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Accentuation
In linguistics, and particularly phonology, stress or accent is the relative emphasis or prominence given to a certain syllable in a word or to a certain word in a phrase or sentence. That emphasis is typically caused by such properties as increased loudness and vowel length, full articulation of the vowel, and changes in tone. The terms ''stress'' and ''accent'' are often used synonymously in that context but are sometimes distinguished. For example, when emphasis is produced through pitch alone, it is called '' pitch accent'', and when produced through length alone, it is called ''quantitative accent''. When caused by a combination of various intensified properties, it is called ''stress accent'' or ''dynamic accent''; English uses what is called ''variable stress accent''. Since stress can be realised through a wide range of phonetic properties, such as loudness, vowel length, and pitch (which are also used for other linguistic functions), it is difficult to define ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pitch-accent Language
A pitch-accent language, when spoken, has word accents in which one syllable in a word or morpheme is more prominent than the others, but the accentuated syllable is indicated by a contrasting pitch ( linguistic tone) rather than by loudness (or length), as in many languages, like English. Pitch-accent also contrasts with fully tonal languages like Vietnamese and Standard Chinese, in which each syllable can have an independent tone. Some have claimed that the term "pitch accent" is not coherently defined and that pitch-accent languages are just a sub-category of tonal languages in general. Languages that have been described as pitch-accent languages include: most dialects of Serbo-Croatian, Slovene, Baltic languages, Ancient Greek, Vedic Sanskrit, Tlingit, Turkish, Japanese, Norwegian, Swedish (but not in Finland), Western Basque,Hualde, J.I. (1986)"Tone and Stress in Basque: A Preliminary Survey"(PDF). ''Anuario del Seminario Julio de Urquijo'' XX-3, 1986, pp. 867 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pitch-accent Language
A pitch-accent language, when spoken, has word accents in which one syllable in a word or morpheme is more prominent than the others, but the accentuated syllable is indicated by a contrasting pitch ( linguistic tone) rather than by loudness (or length), as in many languages, like English. Pitch-accent also contrasts with fully tonal languages like Vietnamese and Standard Chinese, in which each syllable can have an independent tone. Some have claimed that the term "pitch accent" is not coherently defined and that pitch-accent languages are just a sub-category of tonal languages in general. Languages that have been described as pitch-accent languages include: most dialects of Serbo-Croatian, Slovene, Baltic languages, Ancient Greek, Vedic Sanskrit, Tlingit, Turkish, Japanese, Norwegian, Swedish (but not in Finland), Western Basque,Hualde, J.I. (1986)"Tone and Stress in Basque: A Preliminary Survey"(PDF). ''Anuario del Seminario Julio de Urquijo'' XX-3, 1986, pp. 867 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Phonetics
Phonetics is a branch of linguistics that studies how humans produce and perceive sounds, or in the case of sign languages, the equivalent aspects of sign. Linguists who specialize in studying the physical properties of speech are phoneticians. The field of phonetics is traditionally divided into three sub-disciplines based on the research questions involved such as how humans plan and execute movements to produce speech (articulatory phonetics), how various movements affect the properties of the resulting sound (acoustic phonetics), or how humans convert sound waves to linguistic information (auditory phonetics). Traditionally, the minimal linguistic unit of phonetics is the phone—a speech sound in a language which differs from the phonological unit of phoneme; the phoneme is an abstract categorization of phones. Phonetics deals with two aspects of human speech: production—the ways humans make sounds—and perception—the way speech is understood. The communicative moda ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Intonation (linguistics)
In linguistics, intonation is variation in pitch used to indicate the speaker's attitudes and emotions, to highlight or focus an expression, to signal the illocutionary act performed by a sentence, or to regulate the flow of discourse. For example, the English question "Does Maria speak Spanish or French?" is interpreted as a yes-or-no question when it is uttered with a single rising intonation contour, but is interpreted as an alternative question when uttered with a rising contour on "Spanish" and a falling contour on "French". Although intonation is primarily a matter of pitch variation, its effects almost always work hand-in-hand with other prosodic features. Intonation is distinct from tone, the phenomenon where pitch is used to distinguish words (as in Mandarin) or to mark grammatical features (as in Kinyarwanda). Transcription Most transcription conventions have been devised for describing one particular accent or language, and the specific conventions therefore ne ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Linguistics
Linguistics is the science, scientific study of human language. It is called a scientific study because it entails a comprehensive, systematic, objective, and precise analysis of all aspects of language, particularly its nature and structure. Linguistics is concerned with both the Cognition, cognitive and social aspects of language. It is considered a scientific field as well as an academic discipline; it has been classified as a social science, natural science, cognitive science,Thagard, PaulCognitive Science, The Stanford Encyclopedia of Philosophy (Fall 2008 Edition), Edward N. Zalta (ed.). or part of the humanities. Traditional areas of linguistic analysis correspond to phenomena found in human linguistic systems, such as syntax (rules governing the structure of sentences); semantics (meaning); Morphology (linguistics), morphology (structure of words); phonetics (speech sounds and equivalent gestures in sign languages); phonology (the abstract sound system of a particular ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Standard Chinese Phonology
