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Avanspettacolo
''Avanspettacolo'' () is an Italian theatrical genre that developed between the 1930s and 1950s. Closely related to revue and variety show, ''avanspettacolo'' features a diverse mixture of music, ballet, sketch comedy, and other forms of entertainment. The genre emerged during the Fascist era, as a consequence of the promulgation of "modernist" laws that granted tax relief advantages to the theatres that were adapted to play movies. As a consequence, theatre companies were forced to devise a light and short form of representation that could be performed on the stage to entertain the audience before the "main show" (i.e., the movie).Angelo Olivieri with Alberto Castellano, 1989: ''Le stelle del varietà: rivista, avanspettacolo e cabaret dal 1936 al 1966'', Roma, Gremese, Mario Quargnolo, 1980: ''Dal tramonto dell'operetta al tramonto della rivista: mezzo secolo di fasti e miserie del varietà e dell'avanspettacolo'', Milano, Pan, 1980, SBN IT\ICCU\SBL\0287024 Since ''avanspettacolo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Theatre Of Italy
The theatre of Italy originates from the Middle Ages, with its background dating back to the times of the ancient Greek colonies of Magna Graecia, in southern Italy, the theatre of the Italic peoples and the theatre of ancient Rome. It can therefore be assumed that there were two main lines of which the ancient Italian theatre developed in the Middle Ages. The first, consisting of the dramatization of Catholic liturgies and of which more documentation is retained, and the second, formed by pagan forms of spectacle such as the staging for city festivals, the court preparations of the jesters and the songs of the troubadours. Renaissance humanism was also a turning point for the Italian theatre. The recovery of the ancient texts, both comedies and tragedies, and texts referring to the art of the theatre such as Aristotle's ''Poetics'', also gave a turning point to representational art, which re-enacted the Plautian characters and the heroes of Seneca's tragedies, but also buildin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Revue
A revue is a type of multi-act popular theatre, theatrical entertainment that combines music, dance, and sketch comedy, sketches. The revue has its roots in 19th century popular entertainment and melodrama but grew into a substantial cultural presence of its own during its golden years from 1916 to 1932. Though most famous for their visual spectacle, revues frequently satirized contemporary figures, news or literature. Similar to the related subforms of operetta and musical theatre, the revue art form brings together music, dance and sketches to create a compelling show. In contrast to these, however, revue does not have an overarching storyline. Rather, a general theme serves as the motto for a loosely related series of acts that alternate between solo performances and dance ensembles. Owing to high ticket prices, wikt:ribald, ribald publicity campaigns and the occasional use of wikt:prurient, prurient material, the revue was typically patronized by audience members who earned mo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Variety Show
Variety show, also known as variety arts or variety entertainment, is entertainment made up of a variety of acts including musical performances, sketch comedy, magic, acrobatics, juggling, and ventriloquism. It is normally introduced by a compère (master of ceremonies) or host. The variety format made its way from the Victorian era stage in Britain and America to radio and then television. Variety shows were a staple of English language television from the late 1940s into the 1980s. While the format is still widespread in some parts of the world, such as in the United Kingdom with the '' Royal Variety Performance'', the Philippines with ''Eat Bulaga!'' and '' It's Showtime'', and South Korea with '' Running Man'', the proliferation of multichannel television and evolving viewer tastes have affected the popularity of variety shows in the United States. Despite this, their influence has still had a major effect on late night television whose late-night talk shows and NBC's vari ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Sketch Comedy
Sketch comedy comprises a series of short, amusing scenes or vignettes, called "sketches" or, "skits", commonly between one and ten minutes long, performed by a group of comic actors or comedians. While the form developed and became popular in music hall in Britain and vaudeville in North America, today it is used widely in variety shows, as well as in late night talk shows and even some sitcoms. While sketch comedy is now associated mostly with adult entertainment, certain children's television series such have used it, too. The sketches may be improvised live by the performers, developed through improvisation before public performance, or scripted and rehearsed in advance like a play. History Sketch comedy has its origins in music hall and vaudeville, where many brief humorous acts were strung together to form a larger programme. In the 1890s, music hall impresario Fred Karno developed a form of sketch comedy without dialogue, and in 1904 he produced a sketch called ' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Italian Fascism
Italian fascism (), also called classical fascism and Fascism, is the original fascist ideology, which Giovanni Gentile and Benito Mussolini developed in Italy. The ideology of Italian fascism is associated with a series of political parties led by Mussolini: the National Fascist Party (PNF), which governed the Kingdom of Italy from 1922 until 1943, and the Republican Fascist Party (PFR), which governed the Italian Social Republic from 1943 to 1945. Italian fascism also is associated with the post–war Italian Social Movement (MSI) and later Italian Neo-fascism, neo-fascist political organisations. Italian fascism originated from ideological combinations of ultranationalism and Italian nationalism, national syndicalism and revolutionary nationalism, and from the militarism of Italian irredentism to regain "lost overseas territories of Italy" deemed necessary to restore Italian nationalist pride.Aristotle A. Kallis. ''Fascist ideology: territory and expansionism in Italy and Ger ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Movie Theater
