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Authenticity In Art
Authenticity in art is manifested in the different ways that a work of art, or an artistic performance, can be considered authentic. The initial distinction is between ''nominal authenticity'' and ''expressive authenticity''. In the first sense, nominal authenticity is the correct identification of the author of a work of art; of how closely an actor or an actress interprets a role in a stageplay as written by the playwright; of how well a musician's performance of an artistic composition corresponds to the composer's intention; and how closely an '' objet d’art'' conforms to the artistic traditions of its genre. In the second sense, expressive authenticity is how much the work of art possesses inherent authority of and about its subject, and how much of the artist's intent is in the work of art. For the spectator, the listener, and the viewer, the ''authenticity of experience'' is an emotion impossible to recapture beyond the first encounter with the work of art in its origin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sartre And De Beauvoir At Balzac Memorial
Jean-Paul Charles Aymard Sartre (, ; ; 21 June 1905 – 15 April 1980) was a French philosopher, playwright, novelist, screenwriter, political activist, biographer, and literary criticism, literary critic, considered a leading figure in 20th-century French philosophy and Marxism. Sartre was one of the key figures in the philosophy of existentialism (and Phenomenology (philosophy), phenomenology). His work has influenced sociology, critical theory, post-colonial theory, and literary studies. He was awarded the 1964 Nobel Prize in Literature despite attempting to refuse it, saying that he always declined official honors and that "a writer should not allow himself to be turned into an institution." Sartre held an open relationship with prominent feminist and fellow existentialist philosopher Simone de Beauvoir. Together, Sartre and de Beauvoir challenged the culture, cultural and society, social assumptions and expectations of their upbringings, which they considered bourgeois, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lionel Trilling
Lionel Mordecai Trilling (July 4, 1905 – November 5, 1975) was an American literary critic, short story writer, essayist, and teacher. He was one of the leading U.S. critics of the 20th century who analyzed the contemporary cultural, social, and political implications of literature. With his wife Diana Trilling (née Rubin), whom he married in 1929, he was a member of the New York Intellectuals and contributor to the '' Partisan Review''. Personal and academic life Lionel Mordecai Trilling was born in Queens, New York, the son of Fannie (née Cohen), who was from London, and David Trilling, a tailor from Bialystok in Poland. His family was Jewish. In 1921, he graduated from DeWitt Clinton High School, and, at age 16, entered Columbia University, thus beginning a lifelong association with the university. He joined the Boar's Head Society and wrote for the ''Morningside'' literary journal. In 1925, he graduated from Columbia College, and, in 1926, earned a master's degree a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Old Masters
In art history, "Old Master" (or "old master")Old Masters Department Christies.com. refers to any of who worked in Europe before about 1800, or a painting by such an artist. An "" is an original print (for example an |
Collaborationism
Wartime collaboration is cooperation with the enemy against one's country of citizenship in wartime. As historian Gerhard Hirschfeld says, it "is as old as war and the occupation of foreign territory". The term ''collaborator'' dates to the 19th century and was used in France during the Napoleonic Wars. The meaning shifted during World War II to designate traitorous collaboration with the enemy. The related term ''collaborationism'' is used by historians who restrict the term to a subset of ideological collaborators in Vichy France who actively promoted German victory. Etymology The term ''collaborate'' dates from 1871, and is a back-formation from collaborator (1802), from the French ''collaborateur''. It was used during the Napoleonic Wars against smugglers trading with England and assisting in the escape of monarchists. It is derived from the Latin ''collaboratus'', past participle of ''collaborare'' "work with", from ''com''- "with" + ''labore'' "to work". The meaning of "tra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Netherlands In World War II
Despite Dutch neutrality, Nazi Germany German invasion of the Netherlands, invaded the Netherlands on 10 May 1940 as part of ''Fall Gelb'' (Case Yellow). On 15 May 1940, one day after the Rotterdam Blitz, bombing of Rotterdam, the Dutch forces surrendered. The Dutch government-in-exile, Dutch government and the Dutch royal family, royal family relocated to London. Juliana of the Netherlands, Princess Juliana and her children sought refuge in Ottawa, Canada, until after the war. German occupation lasted in some areas until the German surrender at Lüneburg Heath, German surrender in May 1945. Dutch resistance, Active resistance, at first carried out by a minority, grew in the course of the occupation. The occupiers deported the Jews in the Netherlands, majority of the country's Jews to Nazi concentration camps. Due to the high variation in the survival rate of Jewish inhabitants among local regions in the Netherlands, scholars have questioned the validity of a single explanatio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Abraham Bredius
Abraham Bredius (18 April 1855 – 13 March 1946) was a Dutch art collector, art historian, and museum curator. Life Bredius travelled widely, visiting various art collections in his youth, and worked at the Dutch Museum for History and Art before becoming director, from 1889 to 1909, of the Mauritshuis. He became a Rembrandt expert who had many differences of opinion with Cornelis Hofstede de Groot. He was a regular contributor to the historical magazines ''Oud Holland'' and ''Künstler-Inventare''. In 1922, he left the Netherlands for health reasons and settled in Monaco, publishing books in 1927 on Jan Steen and, in 1935, a catalog of Rembrandt paintings, often referred to in the literature as "Bredius 1935". He bequeathed his papers to the Rijksbureau voor Kunsthistorische Documentatie, and his art collection lives on in the Museum Bredius. He also bequeathed several Rembrandt paintings to the National Dutch collection, including Rembrandt's '' Homer Dictating his Vers ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Supper At Emmaus