This article summarizes the phonology (the sound system, or in more general terms, the pronunciation) of Standard Chinese (Standard Mandarin). Standard Chinese phonology is based on the Beijing dialect of Mandarin. Actual production varies widely among speakers, as they introduce elements of their native varieties (although television and radio announcers are chosen for their ability to produce the standard variety). Elements of the sound system include not only the segments – the vowels and consonants – of the language but also the tones that are applied to each syllable. Standard Chinese has four main tones, in addition to a neutral tone used on weak syllables. This article represents phonetic values using the International Phonetic Alphabet (IPA), noting correspondences chiefly with the Pinyin system for transcription of Chinese text. For correspondences with other systems, see the relevant articles, such as Wade–Giles, Bopomofo (Zhuyin), Gwoyeu Romatzyh, etc., and Ro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Phonemic Tone
Tone is the use of pitch in language to distinguish lexical or grammatical meaning – that is, to distinguish or to inflect words. All verbal languages use pitch to express emotional and other paralinguistic information and to convey emphasis, contrast and other such features in what is called intonation, but not all languages use tones to distinguish words or their inflections, analogously to consonants and vowels. Languages that have this feature are called tonal languages; the distinctive tone patterns of such a language are sometimes called tonemes, by analogy with ''phoneme''. Tonal languages are common in East and Southeast Asia, Africa, the Americas and the Pacific. Tonal languages are different from pitch-accent languages in that tonal languages can have each syllable with an independent tone whilst pitch-accent languages may have one syllable in a word or morpheme that is more prominent than the others. Mechanics Most languages use pitch as intonation to conv ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Accent (music)
In music, an accent is an emphasis, stress, or stronger attack placed on a particular note or set of notes, or chord, either as a result of its context or specifically indicated by an accent mark. Accents contribute to the articulation and prosody of a performance of a musical phrase. Accents may be written into a score or part by a composer or added by the performer as part of his or her interpretation of a musical piece. Compared to surrounding notes: * A ''dynamic accent'' or ''stress accent'' is an emphasis using louder sound or a stronger sound, typically most pronounced on the attack of the sound. * A ''tonic accent'' is an emphasis on notes by virtue of being higher in pitch as opposed to higher in volume. * An ''agogic accent'' is an emphasis by virtue of being longer in duration. Accents which do not correspond to the stressed beats of the prevailing meter are said to be syncopated. For example, in common time, also called 4/4, the most common metre in popular mu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Neutral Vowel
In linguistics, specifically phonetics and phonology, schwa (, rarely or ; sometimes spelled shwa) is a vowel sound denoted by the IPA symbol , placed in the central position of the vowel chart. In English and some other languages, it represents the mid central vowel sound (rounded or unrounded), produced when the lips, tongue, and jaw are completely relaxed, such as the vowel sound of the in the English word ''about''. In English, some long-established phonetic transcription systems assert that the mid central vowel as an unstressed vowel and transcribed with schwa (ə) is always a different vowel sound from the open-mid back unrounded vowel as a stressed vowel and transcribed with turned v ( ʌ), although they may recognize allophony between the pair. As Geoff Lindsey explains, within these systems, it is said that "schwa is never stressed"; but other authorities (including Lindsey himself) recognize that in some varieties of English, such as General American ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Manner Of Articulation
In articulatory phonetics, the manner of articulation is the configuration and interaction of the articulators ( speech organs such as the tongue, lips, and palate) when making a speech sound. One parameter of manner is ''stricture,'' that is, how closely the speech organs approach one another. Others include those involved in the r-like sounds ( taps and trills), and the sibilancy of fricatives. The concept of manner is mainly used in the discussion of consonants, although the movement of the articulators will also greatly alter the resonant properties of the vocal tract, thereby changing the formant structure of speech sounds that is crucial for the identification of vowels. For consonants, the place of articulation and the degree of phonation of voicing are considered separately from manner, as being independent parameters. Homorganic consonants, which have the same place of articulation, may have different manners of articulation. Often nasality and laterality are i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Place Of Articulation
In articulatory phonetics, the place of articulation (also point of articulation) of a consonant is a location along the vocal tract where its production occurs. It is a point where a constriction is made between an active and a passive articulator. Active articulators are organs capable of voluntary movement which create the constriction, while passive articulators are so called because they are normally fixed and are the parts with which an active articulator makes contact. Along with the manner of articulation and phonation, the place of articulation gives the consonant its distinctive sound. Since vowels are produced with an open vocal tract, the point where their production occurs cannot be easily determined. Therefore, they are not described in terms of a place of articulation but by the relative positions in vowel space. This is mostly dependent on their formant frequencies and less on the specific tongue position and lip rounding. The terminology used in describing plac ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pitch (music)
Pitch is a perceptual property of sounds that allows their ordering on a frequency-related scale, or more commonly, pitch is the quality that makes it possible to judge sounds as "higher" and "lower" in the sense associated with musical melodies. Pitch is a major auditory attribute of musical tones, along with duration, loudness, and timbre. Pitch may be quantified as a frequency, but pitch is not a purely objective physical property; it is a subjective psychoacoustical attribute of sound. Historically, the study of pitch and pitch perception has been a central problem in psychoacoustics, and has been instrumental in forming and testing theories of sound representation, processing, and perception in the auditory system. Perception Pitch and frequency Pitch is an auditory sensation in which a listener assigns musical tones to relative positions on a musical scale based primarily on their perception of the frequency of vibration. Pitch is closely related to frequency, bu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
