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Aleatoric
Aleatoricism (or aleatorism) is a term for musical compositions and other forms of art resulting from "actions made by chance". The term was first used "in the context of electro-acoustics and information theory" to describe "a course of sound events that is determined in its framework and flexible in detail", by Belgian-German physicist, acoustician, and information theorist Werner Meyer-Eppler. Werner Meyer-Eppler (1955) "Statistische und psychologische Klangprobleme," Elektronische Musik, '' Die Reihe'' I ( Herbert Eimert, ed.) Vienna, p. 22. English translation: Werner Meyer-Eppler (1957) "Statistic and Psychologic Problems of Sound" (Alexander Goehr, transl.). Electronic Music, ''Die Reihe'' 1 (H. Eimert, ed.), pp. 55–61, esp. p. 55. In practical application, in compositions by Mozart and Kirnberger, for instance, the order of the measures of a musical piece were left to be determined by throwing dice, and in performances of music by Pousseur (e.g., ''Répons pour sept ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aleatoric Music
Aleatoric music (also aleatory music or chance music; from the Latin language, Latin word ''alea'', meaning "dice") is music in which some Aspect of music, element of the composition is left to Randomness, chance, and/or some primary element of a composed work's realization is left to the determination of its performer(s). The term is most often associated with procedures in which the chance element involves a relatively limited number of possibilities. The term became known to European composers through lectures by acoustics, acoustician Werner Meyer-Eppler at the Darmstadt New Music Summer School, Darmstadt International Summer Courses for New Music in the beginning of the 1950s. According to his definition, "a process is said to be aleatoric ... if its course is determined in general but depends on chance in detail". Through a confusion of Meyer-Eppler's German terms ''Aleatorik'' (noun) and ''aleatorisch'' (adjective), his translator created a new English word, "aleatoric" (ra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
20th-century Classical Music
20th-century classical music is Western art music that was written between the years 1901 and 2000, inclusive. Musical style diverged during the 20th century as it never had previously, so this century was without a dominant style. Modernism, impressionism, and post-romanticism can all be traced to the decades before the turn of the 20th century, but can be included because they evolved beyond the musical boundaries of the 19th-century styles that were part of the earlier common practice period. Neoclassicism and expressionism came mostly after 1900. Minimalism started later in the century and can be seen as a change from the modern to postmodern era, although some date postmodernism from as early as about 1930. Aleatory, atonality, serialism, ''musique concrète'', and electronic music were all developed during the century. Jazz and ethnic folk music became important influences on many composers during this century. History At the turn of the century, music was characteristi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Karlheinz Stockhausen
Karlheinz Stockhausen (; 22 August 1928 – 5 December 2007) was a German composer, widely acknowledged by critics as one of the most important but also controversial composers of the 20th and early 21st centuries. He is known for his groundbreaking work in electronic music, having been called the "father of electronic music", for introducing controlled chance ( aleatory techniques) into serial composition, and for musical spatialization. Stockhausen was educated at the Hochschule für Musik Köln and the University of Cologne, later studying with Olivier Messiaen in Paris and with Werner Meyer-Eppler at the University of Bonn. As one of the leading figures of the Darmstadt School, his compositions and theories were and remain widely influential, not only on composers of art music, but also on jazz and popular music. His works, composed over a period of nearly sixty years, eschew traditional forms. In addition to electronic musicboth with and without live performersthe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Cage
John Milton Cage Jr. (September 5, 1912 – August 12, 1992) was an American composer and music theorist. A pioneer of indeterminacy in music, electroacoustic music, and Extended technique, non-standard use of musical instruments, Cage was one of the leading figures of the post-war avant-garde. Critics have lauded him as one of the most influential composers of the 20th century. He was also instrumental in the development of modern dance, mostly through his association with choreographer Merce Cunningham, who was also Cage's romantic partner for most of their lives. Cage's teachers included Henry Cowell (1933) and Arnold Schoenberg (1933–35), both known for their radical innovations in music, but Cage's major influences lay in various Eastern world, East and South Asia, South Asian cultures. Through his studies of Indian philosophy and Zen Buddhism in the late 1940s, Cage came to the idea of Aleatoric music, aleatoric or Indeterminism#Philosophy, chance-controlled music, which ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Werner Meyer-Eppler
Werner Meyer-Eppler (30 April 1913 – 8 July 1960), was a Belgian-born German physicist, experimental acoustician, phoneticist and information theorist. Meyer-Eppler was born in Antwerp. He studied mathematics, physics, and chemistry, first at the University of Cologne and then in Bonn, from 1936 until 1939, when he received a doctorate in Physics. From 1942 to 1945 he was a scientific assistant at the Physics Institute of the University of Bonn. From the time of his habilitation on 16 September 1942, he was also Lecturer in Experimental Physics. After the end of the war, Meyer-Eppler turned attention increasingly to phonetics and speech synthesis. In 1947 he was recruited by Paul Menzerath to the faculty of the Phonetic Institute of the University of Bonn, where he became Scientific Assistant on 1 April 1949. During this time, Meyer-Eppler published essays on synthetic language production and presented American inventions like the Coder, the Vocoder, the Visible Spee ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Witold Lutosławski