According to the Gospel of Luke, the road to Emmaus appearance is one of the early post-resurrection appearances of Jesus after his crucifixion and the discovery of the empty tomb. Both the meeting on the road to Emmaus and the subsequent supper at Emmaus, depicting the meal that Jesus had with two disciples after the encounter on the road, have been popular subjects in art. Biblical accounts N. T. Wright considers the detailed narration of the Emmaus journey in Luke 24:13–35 as one of the best sketches of a biblical scene in the Gospel of Luke. Jan Lambrecht, citing D. P. Moessner, writes: "the Emmaus story is one of Luke's 'most exquisite literary achievements'." It describes the encounter on the road to Emmaus and the supper at Emmaus, and states that a disciple named Cleopas was walking towards Emmaus with another disciple when they met Jesus. They did not recognize him, and discussed their sadness at recent events with him. They persuaded him to come and eat with them, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johannes Vermeer
Johannes Vermeer ( , ; see below; also known as Jan Vermeer; October 1632 – 15 December 1675) was a Dutch painter who specialized in domestic interior scenes of middle-class life. He is considered one of the greatest painters of the Dutch Golden Age. During his lifetime, he was a moderately successful provincial genre painter, recognized in Delft and The Hague. He produced relatively few paintings, primarily earning his living as an art dealer. He was not wealthy; at his death, his wife was left in debt. Vermeer worked slowly and with great care, and frequently used very expensive pigments. He is particularly renowned for making masterful use of light in his work. "Almost all his paintings", Hans Koningsberger wrote, "are apparently set in two smallish rooms in his house in Delft; they show the same furniture and decorations in various arrangements and they often portray the same people, mostly women." The modest celebrity he enjoyed during his life gave way to obscurity ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gerard Ter Borch
Gerard ter Borch (; December 1617 – 8 December 1681), also known as Gerard Terburg (), was a Dutch Golden Age painter mainly of genre subjects. He influenced his fellow Dutch painters Gabriel Metsu, Gerrit Dou, Eglon van der Neer and Johannes Vermeer. According to Arthur K. Wheelock Jr., Ter Borch "established a new framework for subject matter, taking people into the sanctum of the home", showing the figures' uncertainties and expertly hinting at their inner lives. His influence as a painter, however, was later surpassed by Vermeer. Biography Gerard ter Borch was born in December 1617 in Zwolle in the province of Overijssel in the Dutch Republic. He received an excellent education from his father Gerard ter Borch the Elder, also an artist, and developed his talent very early. The inscription on a study of a head proves that ter Borch was at Amsterdam in 1632, where he studied possibly under Willem Cornelisz Duyster or Pieter Codde. Duyster's influence can be traced in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pieter De Hooch
Pieter Hendricksz. de Hooch (; also spelled ''Hoogh'' or ''Hooghe''; 20 December 1629 – after 1683), was a Dutch Golden Age painter famous for his genre works of quiet domestic scenes with an open doorway. He was a contemporary, in the Delft Guild of St. Luke, of Jan Vermeer with whom his work shares themes and style. De Hooch was first recorded in Delft on 5 August 1652, when he and another painter, Hendrick van der Burgh witnessed the signing of a will. He was active in 1683, but his date of death is unknown (his son Pieter died in 1684, a date often wrongly given for the father). Biography De Hooch was born in Rotterdam to Hendrick Hendricksz de Hooch, a bricklayer, and Annetge Pieters, a midwife, baptised at the Reformed Church in Rotterdam in 1629. He was the eldest of five children and outlived all of his siblings, evidently raised in a working class home. Though, his father was described as a "master bricklayer", hence a skilled artisan required to be a member ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frans Hals
Frans Hals the Elder (, ; ; – 26 August 1666) was a Dutch Golden Age painter. He lived and worked in Haarlem, a city in which the local authority of the day frowned on religious painting in places of worship but citizens liked to decorate their homes with works of art. Hals was highly sought after by wealthy Bourgeoisie, burgher commissioners of individual, married-couple, family, and institutional-group Portrait painting, portraits. He also painted tronies for the general market. There were two quite distinct schools of portraiture in 17th-century Haarlem: the neat (represented, for example, by Verspronck); and a looser, more painterly style at which Frans Hals excelled. Some of Hals's portrait work is characterised by a subdued palette, reflecting the politely serious tones of his fashionable clients' wardrobe. In contrast, the personalities he paints are full of life, typically with a friendly glint in the eye or the glimmer of a smile on the lips. Hals was born at Antwerp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Han Van Meegeren
Henricus Antonius "Han" van Meegeren (; 10 October 1889 – 30 December 1947) was a Dutch painter and portraitist, considered one of the most ingenious Art forgery, art forgers of the 20th century. Van Meegeren became a national hero after World War II when it was revealed that he had sold a forged painting to ''Reichsmarschall'' Hermann Göring during the Nazi occupation of the Netherlands. Van Meegeren attempted to make a career as an artist, but art critics dismissed his work. He decided to prove his talent by forging paintings from the Dutch Golden Age painting, Dutch Golden Age. Leading experts of the time accepted his paintings as genuine 17th-century works, including art collector Abraham Bredius. During World War II, Göring purchased one of Van Meegeren's "Johannes Vermeer, Vermeers", which became one of his most prized possessions. Following the war, Van Meegeren was arrested on a charge of selling cultural property to the Nazis. Facing a possible death penalty, he con ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
