusion". The depth of field can be determined by focal length, distance to subject, the acceptable circle of confusion size, and aperture. Limitations of depth of field can sometimes be overcome with various techniques and equipment. The approximate depth of field can be given by: : \text \approx \frac for a given circle of confusion (c), focal length (f), f-number (N), and distance to subject (u). As distance or the size of the acceptable circle of confusion increases, the depth of field increases; however, increasing the size ...
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Architectural Photographers
Early architectural photographers include Roger Fenton, Francis Frith (Middle East and Britain), Samuel Bourne, Inclined Studio (India) and Albert Levy (photographer), Albert Levy (United States and Europe). They paved the way for the modern speciality of architectural photography. Later architectural photography had practitioners such as Ezra Stoller and Julius Shulman. Stoller worked mainly on the east coast of America, having graduated with a degree in architecture in the 1930s. Shulman, who was based on the West Coast, became an architectural photographer after some images that he had taken of one of Richard Neutra's houses in California made their way onto the architect's desk. Notable architectural photographers *Berenice Abbott *Eugène Atget *James Austin (photographer), James Austin *Iwan Baan *Bernd and Hilla Becher * Hélène Binet (b. 1959) *Jack Boucher *Sergio Castiglione *Phyllis Dearborn *Frederick H. Evans *Lucien Hervé *Carol M. Highsmith *Candida Höfer *Julie ...
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