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Alignment Level
The alignment level in an audio signal chain or on an audio recording is a defined anchor point that represents a reasonable or typical level. Analogue In analogue systems, alignment level in broadcast chains is commonly 0 dBu (0.775 volts RMS) and in professional audio is commonly ''0 VU'' (4 dBu, 1.228 volts RMS). Under normal situations, the 0 VU reference allows for a headroom of 18 dB or more above the reference level without significant distortion. This is largely due to the use of slow-responding VU meters in almost all analogue professional audio equipment, which, by their design and by specification, respond to an average level, not peak levels. Digital In digital systems alignment level commonly is at −18 dBFS (18 dB below digital full scale), in accordance with EBU recommendations. Digital equipment must use peak-reading metering systems to avoid severe digital distortion caused by the signal going beyond digita ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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Signal Chain
Signal chain, or signal-processing chain is a term used in signal processing and mixed-signal system design to describe a series of signal-conditioning electronic components that receive input (data acquired from sampling either real-time phenomena or from stored data) sequentially, with the output of one portion of the chain supplying input to the next. Signal chains are often used in signal processing applications to gather and process data or to apply system controls based on analysis of real-time phenomena. Definition This definition comes from common usage in the electronics industry and can be derived from definitions of its parts:Sippi, C. & Sippi, P., Computer Dictionary and Handbook, 1972, Bobbs-Merrill, New York, *Signal: "The event, phenomenon, or electrical quantity, that conveys information from one point to another". *Chain: "1. Any series of items linked together. 2. Pertaining to a routine consisting of segments which are run through the computer in tandem, on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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Loudness Normalisation
Audio normalization is the application of a constant amount of gain to an audio recording to bring the amplitude to a target level (the norm). Because the same amount of gain is applied across the entire recording, the signal-to-noise ratio and relative dynamics are unchanged. Normalization is one of the functions commonly provided by a digital audio workstation. Two principal types of audio normalization exist. Peak normalization adjusts the recording based on the highest signal level present in the recording. Loudness normalization adjusts the recording based on perceived loudness. Normalization differs from dynamic range compression, which applies varying levels of gain over a recording to fit the level within a minimum and maximum range. Normalization adjusts the gain by a constant value across the entire recording. Peak normalization One type of normalization is peak normalization, wherein the gain is changed to bring the highest PCM sample value or analog signal peak to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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Sound Production Technology
In physics, sound is a vibration that propagates as an acoustic wave through a transmission medium such as a gas, liquid or solid. In human physiology and psychology, sound is the ''reception'' of such waves and their ''perception'' by the brain. Only acoustic waves that have frequencies lying between about 20 Hz and 20 kHz, the audio frequency range, elicit an auditory percept in humans. In air at atmospheric pressure, these represent sound waves with wavelengths of to . Sound waves above 20 kHz are known as ultrasound and are not audible to humans. Sound waves below 20 Hz are known as infrasound. Different animal species have varying hearing ranges, allowing some to even hear ultrasounds. Definition Sound is defined as "(a) Oscillation in pressure, stress, particle displacement, particle velocity, etc., propagated in a medium with internal forces (e.g., elastic or viscous), or the superposition of such propagated oscillation. (b) Auditory s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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Broadcast Engineering
Broadcast engineering or radio engineering is the field of electrical engineering, and now to some extent computer engineering and information technology, which deals with radio and television broadcasting. Audio engineering and RF engineering are also essential parts of broadcast engineering, being their own subsets of electrical engineering. Broadcast engineering involves both the studio and transmitter aspects (the entire airchain), as well as remote broadcasts. Every station has a broadcast engineer, though one may now serve an entire station group in a city. In small media markets the engineer may work on a contract basis for one or more stations as needed. Duties Modern duties of a broadcast engineer include maintaining broadcast automation systems for the studio and automatic transmission systems for the transmitter plant. There are also important duties regarding radio towers, which must be maintained with proper lighting and painting. Occasionally a station's eng ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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Audio Engineering
Audio most commonly refers to sound, as it is transmitted in signal form. It may also refer to: Sound *Audio signal, an electrical representation of sound * Audio frequency, a frequency in the audio spectrum *Digital audio, representation of sound in a form processed and/or stored by computers or digital electronics *Audio, audible content (media) in audio production and publishing * Semantic audio, extraction of symbols or meaning from audio * Stereophonic audio, method of sound reproduction that creates an illusion of multi-directional audible perspective * Audio equipment Entertainment * AUDIO (group), an American R&B band of 5 brothers formerly known as TNT Boyz and as B5 * ''Audio'' (album), an album by the Blue Man Group * ''Audio'' (magazine), a magazine published from 1947 to 2000 * Audio (musician), British drum and bass artist * "Audio" (song), a song by LSD *"Audios", a song by Black Eyed Peas from ''Elevation'' Computing * HTML audio, identified by the tag See ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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Loudness War