Witold Roman Lutosławski (; 25 January 1913 – 7 February 1994) was a Polish composer and conductor. Among the major composers of 20th-century classical music, he is "generally regarded as the most significant Polish composer since Szymanowski, and possibly the greatest Polish composer since Chopin". His compositions—of which he was a notable conductor—include representatives of most traditional genres, aside from opera: symphonies, concertos, orchestral song cycles, other orchestral works, and chamber works. Among his best known works are his four symphonies, the Variations on a Theme by Paganini (1941), the Concerto for Orchestra (1954), and his cello concerto (1970). During his youth, Lutosławski studied piano and composition in Warsaw. His early works were influenced by Polish folk music and demonstrated a wide range of rich atmospheric textures. His folk-inspired music includes the Concerto for Orchestra (1954)—which first brought him international renow ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aesthetics
Aesthetics (also spelled esthetics) is the branch of philosophy concerned with the nature of beauty and taste (sociology), taste, which in a broad sense incorporates the philosophy of art.Slater, B. H.Aesthetics ''Internet Encyclopedia of Philosophy,'' , accessed on 15 September 2024. Aesthetics examines values about, and Critical thinking, critical judgments of, artistic taste and preference. It thus studies how Artist, artists imagine, create, and perform works of art, as well as how people use, enjoy, and criticize art. Aesthetics considers why people consider certain things beautiful and not others, as well as how objects of beauty and art can affect our moods and our beliefs. Aesthetics tries to find answers to what exactly is art and what makes good art. It considers what happens in our minds when we view Visual arts, visual art, listen to music, read poetry, enjoy delicious food, and engage in large artistic projects like creating and experiencing plays, fashion shows ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
21st-century Classical Music
21st-century Western classical music is art music in the contemporary classical tradition that has been produced since the year 2000. A loose and ongoing period, 21st-century classical music is defined entirely by the calendar and does not refer to a musical style in the sense of Baroque or Romantic music. Many elements of the previous century have been retained, including postmodernism, polystylism, and eclecticism, which seek to incorporate elements of all styles of music irrespective of whether these are "classical" or not—these efforts represent a slackening differentiation between the various musical genres. Important influences include rock, pop, jazz, and the dance traditions associated with these. The combination of classical music and multimedia is another notable practice in the 21st century; the Internet and its related technology are important resources in this respect. Attitudes towards female composers are also changing. Artificial intelligence is also bein ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mark Snow
Mark Snow (born Martin Fulterman; August 26, 1946) is an American composer for film and television. Among his most famous compositions is the theme music for science fiction television series '' The X-Files''. ''The X Files'' instrumental was released as a single in the United Kingdom, where the series aired on BBC Two and BBC One, in early-1996, peaking at number two on the UK Singles Chart. Snow also wrote the music for another Chris Carter series, '' Millennium'', and the background music scores for both shows, a total of 12 seasons. Snow composed scores for other notable television, including '' Hart to Hart'', '' Starsky & Hutch'' (season 3), and ''Smallville''. Early life and education Snow grew up in Brooklyn Brooklyn is a Boroughs of New York City, borough of New York City located at the westernmost end of Long Island in the New York (state), State of New York. Formerly an independent city, the borough is coextensive with Kings County, one of twelv ..., New Y ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Williams
John Towner Williams (born February 8, 1932)Nylund, Rob (November 15, 2022)Classic Connection review, ''WBOI'' ("For the second time this year, the Fort Wayne Philharmonic honored American composer, conductor, and arranger John Williams, who was born on February 8, 1932.")(April 23, 2022)From Jaws to Star Wars, Edmonton Symphony Orchestra celebrates John Williams, CTV News is an American composer and conductor. In a career that has spanned seven decades, he has composed some of the most popular, recognizable, and critically acclaimed film scores in History of film, cinema history. He has a distinct sound that mixes Romantic music, romanticism, Impressionism in music, impressionism and Atonality, atonal music with complex orchestration. He is best known for his collaborations with Steven Spielberg and George Lucas and has received List of awards and nominations received by John Williams, numerous accolades including 26 Grammy Awards, Grammy Awards, five Academy Awards, seven Brit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Perspectives Of New Music
''Perspectives of New Music'' (PNM) is a peer-reviewed academic journal specializing in music theory Music theory is the study of theoretical frameworks for understanding the practices and possibilities of music. ''The Oxford Companion to Music'' describes three interrelated uses of the term "music theory": The first is the "Elements of music, ... and analysis. It was established in 1962 by Arthur Berger and Benjamin Boretz (who were its initial editors-in-chief). ''Perspectives'' was first published by the Princeton University Press, initially supported by the Fromm Music Foundation.David Carson Berry, "''Journal of Music Theory'' under Allen Forte's Editorship," '' Journal of Music Theory'' 50/1 (2006), 21, n49. The first issue was favorably reviewed in the '' Journal of Music Theory'', which observed that Berger and Boretz had produced "a first issue which sustains such a high quality of interest and cogency among its articles that one suspects the long delay precedin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jerome Kohl
Jerome Joseph Kohl (November 27, 1946 – August 4, 2020) was an American musicologist, academic journal editor, and recorder teacher. A music theorist at the University of Washington, he became recognized internationally as an authority on the music of Karlheinz Stockhausen. Life and work Kohl grew up in Lincoln, Nebraska, with three siblings. During high school and college, he played the clarinet in the local symphony orchestra. He received his undergraduate, and in 1971, his master's degree in music from the University of Nebraska. Drafted into the army, he played in an army band during the Vietnam War. Afterwards, he started his doctoral studies in music theory at the University of Washington in Seattle. In the 1970s, Kohl joined the Seattle Recorder Society, attending and running classes at their meetings, as well as teaching privately. In 1976, Kohl co-founded and became the board president of the Early Music Guild (EMG, now called Early Music Seattle) in Seattle, attracti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