A movie theater (American English) or cinema (English in the Commonwealth of Nations, Commonwealth English), also known as a movie house, cinema hall, picture house, picture theater, the movies, the pictures, or simply theater, is a business that contains auditoriums for viewing films for public entertainment. Most are commercial operations catering to the general public, who attend by purchasing Ticket (admission), tickets. The film is projected with a movie projector onto a large projection screen at the front of the auditorium while the dialogue, sounds and music are played through a number of wall-mounted speakers. Since the 1970s, subwoofers have been used for low-pitched sounds. Since the 2010s, the majority of movie theaters have been equipped for digital cinema projection, removing the need to create and transport a physical film print on a heavy reel. A great variety of films are shown at cinemas, ranging from animated films to Blockbuster (entertainment), blockbuste ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Striptease
A striptease is an erotic or exotic dance in which the performer gradually undresses, either partly or completely, in a seductive and sexually suggestive manner. The person who performs a striptease is commonly known as a "stripper", "exotic dancer", or "burlesque dancer". The origins of striptease as a performance art are disputed, and various dates and occasions have been given from ancient Babylonia to 20th-century America. The term "striptease" was first recorded in 1932. In Western countries, venues where stripteases are performed on a regular basis are now usually called strip clubs, but striptease may also be performed in venues such as pubs (especially in the United Kingdom), theaters and music halls. At times, a stripper may be hired to perform at a bachelor or bachelorette party. In addition to providing adult entertainment, stripping can be a form of sexual play between partners. This can be done as an impromptu event or – perhaps for a special occasion&nb ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Eduardo De Filippo
Eduardo De Filippo OMRI (; 26 May 1900 – 31 October 1984), also known simply as ''Eduardo'', was an Italian actor, director, screenwriter, and playwright, best known for his Neapolitan language, Neapolitan works ''Filumena Marturano'' and ''Side Street Story, Napoli Milionaria''. Considered one of the most important Italian artists of the 20th century, De Filippo was the author of many theatrical dramas staged and directed by himself first and later awarded and played outside Italy. For his artistic merits and contributions to Italian culture, he was named ''senatore a vita'' by the President of the Italian Republic Sandro Pertini. Biography Family De Filippo was born in Naples on 26 May 1900. For many years, his birth date was mistakenly thought to be May 24th, but recent research in anagraphic books proved 26 to be the right date. Eduardo was the second son of playwright and actor Eduardo Scarpetta, the king of Neapolitan theatre, and theatre seamstress and costumier ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Totò
Antonio Griffo Focas Flavio Angelo Ducas Comneno Porfirogenito Gagliardi De Curtis di Bisanzio (15 February 1898 – 15 April 1967), best known by his stage name Totò (), or simply as Antonio de Curtis, and nicknamed ''il principe della risata'' ("the prince of laughter"), was an Italian actor, comedian, screenwriter, dramatist, poet, singer and lyricist. He is commonly referred to as one of the most popular Italian performers of all time. While best known for his funny and sometimes cynical comic characters in theatre and then many successful comedy films made from the 1940s to the 1960s, he also worked with many iconic Italian film directors in dramatic roles. Early life Totò was born Antonio Vincenzo Stefano Clemente on 15 February 1898 in the Rione Sanità, a poor district of Naples, the illegitimate son of Anna Clemente (1881–1947), a Sicilian woman, and the Neapolitan marquis Giuseppe de Curtis (1873–1944). His father did not legally recognize him, and Totò so re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Aldo Fabrizi
Aldo Fabrizi (; born Aldo Fabbrizi; 1 November 1905 – 2 April 1990) was an Italian actor, director, screenwriter and comedian, best known for the role of the heroic priest in Roberto Rossellini's ''Rome, Open City'' and as partner of Totò in a number of successful comedies. Life and career Born in Rome into a humble family, Fabrizi debuted on stage in a suburban theater in 1931. He soon got local success thanks to his comical sketches and ''macchiette'' (i.e. comical monologues caricaturing stock characters), and became a star of the Roman revue and ''avanspettacolo''. He made his film debut during the war, in 1942, and in a short time established himself as one of the most talented actors of the time, spacing from comedy to drama. After a number of successful comedies, in 1945 he played the iconic Don Pietro in the Italian neo-realism, neo-realist drama ''Rome, Open City'', and following the critical and commercial success of the film he had a number of leading roles in other ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Lino Banfi
Lino Banfi (born Pasquale Zagaria; 9 July 1936) is an Italian actor and screenwriter. Since 1960 he has appeared in more than 100 films. Biography Banfi was born in the Apulian city of Andria, and at the age of three he moved to Canosa di Puglia. He started his career as a local singer and as a fotoromanzi actor. In 1954, determined to realize his aspiration to be an actor, he moved to Milan, where he encountered great economic and work difficulties, before moving to Rome in 1957, where he eventually started his professional stage career. Initially performing as Lino Zaga, he was part of numerous avanspettacolo companies, including those led by Alberto Sorrentino and Beniamino Maggio. Banfi made his film debut playing a minor role in Lucio Fulci's '' Howlers in the Dock''. On the set of Fulci's '' I due evasi di Sing Sing'' he befriended the comedy duo Franco and Ciccio, and for several years he became a regular character actor in their films. In 1968, he embraced stand ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