The loudness war (or loudness race) is a trend of increasing audio levels in recorded music, which reduces audio fidelity and—according to many critics—listener enjoyment. Increasing loudness was first reported as early as the 1940s, with respect to mastering practices for 7-inch singles. The maximum peak level of analog recordings such as these is limited by varying specifications of electronic equipment along the chain from source to listener, including vinyl and cassette players. The issue garnered renewed attention starting in the 1990s with the introduction of digital signal processing capable of producing further loudness increases. With the advent of the compact disc (CD), music is encoded to a digital format with a clearly defined maximum peak amplitude. Once the maximum amplitude of a CD is reached, loudness can be increased still further through signal processing techniques such as dynamic range compression and equalization. Engineers can apply an increasingly ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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Transmission-level Point
In telecommunications, a transmission level point (TLP) is a test point in an electronic circuit that is typically a transmission channel. At the TLP, a test signal may be introduced or measured.Whitham D. Reeve (1992) ''Subscriber Loop Signaling and Transmission Handbook—Analog'', IEEE Press, p.229 Various parameters, such as the power of the signal, noise, voltage levels, wave forms, may be measured at the TLP. The nominal transmission level at a TLP is a function of system design and is an expression of the design gain or attenuation (loss). Voice-channel transmission levels at test points are measured in decibel-milliwatts (dBm) at a frequency of ~1000 hertz. The dBm is an absolute reference level measurement (see ) with respect to 1 mW power. When the nominal signal power is at the TLP, the test point is called a ''zero transmission level point'', or ''zero-dBm TLP''. The abbreviation dBm0 stands for the power in dBm measured at a zero transmission level point. The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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Nominal Level
Nominal level is the operating level at which an electronic signal processing device is designed to operate. The electronic circuits that make up such equipment are limited in the maximum signal they can handle and the low-level internally generated electronic noise they add to the signal. The difference between the internal noise and the maximum level is the device's dynamic range. The nominal level is the level that these devices were designed to operate at, for best dynamic range and adequate headroom. When a signal is chained with improper gain staging through many devices, clipping may occur or the system may operate with reduced dynamic range. In audio, a related measurement, signal-to-noise ratio, is usually defined as the difference between the nominal level and the noise floor, leaving the headroom as the difference between nominal and maximum output. The measured level is a time average, meaning that the peaks of audio signals regularly exceed the measured average l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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Full Scale
In electronics and signal processing, full scale represents the maximum amplitude a system can represent. In digital systems, a signal is said to be at digital full scale when its magnitude has reached the maximum representable value. Once a signal has reached digital full scale, all headroom has been utilized, and any further increase in amplitude will result in an error known as clipping. The amplitude of a digital signal can be represented in percent; full scale; or decibels, full scale (dBFS). In analog systems, full scale may be defined by the maximum voltage available, or the maximum deflection (full scale deflection or FSD) or indication of an analog instrument such as a moving coil meter or galvanometer. Binary representation Since binary integer representation range is asymmetrical, full scale is defined using the maximum positive value that can be represented. For example, 16-bit PCM audio is centered on the value 0, and can contain values from −32,768 to +32, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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Audio Normalization
Audio normalization is the application of a constant amount of gain to an audio recording to bring the amplitude to a target level (the norm). Because the same amount of gain is applied across the entire recording, the signal-to-noise ratio and relative dynamics are unchanged. Normalization is one of the functions commonly provided by a digital audio workstation. Two principal types of audio normalization exist. Peak normalization adjusts the recording based on the highest signal level present in the recording. Loudness normalization adjusts the recording based on perceived loudness. Normalization differs from dynamic range compression, which applies varying levels of gain over a recording to fit the level within a minimum and maximum range. Normalization adjusts the gain by a constant value across the entire recording. Peak normalization One type of normalization is peak normalization, wherein the gain is changed to bring the highest PCM sample value or analog signal peak ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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Loudness War
The loudness war (or loudness race) is a trend of increasing audio levels in recorded music, which reduces audio fidelity and—according to many critics—listener enjoyment. Increasing loudness was first reported as early as the 1940s, with respect to mastering practices for 7-inch singles. The maximum peak level of analog recordings such as these is limited by varying specifications of electronic equipment along the chain from source to listener, including vinyl and cassette players. The issue garnered renewed attention starting in the 1990s with the introduction of digital signal processing capable of producing further loudness increases. With the advent of the compact disc (CD), music is encoded to a digital format with a clearly defined maximum peak amplitude. Once the maximum amplitude of a CD is reached, loudness can be increased still further through signal processing techniques such as dynamic range compression and equalization. Engineers can apply an increasingly ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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Audio Recording
Sound recording and reproduction is the electrical, mechanical, electronic, or digital inscription and re-creation of sound waves, such as spoken voice, singing, instrumental music, or sound effects. The two main classes of sound recording technology are analog recording and digital recording. Acoustic analog recording is achieved by a microphone diaphragm that senses changes in atmospheric pressure caused by acoustic sound waves and records them as a mechanical representation of the sound waves on a medium such as a phonograph record (in which a stylus cuts grooves on a record). In magnetic tape recording, the sound waves vibrate the microphone diaphragm and are converted into a varying electric current, which is then converted to a varying magnetic field by an electromagnet, which makes a representation of the sound as magnetized areas on a plastic tape with a magnetic coating on it. Analog sound reproduction is the reverse process, with a larger loudspeaker diaphragm c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |